Everett Rock's Bands "E F"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Zfwtvol. 9 No. 3 (2017) 269-288
ZfWT Vol. 9 No. 3 (2017) 269-288 FEMINIST READING OF GOTHIC SUBCULTURE: EMPOWERMENT, LIBERATION, REAPPROPRIATION Mikhail PUSHKIN∗ Abstract: Shifting in and out of public eye ever since its original appearance in the 1980ies, Gothic subculture, music and aesthetics in their impressive variety have become a prominent established element in global media, art and culture. However, understanding of their relation to female gender and expression of femininity remains ambiguous, strongly influenced by stereotypes. Current research critically analyses various distinct types of Gothic subculture from feminist angle, and positively identifies its environment as female-friendly and empowering despite and even with the help of its strongly sexualized aesthetics. Although visually geared towards the male gaze, Gothic subcultural environment enables women to harness, rather than repress the power of attraction generated by such aesthetics. Key words: Subculture, Feminism, Gothic. INTRODUCTION Without a doubt, Gothic subculture is a much-tattered subject, being at the centre of both popular mass media with its gossip, consumerism and commercialization, as well as academia with diverse papers debasing, pigeonholing and even defending the subculture. Furthermore, even within the defined, feminist, angle, a thorough analysis of Gothic subculture would require a volume of doctoral dissertation to give the topic justice. This leaves one in a position of either summarizing and reiterating earlier research (a useful endeavour, however, bringing no fresh insight), or striving for a kind of fresh look made possible by the ever-changing eclectic ambivalent nature of the subculture. Current research takes the middle ground approach: touching upon earlier research only where relevant, providing a very general, yet necessary outlook on the contemporary Gothic subculture in its diversity, so as to elucidate its more relevant elements whilst focusing on the ways in which it empowers women. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Public Benefits’ $115,000 for a PRIVATE DOG PARK? $112,000 for REQUIRED SEWER SYSTEM? by Mark Noack a Hotel at 2700 W
So much food, so little flavor WEEKEND | 14 JULY 7, 2017 VOLUME 25, NO. 24 www.MountainViewOnline.com 650.964.6300 MOVIES | 17 Cautious high school district holds on to reserves CONSERVATIVE BUDGET EXCLUDES BEHAVIORAL-HEALTH, OTHER INITIATIVES By Kevin Forestieri adopted a spending plan of $82.9 million. During a board study espite talk of launching session in February, board mem- expensive new programs bers considered whether a $2 Dand spending down million reserve fund ought to be reserves earlier this year, the put to use in the upcoming school Mountain View-Los Altos High year; spending options reviewed School District opted to take a included a $500,000 behavioral cautious approach to the budget health program, an initiative to for the 2017-18 school year. reduce school avoidance, new Last week, the high school dis- classroom technology and capital trict’s board of trustees approved projects like new classrooms and a spending plan for the upcoming cafeteria furniture. school year that, by most mea- In the end, the district didn’t sures, is a “boring” budget with include any of those initia- little in the way of new initiatives, tives in the budget, Mathiesen according to Associate Superin- said. Some of the ideas were tendent Mike Mathiesen. Small instead addressed within exist- changes include about $500,000 ing, already budgeted programs, ANA SOFIA AMIEVA-WANG in new retirement costs, addi- but no new big line-item in the THURSDAY NIGHT GETS LIVELY tional teachers to keep up with budget came from the study enrollment and a bigger pool of session. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
Concert and Music Performances Ps48
J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player). -
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020 Monday September 21, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Plain Spoken: John Mellencamp TrunkFest with Eddie Trunk This stunning, cinematic concert film captures John with his full band, along with special guest Sturgis Motorycycle Rally - Eddie heads to South Dakota for the Sturgis Motorcycle Rally at the Carlene Carter, performing his most cherished songs. “Small Town,” “Minutes to Memories,” “Pop Buffalo Chip. Special guests George Thorogood and Jesse James Dupree join Eddie as he explores Singer,” “Longest Days,” “The Full Catastrophe,” “Rain on the Scarecrow,” “Paper in Fire,” “Authority one of America’s largest gatherings of motorcycle enthusiasts. Song,” “Pink Houses” and “Cherry Bomb” are some of the gems found on this spectacular concert film. 8:30 AM ET / 5:30 AM PT Rock & Roll Road Trip With Sammy Hagar 6:40 PM ET / 3:40 PM PT Livin’ Live - The season 2 Best of Rock and Roll Road Trip with Sammy Hagar brings you never- AXS TV Insider before-seen performances featuring Sammy and various season 2 guests. Featuring highlights and interviews with the biggest names in music. 9:00 AM ET / 6:00 AM PT 6:50 PM ET / 3:50 PM PT The Big Interview Cat Stevens: A Cat’s Attic Joan Baez - Dan Rather sits down with folk trailblazer and human rights activist Joan Baez to Filmed in London, “A Cat’s Attic” celebrates the illustrious career of one of the most important discuss her music, past loves, and recent decision to step away from the stage. -
MTO 17.3: Osborn, Understanding Through-Composition
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres by Brad Osborn 2011 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Osborn, Brad. 2011. “Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres.” Music Theory Online 17, no. 3 Published version: http://www.mtosmt.org/issues/mto.11.17.3/ mto.11.17.3.osborn.pdf Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres (1) Brad Osborn NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.osborn.php KEYWORDS: form, through-composition, rock, experimental rock, post-millennial rock, art rock, post-rock, math-metal, progressive rock, Radiohead, Animal Collective, The Beatles ABSTRACT: Since the dawn of experimental rock’s second coming in the new millennium, experimental artists have begun distancing themselves from Top-40 artists through formal structures that eschew recapitulatory verse/chorus conventions altogether. In order to understand the correlation between genre and form more thoroughly, this paper provides a taxonomic approach to through-composition in several post-millennial experimental rock genres including post-rock, math-metal, art rock, and neo-prog. -
The Magazine for Independent Music and Movement Issue No
THE MAGAZINE FOR INDEPENDENT MUSIC AND MOVEMENT ISSUE NO. 33 ARTISTS 5 THE EARLY EARS, 5 RE:CON, 9 MANILA COUPE D'ETAT, 13 KILLERWEIL, 15 SPOTLIGHT 7 PARAMITA REUNION GIG Photos by Patrick Briones 16 DJ SCENE 24 BAND SCENE 26 GUITARRA & BAJO TUBE MUSIC EVENT PRODUCTION 31 FEATURED MV 33 THE TEAM 4 WRITERS AHMAD TANJI AIMAX MACOY ALFIE VERA MELLA ANNE NICOLE E. LOPEZ ANDREW G. CONTRERAS BENEDICT YABUT BOMBEE DUERME CALVIN MIRALLES CHRISTIANA CARLO YBANEZ JUNE MONGAYA CHOLO ISUNGGA DEXTER KEN AQUINO RIA BAUTISTA DON REX EDITOR-IN-CHIEF EDELYNNE MAE ESCARTIN ERVIN R. SALVADOR ESHA BONSOL FROI BATTUING HERB CABRAL HUGINN MUNINN CLARENCE ANTHONY INIGO MORTEL FOUNDER & CEO ISABELLE ROMUALDEZ JAN TERENCE TOLENTINO JANNA LEON JICA LAPENA JOHN BLUES JOHN LEE ARVIN KADIBOY BELARMINO JOHN MATTHEW ACOSTA FILM EDITOR JULIAN SOBREMONTE KHEN CALMA KAMAL MAHTANI JAN TERENCE TOLENTINO KAT CASTRO MUSIC EDITOR KARL KLIATCHKO LYNN JAIRUS MONTILLA MARK ANGELO NOCUM MARK VERZO M. B. SALVANO MIKE TWAIN MIGZ AYUYAO PATRICK BRIONES NIKOS KAZIRES CONTENT WRITER/PHOTOGRAPHER PATRICK BRIONES PEN ISLA ROBERT BESANA FRANCISCO AYUYAO SARAH BUNNY DOMINGUEZ GAMING EDITOR SHIENA CORDERO TERRENCE LYLE TULIO VINA THERESE ARRIESGADO WESLEY VITAN WINA PUANGCO YOGI PAJARILLO PHOTOGRAPHERS CHRIS QUINTANA KIMMY BAROAIDAN RED RIVERA PATRICK BRIONES MAY CEDILLA-VILLACORTA DAWN MONTOYA CONTRIBUTING EDITOR (DJ) GRAPHIC DESIGNER PRESS RELEASE 5 THE EARLY EARS LUMANG PAG-IBIG EP Focus Track: LLDR Release Date: Nov 8, 2019 SGT Platforms: Spotify, Apple Music and iTunes 6 “BAGONG HIMIG, LUMANG PAG-IBIG” The Early Ears is a rock-and-roll band from Quezon City. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s .