Contractual Obligation Album Monty Python
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What Lies Beneath Continued from Page 1 of the Town for Burial of Their Dead
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 35, Number 14 Thursday, April 11, 2019 What Lies BBeneatheneath by William Halliar, with research by Brady Vanes and Fern Eddy Schultz Graveyards. graves. The decorative fence that surrounds the A link to those who came before us. cemetery is broken down in many places. Animals On the one hand, we are fascinated by their sto- graze on the weeds growing over long-buried dead. ries and legends. On the other, we shiver at the re- Perhaps most disturbing is the fact that many of minder of our own mortality. the gravestones have been vandalized by lawless Nonetheless, cemeteries are an integral part of “marauders,” as the locals called them: young peo- our lives and landscapes. More than 100,000 cem- ple with no respect for property or the dead. eteries exist in Indiana, with more than 85 in La- A small group of citizens makes the trek from Porte County alone. Michigan City’s old burial Michigan City’s town center, near the lakeshore, to ground is a forgotten plot, a memorial to our earli- the public burial ground. The terrain between the est citizens. It has been paved and built over by a city built on the lakefront to what was referred to as modern city, yet what remains buried there is part the “City of the Dead” located southeast of the city who we are. Though mostly forgotten, it was one of center is diffi cult, blocked my many a high sandhill Indiana’s oldest cemeteries. -
Uncut Ultimate Music Guide Genesis
Uncut Ultimate Music Guide Genesis Winny massaged her Thera lordly, she flense it juristically. Blond and coxcombical Ewart always commends physiologically and wrangles his almug. Noduled and cerated Mauricio still knock-ups his Hussein extravagantly. Dieser betrag kann Small Stories as a New Perspective in Narrative and Identity Analysis. In the above diagram Kircher arranges eighteen objects in two vertical columns and then determines he number of arrangements in which they can be combined. Pythagoreans as the primogenial number, the root of all things, the fountain of Nature and the most perfect number. Having departed from your house, turn not back, for the furies will be your attendants. Black apostolic preaching Arte in zucca. Collins also felt that releasing the album on Charisma Records, the same label as Genesis, would have harmed its success due to the preconceived notions people have about bands and labels. Pythagoras was murdered, uncut ultimate music guide genesis. Rituals and the Healing Process. And well, us three being on the water. Sense is never deceived; and therefore every sensation and every perception of an appearance is true. The genesis from uncut ultimate music guide genesis. They are questions that give opportunities to explore and deepen understanding. During its blood on narratives provided to be a key to uncut ultimate music guide genesis into which is in my head in size would cry beware! After this manner were the seven men generated. Critical Thinking in Education: An Introduction to Philosophy of Education in the African Context. But we also argued for hours through three great pyramid is precisely that god is controlled by former bandmate peter gabriel, uncut ultimate music guide genesis. -
Star Trek, Nyota Uhura, and the Female Role
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Graduate Theses, Dissertations, and Other Projects Capstone Projects 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Otto-Griffiths, C. (2020). Expectation versus reality: Star Trek, Nyota Uhura, and the female role [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1016/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role By Cecelia Otto-Griffiths [email protected] Advisor Dr. Laura Jacobi A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota May 2020 i April 13, 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths This thesis has been examined and approved by the following members of the student’s committee. -
A Study of Music Publishers, Collecting Societies and Media Conglomerates'
Prometheus, Vol. 17, No. 2, 1999 163 The Changing Location of Intellectual Property Rights in Music : A Study of Music Publishers, Collecting Societies and Media Conglomerates' MARTIN KRETSCHMER, GEORGE MICHAEL KLIMIS & ROGER WALLIS ABSTRACT This article reports the results of a major study, conducted between 1996 and 1999, examining the impact of de-regulation and digital technologies on the global music industry . 14/e analyse four negotiations in the process of bringing music to the world market: commod#ication, globalisation, delivery, and royalty management. 141e show that the location of intellectual property rights in this process depends on the mutual bargaining power of the parties involved, within a statutory frame vesting music copyright initially in the author. 14,e describe the forces which have led to the appropriation of rights accounting for 80% of global publishing and recording revenues 1y only five companies : LA71 (U)) Bertelsmann (Germany), 141'arner (US), Sony (Japan) and Universal (Canada) . 14'e predict that this regime will not last and consider the likely future location of intellectual properly rights in music . Keywords : globalisation, information society, intellectual property, music copyright, royalty, vertical integration . Introduction Music is covered by complex intellectual property provisions . A right arises if an original musical idea is given a fixed expression ; for example, if a song is written down or recorded in some other from . This right is located in the creator of that musical idea . By an act of legislation, the musical idea turns into a copyrighted work, owned by the creator, who will have the power to prevent others from using it . -
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author Born in Hollywood, actor, singer, columnist, author and record producer Steve Rowland grew up in Beverly Hills during the Golden Age of Hollywood. His father was film director Roy Rowland, his mother Ruth was a scriptwriter and the niece of Louis B. Mayer of MGM fame. Steve almost "naturally" began an acting career in the 50s, starring in over 35 TV shows like “Bonanza”, “Wanted Dead Or Alive” and a two year role in “The Legend of Wyatt Earp”. His first film appearance was at 11 year's old in MGM's "Boy's Ranch", singing Darling Clementine in the campfire scene. Film appearances included co-starring roles in “The Battle of the Bulge” with Henry Fonda and Telly Savalas, “Gun Glory” with Stuart Granger and Rhonda Fleming, “Crime in the Streets” with John Cassavetes and Sal Mineo, and the original “The Thin Red Line” with Keir Dullea and Jack Warden. These were also the years when as a member of "Hollywood royalty" Steve was inspired to write monthly columns for the popular fan magazines, The View From Rowland’s Head being the most famous, as he mingled with the stars and starlets of the time : Elvis Presley, Steve McQueen, Marlon Brando, James Dean, Natalie Wood, Tuesday Weld, Kathy Case, Carmen Phillips to name a few. And with his all-time friend Budd Albright, he hit the music scene with the group "West Coast Twist Kings", and with Earl Bostic he performed in the "Ringleaders". The lure of ‘the swinging sixties’ soon brought Steve to London where he produced records for the Fontana label. -
Open Tunney.Thesis.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES THE EVOLUTION OF UHURA: REPRESENTATIONS OF WOMEN IN TREK KRISTEN TUNNEY Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Film-Video with honors in Media Studies Reviewed and approved* by the following: Jeanne Lynn Hall Associate Professor of Communications Thesis Supervisor Barbara Bird Associate Professor of Communications Honors Adviser Paula Droege Lecturer in Philosophy Third Reader * Signatures are on file in the Schreyer Honors College. i Abstract: The Evolution of Uhura: Representations of Women in Trek will be a primarily textual character analysis* of the ways in which the character of Uhura has evolved and transformed over the past forty years. In the paper, I claim that Trek films have always had both positive and negative representations of women, and that ―NuTrek‖ fails and succeeds in ways that are different from but comparable to those of ―classic‖ Trek. I will devote the first half of my paper to Uhura‘s portrayal in Star Treks I through VI. The second half of my research will focus on the newest film, Star Trek (2009). I will attempt to explain the character‘s evolution as well as to critique the ways in which NuTrek featuring the Original Series characters manages to simultaneously triumph and fail at representing the true diversity of women. * my interpretation of how different characters can be ―read‖ as either positive or negative representations of gender; my own interpretation will be compared and contrasted with that of other Trek scholars, and I will be citing sources both in feminist literature and media studies literature (and some combinations) to back up my own conclusions about the films. -
The History of Star Trek
The History of Star Trek The original Star Trek was the brainchild of Gene Roddenberry (1921-1991), a US TV producer and scriptwriter. His idea was to make a TV series that combined the futuristic possibilities of science fiction with the drama and excitement of TV westerns (his original title for the series was ‘Wagon Train to the Stars’). Star Trek was first aired on American TV in 1966, and ran for three series. Each episode was a self-contained adventure/mystery, but they were all linked together by the premise of a gigantic spaceship, crewed by a diverse range of people, travelling about the galaxy on a five-year mission ‘to explore new life and new civilisations, to boldly go where no man has gone before’. Although not especially successful it attracted a loyal fan-base, partly male fans that liked the technological and special effects elements of the show. But the show also attracted a large number of female fans, many of whom were drawn to the complex interaction and dynamic between the three main characters, the charismatic but impetuous Captain Kirk (William Shatner), the crotchety old doctor McCoy (DeForest Kelley) and the coldly logical Vulcan science officer Spock (Leonard Nimoy). After the show was cancelled in 1969 the fans conducted a lengthy and ultimately successful campaign to resurrect the franchise. Roddenberry enjoyed success with several motion pictures, including Star Trek: The Motion Picture (1979); action-thriller Star Trek II: The Wrath of Khan (1982); Star Trek III: The Search for Spock (1984) and the more comic Star Trek IV: The Voyage Home (1986). -
An Examination of Jerry Goldsmith's
THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much. -
Genesis ...And Then There Were Three... Mp3, Flac, Wma
Genesis ...And Then There Were Three... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: ...And Then There Were Three... Country: Russia Released: 2017 Style: Prog Rock, Classic Rock MP3 version RAR size: 1804 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1659 mb Rating: 4.2 Votes: 463 Other Formats: VOX MOD MP4 DTS VQF VOC ASF Tracklist Hide Credits Down And Out 1 5:25 Written-By – Rutherford*, Collins*, Banks* Undertow 2 4:45 Written-By – Banks* Ballad Of Big 3 4:43 Written-By – Rutherford*, Collins*, Banks* Snowbound 4 4:29 Written-By – Rutherford* Burning Rope 5 7:07 Written-By – Banks* Deep In The Motherlode 6 5:14 Written-By – Rutherford* Many Too Many 7 3:29 Written-By – Banks* Scenes From A Night's Dream 8 3:29 Written-By – Collins*, Banks* Say It's Alright Joe 9 4:18 Written-By – Rutherford* The Lady Lies 10 6:00 Written-By – Banks* Follow You Follow Me 11 3:55 Written-By – Rutherford*, Collins*, Banks* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Charisma Records Ltd. Published By – Gelring Ltd. Published By – Hit & Run Music (Publishing) Ltd. Distributed By – Virgin Records Ltd. Recorded At – Relight Studios Mixed At – Trident Studios Manufactured By – Polygram, Hanover, West Germany Credits Design [Sleeve Design], Photography By [Photographs] – Hipgnosis Drums, Voice [Voices] – Philip Collins* Engineer – David Hentschel Engineer [At Relight: Assisted By] – Pierre Geofroy Chateau* Engineer [At Trident: Assisted By] – Steve Short Guitar [Guitars], Bass [Basses] – Mike Rutherford Keyboards – Tony Banks Producer – David Hentschel, Genesis Technician [Equipment] – Andy Mackrill, Dale Newman, Geoff Banks Notes On traycard: Publisher: Gelring/Hit & Run Music Pub. -
Student Project
ASSR MUSIC PRODUCTION CURRICULUM Audio Tools for Schools ALAN Parsons’ Student project www.artandscienceofsound.com A LETTER FROM THE FOUNDERS usic is a precious resource. Being able Mto capture or record music for future generations to enjoy is one of music’s most valuable skills. Today Music Production is something anyone can do, armed with a cellphone and a decent internet connection. Sure you’ll soon want a microphone; and then another mic, and then another mic. Speakers help of course, and pro software gives you the sort of power that only major recording studios like Capitol and Abbey Road had back in the day. Speaking of which, back in the day when we were trying to carve out our careers, there weren’t any alternatives to a recording studio. And there weren’t any schools you could go to to learn about recording. Alan got a job as an assistant engineer at Abbey Road and Julian signed with Charisma Records as a writer and keyboard player. We listened, observed, tried, occasionally failed, Since 2010 we’ve dedicated ourselves to lifting the lid on what but eventually started to make sense of this magical thing we call it takes to record music; unravelling some of the mysteries ‘making records.’ behind and in front of the glass. Learning Music Production Today, even though physical records might seem to have gone and Audio Engineering isn’t rocket science (though Alan does the way of the Dodo, there’s still a thrill in creating music… have strong connections with NASA these days) and it’s not art creating something that didn’t exist fifteen minutes ago. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Star Trek Beyond Is a Knockout” –Peter Travers, Rolling Stone
“Star Trek Beyond is a knockout” –Peter Travers, Rolling Stone “A total blast!” –Scott Mantz, “Access Hollywood” FROM DIRECTOR JUSTIN LIN AND PRODUCER J.J. ABRAMS COMES ONE OF THE BEST-REVIEWED ACTION MOVIES OF THE YEAR The All-New Star Trek Adventure Takes Off on 4K Ultra HD™, Blu-ray™ and Blu-ray 3D™ Combo Packs November 1, 2016 Get it on Digital HD Four Weeks Early on October 4! HOLLYWOOD, Calif. – The intrepid crew of the USS Enterprise returns in “the best action movie of the year” (Scott Mantz, “Access Hollywood”). The “highly entertaining” (David Rooney, Hollywood Reporter) new installment in the iconic franchise, STAR TREK BEYOND sets a course on 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs, DVD and On Demand November 1, 2016 from Paramount Home Media Distribution. The sci- fi adventure will also be available as part of the STAR TREK TRILOGY Blu-ray Collection. The film warp speeds to Digital HD four weeks early on October 4, 2016. Director Justin Lin (Fast & Furious) delivers “a fun and thrilling adventure” (Eric Eisenberg, Cinemablend) with an incredible all-star cast including Chris Pine and Zachary Quinto, as well as newcomers to the STAR TREK universe Sofia Boutella (Kingsman: The Secret Service) and Idris Elba (Pacific Rim). In STAR TREK BEYOND, the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. The STAR TREK BEYOND 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs are loaded with over an hour of action-packed bonus content, with featurettes from filmmakers Page 1 of 4 and cast, including J.J.