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Bibliographie Der Filmmusik 2012 Repositorium für die Medienwissenschaft Hans Jürgen Wulff Bibliographie der Filmmusik 2012 https://doi.org/10.25969/mediarep/12895 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Bibliographie der Filmmusik. Hamburg: Universität Hamburg, Institut für Germanistik 2012 (Medienwissenschaft: Berichte und Papiere 87). DOI: https://doi.org/10.25969/mediarep/12895. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0087_08.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 87, 2008 [rev. 2012]: Filmmusik. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Neuausgabe 2012. Letzte Änderung: 28. Februar 2012. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0087_08.pdf. Bibliographie der Filmmusik Komp. v. Hans J. Wulff Inhalt: Wiesbaden: VS Verlag für Sozialwissenschaften Bibliographien 2008, S. 207-226. Themenhefte Bücher und Artikel Themenhefte In die folgende Bibliographie sind Hinweise von 1895. Revue de l’association française de recherche Claudia Bullerjahn, Michael Hergt, Christoph Hen- sur l’histoire du cinéma, 38, Oct. 2002: Musique. zel, Ludger Kaczmarek, Ingo Lehmann, Birgit Leit- Èd. par François Albera et Giusy Pisano. ner, Peter Moormann, Franz Obermeier, Robert Rabenalt, Ansgar Schlichter, Mirkko Stehn und AugenBlick, 35, 2004: „Film und Musik“. Hrsg. v. Claus Tieber eingegangen. Die namentlich geken- Thomas Koebner. nzeichneten Annotationen sind uns freundlicher- weise vom Projekt “Bibliographie für die Musikwis- Chigiana 42,22, 1990: Issue on film music. senschaft”, hrsg. v. Staatlichen Institut für Musikfor- Cineaste 21,1-2, 1995, pp. 46-80: Sound and Music schung Preußischer Kulturbesitz, Berlin, überlassen in the Movies. worden (online: http://www.sim.spk- berlin.de/start.php). Ich danke Herrn Carsten Cinema (Basel: Stroemfeld, Roter Stern) 37, 1991: Schmidt für seine Kooperationsbereitschaft. Soweit Themenheft „Tonkörper. Die Umwertung des Tons die Annotate nicht anders gekennzeichnet sind, sind im Film“. es Abstracts von Artikeln, Klappentexte von Büch- ern oder deskriptive Beschreibungen der Autoren Cinema (Marburg: Schüren) 49, 2004: Themenheft oder der Verlage. „Musik“. Die Bibliographie ist gegenüber der Fassung von 2008 aktualisiert und um bislang übersehene Titel Civiltà musicale (Vicchio, Firenze: LoGisma Ed.) 19,1 [=51-52], gennaio-agosto 2004, 218 pp.: „La ergänzt worden. musica nel cinema. Tematiche e metodi di ricerca. A cura di Sergio Miceli. ￢ Una raccolta di saggi che fa il punto della situazione Bibliographien in una materia che fa parte dei piani di studio del DAMS (Bergamo, Venezia, Bologna, Firenze, Roma Lamberts-Piel, Christa: Der Ton zum Bild. Filmmu- Uno, Roma Tre, Lecce), ma che è ancora giovane per sik im Unterricht. Eine kommentierte Literaturliste il panorama musicologico e musicale italiano. Studiosi zum Hineinfinden und Hindurchfinden. In: Musik giovani e meno giovani affrontano temi legati al rap- und Unterricht, 81, 2005, S. 50-53. porto musica-cinema ai tempi del “muto”, il linguag- gio del musical recentemente rivisitato da nuovi films, le tematiche delle avanguardie musicali, o quelle del Schramm, Helmut / Weinacht, Stefan (Hrsg.): Musik rapporto fra musica e cinema d’animazione. und Medien – eine Bibliografie [Music and media - ￢ Inhalt: Sergio Miceli, Introduzione. -- Cristiana Mar- a selective bibliography]. In: S. Weinacht & H. rocchi, Sebastiano Arturo Luciani: attualità di un ante- Scherer (Eds.), Wissenschaftliche Perspektiven auf signano. -- Carlo Piccardi, Pierrot al cinema. Il deno- Musik und Medien (Reihe Musik und Medien). minatore musicale dalla pantomima al film. -- Renata Filmmusik // Medienwissenschaft/Hamburg, 87, 2008 [2012] /// 2 Scognamiglio, Aspetti del musical contemporaneo. Palm of Your Hand. -- [Translation:] Antoine Hennion, Quattro analisi. -- Gillian Anderson, Musical missio- trans. Jérôme Hansen: The Musicalisation of Visual naries: “Suitable” music in the cinema 1913-1915. -- Arts (1997). -- Jacob Smith: Tearing Speech to Pieces: Marco Alunno, Vittorio Gelmetti. Sperimentazione e Voice Technologies of the 1940s. -- Reviews. cinema. -- Sabrina Todaro, Il sodalizio Frattini-Boz- zetto nel cinema d’animazione. Musikforum 94, 2001, 149 S.: Themenheft „Filmmu- sik - Musik der Zukunft“. Mit Beiträgen von Sven Diskussion Musikpädagogik, 47, 2010: Themenheft Ahnert [...]. Mainz [...]: Schott 2001. „Musikfilme“. ￢ Aus dem Inhalt: Werner Hahn: Laudatio für Hildegard Neue Zeitschrift fur Musik 156,4, 1995, pp. 1-47. Krützfeldt-Junker - zum 80. Geburtstag. -- Thomas ￢ Contents: Good Morning, Mr. Edison / Motte-Haber, Ott: Schubert in der Schulstube - oder: Warum Kom- Helga de la. (4-9). - Film wird Musik: Avantgardefil- ponistenfilme im Musikunterricht? -- Georg Maas: me der zwanziger Jahre / Goergen, Jeanpaul (10-15). - Eine musikalische Zeitreise - Das Filmmusical Der visuelle Ton: Der Filmkomponist Edmund „Across the Universe” (2007) (11-16). -- Georg Maas: Meisel / Baier, Christian (16-21). - Exponent einer Der Musikfilm - Eine sehr persönliche Auswahl. -- Filmmusik-Zukunft Paul Dessau als Kinokapellmeis- Robert Lang: Musiklehrer im Spielfilm. ter / Bolte, Marie-Luise (22-25). - Vom Tonbild zum Klassik-Video: Geschichte und Aktualitat des musika- Ecran 75, 39, [1975], 80 pp.: Themenheft „Cinéma lischen Kurzfilms / Prox, Lothar (26-31). - Versiegelte et musique, 1960-1975". Klange: Gedanken zur musikalischen Konzeption in den Filmen Andrej Tarkowskis / Thiel, Wolfgang (32- Ethnomusicology Forum 18,1, June 2009, 181 pp. 36). - Kaum Chancen fur Modernes. Filmmusik in Spec. Iss.: Screened Music: Global Perspectives. Hollywood / Karban, Thomas (37-39). - Klang der Guest eds.: Miguel Mera and Anna Morcom. Dunkelheit: Der Film noir und seine Musik / Ahnert, Sven (40-43). - Ein Leben fur das Trautonium: Ein Besuch bei Oskar Sala zum 85 / Kampfer, Frank (44- Film History 14,1, 2002: „Film/Music“. Ed. by Ri- 47). chard Koszarski. Positif, 389-390, JulyAug. 1993, pp. 116-159: Musi- Indiana Theory Review 11,1-2, 1990: Issue on film ques des films. music. The Velvet Light Trap, 51, Spring 2003: Themenheft Music in Art 27,1-2, 2002: Themenheft „Music in „Sound“. Iberian art and film“ (guest ed.: Anna Cazurra). 214 ￢ URL: pp. http://muse.jhu.edu/demo/the_velvet_light_trap/. ￢ Bezug durch das Research Center for Music Iconogra- phy, The Graduate School and University Center of Vibrations, 4, 1987: Les musiques des films. the City University of New York, 2003. Wespennest: Zeitschrift für brauchbare Texte und Music, Sound, and the Moving Image 2,2, 2009. Bilder 102, 1996, S. 32-77: Themenschwerpunkt Spec. Iss.: The Future of Sound Studies. Guest edi- "Sound. Design. Music: Musik im Film", zusam- tors: Tony Grajeda and Jay Beck ￢ mengest. v. Bernhard Kraller. Mitarb. Regina Contents: Tony Grajeda and Jay Beck: Introduction: Schlagnitweit. The Future of Sound Studies . -- Mark Kerins: A State- ￢ ment on Sound Studies. -- Jennifer Fleeger: Projecting Inhalt: Claudia Gorbman: Film Music: Texts and Con- an Aria, Singing the Cinema: In search of a shared vo- texts (34-42). -- Walter Lehr / Erna Cuesta: Sound. cabulary for opera and film studies. -- Danijela Kule- Design. Music. Drei Gespräche, ein Generationskon- zic-Wilson: Sound Design is the New Score. -- Gregg flikt (44-49; Interviews mit Paul Haslinger, Hans Zim- Redner: Building a Deleuzian Bridge Between Music mer und Leonhard Rosenman). -- Wolfgang Thiel: Versiegelte Klänge [über osteuropäische Filmmusik] and Film Theories. -- Shannon Mattern and Barry Sal- (50-55). -- Georg Haberl: Jazzin' the Movies. Anmer- mon: Sound Studies: Framing Noise. -- Allison Whit- kungen zur "Verfilmung von Jazz" (56-60). -- Helmut ney: Cultivating Sonic Literacy in the Humanities Weihsmann: Notes from a Survivor (61-67). -- Franz Classroom. -- Martin Barnier: The Sound of the First Koglmann: Ich wußte nie, wo ich war - wirklich - wo French Television Advertisements. -- Michele Hilmes: sind wir jetzt? Einige Anmerkungen zum Verhältnis Television Sound: Why the Silence? -- Jonathan Ster- ne: Being `In the True of Sound Studies. -- Steve J. von Film und Jazz (68-70). -- Thomas Mieszgang: Wurtzler: One Future of Sound Studies Fits into the Rock'n'Movie. Roll Over Godard (72-77). Filmmusik // Medienwissenschaft/Hamburg, 87, 2008 [2012] /// 3 ￢ Die Beiträge von Gorbman, Thiel und Mieszgang sind Lust im weiten Feld zu streiten mit dem Feind, jeweils Vorabveröffentlichungen von Beiträgen zu einem auch im Verhältnis zu den Vorlagen und Quellen. Symposium "Film und Musik", das im Rahmen der Viennale stattfand; alle Beiträge wurden in einer eige- Achilli, Alberto / Boschi, Alberto / Casadio, Gian- nen Publikation (Schlagnitweit, Regina / Schlemmer, franco (a cura di): Le sonorità del visibile. Immagi- Gottfried (Hg): Film und Musik. Wien: Synema 2001) ni, suoni e musica nel cinema di Michelangelo Anto- zugänglich gemacht werden. nioni. Ravenna: Longo 1999, 188 pp. (Musica, cine- ma, immagine, teatro. 27.). Bücher und Artikel Adorno,
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