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Monas Hieroglyphica</Em>
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-17-2020 Roots of Coded Metaphor in John Dee's Monas Hieroglyphica Joshua Michael Zintel University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy of Science Commons Scholar Commons Citation Zintel, Joshua Michael, "Roots of Coded Metaphor in John Dee's Monas Hieroglyphica" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8502 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Roots of Coded Metaphor in John Dee’s Monas Hieroglyphica by Joshua Michael Zintel A thesis submitted in partial fulfillment of the requirements of the degree of Master of Arts in Liberal Arts with a concentration in Humanities Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Brendan Cook, Ph.D. Daniel Belgrad, Ph.D. Benjamin Goldberg, Ph.D. Date of Approval: July 15, 2020 Keywords: renaissance, early modernity, hieroglyphics, ideogram, arbor raritatis, monad Copyright © 2020, Joshua Michael Zintel Dedication This thesis is dedicated to my mother, father, and son, and to my students past and future. Acknowledgments Special thanks to Ray, Karen, and Larimer House for the many years of encouragement, “leaping laughter”, fraternity, sorority, and endless support and insights, without which this thesis would have never been written; also thanks to my advisor and friend, Dr. -
Robert Fripp and the League of Crafty Guitarists
Robert Fripp Live! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live! Country: US Released: 1986 Style: Acoustic, Experimental MP3 version RAR size: 1164 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1814 mb Rating: 4.5 Votes: 779 Other Formats: MP2 FLAC WMA DXD VOC TTA MOD Tracklist Hide Credits Guitar Craft Theme I: Invocation 1 5:18 Written-By – Fripp* Tight Muscle Party At Love Beach 2 1:22 Written-By – Essex* The Chords That Bind 3 1:43 Written-By – Fripp* Guitar Craft Theme III: Eye Of The Needle 4 2:20 Written-By – Fripp* All Or Nothing II 5 3:59 Written-By – Fripp* Guitar Craft Theme II: Aspiration 6 3:58 Written-By – Fripp* All Or Nothing I 7 4:44 Written-By – Fripp* Circulation 8 3:54 Written-By – Fripp* A Fearful Symmetry 9 3:21 Written-By – Fripp*, League* The New World 10 9:55 Written-By – Fripp* Crafty March 11 3:15 Written-By – Fripp*, League* Companies, etc. Produced For – Editions EG Phonographic Copyright (p) – E.G. Records Ltd. Copyright (c) – E.G. Records Ltd. Marketed By – Jem Records, Inc. Published By – E.G. Music, Inc. Recorded By – Effanel Music Mixed At – Arny's Shack Credits Cover – Bill Smith Studio Engineer [Assistant] – Mark Shane Engineer [Executive] – Tony Arnold Engineer [Mixing, Assistant] – Gary Jones Engineer [Recording] – Randy Ezratty Other [Concert Production] – Jon Paige Other [Performance Liaison] – Bob Gerber Photography By [Cover Photograph Of Robert Fripp] – Richard Haughton Photography By [The LCG At George Washington University] – Toyah Willcox Producer – Robert Fripp, Tony Arnold Notes Location recording by Effanel Music. -
Jaarverslag 2019 Embassy of the Free Mind Jaarverslag 2019 Embassy of the Free Mind Inhoudsopgave
JAARVERSLAG 2019 EMBASSY OF THE FREE MIND JAARVERSLAG 2019 EMBASSY OF THE FREE MIND INHOUDSOPGAVE RESULTATEN 2019 5 CIJFERS STICHTING HET WERELDHART 6 CIJFERS STICHTING BIBLIOTHECA PHILOSOPHICA HERMETICA 10 RESULTATEN 2019 EMBASSY OF THE FREE MIND FINANCIËN COMMUNICATIE ¤ Tentoonstelling: KABBALA & ¤ Totale lasten: organisatie ¤ Online community van 62.931 ALCHEMIE: 13-6 t/m 16-11 i.s.m € 627.605, projecten € 215.880 naar 80.176 gegroeid (+30%) de Ets Haim bibliotheek van ¤ Ontvangen periodieke ¤ 40% van de Instagram het Joods Cultureel Kwartier schenkingen: € 875.000 volgers zijn tussen de 25 en Tentoonstelling: OOG VOOR ¤ Ontvangen donaties bedrijven 34 jaar oud, van de fysieke DE WERELD. De visionaire € 158.747 museumbezoekers is 30% tussen denker Jacob Böhme: 14-12-19 ¤ Ontvangen losse donaties de 18 – 34 jaar oud t/m 18-4-20 i.s.m de Staatliche particulieren €8.489 ¤ Youtube: 11 nieuwe video’s, Kunstsammlungen Dresden ¤ Vriendenstructuur: € 12.355 incl. gratis live streams ¤ Programmering met totaal ontvangen van vrienden, pioniers van evenementen, met 63 unieke evenementen en patronen en € 70.000 van als populairste video de zoals lezingen, concerten, vrijdenkers lezing ‘Lecture, ‘Kabbalah, conferenties, cursussen en ¤ Inkomsten uit zaalhuur: € 33.740 messianism and magic’ - Part I’, Museumnacht ¤ Restauratie voorgevel: € 170.000, 1.600 views ¤ 1203 aanmeldingen voor gedekt door bijdragen van fondsen ¤ Pers: Trouw, rondleidingen (Oude Boek, Capitalavecmanagement. algemeen, kinderen, fr, Glamour.nl, AVclub.nl, thematisch) Boingboing.net, -
Press Release Kabbalah & Alchemy
Kabbalah & Alchemy Exhibition Embassy of the Free Mind 13 June - 16 November 2019 The Embassy of the Free Mind (EFM) is proud to present its first exhibition in its new premises The House with the Heads: Kabbalah & Alchemy, which is on show from 13 June -16 November 2019. The EFM is a library, a museum and a platform for free thinking. Kabbalah and alchemy were traditionally regarded as hidden currents in European cultural history. The EFM wishes to explore with this exhibition the relatively unknown relationship between these two disciplines by means of richly illustrated manuscripts and printed books from the 16th-18th centuries, deriving from its Bibliotheca Philosophica Hermetica Collection and seven special Hebrew loans from the Amsterdam Ets Haim – Livraria Montezinos, the oldest still functioning Jewish library in the world. Closer to God Kabbalah is a Jewish mystical tradition that was passed down from generation to generation in circles of adepts. Kabbalists based themselves on the assumption that the Hebrew language was divine in origin, the language also in which God had created heaven and earth. By meditating on the letters of the Hebrew alphabet and the various divine names, kabbalists hoped to be able to come closer to God. The mystical longing to know God is also reflected in the image of the tree of life, represented in the exhibition by the oldest known printed woodcut from 1516. The ten divine attributes - Hebrew: sefirot – of this tree of life are the attributes through which God reveals himself to man. From lead to gold Alchemy has its roots in the Graeco-Roman Egypt of the first centuries CE. -
Kenneth Alvin's Guitar Craft Level I (Lebanon, NJ, Sept
Kenneth Alvin's Guitar Craft Level I (Lebanon, NJ, Sept. 2000) Course Diary September 2, 2000 12.40 CDT On my way to Lebanon NJ by way of Newark. This is the second leg of the trip; first flight was from Albuquerque to Houston, I managed to fit everything into a new backpack/wheelie Carol bought for me, plus my laptop case and, of course, the guitar. Hope I didn't forget something... Personal aims for GC Level I course: • Experience the possibilities afforded by a long-term commitment to music and craft, in order to determine the level of my own long-term commitment. • Establish a basis for my personal practice (guidance on technique, exercises, approach) • Make connections to the GC community for future development, collaborations, etc. Summary: We start where we start (a constraint and a gift), but the direction of our development is more malleable. I'm excited and a little apprehensive. A treat: we're scheduled to arrive approximately 20 minutes early. I was hesitant to book this particular itinerary because it was cutting so close to the deadline for arrival in Newark. And given the state of the airlines and on-time arrival statistics, well, it seemed iffy. I'm glad that it worked out. If there is any hope of producing nuclear fusion on early, my backpack is it. What transmutation results from the fusion of cotton? By the way, it struck me while packing last night that practically everything I own, including the wheelie backpack, laptop case, and clothes are made by Eddie Bauer. -
ESSWE Newsletter Vol. 12, No. 1 (Winter / Spring 2021)
Image: Detail from Robert Vaughan (c.1600 -1660), Engraved illustration depicting two men, one seated and one kneeling below two celestial, winged angels, n.d.. Mixed material, 19cm. Beinecke Library. 1 Words from the Editor 2 Letter by the President of ESSWE to the Members 3 New Publications from ESSWE Members 8 Scholar Interviews 9 PhD Project Features 11 News from the HHP 12 Upcoming Events Words from the Editor PhD projects of Sólveig Guðmundsdóttir and Matt Wiemers are featured. Dr. Marco Pasi also brings us updates from the HHP. Finally, there are several updates on upcoming Zoom events this year. As a new Chloe Sugden season is very soon upon us, I’ll leave you with some springtime promises from William Blake: Welcome to the Winter / Spring 2021 edition of the ESSWE Newsletter! I hope that you are all keeping well, despite the malaise of The Sun does arise, this ceaseless pandemic. With great pleasure, I continue the work And make happy the skies. of our previous editors: my friends and colleagues, Dr. Christian The merry bells ring Giudice and Dr. Per Faxneld. Thanks to the Board and designer, Boris To welcome the Spring. Fernandez, we have a refreshed layout. The structure of the Newsletter The sky-lark and thrush, remains unchanged, though I have reintroduced the ‘PhD Projects The birds of the bush, Features’ section and altered the ‘New Publications’ section to include Sing louder around, occasional author and editor interviews. To the bells’ cheerful sound. While our sports shall be seen This edition, ESSWE President Dr. Andreas Kilcher makes several On the Echoing Green. -
Beleidsplan 2018-2020 + Jaarverslag 2017
JAARVERSLAG 2017 BELEIDSPLAN 2018-2020 INHOUDSOPGAVE EMBASSY OF THE FREE MIND 5 MISSIE, VISIE & REALISATIE 9 HET AMSTERDAMSE DNA VAN DE EMBASSY OF THE FREE MIND 11 VIJF KERNWAARDEN VAN DE EMBASSY OF THE FREE MIND 14 RESULTATEN 2017 17 ORGANISATIE 18 FINANCIËN & VRIENDENSTRUCTUUR 20 MARKETING & COMMUNICATIE 22 COLLECTIE 24 OVERZICHT VAN DE COLLECTIE 34 UNIEKE AANWINST IN 2017 37 PHOENIX FONDS 39 HUIS MET DE HOOFDEN 41 MUSEUM 44 UITBREIDING MUSEUMBIBLIOTHEEK 50 KENNISCENTRUM 52 VERANTWOORDING ILLUSTRATIES 62 FINANCIËLE BIJLAGEN 65 EMBASSY OF THE FREE MIND In dit jaarverslag 2017 & beleidsplan 2018- inzicht te verkrijgen in de werkelijkheid 2020 willen we je kennis laten maken met waarin we leven en bieden een manier de Embassy of the Free Mind (EFM), een om daar op strikt individuele manier initiatief van de culturele ANBI-stichting Het invulling aan te geven. Als wetenschapper, Wereldhart (WH). kunstenaar, denker of doener, kind of volwassene. Wij willen een platform bieden Amsterdam is een stad met diversiteit, aan iedereen die op ons specialisatieterrein authenticiteit, creativiteit en actief is en een ieder die dit graag breder wil ondernemerschap. Veel Amsterdammers, en helpen uitdragen. ook toeristen, ondernemers en studenten, voelen zich aangetrokken tot de geest Na dertig jaar als publiek toegankelijke van vrijheid die er heerst. De vrijheid wetenschappelijke onderzoeksbibliotheek van het woord kreeg in deze stad – die al in de Bloemstraat in Amsterdam gevestigd in de befaamde Gouden Eeuw in open te zijn geweest, zijn we nu ook officieel een communicatie stond met de rest van de museum. En dat bovendien op een heel wereld - vleugels door de vrijheid van prominente locatie in Amsterdam: het godsdienst, meningsuiting en drukpers. -
Article-P236 11.Pdf
Religion and the Arts 21 (2017) 236–258 RELIGION and the ARTS brill.com/rart “Turning Ourselves” Fripp, Bennett, Gurdjieff David G. Robertson University of Edinburgh Abstract In 1974, Robert Fripp—leader of the progressive rock group King Crimson—had a spiritual experience in which “the top of [his] head blew off.” He became a student of J. G. Bennett, himself a former student of G. I. Gurdjieff, at Sherborne House in Gloucestershire, and remains a member of the Bennett Foundation to this day. When Fripp returned to the music industry, it was with an approach that favored disciplined and geometric compositions over the jagged improvisation of the earlier period. This article explores the influence of Gurdjieff and Bennett’s teaching upon Fripp and his work, and his apparent attempts to realize the former’s idea of “objective art” through his music. I pay particular attention to the development of Guitar Craft, in which Fripp applies Gurdjieff’s techniques through the teaching of the guitar. I argue that Fripp’s teaching is a little examined scion of the Gurdjieff lineage, and a case study of discrete cultural production. Keywords Robert Fripp – G. I. Gurdjieff – J. G. Bennett – Fourth Way – progressive rock … Spirituality is not identical with religion.The artist, who looks for a quality in his art that this world cannot give, is a spiritual man even if he denies religion. bennett, A Spiritual Psychology 9 ∵ © koninklijke brill nv, leiden, 2017 | doi: 10.1163/15685292-02101010 Downloaded from Brill.com09/25/2021 10:37:42PM via free access “turning ourselves” 237 i Introduction In 1974,Robert Fripp, the phlegmatic guitarist and leader of the progressive rock group King Crimson, claimed that “the top of [his] head blew off” while reading the First Inaugural Address of J. -
ESSWE Newsletter, Vol. 9, No. 1
The Newsletter of the ESSWE European Society for Summer 2018 the Study of Western Volume 9, Number 1 Esotericism Newsletter Words from the Editor – Chris Giudice Words from the Editor (p. 1) Four new publications (p. 2) Scholar Interviews (p. 4) Conference Reviews (p. 7) Call for Papers (p. 8) News from the Ritman (p. 11) I would be delighted if any of our members could provide the Welcome to the Summer 2018 Newsletter: this issue sees the Newsletter with a brief report of these and other conferences, presence of some of the most popular sections, such as scholar accompanied, if possible, by pictures related to the events. interviews and not two, but four member publications. The field of Member contribution is a vital aspect of the Newsletter, and is Western esotericism seems to be blooming, not only in regard to highly appreciated for those events that your humble editor will the main societies’ ESSWE and ASE conferences and not be able to visit. As always, please do not hesitate to contact publications, but local regional networks’ activities, such as me if you think that something should be added to the next CEENASWE and INASWE appear to be on the rise. The EASR in issue or if you are organising an event that could be of interest Bern and the CESNUR conference in Taiwan are taking place as I to the membership of ESSWE. The next issue of the newsletter write this editorial: will be sent out in December. Wishing all ESSWE members a productive and (moderately) stress free summer! Edited by Chris Giudice, Department of Literature, History of Ideas and Religion, University of Gothenburg ([email protected]) ESSWE Newsletter New publications by ESSWE members Muriel Pécastaing-Boissière Annie Besant (1847-1933): Struggles and Quest My biography of Besant was first published in French (Annie Besant : la lutte et la quête. -
La Espada Libros En Los Tiempos De Grossman El Día En Que Robert
Revista trimestral gratuita edición Junio - Agosto número 1 Revista de divulgación e intercambio cultural en lengua española Madrid 2009 Más pegado al suelo, cuando me hice con mi primer OK, así de primeras, suena un poco esnob y sectario. reproductor de CD, tardé poco en completar la colec- Cuando me hice con el disco, sentí lo mismo que años ción de discos de King Crimson. Aún hoy no deja de sor- atrás con el I Advance Masked: perplejidad, ansiedad prenderme la distancia que hay entre los pasajes líri- y, finalmente, la hipnosis. Treinta guitarristas tocando cos, en todas sus etapas, incluido el «Walking On Air» las mismas notas al mismo tiempo en una cadencia re- del disco Thrak, con sus fogonazos instrumentales, tam- petitiva y, en ocasiones, una guitarra solista marcando El día bién en todas las etapas. Leí que Fripp afirmaba que la una melodía: Fripp. Libros en los energía de la banda era fruto de la frustración creativa. Un vecino que me desafió con el volumen de su equipo Finalmente, durante uno de mis pasatiempos en de música pudo comprobar que Fripp no bromeaba youtube probé a buscarlo en imágenes. En efecto, son cuando coloqué el Thrakattak contra su pared. Y es que treinta tíos sentados dispuestos como los tres lados de en el recorrido de cuarenta años de King Crimson está un rectángulo que completa el público. Y sí, resultan lú- en que toda la música que puedas imaginar, de lo más delicado gubres e inquietantes tocando todos al mismo tiempo, a lo más disociado. como un monstruo sin cabeza, hasta que la guitarra so- lista -
Några Av Släkten Grills Gods Och Gårdar
Några av släkten Grills gods och gårdar. Grillska huset. Marken till den nuvarande byggnaden med adress Stortorget 3 var under medeltiden indelad i tre tomter. Hörnhuset mot Köpmangatan ägdes under en tid av Jakob De la Gardie och köptes 1645 av köpmannen Hans Brehmer, som nästan samtidigt lyckades bli ägare till de andra två små tomterna. Huset vi ser idag är resultatet av en omfattande om- och tillbyggnad under åren 1645-1649 med en medeltida stomme som grund. Efter Brehmers död 1651 bytte fastigheten ägare flera gånger. Under några år ägdes den av Drottning Kristina, men såldes under hennes tid i Rom år 1681 till guldsmeden Anthony Grill den yngre (1640-1703), som liksom sin fader Anthoni Grill den äldre var riksguardien.1 År 1711 hade fastigheten Cepheus 1, 21 enligt mantalslängden överförts på avlidne Anthony (II) Grills arvingar.2 De båda husen omsluter hörnhuset Stortorget 5 (Cepheus 22), som aldrig har ägts av Grillarna. Alm och Forsstrand påstår att lagman Arendt Silfversparre sålde huset Svartmansgatan 7 (Cepheus 1) till Abraham Grill år 1718, men i Stockholms Stadsarkiv (SSA) har jag inte lyckats hitta något uppbudsprotokoll som stöder detta. Registerkortet i SSA, som anger Silfversparre som ägare, hänvisar till en notering i mantalslängden för 1711 (nr 88), där man läser ”Lagman Wälborne Herr Arendt Sölfversparres hus står öde”. Där står inget om att det skulle gälla just Cepheus 1. Mantalslängdens noteringar före och efter post nr 88 hänvisar till fastigheter på västra sidan Svartmansgatan (Ceres 12, 13, 14 och 15) eller söder om Grillarnas hus. (t ex Cepheus 2) Med största sannolikhet har alltså fastigheterna Cepheus 1, 21 utgjort en 3 helhet redan från 1681, precis som det står i uppbudsprotokollen. -
Guitar Craft: a Brief Introductory Guide to Practice
Guitar Craft: A Brief Introductory Guide to Practice Michael Grenfell Begun: 18th August 2011 Holy Isle, Scotland 1 Guitar Craft1 is a way of developing: I. A relationship to the Guitar; II. A relationship to music; III. A relationship to yourself… …. By implication, a relationship to life. It is a practical activity based on principles of application. 1 The inaugural Guitar Craft course began on 25th March 1985. It took place at the American Society for Continuous Education, near Claymont Court in Charles Town, West Virginia, USA. In March 2015, a Completion course was held in Sassoferato, Italy. This also marked its 25th Anniversary. Since then, although Guitar Craft has ‘ceased to exist’, activities of its students, mentors and teachers have continued with a focus on the Guitar Circle, often including the Orchestra of Crafty Guitarists. 2 Key Principles I. Honour Necessity; II. Honour Sufficiency. The first is a principle of Qualitative Endeavour; the second is a principle of Quantitative Endeavor. These two can be brought to any activity – whether guitar or non-guitar based: for example, picking up the guitar, sitting down, striking a single note, walking out of the room. The principles lead to the quality of ‘rightness’: Guitar Craft has been described as ‘doing the right thing, at the right time, in the right way, rightly’. Question: How do I know what is right? Answer: How can you not know? (You know in your heart). So, what prevents you from knowing? 3 Key Components of Guitar Craft Concepts Discipline (Head; Hands; Heart) Practice