DOCSLIB.ORG

Issue 117 December 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Issue 117 December 2016 !ssue 117 December 2016 Volume 28, No. 4 1 I S S U E 1 1 7 - DECEMBER 2016 - VOL. 28 NO. 4 Howdy, Pards... Well, another year has done come and almost gone. I’ve been editing the Sil- ver Bullet now for a year and each issue I find something different and rele- vant to TLR and the world we live in. This issue is no exception. We’ll explore what it’s like to actually live with the Lone Ranger, as we talk to Clayton Moore’s daughter, Dawn. She sent along some family pictures that are very special. She’s a remarkable woman raised by a remarkable man. I’ve also been following some new threads that relate to TLR. Like the Green Hornet series recently penned by Michael Uslan and drawn by Giovanni Tim- pano. The Reed (Reid) legacy lives on. There are six issues so far and more in the works. You’ll find a link to the series on that page. Continuing the installments of The Cowboy this issue, we hear about the first cowboys and how they came to be called that. In preparation for the first issue of 2017, I’ve expanded Tonto’s role in this issue. Next issue, we will explore the Indian/Native American side of things (thanks to Dawn for bringing it up). We’ll interview a modern Tonto, look at the different Tontos (Tontoes?) and follow a little of Jay Silverheels life. In light of current events, it’s refresh- ing to see how TLR has always treated others with re- spect and dignity. Hi-yo, Silver…..Away!!! Bo Shaffer, Ed. ….and to all, a good night! Silver Bullet 2 Dawn Moore - Interview We had a chance to chat with Dawn Moore, daughter of Clayton and Sally Moore. She has been in the news of late for the celebration of her Dad’s 100th birthday, and was kind enough to spend some time and insights. Editor— I guess my first question would be a sort of general question, and you must get asked this on a regular basis, but still the foremost one in *my* head….What was it like growing up with the Lone Ranger? I mean your Dad was something very special with his relationship with his character. Hard to separate the two sometimes. Did this flow over and affect his family life….for good or bad? Dawn Moore— Ha! Yes, I get asked this often. It didn’t flow over into “family life” as much as it shaped him as a person. So, how do you separate the threads from the tapestry? Dad was an actor who fell upon a role at a time in his life when he too, needed guidance. So, The Lone Ranger and everything it stood for became his calling. He was a pretty regular guy - could do his own plumbing (I still have his tool box!), en- joyed a new sports car every two years, helped resurface a neighbor’s pool, and taught me how to ride a bike. He had a natural love of - and respect for - children which they understood immediately. He also had a fantastic sense of humor making days with him always playtime. But no, The Lone Ranger did not live with me. As every- one does with their parents, I often hear his voice as vari- ous dilemmas cross my path. One of his favorite quotes was “I may not agree with what you’re saying, but I will defend to the death your right to say it.” Which, in hindsight, makes me think I was saying a lot of stuff he didn’t agree with! ED - I heard that you didn’t suffer a lot of celebrity problems because no one rec- ognized the masked man without the mask (except for the voice of course), but you lived every day with the guy who lived the role and made TLR Creed his own…. I grew up as an impressionable kid watching him on TV all across the country and was really into being a cowboy in the mid to late 50’s. I was impressed merely by the Wild West cowboy action…..it wasn’t until I was an adult that I really under- stood more of what the LR stood for and how your Dad promoted it. My next ques- tion would be….How did growing up with Clayton as a Dad affect your later Merry ChristMas to all,….. !ssue 117 December 2016 Volume 28, No. 4 3 3 life? How did it affect you as a kid…compared to what effect it had on you as an adult? As the only child I heard you got a lot of Tomboy training, so to speak? DM - As a child, I didn’t watch the show (it was off the air before I was born) and didn’t really have a sense of him being different than any other father. I mean, did- n’t all father’s practice slicing a rolled-up newspaper in half with a bullwhip with their 10 year old kids?? Into the late 60s and early 70s the idea of the American cowboy and all that represent- ed was rapidly falling out of favor. So what my father did for a living was something I was teased about caus- ing it to be a subject I spent little time engaging with. Until September 11, 2001. When the country was first in shock, I too was looking for solid ground. The Lone Ranger Creed became - quite literally - a passage of sentiments that not only gave me direction, but al- lowed me to start to understand the power of those ten- ants written in 1933 and it’s timeless relevance. ED - As the third follow up question…..How do you think your father influences you today? Influences the rest of the world today? Last issue of the Silver Bullet I talked about TLR being a meme. What comes to your mind when you see something about TLR….? Do you look at it as your father’s legacy….or as the larger than life character it has become? DM - I have come to understand my father’s legacy through the millions of fan let- ters he received during his lifetime and I continue to get to this day. From police- men, firemen, teachers and even spiritual leaders - all saying they chose a profes- sion of service due to his example. And I want to be clear - not just his example as an actor reciting another man’s words, but as Clayton Moore who took a stand in his personal life. Pretty powerful stuff. But - spoiler alert! - like the rest of us, was only human. But what made him extraordinary was his ability to stand by his convictions when they weren’t always the popular opinion. Or to take action and protect those in need. Essentially, “…to be prepared physically, mentally and morally to fight when necessary for that which is right.” The combination of those three words - “physically, mentally and morally” - is compelling. Easy to say; very, very difficult to do. But, as he was quoted many times, he fell in love with The Lone Ranger charac- ter and strove to live those tenants because it “made me a better person.” And real- ly, isn’t that our journey here? ED - And….what about the character? Clayton was the definitive LR. On the web- sites, people are all the time comparing the different actors that have played TLR. ….and to all, a good night! Silver Bullet 4 THE SILVER BULLET Page 4 The clinical psychologist in me wants to ask…”How does that make you feel?” But, it must be somewhat odd to see other people in the role that your father defined. Like watching Roger Moore do 007. (Which actually might have more interest to you, as a distant relative….LOL) But, out of the half dozen or so actors who have portrayed TLR besides your father….who do you think carried it off the best? The worst? DM - I would have loved for the Johnny Depp/Armie Hammer version to have been successful, but unfortunately they strayed too far from the original concept and movie goers rejected it. (I specifically say “movie goers” versus “fans” because it didn’t reso- nate even with children who were not aware of the Lone Ranger before then.) The char- acter has so much to offer and values that we’d be well served to emulate. Disney was the perfect conduit to bring this into the 21st century and the success of “Pirates of the Caribbean” really was the template for a successful LR re-boot - tongue-in-cheek action and adventure. So, am I secretly thrilled it died? Not really. Because that failure was a lost opportunity for the character who practiced the positive examples of racial equality and tolerance, protecting those in need, fair play and justice without violence to continue to influence children. And that makes me sad. ED - And as a final question……more of an informational thing. Are you doing an- ything these days with LR stuff….I mean besides this obvious article and the 100th anniversary interviews? Like speak- ing tours or anything? Have you noticed an uptick at all in the frequency of TLR memes appearing? DM - Ah, well…. I have completed a story of my father’s life that I am talking to PBS about, so fingers crossed that we find the funding to make it hap- Photo courtesy Bud Lee pen!! Maybe we should start a GoFundMe campaign!! ED - Anything else you’d like to say…..or question I should have asked? DW - I was thinking more - after I hit “send” of course - about the Lone Ranger’s posi- tion on racial equality.
Load more

Recommended publications
  • 7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial
    7. Conclusion : Telefilm, Cross-Media Migration, and the Demise of the Film Serial Abstract The conclusion offers an outlook past the 1940s. It places film serials in the context of the shifting cinema landscape in the 1940s and 1950s and the rise of television. The chapter compares the viewer address of film serials to television’s programming in terms of a ‘segmented flow’ and argues that film serials imagined and practiced a televisual mediality before the advent of TV. Serials and television thus became convergent media, which counters the prevalent notion that television killed film serials. The chapter further stresses the adaptability of the film-serial form to varying exhibition and distribution contexts, which helps to explain their continuous reappearance in the multiple ‘new media’ in the second half of the twentieth century and in the digital culture of the twenty-first century. Keywords: television programming, televisual flow, post-WWII film history, independent film production The present moment is an arbitrary one to end a study of film serials. Al- though the heyday of their production is well in the past, serials that were thought to be lost continue to reappear in archives or in private collections. Online fan groups like the serialsquadron.com offer increasing numbers of serials on DVD. Other enthusiasts make them available on youtube or upload them to archive.org, and scholars like Richard Koszarski are making an effort to locate ‘new’ film serials. In the final months of writing, for instance, Pathe’s The House of Hate (1918) was located in Russia, digitalized, and translated back into English.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • SERIALS - Available in DVD Format
    SERIALS - Available in DVD Format Listed in alphabetical order: ACE DRUMMOND 13-Universal John "Dusty" King ADVENTURES OF CAPTAIN AFRICA 15-Columbia John Hart ADVENTURES OF CAPTAIN MARVEL 12-Republic Tom Tyler ADVENTURES OF FRANK AND JESSE JAMES 13-Universal Clayton Moore THE ADVENTURES OF FRANK MERRIWELL 12-Universal Don Briggs ADVENTURES OF RED RYDER 12-Republic Don "Red" Barry ADVENTURES OF REX AND RINTY 12-Mascot Rin Tin Tin THE ADVENTURES OF SIR GALAHAD 15-Columbia George Reeves ADVENTURES OF SMILIN' JACK 13-Universal Tom Brown ADVENTURES OF THE FLYING CADETS 13-Universal Johnny Downs ATOM MAN v/s SUPERMAN 15-Columbia Kirk Alyn BATMAN 15-Columbia Lewis Wilson BATMAN AND ROBIN 15-Columbia Robert Lowery BLACK ARROW 15-Columbia Robert Scott THE BLACK COIN 15-Independent Ralph Graves BLACKHAWK 15-Columbia Kirk Alyn BLACK WIDOW 13-Republic Bruce Edwards BLAKE OF SCOTLAND YARD 15-Independent Ralph Byrd BLAZING THE OVERLAND TRAIL 15-Columbia Dennis Moore BRICK BRADFORD 15-Columbia Kane Richmond BRUCE GENTRY 15-Columbia Tom Neal BUCK ROGERS 12-Universal Buster Crabbe BURN'EM UP BARNES 12-Mascot Jack Mulhall CALL OF THE SAVAGE 13-Universal Noah Berry, Jr. CANADIAN MOUNTIES v/s ATOMIC INVADERS 12-Republic Bill Henry CAPTAIN AMERICA 15-Republic Dick Pucell CAPTAIN MIDNIGHT 15-Columbia Dave O'Brien CAPTAIN VIDEO 15-Columbia Judd Holdren CHICK CARTER, DETECTIVE 15-Columbia Lyle Talbot THE CLUTCHING HAND 15-Independent Jack Mulhall CODY OF THE PONY EXPRESS 15-Columbia Jock Mahoney CONGO BILL 15-Columbia Don McGuire THE CRIMSON GHOST 12-Republic
    [Show full text]
  • Ell 1E5 570 ' CS 20 5 4,96;
    . MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P .
    [Show full text]
  • The Dally Will Be Partly Sunny, Windy and Warmer with Highs in the Upper 30S to Low 40S
    Eastern Illinois University The Keep December 1982 12-10-1982 Daily Eastern News: December 10, 1982 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1982_dec Recommended Citation Eastern Illinois University, "Daily Eastern News: December 10, 1982" (1982). December. 8. http://thekeep.eiu.edu/den_1982_dec/8 This Book is brought to you for free and open access by the 1982 at The Keep. It has been accepted for inclusion in December by an authorized administrator of The Keep. For more information, please contact [email protected]. Friday, December 10, t 982 The Dally will be partly sunny, windy and warmer with highs in the upper 30s to low 40s. Friday night will be cloudy with a chance of rain or snow and lows in the upper · 20s to low 0s . Eastern llllnols University I Charleaton, Ill. 81 920 I Vol. 88, No. 75 / 28 Pagea 3 Eastern News ------- Wor-kers he-re to share cuts e by Maryqually-Mi Holland- ller An Eastern official told close to 100 non­ negotiated employees Thursday that spending cuts made necessary by a state shortfall will be shared equally throughout the campus. George Miller, vice president for administration and finance, told non-negotiated workers at Thursday's Civil Serice Council meeting that it is too early to tell how the state shortfall will affect schedul­ ed salary raises for university employees. "I honestly can't give you any information on it now because that has to come from the governor, the legislature and our own board. We're looking at other people for answers right now," he said.
    [Show full text]
  • 'DJ.M~ ~ WORLD's GREATEST SELECTION of THINGS to SHOW
    WINTER 1984 SUPPLEMENT I -'DJ.m~ ~ WORLD'S GREATEST SELECTION OF THINGS TO SHOW SCROOGE 2 (1935) SEYMORE HICKS, DONALD CALTHROP, ROBERT COCHRAN, MARY GLYNNE It's the one and only "Bah­ Humbug" story as told by Charles Dickens. From the irascible old Scrooge, through Bob Crotchet's misery, old Marlye's ghost and the new and loveable Scrooge, we and Tiny Tim again enjoy that most wonderful spirit of Christmas. 77 min . BW We are pleased to present the classic version of this Dickens Christ­ mas classic to all our customers. Merry Christmas to you all! 506-30-0599 - Beta 525-30-0599 - VHS. .. .. .. .................... $29.98 BLACKHAWK CHRISTMAS PRICE ....... ... $23.88 (Sale ends December 31, 1983) A CHRISTMAS CAROL, here called SCROOGE, was the first of Charles Dickens "Christmas Books" written' in 1845 and we are pleased to announce on page 3 his third "Book" called THE CRICKET ON THE HEARTH. (order blank p. 33) 1983 Blackhawk f ilms, Inc ., One Old Eagle Brewery, Davenport, Iowa 52802 Special Delivery Services United States: Guarantee 16mm Film - Special Order Most 16mm format film is special order. Please UPS BLUE LABEL $2 .00 per item POSTAL EXPRESS OVERNITE $8.00 (1 only) If after receivin!;l an item you are not allow 12 weeks for printing and delivery. satisfied, return 11 to us within 10 days. {Limit 1 tape or 1 Disc only) We'll allow full credit on some other Running Time Conversion Table UPS NEXT DAY AIR $10.00 per item FEDERAL EXPRESS $28.00 per item purchase or give you a full refund.
    [Show full text]
  • City of Beverly Hills Historic Resources Survey, Commercial
    City of Beverly Hills Historic Resources Survey Report Survey Area 5: Commercial Properties Part I: Historic Resources Survey Update Part II: Area 5: Commercial Property Survey Prepared for: City of Beverly Hills Planning and Community Development Department 455 North Rexford Drive Beverly Hills, California 90210 Prepared by: 811 West 7th Street, Suite 800 Los Angeles, CA 90017 June 2006, rev. April 2007 City of Beverly Hills Commercial Area 5-Historic Resources Survey Update SUMMARY The City of Beverly Hills Department of Planning and Community Development obtained services in architectural history from Jones & Stokes to update the City’s Historic Resources Survey (HRS) for Area 5 Commercial (see map of survey areas, next page). Phase I of the HRS was prepared in 1985-86 and included a windshield survey of 2,790 properties. Of those properties, 371 were recorded on Department of Parks and Recreation historic resources inventory forms (DPR 523 forms), and 27 of them were recorded in Commercial Area 5. The 1985-86 HRS essentially used a 50-year age criterion, and therefore evaluated very few properties constructed after 1945. In 2004, PCR Services Corp. prepared Phase II of the HRS, preparing update DPR 523 forms for the 371 Phase I properties, and preparing reconnaissance level DPR 523 forms for Area 4 Multi-Family Residence Survey. The purpose of the 2006 Phase III survey of Area 5 Commercial is to: 1) provide update DPR 523 forms on the 27 Phase I properties, and 2) conduct a reconnaissance survey of properties constructed after 1935 but before 1965. The project methodology follows that of the reconnaissance level survey effort documented on DPR 523 forms according to California Office of Historic Preservation Instructions for Recording Historical Resources.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • SCOREBOARD TUESDAY J Big East Conlorence C a Ll Angeles 16-13; Lost Divisional Pbyoff to San W L W L INTERCEPTIONS Francisco 21-10
    20—MANCHESTER HERALD, Monday. Jan. 21, 1991 SCOREBOARD TUESDAY J Big East Conlorence C a ll Angeles 16-13; Lost divisional pbyoff to San W L W L INTERCEPTIONS Francisco 21-10. Syracuse 4 16 M ott friterceptlont By. Game — 4. New Yak Basketball 2 2 1985 — Won wild-card playofi against San SL John'a 4 Jett vs. Baltimore, 1969; Dellas vs. Denver, 2 13 2 tpi H A IVD V W O R K Frartcisco 17-3; Lost divisional playoff to P ittsburgh 3 2 14 4 1978. LOCAL NEWS INSIDE The he.sl years eier hy^NFI. p IssT a t^ s Chicago 21-0. G eorgetow n 3 2 11 4 1986 — Won conlererKa playoff against San NBA standings S oton H all 4 Super Bowl glance 3 11 4 Frandsco 49-3; Won conference champlonsWp EASTERN CONFERENCE CONNECTICUT 3 3 4 RECEPTIONS The composite recads for all participantt In 12 against Wbshington 17-0; Wbn 21st Super Bowl AtluHIc DIvWon V illo rK va 3 RfiCErVER.TEAM ■ King lauded in local ceremony. 2 9 7 SEASON y against Denver 39-20. the Super Bowl: ProvIdarK a 4 W L P e t QB 2 11 6 1989 — Lost divisional playoff to Los Angeles National Confarsnea Boston ___ Boston College Art Monk, Washington 29 8 .784 1 5 9 8 1984 106 19-13, OT. W 1, P et. PF PA PNtadalphla 22 16 .579 71/a 1990 — Won divisional playoff against Pittsburgh 0 1.000 103 73 ■ 8th District focus on budget cuts. Maw Y>rt( 16 Charley HettningaH) H ousti^ 2 1 .432 13 1964 101 Chicago 31-3; Wfen confererKs championsNp San FrarKisco 0 1.000 139 63 W ashington 16 Saturday's RaauRs 21 .432 13 against San Frandsco 15-13.
    [Show full text]
  • WESTERN FILMS Page 1 of 20
    WESTERN FILMS Page 1 of 20 WESTERN FILMS Western Films or Westerns are the major defining genre of the American film industry, a nostaligic eulogy to the early days of the expansive, untamed American frontier (the borderline between civilization and the wilderness). They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins. [The popularity of westerns has waxed and waned over the years. Their most prolific era was in the 1930s to the 1960s, and most recently in the 90s, there was a resurgence of the genre. This indigenous American art form focuses on the frontier West that existed in North America. Westerns are often set on the American frontier during the last part of the 19th century (1865-1900) following the Civil War, in a geographically western (trans-Mississippi) setting with romantic, sweeping frontier landscapes or rugged rural terrain. However, Westerns may extend back to the time of America's colonial period or forward to the mid-20th century, or as far geographically as Mexico. A number of westerns use the Civil War, the Battle of the Alamo (1836) or the Mexican Revolution (1910) as a backdrop. The western film genre often portrays the conquest of the wilderness and the subordination of nature, in the name of civilization, or the confiscation of the territorial rights of the original inhabitants of the frontier. Specific settings include lonely isolated forts, ranch houses, the isolated homestead, the saloon, the jail, the livery stable, the small-town main street, or small frontier towns that are forming at the edges of civilization.
    [Show full text]
  • Faculty and Administration 1
    Faculty and Administration 1 Ed.D., California State University, Fullerton FACULTY AND ARMAN, NICK — Veterans Resource Center A.A., Los Angeles Pierce College ADMINISTRATION B.A., California State University, Northridge M.S., California State University, Northridge –A– Ed.D., Brandman University ABDEL HAQ, MOHAMMAD — Sociology ARRIAZA, CECILIA — Director, Cadena Cultural and Transfer Center B.S., La Roche College, Pittsburgh, Pennsylvania B.A., University of California, Los Angeles M.A., California State University, Fullerton M.A., University of California, Los Angeles ABESAMIS, NAOMI — Director, Student Life and Leadership ASHENMILLER, JOSHUA — History B.A., University of California, Riverside A.B., Princeton University M.B.A., University of Phoenix M.A., University of California, Santa Barbara M.A., California State Polytechnic University, Pomona Ph.D., University of California, Santa Barbara ABUTIN, ALBERT — Dean, Enrollment Services ASSEF, CELIA — Cosmetology A.A., Fullerton College A.S., Riverside Community College A.S., Fullerton College B.S., Southern Illinois University B.A., California State University, Fullerton M.S., University of La Verne AUSTIN, PHILIP — Physical Education Ed.D., University of La Verne A.A., Pasadena City College B.A., California State University, Dominguez Hills ADAKAI, ERICKA - Partnerships and Programs (Interim) B.A., University of Hawaii A.A., Antelope Valley College B.S., California State University, Fullerton AVILES, GREG — Physical Education M.S., California State University, Fullerton B.S., California
    [Show full text]
  • I Am Mister Ed...Allan Rocky Lane Revealed Pdf, Epub, Ebook
    I AM MISTER ED...ALLAN ROCKY LANE REVEALED PDF, EPUB, EBOOK Linda Alexander | 318 pages | 26 Jun 2014 | BEARMANOR MEDIA | 9781593935733 | English | none I Am Mister Ed...Allan Rocky Lane Revealed PDF Book Then there was Allan Lane the businessman. Alexander separates fact from fiction in his studio biographies; no, he didn't play football for Notre Dame, and no, his mother didn't sing light opera. Lewis is in the center of the villainous trio. Hardcover Linda Lael Miller Books. Sounds like I have more good "B" Westerns to look forward to. Buy It Now. She always talks back, and conversations are always entertaining. In my opinion they are quite good in every respect — the last paragraph of you article confirming my feelings about his work — thank you. Ask it above. Alan Young and Connie Hines with Mr. What does this price mean? People were quoted saying he had no friends and Robert Blake who worked with both Elliott and Lane couldn't be quoted by the author who said he just wouldn't publish anything with that nasty of language. I looked forward to watching it every week when aired in syndication. Lane starred as Red Ryder from to , and when Republic lost the rights to the character due to a clerical error, the studio quickly created another series for the popular Lane, giving him a new nickname Rocky and a new sidekick, Eddy Waller. Less well-known is that Allan Lane also had an earlier movie career, before he became a fast-riding cowboy. He was moody, had a hard time empathizing with others and was a perfectionist who was serious about his work.
    [Show full text]