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October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Heritage Park Mall Redevelopment Scenarios
Heritage Park Mall Redevelopment Scenarios Midwest City, Oklahoma March 2017 This page was intentionally left blank ACKNOWLEDGMENTS City Leadership Matt Dukes - Mayor Susan Eads- Ward 1 Pat Byrne - Ward 2 Rick Dawkins - Ward 3 Sean Reed - Ward 4 Christine Allen - Ward 5 Jeff Moore - Ward 6 City Staff J. Guy Henson, City Manager Tim Lyon, Assistant City Manager Kay Hunt, Public and Media Relations Specialist Robert Coleman, Economic Development Director Kathy H. Spivey, GIS Coordinator Billy Harless, Community Development Director Julie Shannon, Comprehensive Planner Kellie Gilles. Planning Manager Consultant Team Catalyst Commercial Jason Claunch Reid Cleeter Sue Walker Monica James Special Thanks The City and Catalyst Team acknowledges stakeholders that participated in this study including residents, property owners, developers, and real estate brokers. 3 This page was intentionally left blank 7 INTRODUCTION 12 MARKET TRENDS 20 MARKET DEMAND 38 COMMUNITY INPUT 42 CASE STUDIES 48 POTENTIAL SCENARIOS 54 FISCAL ANALYSIS 1. Introduction City Po est pul idw ati M on THE GREATER OKLAHOMA CITY 58,210 REGION Population Stillwater Hennessey Yale (2016) PAYNE Cushing 24,093 Perkins Crescent KINGFISHER LOGAN Langston Households Guthrie Kingsher Dayti City me est Po 35 w pu ¨¦§ id la ti Chandler M o n Edmond Luther ¨¦§44 23,260 LINCOLN Jones Employees CANADIANEl Reno OKLAHOMASpencer ¨¦§40 Yukon Choctaw ¨¦§235 Harrah Prague (2016) Oklahoma City Midwest City « McLoud Union City Tinker AFB Mustang Will Rogers 1,878 Employers World Airport ¨¦§240 40 -
City Plan Commission Agenda Packet Tuesday, June 16, 2015
City of Richardson City Plan Commission Agenda Packet Tuesday, June 16, 2015 To advance to the background material for each item in the agenda, click on the item title in the agenda or click on Bookmarks in the tool bar on the left side of your screen. AGENDA CITY OF RICHARDSON - CITY PLAN COMMISSION JUNE 16, 2015 7:00 P.M. CIVIC CENTER – COUNCIL CHAMBERS 411 W. ARAPAHO ROAD BRIEFING SESSION: 6:00 P.M. Prior to the regular business meeting, the City Plan Commission will meet with staff in the East Conference Room, located on the first floor, to receive a briefing on: A. Discussion of Regular Agenda items. B. Staff Report on pending development, zoning permits, and planning matters. MINUTES 1. Approval of minutes of the regular business meeting of June 2, 2015. CONSENT ITEMS All items listed under the Consent Agenda are considered to be routine by the City Plan Commission and will be enacted by one motion in the form listed below. There will be no separate discussion of these items unless desired, in which case any item(s) may be removed from the Consent Agenda for separate consideration. 2. Amending Plat – Bush Central Station Addition, Lot 1B, Block I: A request for approval of an amending plat for a single lot, having 11.62 acres of land located at 1201 State Street; the southwest corner of President George Bush Highway and Plano Road. Applicant: Brad Moss, Kimley-Horn and Associates, representing BCS Office Investments One, LP. Staff: Susan M. Smith. 3. Amending Plat – Bush Central Station Addition, Lot 2A, Block H, and Lot 3A, Block X: A request for approval of an amending plat for two lots totaling 3.44 acres, located at 1150 State Street and 1230 State Street respectively; the northeast corner of Routh Creek Parkway and Hill Street. -
STATE of TEXAS COUNTY of DALLAS § Economic Development
STATE OF TEXAS § § Economic Development Agreement § COUNTY OF DALLAS § This Economic Development Agreement (this "Agreement") is made by and between the City of Richardson, Texas (the "City"), and the Simon Property Group (Texas) L.P. a Texas limited partnership (the "Company"), acting by and through their respective authorized officers. WITNESSETH: WHEREAS, the Company is the owner of a portion of the real property commonly known as the Richardson Square Mall located in Richardson, Texas being more particularly described in Exhibit "A" (the "Property"), and intends to demolish the existing improvements thereon and consolidate the Dillard's Site into the Company Site Renovation Program (hereinafter defined); and WHEREAS, the Company owns or is under contract to purchase that pmtior. of the Richardson Square Mall formerly occupied by a Dillard's department store being further described in Exhibit "B" (the Dillard's Site"), and intends to demolish the existing improvements thereon and consolidate the Dillard's Site into the Company Site Renovation Program; and WHEREAS, the Site Renovation Program is anticipated to generate approximately $40 Million Dollars in taxable sales annually; and WHEREAS, the Company has advised the City that a contributing factor that would induce the Company to undertake the Site Renovation Program would be an agreement by the City to provide an economic development grant to the Company to defray a portion of the cost of such development; and WHEREAS, the City has adopted programs for promoting economic development; and WHEREAS, the City is authorized by TEx. Loc. Gov'T CODE §380.001 to provide economic development grants to promote local economic development and to stimulate business and commercial activity in the City; and WHEREAS, the City has determined that making an economic development grant to the Company in accordance with this Agreement will further the objectives of the City, will benefit the City and the City's inhabitants and will promote local economic development and stimulate business and commercial activity in the City. -
National Dance Day
Press Release FOR RELEASE: August 19, 2019 2019 National Routine located here. The John F. Kennedy Center for the Performing Arts and American Dance Movement in conjunction with Congresswoman Eleanor Holmes Norton Present National Dance Day Dynamic 10th Anniversary Emceed by Three-Time Emmy Award®-Winner Debbie Allen Free Day-Long Celebration Features Interactive Dance Routines and Lessons, Outdoor Performances, Live Music, Film Screenings, Panel Discussions, and More New York City Ballet’s Tiler Peck Joins the Day So You Think You Can Dance All-Star Dominic “D-trix” Sandoval to teach the Official National Dance Day Routine Part of the Kennedy Center’s REACH Opening Festival ~ more ~ Saturday, September 21, 2019, 10:00 a.m.–10:00 p.m. (WASHINGTON)—Kick up your heels and put on your dancing shoes on September 21 for National Dance Day! Presented in partnership between the Kennedy Center, American Dance Movement (formally the Dizzy Feet Foundation), and Congresswoman Eleanor Holmes Norton (D-DC), this annual event invites everyone of all ages and abilities, from the littlest dancers to professionals, to participate in a free day-long celebration of the joy of dance and movement. Celebrating 10 years, now moved for the first time from July to the third Saturday in September, the free all-day event takes place as part of opening festivities at the REACH, the Kennedy Center’s newly expanded campus. Hosted by Emmy®-winning choreographer, actress, and producer Debbie Allen, the day features interactive dance routines and lessons, outdoor performances, panel discussions, film screenings, live music, and more. Highlights include: Audiences can learn the official, nation-wide 2019 National Dance Day routine, created by American Dance Movement, on the REACH’s mainstage. -
Marius Petipa: the French Master of Russian Ballet
Denis Sneguirev, dir. Marius Petipa: The French Master of Russian Ballet. Brooklyn: Icarus Films, 2019. DVD. 54 mins. $29.98 Reviewed by Jennifer Boivin (University of Alberta) Published on H-SHERA (February, 2021) Commissioned by Hanna Chuchvaha (University of Calgary) Marius Petipa (1818–1910) is perhaps the most rival in Russia and rise to fame. In this part, the emblematic figure in classical dance and is per‐ filmmaker puts in context the importance of ballet ceived as the father of ballet as we know it. Born in in Russian imperial society and Petipa’s use of his France in 1818, the aging dancer came to Saint social skills to achieve his goal of becoming a cho‐ Petersburg, Russia, in 1847 where his career flour‐ reographer. His first ballets, such as The Pharaoh’s ished. We owe him the creation and revival of Daughter (1862), included little dancing and were some of the most celebrated ballets in the world: heavy on artifice: a real fountain with running wa‐ Paquita (1847), La Fille mal gardée (1855), Don ter in the middle of the stage; fake and living Quixote (1869), La Bayadère (1877), Sleeping Beauty horses, camels, monkeys, and lions; and elaborate (1890), Swan Lake (1895), Raymonda (1898), Giselle sets and magnificent costumes. While the critics (1899), and Le Corsaire (1899). deplored “the abysmal superficiality of this slick Within dance and dance academic communit‐ and gaudy production,” the audience loved it due ies, Petipa is the object of profound respect and ad‐ to Petipa’s use of the Egyptian themes that were miration, and somewhat of a highly idealized char‐ fashionable at the time because of the new con‐ acter. -
New York City Ballet George Balanchine's the Nutcracker
GREAT AMERICAN DANCE LEARNING GUIDES Lincoln Center Education NEW YORK CITY BALLET GEORGE BALANCHINE’S THE NUTCRACKER™ GRADES 3-5 Photo Credit: Paul Kolnik NEW YORK CITY BALLET GEORGE BALANCHINE’S THE NUTCRACKER™ GRADES 3-5 INTRODUCTION Great American Dance Learning Guide The goal of the Great American Dance Learning Guide is to help students engage fully with the dance performances featured in the Lincoln Center at the Movies inaugural season. It is suitable for those who are already dance lovers and those who have no previous dance experience. Each guide enables educators to engage students in experiencing the thrill of the artistic process, and in understanding how artists think as they develop their work, how they face artistic challenges and make important choices before they present the world with their creations. The guide has been created by LCE Teaching Artists who work in pre-K–12 and Higher Education classrooms throughout New York City and the tristate area, and are mindful of the learner of any age. In the guide, you will find information about dance and different takes on the performances in film, books, and other media. There are three lessons with activities and discussion questions that prepare students for the performance they will see on film, and a lesson that makes them reflect on the performance with a wholly different point of view after they’ve seen it. These lessons are flexible, so teachers can adapt them to specific grade levels and student populations in-school and out-of-school. Most important, the lessons have been designed for anyone curious about the art of dance. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ፤ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15 (d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2004 SIMON PROPERTY GROUP, L.P. (Exact name of registrant as specified in its charter) Delaware (State of incorporation or organization) 33-11491 (Commission File No.) 34-1755769 (I.R.S. Employer Identification No.) National City Center 115 West Washington Street, Suite 15 East Indianapolis, Indiana 46204 (Address of principal executive offices) (317) 636-1600 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12 (b) of the Act: None Securities registered pursuant to Section 12 (g) of the Act: None Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. YES ፤ NO អ Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of Registrant’s knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. N/A Indicate by check mark whether Registrant is an accelerated filer (as defined by Rule 12b-2 of the Securities Exchange Act of 1934). -
Ballet Hispánico to Perform in New York City Center’S Digital Fall for Dance Festival Live from the Stage Premiering October 21, 2020
FOR IMMEDIATE RELEASE Contact: Michelle Tabnick, (646) 765-4773, [email protected] Ballet Hispánico to perform in New York City Center’s Digital Fall for Dance Festival Live from the Stage Premiering October 21, 2020 Digital access $15 per program; On sale now Available on demand through November 1 New York, NY – Ballet Hispánico, the nation’s leading Latino dance organization since 1970 and recognized this year as one of America’s Cultural Treasures, will perform in New York City Center’s digital Fall for Dance Festival, live from the stage, premiering on October 21, 2020 at 7:30pm as part of Program 1. Program 2 will premiere on October 26, 2020 at 7:30 PM ET. Both programs will be available on demand through Sunday, November 1, 2020 on City Center’s website at NYCityCenter.org/FallforDance. Ballet Hispánico will perform a New York Premiere of excerpts from 18+1, an electric, mambo-driven piece celebrating Gustavo Ramírez Sansano's 19 years as a choreographer. “We are so grateful to New York City Center for including us in this unique iteration of this beloved and quintessentially New York festival,” said Eduardo Vilaro, Artistic Director & CEO of Ballet Hispánico. “The opportunity for our dancers to be on a stage is so exciting for them, and for us all. We are looking forward to performing in such great company.” Reflecting this singular moment in history, this season marks the first time the Festival will be filmed live on the City Center stage and presented digitally—making the annual sold-out “highlight of the city’s cultural calendar” (The New York Times) accessible to the entire world to experience. -
Review: Taylor Stanley Rises in City Ballet's 'Hallelujah Junction'
Review: Taylor Stanley Rises in City Ballet’s ‘Hallelujah Junction’ By GIA KOURLAS MAY 18, 2016 Taylor Stanley of New York City Ballet dancing “Hallelujah Junction.” CreditPaul Kolnik Peter Martins, the ballet master in chief of New York City Ballet, loves to give his dancers happy surprises. On Tuesday evening, moments before the curtain rose on “Hallelujah Junction,” Mr. Martins’s brisk, galvanic work set to John Adams, he promoted Taylor Stanley, one of its leads, to principal dancer. Filling in at the last minute for an injured Gonzalo Garcia, Mr. Stanley was making his New York debut in the role, at the David H. Koch Theater. Mr. Martins’s decision was spontaneous, a City Ballet publicist said. But it makes sense: The debonair Mr. Stanley has an affinity for speed and drama and has been frequently featured in the ballets of Justin Peck, the company’s resident choreographer. His sharp attack was apparent in “Hallelujah”; later that night, in “Western Symphony,” George Balanchine’s 1954 homage to the Wild West, he showed some spunk, loosening up to find the cowboy within. In that ballet, which remains a delight, Brittany Pollack made her debut in the second movement opposite Jared Angle, gamely leaping headfirst into his arms with little fear and an ever-gleaming smile. (Her perpetually happy expression can seem one-note.) In the final movement, the willowy Teresa Reichlen, though she faltered uncharacteristically in her fouetté turns, and a devilish Andrew Veyette imbued their frisky pas de deux with a spirit that showed they weren’t just executing moves, but reacting to each other. -
Calvin Royal Iii Hosted by Damian Woetzel
VAIL DANCE FESTIVAL UPCLOSE: CALVIN ROYAL III HOSTED BY DAMIAN WOETZEL SUNDAY, AUGUST 1 GERALD R. FORD AMPHITHEATER THIS EVENING’S PROGRAM FEATURES THE FOLLOWING FESTIVAL ARTISTS CALVIN ROYAL III American Ballet Theatre Artist-In-Residence WITH ISABELLA BOYLSTON MIRA NADON American Ballet Theatre New York City Ballet UNITY PHELAN MELISSA TOOGOOD New York City Ballet AND CAMERON GRANT JOHNNY GANDELSMAN Piano Violin JOINED BY TILER PECK JAMAR ROBERTS HEATHER WATTS TONIGHT’S PROGRAM TONIGHT’S PROGRAM CONTAINS EXCERPTS FROM THE FOLLOWING WORKS ROMEO AND JULIET Music by Sergei Prokofiev Choreography by Sir Kenneth MacMillan TRAILS Music by David Behrman and Jesse Stiles Choreography by Merce Cunningham ©Merce Cunningham Trust NEW WORK BY JAMAR ROBERTS Music by Tyshawn Sorey Choreography by Jamar Roberts THIS BITTER EARTH Music by Max Richter and Clyde Otis Choreography by Christopher Wheeldon NEW WORK BY TILER PECK Music by Caroline Shaw Choreography by Tiler Peck AGON Music by Igor Stravinsky Choreography by George Balanchine ©The George Balanchine Trust APOLLO Music by Igor Stravinsky Choreography by George Balanchine ©The George Balanchine Trust ACKNOWLEDGEMENTS This performance of APOLLO and AGON, Balanchine Ballets®, are presented in accordance with the Balanchine Style® and Balanchine Technique® service standards established and provided by the Trust. This performance of TRAILS is presented in agreement with the Merce Cunningham Trust. ©Merce Cunningham Trust. All rights reserved. ABOUT CALVIN ROYAL III // ARTIST-IN-RESIDENCE Calvin Royal III began his formal dance training under the direction of Suzanne Pomerantzeff and Patricia L. Paige at the Pinellas County Center for the Arts at Gibbs High School in St.