New York City Ballet George Balanchine's the Nutcracker
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Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op
Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 Item Type text; Electronic Dissertation Authors Stavrianou, Eleni Persefoni Citation Stavrianou, Eleni Persefoni. (2021). Adapting Piano Music for Ballet: Tchaikovsky's Children's Album, Op. 39 (Doctoral dissertation, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 04:39:03 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660266 ADAPTING PIANO MUSIC FOR BALLET: TCHAIKOVSKY’S CHILDREN’S ALBUM, OP. 39 by Eleni Persefoni Stavrianou ____________________________________ Copyright © Eleni Persefoni Stavrianou 2021 A DMA Critical Essay Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Creative Project and Lecture-Recital Committee, we certify that we have read the Critical Essay prepared by: titled: and recommend that it be accepted as fulfilling the Critical Essay requirement for the Degree of Doctor of Musical Arts. _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ _________________________________________________________________ Date: ____________ submission of the final copies of the essay to the Graduate College. I hereby certify that I have read this Critical Essay prepared under my direction and recommend that it be accepted as fulfilling the Critical Essay requirement. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
4Th MINDING ANIMALS CONFERENCE CIUDAD DE
th 4 MINDING ANIMALS CONFERENCE CIUDAD DE MÉXICO, 17 TO 24 JANUARY, 2018 SOCIAL PROGRAMME: ROYAL PEDREGAL HOTEL ACADEMIC PROGRAMME: NATIONAL AUTONOMOUS UNIVERSITY OF MEXICO Auditorio Alfonso Caso and Anexos de la Facultad de Derecho FINAL PROGRAMME (Online version linked to abstracts. Download PDF here) 1/47 All delegates please note: 1. Presentation slots may have needed to be moved by the organisers, and may appear in a different place from that of the final printed programme. Please consult the schedule located in the Conference Programme upon arrival at the Conference for your presentation time. 2. Please note that presenters have to ensure the following times for presentation to allow for adequate time for questions from the floor and smooth transition of sessions. Delegates must not stray from their allocated 20 minutes. Further, delegates are welcome to move within sessions, therefore presenters MUST limit their talk to the allocated time. Therefore, Q&A will be AFTER each talk, and NOT at the end of the three presentations. Plenary and Invited Talks – 45 min. presentation and 15 min. discussion (Q&A). 3. For panels, each panellist must stick strictly to a 10 minute time frame, before discussion with the floor commences. 4. Note that co-authors may be presenting at the conference in place of, or with the main author. For all co-authors, delegates are advised to consult the Conference Abstracts link on the Minding Animals website. Use of the term et al is provided where there is more than two authors of an abstract. 5. Moderator notes will be available at all front desks in tutorial rooms, along with Time Sheets (5, 3 and 1 minute Left). -
HORSE out of TRAINING, Consigned by the Castlebridge Consignment on Behalf of Clarehaven Stables (J
HORSE OUT OF TRAINING, consigned by The Castlebridge Consignment On behalf of Clarehaven Stables (J. Gosden) Will Stand at Park Paddocks, Somerville Paddock P, Box 821 Sadler's Wells (USA) Galileo (IRE) 358 (WITH VAT) Urban Sea (USA) Australia (GB) Cape Cross (IRE) WITTNER (IRE) Ouija Board (GB) (2017) Selection Board A Bay Filly Green Desert (USA) Desert Style (IRE) Souter's Sister (IRE) Organza (2006) Distinctly North (USA) Hemaca (GB) Herora (IRE) WITTNER (IRE): unraced. 1st Dam SOUTER'S SISTER (IRE), won 3 races at 2 years and £62,539 including Sakhee Oh So Sharp Stakes, Newmarket, Gr.3, placed 8 times including third in Countrywide Steel &Tubes Rockfel Stakes, Newmarket, Gr.2 and fourth in Dick Poole Fillies’ Stakes, Salisbury, L.; dam of three winners from 3 runners and 5 foals of racing age viz- MIA TESORO (IRE) (2013 f. by Danehill Dancer (IRE)), won 5 races and £109,772 including EBF Nottinghamshire Oaks Stakes, Nottingham, L., placed 9 times including second in Gulf News Balanchine Stakes, Meydan, Gr.2, British Stallion Studs EBF Upavon Stakes, Salisbury, L., Betway Quebec Stakes, Lingfield Park, L. third in Betway Churchill Stakes, Lingfield Park, L., fourth in Dahlia Stakes, Newmarket, Gr.2 and Fluer De Lys Fillies’ Stakes, Lingfield, L. ROCKY DESERT (IRE) (2012 c. by Rock of Gibraltar (IRE)), won 2 races at 3 years abroad and £20,717 and placed 17 times. DIVINE GIFT (IRE) (2016 g. by Nathaniel (IRE)), won 1 race at 2 years and placed 4 times. Wittner (IRE) (2017 f. by Australia (GB)), see above. -
Media Guide 2020
MEDIA GUIDE 2020 Contents Welcome 05 Minstrel Stakes (Group 2) 54 2020 Fixtures 06 Jebel Ali Racecourse & Stables Anglesey Stakes (Group 3) 56 Race Closing 2020 08 Kilboy Estate Stakes (Group 2) 58 Curragh Records 13 Sapphire Stakes (Group 2) 60 Feature Races 15 Keeneland Phoenix Stakes (Group 1) 62 TRM Equine Nutrition Gladness Stakes (Group 3) 16 Rathasker Stud Phoenix Sprint Stakes (Group 3) 64 TRM Equine Nutrition Alleged Stakes (Group 3) 18 Comer Group International Irish St Leger Trial Stakes (Group 3) 66 Coolmore Camelot Irish EBF Mooresbridge Stakes (Group 2) 20 Royal Whip Stakes (Group 3) 68 Coolmore Mastercraftsman Irish EBF Athasi Stakes (Group 3) 22 Coolmore Galileo Irish EBF Futurity Stakes (Group 2) 70 FBD Hotels and Resorts Marble Hill Stakes (Group 3) 24 A R M Holding Debutante Stakes (Group 2) 72 Tattersalls Irish 2000 Guineas (Group 1) 26 Snow Fairy Fillies' Stakes (Group 3) 74 Weatherbys Ireland Greenlands Stakes (Group 2) 28 Kilcarn Stud Flame Of Tara EBF Stakes (Group 3) 76 Lanwades Stud Stakes (Group 2) 30 Round Tower Stakes (Group 3) 78 Tattersalls Ireland Irish 1000 Guineas (Group 1) 32 Comer Group International Irish St Leger (Group 1) 80 Tattersalls Gold Cup (Group 1) 34 Goffs Vincent O’Brien National Stakes (Group 1) 82 Gallinule Stakes (Group 3) 36 Moyglare Stud Stakes (Group 1) 84 Ballyogan Stakes (Group 3) 38 Derrinstown Stud Flying Five Stakes (Group 1) 86 Dubai Duty Free Irish Derby (Group 1) 40 Moyglare ‘Jewels’ Blandford Stakes (Group 2) 88 Comer Group International Curragh Cup (Group 2) 42 Loughbrown -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Miami City Ballet 37
Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha -
New York City Ballet
Press Release FOR RELEASE: March 10, 2020 Photos can be found here. The John F. Kennedy Center for the Performing Arts presents New York City Ballet in Two Programs of Repertory including George Balanchine’s Haieff Divertimento NYCB Resident Choreographer and Artistic Advisor Justin Peck’s recent work Principia George Balanchine and Jerome Robbins’s masterpiece Firebird March 31–April 5, 2020 in the Kennedy Center Opera House with the Kennedy Center Opera House Orchestra (WASHINGTON)— New York City Ballet (NYCB) returns to the Kennedy Center for its annual engagement with two stellar repertory programs, March 31–April 5, in the Opera House. Along with classic works by George Balanchine and Jerome Robbins, the engagement includes a recent work from Resident Choreographer and Artistic Advisor Justin Peck, as well as George Balanchine and Jerome Robbins’s masterpiece Firebird. Classic NYCB (March 31 and April 1 & 5): The company’s opening night program includes two works by George Balanchine: Haieff Divertimento and Stravinsky Violin Concerto, along with Christopher Wheeldon’s Liturgy and Edwaard Liang’s new Lineage. Composed in five sections, Haieff Divertimento is choreographed for a leading couple and four supporting couples dressed in simple costumes. It features a blues pas ~ more ~ de deux and combines popular American dance idioms and modern concert dance with classic ballet. Stravinsky Violin Concerto features two of Balanchine’s most ingenious and unique pas de deux. Christopher Wheeldon’s Liturgy is set to music by Arvo Pärt, with two dancers who separate and return to one another with ever-increasing intensity. The company also brings Edwaard Liang’s newest work, Lineage, a ballet for 16 dancers set to music by English composer Oliver Davis. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
The Balanchine Trust: Dancing Through the Steps of Two-Part Licensing
Volume 6 Issue 2 Article 2 1999 The Balanchine Trust: Dancing through the Steps of Two-Part Licensing Cheryl Swack Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Cheryl Swack, The Balanchine Trust: Dancing through the Steps of Two-Part Licensing, 6 Jeffrey S. Moorad Sports L.J. 265 (1999). Available at: https://digitalcommons.law.villanova.edu/mslj/vol6/iss2/2 This Article is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Swack: The Balanchine Trust: Dancing through the Steps of Two-Part Licen THE BALANCHINE TRUST: DANCING THROUGH THE STEPS OF TWO-PART LICENSING CHERYL SWACK* I. INTRODUCTION A. George Balanchine George Balanchine,1 "one of the century's certifiable ge- * Member of the Florida Bar; J.D., University of Miami School of Law; B. A., Sarah Lawrence College. This article is dedicated to the memory of my mother, Allegra Swack. 1. Born in 1904 in St. Petersburg, Russia of Georgian parents, Georgi Melto- novich Balanchivadze entered the Imperial Theater School at the Maryinsky Thea- tre in 1914. See ROBERT TRAcy & SHARON DELONG, BALANci-NE's BALLERINAS: CONVERSATIONS WITH THE MUSES 14 (Linden Press 1983) [hereinafter TRAcY & DELONG]. His dance training took place during the war years of the Russian Revolution. -
World of Dancemagazine an UNCOMMON SIGHT Boca Ballet
Gateway to Florida Dance Community! Florida’s f March/April 2016 Magazine World o Dance AN UNCOMMON SIGHT The Next Generation of Male Dancers Boca Ballet Theatre’s 25th Anniversary Gala Performance How Dance Studios are Making the Most of their Space The Powerful Healthy Root: TURMERIC See our Featured Students WIN IT! NOW Win tickets to various performances around Florida. FREE PUBLICATION Supporting, Promoting and Preserving the Art of Dance! World of Dance Magazine FEATURES 20 12 14 25 26 CONTENTS 6 Break a Leg 21 Summer Special Editor’s Note 2016 Summer Intensive listings 7 Dance Highlights Dance Inspiration 25 Prevention Back Pain 8 Dance Highlights What’s going on ... 26 Healthy Eating & Lifestyle The Powerful Healthy Root: Turmeric 12 Students Insights Keeping your ankles in action 28 Featured Students Abigail Rodgers, Darriel Johnakin, 14 Studio Owners Kristen Gaertner, Emma Bell Pulling Double Duty 31 Win your tickets now! 17 Tribute Boca Ballet Theatre’s 25th Anniversary 32 Calendar of Events 18 Cover Spotlight Paris Ballet & Dance 38 Directory March/April 2016 .www.dancemagazineflorida.com .World of Dance Magazine 3 WEBSITE www.DanceMagazineFlorida.com Publisher/Editor/Feature Writer Karina Felix [email protected] The goal of WoDM is: To promote the achievements of Florida’s Dance Communities. To Support, Promote and Preserve Dance Developments. SUPPORTING: To highlight the efforts of Studio Owners, Teachers, Dancers, Students, Choreographers, Performing Art Schools, Theatres and all in the dance-related world PROMOTING: To share all dance events, performances, auditions, festivals, educational material, health issues, and art appreciation through this publication, weekly newsletters, Calendar of Events, Mark Your Calendar, Facebook, Twitter and Blogs; exposing and creating public appreciation & support.