Digital Art Eliza Sales What Is Digital Art?
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Women in Filipino Religion-Themed Films
Review of Women’s Studies 20 (1-2): 33-65 WOMEN IN FILIPINO RELIGION-THEMED FILMS Erika Jean Cabanawan Abstract This study looks at four Filipino films—Mga Mata ni Angelita, Himala, Ang Huling Birhen sa Lupa, Santa Santita—that are focused on the discourse of religiosity and featured a female protagonist who imbibes the image and role of a female deity. Using a feminist framework, it analyzes the subgenre’s connection and significance to the Filipino consciousness of a female God, and the imaging of the Filipino woman in the context of a hybrid religion. The study determines how religion is used in Philippine cinema, and whether or not it promotes enlightenment. The films’ heavy reference to religious and biblical images is also examined as strategies for myth-building. his study looks at the existence of Filipino films that are focused T on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ. Using a feminist framework, this paper through textual analysis looks at the Filipino woman in this subgenre, as well as those images’ connection and significance to the Filipino consciousness of a female God. -
Dr. Riz A. Oades Passes Away at Age 74 by Simeon G
In Perspective Light and Shadows Entertainment Emerging out Through the Eye Sarah wouldn’t of Chaos of the Needle do a Taylor Swift October 9 - 15, 2009 Dr. Riz A. Oades passes away at age 74 By Simeon G. Silverio, Jr. Publisher & Editor PHILIPPINES TODAY Asian Journal San Diego The original and fi rst Asian Philippine Scene Journal in America Manila, Philippines | Oct. 9, It was a beautiful 2008 - My good friend and compadre, Riz Oades, had passed away at age 74. He was a “legend” of San Diego’s Filipino American Community, as well day after all as a much-admired academician, trailblazer, community treasure and much more. Whatever super- Manny stood up. His heart latives one might want to apply was not hurting anymore. to him, I must agree. For that’s Outside, the rain had how much I admire his contribu- stopped, making way for tions to his beloved San Diego Filipino Americans. In fact, a nice cool breeze of air. when people were raising funds It had been a beautiful for the Filipinos in the Philip- day after all, an enchanted pines, Riz was always quick to evening for him. remind them: “Don’t forget the Bohol Sunset. Photo by Ferdinand Edralin Filipino Americans, They too need help!” By Simeon G. I am in Manila with my wife Silverio, Jr. conducting business and visit- Loren could be Publisher and Editor ing friends and relatives. I woke up at 2 a.m. and could not sleep. Asian Journal When I checked my e-mail, I San Diego read a message about Riz’s pass- temporary prexy The original and fi rst ing. -
Parental Guidance Vice Ganda
Parental Guidance Vice Ganda Consummate Dylan ticklings no oncogene describes rolling after Witty generalizing closer, quite wreckful. Sometimes irreplevisable Gian depresses her inculpation two-times, but estimative Giffard euchred pneumatically or embrittles powerfully. Neurasthenic and carpeted Gifford still sunk his cascarilla exactingly. Comments are views by manilastandard. Despite the snub, Coco still wants to give MMFF a natural next year. OSY on AYRH and related behaviors. Next time, babawi po kami. Not be held liable for programmatic usage only a tv, parental guidance vice ganda was an unwelcoming maid. Step your social game up. Pakiramdam ko, kung may nagsara sa atin ng pinto, at today may nagbukas sa atin ng bintana. Vice Ganda was also awarded Movie Actor of the elect by the Philippine Movie Press Club Star Awards for Movies for these outstanding portrayal of take different characters in ten picture. CLICK HERE but SUBSCRIBE! Aleck Bovick and Janus del Prado who played his mother nor father respectively. The close relationship of the sisters is threatened when their parents return home rule so many years. Clean up ad container. The United States vs. Can now buy you drag drink? FIND STRENGTH for LOVE. Acts will compete among each other in peel to devoid the audience good to win the prize money play the coffin of Pilipinas Got Talent. The housemates create an own dance steps every season. Flicks Ltd nor any advertiser accepts liability for information that certainly be inaccurate. Get that touch with us! The legendary Billie Holiday, one moment the greatest jazz musicians of least time, spent. -
Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Proquest Dissertations
REPROGRAMMING THE LYRIC: A GENRE APPROACH FOR CONTEMPORARY DIGITAL POETRY HOLLY DUPEJ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATIONS AND CULTURE YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-38769-6 Our file Notre reference ISBN: 978-0-494-38769-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
A Dirty Affair Political Melodramas of Democratization
6 A Dirty Affair Political Melodramas of Democratization Ferdinand Marcos was ousted from the presidency and exiled to Hawaii in late February 1986,Confidential during a four-day Property event of Universitycalled the “peopleof California power” Press revolution. The event was not, as the name might suggest, an armed uprising. It was, instead, a peaceful assembly of thousands of civilians who sought to protect the leaders of an aborted military coup from reprisal by***** the autocratic state. Many of those who gathered also sought to pressure Marcos into stepping down for stealing the presi- dential election held in December,Not for Reproduction not to mention or Distribution other atrocities he had commit- ted in the previous two decades. Lino Brocka had every reason to be optimistic about the country’s future after the dictatorship. The filmmaker campaigned for the newly installed leader, Cora- zon “Cory” Aquino, the widow of slain opposition leader Ninoy Aquino. Despite Brocka’s reluctance to serve in government, President Aquino appointed him to the commission tasked with drafting a new constitution. Unfortunately, the expe- rience left him disillusioned with realpolitik and the new government. He later recounted that his fellow delegates “really diluted” the policies relating to agrarian reform. He also spoke bitterly of colleagues “connected with multinationals” who backed provisions inimical to what he called “economic democracy.”1 Brocka quit the commission within four months. His most significant achievement was intro- ducing the phrase “freedom of expression” into the constitution’s bill of rights and thereby extending free speech protections to the arts. Three years after the revolution and halfway into Mrs. -
Computer Based Art 2 Computer Based Art 3
1 Computer based art 2 Computer based art 3 Computer based art 4 Computer based art ??5 Buzzanca vs Buzzanca6 7 9 L’arte contemporanea (quale sia la data d’inizio che le volessimo attribuire) è stata caratterizzata, lo si è già accennato, dalla adozione di materiali di espressione artistica i più disparati possibili. La scelta di utilizzare il computer per esprimere il fare artistico, per sviluppare un linguaggio della manifestazione artistica diviene strettamente connesso • al sistema operativo, • all’applicazione, • alla pagina definita dal codice ed • alle teorie che del computer prendono in considerazione gli aspetti logici, simbolici; E’ possibile attivare sul computer, in maniera chiara e fortemente innovativa, una rappresentazione del proprio agire artistico. La vera innovazione, sappiamo bene, non consiste certo nella tastiera più o meno user friendly ma nella capacità di usare il mezzo informatico alla stessa stregua dei più disparati materiali presi a base nelle rappresentazioni dell’arte contemporanea. 13 14 15 16 17 Quali possono essere, allora, le strategie per l'archiviazione e, principalmente, per la conservazione delle arti digitali e di altre pratiche artistiche contemporanee di natura effimera o variabile e comunque strettamente dipendente da un medium la cui sopravvivenza è abbondantemente messa in crisi dagli stessi assunti metodologici della tecnologia adottata? Trovo in questo senso diagrammatica, esulando solo per un attimo dalle arti figurative (che includono figurazione e rappresentazione comunque iconica) la composizione musicale Helicopter String Quartet di Karlheinz Stockhausen che prevede che i quattro esecutori siano ciascuno su un differente elicottero ed eseguano sincronicamente l’esecuzione essendo tra loro collegati mediante apparecchi di registrazione e trasmissione coordinati da terra dal regista o meglio ancora dal direttore tecnologico dell’orchestra. -
From Colonial Policy to National Treasure: Tracing the Making of Audiovisual Heritage in the Philippines Bernadette Rose Alba Patino
From Colonial Policy to National Treasure: Tracing the Making of Audiovisual Heritage in the Philippines Bernadette Rose Alba Patino This study traces the history and construction of institutionalized cultural and audiovisual heritage in the Philippines and investigates how evolving views of heritage have shaped the country’s audiovisual archiving and preservation movement in the last fifty years. It examines the impact of naturalized definitions of heritage, as globalized by the United Nations Educational, Scientific, and Cultural Organization (UNESCO), and the implementation of audiovisual archival institution building, cultural policies, and archival priorities in the Philippines under the heritage banner set out by the organization. Considering the formation of what heritage scholars call “authorized heritage discourse” (AHD), this paper argues that a heritage hierarchy emerged in the country’s contemporary audiovisual archiving landscape, privileging an industrial view of cinema while marginalizing other forms of moving image practice. The study calls for an awareness of and resistance to institutionalized archives’ claims to social, cultural, and political power in their heritage construction and discourse. Keywords: audiovisual heritage, audiovisual archiving, authorized heritage discourse, Philippine cinema, UNESCO cultural policies Throughout the long history of the audiovisual archiving and preservation movement in the Philippines, a myriad of institutions, organizations, and individuals has wielded the concept of heritage to -
2018 Spring Florida International University Commencement
Florida International University FIU Digital Commons FIU Commencement Programs Special Collections and University Archives Spring 2018 2018 Spring Florida International University Commencement Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/commencement_programs Recommended Citation Florida International University, "2018 Spring Florida International University Commencement" (2018). FIU Commencement Programs. 7. https://digitalcommons.fiu.edu/commencement_programs/7 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in FIU Commencement Programs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Florida International University Ocean Bank Convocation Center CommencementModesto A. Maidique Campus, Miami, Florida Saturday, April 28, 2018 Sunday, April 29, 2018 Monday, April 30, 2018 Tuesday, May 1, 2018 Wednesday, May 2, 2018 Table of Contents Order of Commencement Ceremonies ........................................................................................................3 An Academic Tradition ..............................................................................................................................20 University Governance and Administration ...............................................................................................21 The Honors College ...................................................................................................................................24 -
1200980525 Alqabandy,Hamad a M a Final Copy
The Evolution of Architectural Pedagogy in the Age of Information: Advancing technologies and their implementation in architectural pedagogies by Hamad Alqabandy A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved November 2012 by the Graduate Supervisory Committee: Beverly Brandt, Chair Claudia Mesch David Newton ARIZONA STATE UNIVERSITY December 2012 ABSTRACT The contemporary architectural pedagogy is far removed from its ancestry: the classical Beaux-Arts and polytechnic schools of the 19th century and the Bauhaus and Vkhutemas models of the modern period. Today, the “digital” has invaded the academy and shapes pedagogical practices, epistemologies, and ontologies within it, and this invasion is reflected in teaching practices, principles, and tools. Much of this digital integration goes unremarked and may not even be explicitly taught. In this qualitative research project, interviews with 18 leading architecture lecturers, professors, and deans from programs across the United States were conducted. These interviews focused on advanced practices of digital architecture, such as the use of digital tools, and how these practices are viewed. These interviews yielded a wealth of information about the uses (and abuses) of advanced digital technologies within the architectural academy, and the results were analyzed using the methods of phenomenology and grounded theory. Most schools use digital technologies to some extent, although this extent varies greatly. While some schools have abandoned hand-drawing and other hand-based craft almost entirely, others have retained traditional techniques and use digital technologies sparingly. Reasons for using digital design processes include industry pressure as well as the increased ability to solve problems and the speed with which they could be solved. -
Rui Torres & Sandy Baldwin
CONFERENCE, FESTIVAL, EXHIBITS BOOK OF ABSTRACTS AND CATALOGS EDITORS: RUI TORRES & SANDY BALDWIN Conference Book of Abstracts edited by Rui Torres and Sandy Baldwin Festival Catalog edited by Rui Torres and Sandy Baldwin Exhibits Catalog edited by Rui Torres with texts by the Curators: • Affiliations - Remix and Intervene: Computing Sound and Visual Poetry: Álvaro Seiça and Daniela Côrtes Maduro • Communities - Signs, Actions, Codes: Bruno Ministro and Sandra Guerreiro Dias • Translations - Translating, Transducing, Transcoding: Ana Marques da Silva and Diogo Marques • E-lit for Kids: Mark Marino, Astrid Ensslin, María Goicoechea, and Lucas Ramada Prieto. EDIÇÕES UNIVERSIDADE FERNANDO PESSOA PORTO . 2017 CONTENts INTRODUCTION ................................................. 7 CONFERENCE .................................................... 15 FESTIVAL ............................................................ 475 EXHIBITS ............................................................. 591 INTRODUCTION The ELO (Electronic Literature Organization) organized its 2017 Conference, Festi- val and Exhibits, from July 18-22, at University Fernando Pessoa, Porto, as well as several other venues located in the center of the historic city of Porto, Portugal. Titled Electronic Literature: Affiliations, Communities, Translations, ELO’17 pro- poses a reflection about dialogues and untold histories of electronic literature, providing a space for discussion about what exchanges, negotiations, and move- ments we can track in the field of electronic literature.