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Bibliography for Research in Digital Art and Culture Dejan Grba BIBLIOGRAPHY FOR RESEARCH IN DIGITAL ART AND CULTURE Organized in 27 sections using CMoS16 Notes and Bibliography documentation system (http://www.chicagomanualofstyle.org/tools_citationguide.html). Online Bibliographies Abrahamson, David. “An Evaluative Bibliography: Digital Culture, Information Technology, the Internet, the Web.” Northwestern University website. http://glotta.ntua.gr/IS-Social/DigitalBiblio.html Bulatov, Dmitry. “Art and Science in the Post-Biological Age (2009).” NCCA website. http://www.videodoc.ncca-kaliningrad.ru/bibliography/ Grba, Dejan. “Selected Bibliography in Digital Art and Culture (2019).” Dejan Grba's website. http://dejangrba.org/teaching/en/pda/platform/documents/bibliography.pdf Haden, David. “Machinima Bibliography (2011).” iClone blog. http://myclone.files.wordpress.com/2011/06/machinina-bibliography- 2011.pdf Klütsch, Christoph. “List of Literature for the Early Beginnings of (Digital) Computer Art.” Early Beginnings of (Digital) Computer Art website. http://www.computerkunst.org/Lit_early_dig_computerart.html Levin, Golan. “Partial Contents of my Personal Library.” LibraryThing website. http://www.librarything.com/catalog/golanlevin Montecino, Virginia. “Bibliography of Cyber Culture (2004).” George Mason University website. http://mason.gmu.edu/~montecin/cyberbiblio.htm Wilson, Stephen. “Bibliography in Art, Science, and Technology (2010).” Art Department, San Francisco State University website. http://userwww.sfsu.edu/~infoarts/links/wilson.artscibib.html Readers Bell, David and Barbara M. Kennedy, eds. The Cybercultures Reader. New York, NY: Routledge, 2000. Benedikt, Michael L., ed. Cyberspace: First Steps. Cambridge, MA: The MIT Press, 1992. Giddings, Seth and Martin Lister, eds. The New Media and Technocultures Reader. New York, NY: Routledge, 2011. Grba, Dejan. “Digital Art (2010).” Dejan Grba website. http://dejangrba.dyndns.org/teaching/en/pda/platform/documents/pda- reader.pdf Hassan, Robert and Julian Thomas, eds. The New Media Theory Reader. New York, NY: McGraw-Hill International, 2006. Hui Kyong Chun, Wendy and Anna Watkins Fisher, eds. New Media, Old Media: A History and Theory Reader second edition. New York, NY: Routledge, 2015. Kroker, Arthur and Marilouise Kroker, eds. Critical Digital Studies: A Reader. Toronto: University of Toronto Press, Scholarly Publishing Division, 2008. Lister, Martin, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly, eds. New Media: A Critical Introduction. New York, NY: Routledge, 2009. Lovejoy, Margot. Digital Currents: Art in the Electronic Age. New York, NY: Routledge, 2004. Paul, Christiane, ed. A Companion to Digital Art. Chichester: John Wiley & Sons, Inc., 2016. Spiller, Neil, ed. Cyber Reader: Critical Writings for the Digital Era, New York, NY: Phaidon Press Ltd., 2002. Trend, David. Reading Digital Culture. Hoboken, NJ: Wiley Blackwell, 2001. Wardrip-Fruin, Noah and Nick Montfort, eds. The New Media Reader. Cambridge, MA: The MIT Press, 2003. Theoretical Context Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye, Fiftieth Anniversary Printing. Berkeley, CA: University of California Press, 2004. Arnheim, Rudolf. New Essays in the Psychology of Art. Berkeley, CA: University of California Press, 1986. Artaud, Antonin. The Theatre and Its Double. London: Alma Classics, 2017. Ascott, Roy, ed. Reframing Consciousness: Art, Mind and Technology. Bristol: Intellect, 2001. Ascott, Roy. Art, Technology, Consciousness: Mind Large. Bristol: Intellect, 2002. Ascott, Roy and Edward A. Shanken, eds. Telematic Embrace: Visionary Theories of Art, Technology and Consciousness, Berkeley, CA: University of California Press, 2003. Baker, Catherine. “Your Genes, Your Choices (1999).” American Association for the Advancement of Science website. http://ehrweb.aaas.org/PDF/yourgenes.pdf Barbrook, Richard and Andy Cameron. “The Californian Ideology.” Mute, Vol. 1, No. 3, Code (2008) http://www.metamute.org/editorial/articles/californian- ideology Baudrillard, Jean. “The Hyper-Realism of Simulation.” In Art in Theory 1900-1990: An Anthology of Changing Ideas, edited by Charles Harrison and Paul Wood. Chichester: Wiley-Blackwell, 1992. Baudrillard, Jean. Simulations. New York, NY: Semiotexte, 1983. Behrens, Roy R. “Art, Design and Gestalt Theory.” Leonardo 01 31 (4), (1998): 299. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. Frankfurt: Suhrkamp, 1963. Benjamin, Walter. 2008. “The Work of Art in the Age of Its Technological Reproducibility” in The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin, 19-55. Cambridge, MA / London: The Belknap Press of Harvard University Press. Berger, John. Ways of Seeing. London: Penguin, 1973. Bertelsen, Olav W. and Soren Pold. “Criticism as an Approach to Interface Aesthetics.” NordiCHI 2004 Proceedings of the third Nordic Conference on Human-computer Interaction. New York, NY: ACM, 2004: 23-32. Boltanski, Luc and Eve Chiapello. The New Spirit of Capitalism. London / New York, NY: Verso, 2005. Bourdieu, Pierre. On Television. New York, NY: The New Press, 1996. Braidotti, Rosi and Maria Hlavajova, eds. Posthuman Glossary. New York and London: Bloomsbury Academic, 2018. Brown, Donald E. “Human Universals, Human Nature, Human Culture.” Daedalus, Vol. 133, No. 4, (2004): 47-54. Burnett, Ron. Cultures of Vision: Images, Media, and the Imaginary. Bloomington, IN: Indiana University Press, 1995. Buss, David M. “Human Nature and Culture: An Evolutionary Psychological Perspective.” Journal of Personality, 69, (2001). Buss, David M. “The Evolution of Happiness.” American Psychologist, Vol. 55, No. 1, January, (2000): 15-23. Buss, David M. Evolutionary Psychology: The New Science of the Mind. Harlow: Pearson Education, Inc., 2008. Buss, David M. The Evolution of Desire: Strategies of Human Mating. New York, NY: Basic Books, 2003. Buss, David M. The Handbook of Evolutionary Psychology. Hoboken, NJ: Wiley Blackwell, 2005. Buss, David M., ed. The Evolution of Personality and Individual Differences. Oxford: Oxford University Press, 2011. Couchot, Edmond. “Between the Real and the Virtual. Annual Intercommunication ’94, ICC, Tokyo, 1994. Davies, Stephen. The Artful Species: Aesthetics, Art, and Evolution. Oxford: Oxford University Press, 2013. Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration between Science, Technology and Art. Santa Barbara, CA: Praeger, 1973. Dawkins, Richard. The Magic of Reality: How We Know What's Really True. New York, NY: Free Press, 2011. Dawkins, Richard. The Selfish Gene. Oxford: Oxford University Press, 1976. Debord, Guy. Comments on the Society of the Spectacle. New York, NY: Verso, 1998. Debord, Guy. Society of the Spectacle. New York, NY: Zone Books, 1994. Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis, MN: University of Minnesota Press, 1987. Dutton, Denis and Michael Krausz, eds. The Concept of Creativity in Science and Art (American University Publications in Philosophy III). Boston / Dordrecht / Lancaster: Martinus Nijhoff Publishers, 1985. Dutton, Denis. The Art Instinct: Beauty, Pleasure and Human Evolution. New York and London: Bloomsbury Press, 2010. Edwards, Leslie S., Franz Engel, Shoshana Resnikoff, Shelley Selim and Cameron Wood, eds. My Brain is in My Inkstand: Drawing as Thinking and Process. Bloomfield Hills, MI: Cranbrook Art Museum, 2014. Ewing-Duncan, David. Masterminds: Genius, DNA and the Quest to Rewrite Life. New York, NY: Harper Perennial, 2006. Flusser, Vilém. Into the Universe of Technical Images. Minneapolis, MN and London: University of Minnesota Press, 2011. Flusser, Vilém. The Shape of Things: A Philosophy of Design. London: Reaktion, 1999. Flusser, Vilém. The Surprising Phenomenon of Human Communication. Metaflux Publishing, 2016. Flusser, Vilém. Towards a Philosophy of Photography. Göttingen: European Photography, 1984. Flusser, Vilém. Writings. Minneapolis, MN: University of Minnesota Press, 2002. Foster, Hal. Design and Crime. New York, NY: Verso, 2002. Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York, NY: Vintage Books, 1995. Fuchs, Christian. Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet. London: University of Westminster Press, 2016. Gill, Satinder P., ed. Cognition, Communication and Interaction. Berlin/Heidelberg: Springer-Verlag, 2008. Godfrey, Tony. Conceptual Art. London: Phaidon, 2001. Goodman, Alan H. and M. Susan Lindee, eds. Genetic Nature Culture: Anthropology and Science beyond the Two-Culture Divide. Berkeley, CA: University of California Press, 2003. Gray, John. “The Violent Visions of Slavoj Žižek.” The New York Review of Books, July 12 (2012). http://www.nybooks.com/articles/2012/07/12/violent- visions-slavoj-zizek/ Grba, Dejan. “B.A.C.H. (References in Visual Arts) (from 2010).” Dejan Grba website. http://dejangrba.dyndns.org/lectures/en/2010-bach-references.php Haladyn, Julian Jason. Boredom and Art: Passions of the Will to Boredom. Zero Books, 2015. Hale, Nathan Cabot. Abstraction in Art and Nature. Mineola, NY: Dover Publications, 1993. Hall, Gary. Pirate Philosophy: For a Digital Posthumanities. Cambridge, MA: The MIT Press, 2016. Hamming, Richard W. The Art of Doing Science and Engineering: Learning to Learn. Amsterdam: Gordon & Breach Science Publishers, Inc., 1997. http://worrydream.com/refs/Hamming-
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