The Daily Egyptian, July 18, 1980
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Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Flows at Radio
VOL. LIX, NO. 29 Newspaper $3.95 Inside: Grammys Move To New York City THE ENTERTAINMENT TRADE MAGAZINE Decca’s Frazier River Flows at Radio o 82791 19360 4 37 VOL. LIX, NO. 29 MARCH 30, 1996 STAFF rcwi«i;aawmga GEORGE ALBERT President and Publisher KEITH ALBERT POP SINGLE THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJGeneral Manager Always Be My Baby M.R. MARTINEZ Managing Editor Mariah Carey EDITORIAL (Columbia) Los Angeles JOHN GOFF GIL ROBERTSON IV DAINA DARZIN HECTOR RESENDEZ. Latin Edtor URBAN SINGLE Nashville Cover Story WENDY NEWCOMER All Things... The New York Joe The Frazier River Flows J.S. GAER CHART RESEARCH (Island) Angeles Frazier River frontman Danny Frazier had a plan for his group of eclectic Los BRIAN PARMELLY musicians. He’d turn a saloon band into an act that would get signed to a major ZIV TONY RUIZ label. Doesn’t sound terribly original or uncommon, but the Decca recording act RAP SINGLE PETER FIRESTONE went from the River Saloon in Cincinnati, OH to a spot on the Cosh Box Country Nashville \A£>o-Hah! Got You... GAIL FRANCESCHI Singles chart and has been traveling the nation making folks at country radio spin MARKETING/ADVERTISING Busta Rhymes Nashville editor the single “She Got What She Deserves.” Wendy Newcomer Los Angeles (Elektra) talks with Frazier about the odyssey and the group’s prospects. FFiANK HIGGINBOTHAM JOHN RHYS —see page 5 BOB CASSELL Nashville COUNTRY SINGLE TED RANDALL Take A Stroll Near Hollywood And Vine New York You Can Feel Bad NOEL ALBERT Capitol New Media has, well, reinvented the famous intersection of Hollywood CIRCULATION Patty Loveless Arid Vine. -
Storie Di Blues. La Rappresentazione Della Musica Blues Nel Cinema Americano
Storie di Blues. La rappresentazione della musica blues nel cinema americano Facoltà di Lettere e Filosofia Dipartimento di Storia Antropologia Religioni Arte Spettacolo Corso di laurea in Spettacolo, Moda e Arti Digitali Stefano Palma Matricola 1697098 Relatore Correlatore Damiano Garofalo Emanuele Senici A.A. 2020-2021 INDICE Storie di Blues. La rappresentazione della musica blues nel cinema americano 3 INTRODUZIONE CAPITOLO I Breve storia del blues 11 Il blues nelle piantagioni. La voce nera degli schiavi. 13 I ministrel show. Prime forme di spettacolo 14 Una nuova apparente condizione sociale. Il viaggio ed i medicine show. 15 I luoghi del blues ed i suoi principali interpreti CAPITOLO II La musica blues nel cinema di finizione americano 41 The Blues Brothers 51 The Blues Brothers: Il Mito Continua 55 Mississippi Adventures 60 Black Snake Moan 63 Cadillac Records CAPITOLO III The Blues. Una serie di sette documentari prodotta da Martin Scorsese 72 Dal Mali Al Mississippi 76 L’Anima Di Un Uomo 82 The Road To Memphis 85 Warming By The Devil’s Fire 88 Godfathers and Sons 94 Red, White And Blues 100 Piano Blues 104 Conclusioni 107 Bibliografia 110 Filmografia 111 Sitografia 112 Discografia INTRODUZIONE In questo lavoro di tesi, ho voluto prendere in analisi il modo in cui il cinema americano ha trasferito sullo schermo le tematiche della musica blues. E’ stato scelto di prendere in considerazione solamente alcuni film e alcuni documentari di produzione statunitense, questo per avere una maggiore coerenza semantica con il genere musicale nato appunto negli Stati Uniti come forma musicale popolare e poi sviluppatosi fino ad arrivare in Europa. -
How to Order by Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday Through Friday Between 8:30 A.M
HOW TO ORDER By Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday through Friday between 8:30 a.m. and 9:00 p.m. or Saturday and Sunday 9:00 a.m. - 5:00 C.S.T. Please have ready the following information: • Your customer account number • Your purchase order number • Special shipping instructions (if any) • Quantity of each item • Hal Leonard inventory number of each item (the 8-digit number listed with all products) By Fax You may fax your order to 414-774-3259. Be sure to put “Attention: Sales” on your cover page, and include all of the same information listed under the “By Phone” section. By E-Mail Simply e-mail us at [email protected] with the same information as above. By Mail For stock orders, simply indicate the quantity of each item you wish to order directly in this catalog and mail it back to us. A Hal Leonard sales representative will be happy to provide you with a replacement catalog. On Line Visit Hal Leonard on the internet at http://www.halleonard.com/dealers. Ask your sales rep about our dealer access web features. International Orders For international inquiries, please contact the Hal Leonard International Sales Department at [email protected]. Canadian Dealers, please contact the Sales Representative for Canada at [email protected]. Customer Service Should you have any questions regarding your account (shipping, orders, etc.), please call our Customer Service Department in Winona, Minnesota, toll-free at 1-800-321-3408 Monday through Friday between 8:00 a.m. -
Noodle Trivia
Noodle Trivia The Slippery Noodle Inn was originally founded in 1850 as the Tremont House. At that time it was a roadhouse (predecessor to the Holiday Inn) and a bar. It has traditionally been owned by people of German descent and it was one of the first German clubs in Indianapolis. The Noodle has been through several name changes over the years. In the 1860's the name was changed to the Concordia House. This name came from the first German Lutheran immigrant ship to land in the new world (the Concord). As a side note, there is a cemetery on south Meridian Street named Concordia. In later years the name was changed to the Germania House. It remained the Germania House until the start of World War I at which time German associations were to be avoided: so the owner, Louis Beck, changed the name to Beck's Saloon. Prior to Prohibition, Walter Moore purchased the saloon and named it Moore's Beer Tavern. During Prohibition it was renamed Moore's Restaurant (although beer was still made in the basement.) After Prohibition ended in 1935, it was renamed Moore's Beer Tavern. In the late 1940's Boris Petercheff purchased the saloon. Another side note, Boris's son piloted the helicopter for President Lyndon B. Johnson when he came to town for the ground breaking of the downtown Post Office. He was killed shortly thereafter while test piloting an experimental jet. Boris ran the tavern until early 1963 when Emelia Finehout, the property owner took over. She found out all too quickly that she did not enjoy running a tavern, and promptly put the business up for sale. -
Yamaha – Pianosoft Solo 29
YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4. -
Still on the Road Session Pages: 1970
STILL ON THE ROAD 1970 RECORDING SESSIONS MARCH 3 New York City, New York Studio B, Columbia Recording Studios, 5th Self Portrait session 4 New York City, New York Studio B, Columbia Recording Studios, 4th Self Portrait session 5 New York City, New York Studio B, Columbia Recording Studios, 6th Self Portrait session 11 Nashville, Tennessee Columbia Music Row Studios, 1st Self Portrait overdub session 12 Nashville, Tennessee Columbia Music Row Studios, 2nd Self Portrait overdub session 13 Nashville, Tennessee Columbia Music Row Studios, 3rd Self Portrait overdub session 17 Nashville, Tennessee Columbia Music Row Studios, 4th Self Portrait overdub session 26, 27 Los Angeles, California Columbia Studio B, Hollywood, 5th Self Portrait overdub session 30 Nashville, Tennessee Columbia Music Row Studios, 6th Self Portrait overdub session APRIL 2 Nashville, Tennessee Columbia Music Row Studios, 7th Self Portrait overdub session 3 Nashville, Tennessee Columbia Music Row Studios, 8th and last Self Portrait overdub session MAY 1 New York City, New York Columbia Studio B, 1st New Morning session 17 Carmel, New York The Home Of Thomas B. Allen, Earl Scruggs Documentary JUNE 1 New York City, New York Columbia Studio E, 2nd New Morning session 2 New York City, New York Columbia Studio E, 3rd New Morning session 3 New York City, New York Columbia Studio E, 4th New Morning session 4 New York City, New York Columbia Studio E, 5th New Morning session 5 New York City, New York Columbia Studio E, 6th New Morning session 30 New York City, New York Columbia Studio E, 7th New Morning session JULY 13 New York City, New York Columbia Studio E, 1st New Morning overdub session 23 Nashville, Tennessee Columbia Studio E, 2nd New Morning overdub session AUGUST 12 New York City, New York Columbia Studio E, 8th and last New Morning session Still On The Road: Bob Dylan recording sessions 1970 1790 Studio B Columbia Recording Studios New York City, New York 3 March 1970 4th Self Portrait recording session, produced by Bob Johnston. -
The Blues Brothers 1/8 Scheda Film a Cura Di Igor Francescato
The blues brothers 1/8 Scheda film a cura di Igor Francescato THE BLUES BROTHERS USA 1980 di John Landis colori - panoramico (1.85:1) commedia / musicale / azione Universal Pictures 133' - 142' Trama e critica Per impedire la chiusura della loro vecchia scuola, due fratelli organizzano un concerto. Combinano tanti guai che l'intera polizia di Chicago si mette a inseguirli a piedi, in auto, a cavallo, in elicottero. Un classico della nuova comicità demenziale, un film di culto per i fan di Belushi. Anche l'orecchio ha la sua parte con molti divi del Rhythm and Blues, da Ray Charles a Cab Calloway e Aretha Franklin. Scritto da Landis con D. Aykroyd e costato 27 milioni di dollari, è basato su una coppia di personaggi popolari nella trasmissione TV Saturday Night Live. Tra gli ospiti di passaggio i registi Frank Oz e Steven Spielberg e l'ex fotomodella Twiggy. (dal Morandini 2005) Perfettamente in sintonia con lo spirito ribellistico e irriverente dei tempi, il film di Landis si è trasformato quasi immediatamente (anche per la presenza sulfurea di Belushi) in un fenomeno di costume, un canone di eleganza (occhiali Rayban modello Wayfarer, cravatte lunghe e strette, cappello e vestito rigorosamente neri), un inno alla musica blues e una pietra miliare della comicità demenziale. Una lista infinita di partecipazioni straordinarie. Assolutamente geniale. (Paolo Mereghetti, da www.ilcinematografo.it) PERSONAGGI ED INTERPRETI JOHN BELUSHI JAKE BLUES WILLIE HALL batteria THE B. B. BAND DAN AYKROYD ELWOOD BLUES STEVE LAWRENCE AGENTE TEATRALE JAMES BROWN REVERENDO CLEOPHUS JAMES TOM MALONE trombone THE B. -
The Blues Brothers", Med John Belushi Og Dan Aykroyd I Hovedrollerne, Har I 2005 År 25 Års Jubilæum
Blues Brothers 25 år Kultfilmen, "The Blues Brothers", med John Belushi og Dan Aykroyd i hovedrollerne, har i 2005 år 25 års jubilæum. På trods af et budget på omkring 38 millioner dollars og en stjernebesætning af både kendte skuespillere og musikere var der ikke de helt store køer ved billetlugerne i 1980, da filmen havde premiere, første gang. I løbet af de 25 år, der er gået, har den alligevel formået at udvikle sig til en verdensomspændende kultsucces, der blev fulgt op i 1998 af den meget omtalte sequel, "Blues Brothers 2000". Originalen er i dag legendarisk, og de fleste medvirkende fra dengang har absolut stjernestatus. Bandet fra filmen har turneret i USA og rundt om i verden, og i 1997 fik de det ærefulde hverv at optræde i halvlegen i den altoverskyggende, amerikanske sportsbegivenhed, "Superbowl". Også andre steder i verden er der opstået tribute bands og kopiorkestre, som for eksempel århusianske Booze Brothers, der har været med til at holde myten om Jake og Elwood Blues og deres guddommelige musik i live igennem et kvart århundrede. Allerede i slutningen af 1970´erne så man blues-brødrene for første gang i det berømte tv-show, "Saturday Night Live". Det siges, at John Belushi blev inspireret til Jake Blues figuren efter mødet med sangeren fra det dengang ukendte Robert Cray Band, Curtis Salgado. Salgado bar altid sorte solbriller, og han lærte Belushi - der mest var til heavy metal - at synge blues, ligesom de små sjove ordspil, som Jake rapper i nogle af numrene, også stammer fra Salgado. John Belushi tog senere til New York og samlede et band bestående af nogle af branchens bedste folk, og det lykkedes ham at høste stor anerkendelse som bluessanger inden sin alt for tidlige død, den 5. -
Cash Box Is Proud to Extend Its Congratulations to RICHARD IMAMURA, West Coast Editor MARK ALBERT
June 28, 1980 y^/VA/g" gLUtAAfJ i 0l tpvAc^. SEPTEMBER 26-30 MIAMI BEACH BAL HARBOUR AMERICANA HOTEL Roddy S. Shashoua President and Chairman USA HEADQUARTERS: International Music Industries, Ltd. 1414 Avenue of the Americas 6th Annual New York, New York 10019 U.S.A. Tel: (212) 489-9245' International Telex: 234107 Record/Video & Anne Stephenson Director of Operations ' Music Industry Market AUSTRALIA: FRANCE: General Public Relations Pty. Ltd. 18, avenue Matignon PO Box 451 75008 Paris, France Neutral Bay Junction 2089 Australia Tel: 622 5700 Tel: 9082411 Charles Ibgui, Telex: CLAUS AA26937 French Representative Harry Plant IF.YOU’RE IN THE Australian Representative UNITED KINGDOM: ITALY: MUSIC BUSINESS International Conferences & Via Correggio 27 Expositions Ltd. 20149 Milan, Italy 5 Chancery Lane, 4th Floor Tel: 482 456 YOU CAN’T AFFORD London WC2, England Tel: 404 0188/4567 Aldo Pagani, Telex: 896217 Roger THERE! G Italian Representative NOT TO BE - | . VOLUME XL1I — N HR 7 — June 28, 1980 THE INTERNATIONAL MUSIC RECORD WEEKLY DISH BOX GEORGE ALBERT President and Publisher MEL ALBERT EDITORML Bright Future Ahead Vice President and General Manager NICK ALBARANO It Marketing Director A full year has passed since the Founder’s Con- Recording Merchandisers (NARM). has already ALAN SUTTON ference of the Black Music Assn. (BMA) kicked off begun to heighten public awareness through its Editor In Chief the inaugural celebration of June as Black Music programs. J.B. CARMICLE Month. In that time, the BMA has grown and Communication isthe key. If information can pass General Manager, East Coast matured, and on the eve of its second convention, freely and efficiently, great headway can be made in JIM SHARP Director. -
The Blues Brothers È Ormai Entrato Di Diritto Nella Storia Del Cinema Come Una Delle Commedie Più Brillanti E Originali Di Sempre
The Blues Brothers è ormai entrato di diritto nella storia del cinema come una delle commedie più brillanti e originali di sempre. Per come è stato realizzato potrebbe essere considerato un vero e proprio musical. Il budget del film fu di circa 30 milioni di dollari (probabilmente gran parte spesi per comprare automobili da distruggere sul set !!), e quando uscì nella sale nel 1980 non riscosse un grandissimo consenso specialmente da parte della critica. Ma come capita alle volte, sono il tempo e i fan a decretare il successo di una pellicola. Lo stesso avvenne ad esempio per il film “The Rocky Horror Picture Show”. I due protagonisti del film sono Elwood Blues (interpretato da Dan Aykroyd) e Jake “Joliet” Blues (interpretato dal compianto John Belushi). Furono i due stessi attori ad inventare la coppia dei fratelli Blues, fin dai tempi del Saturday Night Live. Quest’ultimo era, ed è ancora, un notissimo show televisivo americano che ha sfornato tra i più importanti e famosi attori comici del panorama cinematografico mondiale. Basti pensare a nomi come Eddie Murphie, Jim Carrey, ecc. Ma torniamo al nostro cult movie. Il film venne distribuito dalla Universal Picture per la regia del geniale John Landis (più avanti nell’articolo potrete leggerne la biografia). La sceneggiatura del film "The Blues Brothers", venne scritta da John Landis insieme a Dan Aykroyd. Andiamo ora a rivivere la surreale trama del film “The Blues Brothers” del 1980. Il film è ambientato a Chicago. "Joliet" Jake Blues, dopo aver ricevuto i suoi averi dall'agente carcerario (Frank Oz), esce dalla prigione (la Joliet Prison) e viene affidato in custodia a suo fratello Elwood.