Essential Blues Discography
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TN Bluesletter Week 10 080310.Cdr
(About the Blues continued) offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Shows begin at 6:30 unless noted Texas acoustic blues relied more on the use of slide, In case of inclement weather, shows will be held just down the and artists like Lightnin' Hopkins and Blind Willie street at the Grand Theater, 102 West Grand Avenue. Johnson are considered masters of slide guitar. Other June 1 Left Wing Bourbon local and regional blues scenes - from New Orleans MySpace.com/LeftWingBourbon June 8 The Pumps to Atlanta, from St. Louis to Detroit - also left their mark ThePumpsBand.com on the acoustic blues sound. MySpace.com/ThePumpsBand When African-American musical tastes began to June 15 The Blues Dogs change in the early-1960s, moving towards soul and August 3, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs rhythm & blues music, country blues found renewed June 22 Pete Neuman and the Real Deal popularity as the "folk blues" and was sold to a PeteNeuman.com June 29 Code Blue with Catya & Sue primarily white, college-age audience. Traditional YYoouunngg BBlluueess NNiigghhtt Catya.net artists like Big Bill Broonzy and Sonny Boy Williamson July 6 Mojo Lemon reinvented themselves as folk blues artists, while MojoLemon.com Piedmont bluesmen like Sonny Terry and Brownie MySpace.com/MojoLemonBluesBand McGhee found great success on the folk festival July 13 Dave Lambert DaveLambertBand.com circuit. The influence of original acoustic country July 20 Deep Water Reunion blues can be heard today in the work of MySpace.com/DWReunion contemporary blues artists like Taj Mahal, Cephas & July 27 The Nitecaps Wiggins, Keb' Mo', and Alvin Youngblood Hart. -
Z 102 Coltrane, John / Giant Steps Z 443 Cooke, Sam
500 Rank Album 102 Coltrane, John / Giant Steps 285 Green, Al / I'm Still in Love With You 180 Abba / The Definitive Collection 443 Cooke, Sam / Live at the Harlem Square Club 61 Guns N'Roses / Appetite for Destruction 73 AC/DC / Back in Black 106 Cooke, Sam / Portrait of a Legend 484 Haggard, Merle / Branded Man 199 AC/DC / Highway to Hell 460 Cooper, Alice / Love It to Death 437 Harrison, George / All Things Must Pass 176 Aerosmith / Rocks 482 Costello, Elvis / Armed Forces 405 Harvey, PJ / Rid of Me 228 Aerosmith / Toys in the Attic 166 Costello, Elvis / Imperial Bedroom 435 Harvey, PJ / To Bring You My Love 49 Allman Brothers Band / At Fillmore East 168 Costello, Elvis / My Aim Is True 15 Hendrix, Jimi Experience / Are You Experienced? 152 B-52's / The B-52's 98 Costello, Elvis / This Year's Model 82 Hendrix, Jimi Experience / Axis: Bold as Love 34 Band / Music from Big Pink 112 Cream / Disraeli Gears 54 Hendrix, Jimi Experience / Electric Ladyland 45 Band / The Band 101 Cream / Fresh Cream 389 Henley, Don / The End of the Innocence 2 Beach Boys / Pet Sounds 203 Cream / Wheels of Fire 312 Hill, Lauryn / The Miseducation of Lauryn Hill 380 Beach Boys / Sunflower 265 Creedence Clearwater Revival / Cosmo's Factory 466 Hole / Live Through This 270 Beach Boys / The Beach Boys Today! 95 Creedence Clearwater Revival / Green River 421 Holly, Buddy & the Crickets / The Chirpin' Crickets 217 Beastie Boys / Licensed to Ill 392 Creedence Clearwater Revival / Willy and the Poor Boys 92 Holly, Buddy / 20 -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Kathy Sledge Press
Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records. -
Various Alligator Blues Mp3, Flac, Wma
Various Alligator Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Alligator Blues Country: Greece Released: 2000 MP3 version RAR size: 1549 mb FLAC version RAR size: 1227 mb WMA version RAR size: 1344 mb Rating: 4.7 Votes: 207 Other Formats: AA MPC MP3 ADX MIDI FLAC RA Tracklist 1 –Koko Taylor, Buddy Guy Born Under A Bad Sign 6:25 2 –Fenton Robinson Killin Floor 3:38 3 –Long John Hunter I Don't Care 3:23 4 –Saffire -The Uppity Blues Women (I'll Be Your) Sweet Black Angel 4:41 5 –Michael Hill's Blues Mob She's Gone 4:30 6 –Albert Collins ...But I Was Cool! 3:10 7 –Son Seals How Could She Leave Me? 3:39 8 –Corey Harris Preaching Blues 4:37 9 –Lonnie Brooks Backbone Man 4:04 10 –Shemekia Copeland Married To The Blues 7:12 11 –Lil' Ed And The Blues Imperials Travellin' Life 3:41 12 –Little Charlie And The Nightcats Crying Won't Help You 5:21 13 –Hound Dog Taylor Sadie 6:11 14 –Carey Bell Teardrops 7:06 Companies, etc. Distributed By – A&N Records Phonographic Copyright (p) – Jazz & Τζαζ Copyright (c) – Jazz & Τζαζ Phonographic Copyright (p) – Alligator Records Copyright (c) – Alligator Records Manufactured By – NEA-Media S.A. Printed By – Μιχάλης Ορφανός Credits Compiled By – Γιώργος Χαρωνίτης, Νίκος Βοζίκης Compiled By, Liner Notes – Φώντας Τρούσας Cover – Δημήτρης Αρβανίτης Producer [Supervisor] – Bruce Iglauer Notes Free cd with Jazz & Τζαζ magazine issue No86 Producer: Jazz & Τζαζ magazine Producer [Supervisor]: Alligator Records Barcode and Other Identifiers Matrix / Runout: NEA MEDIA S.A. -
PABL003 Tampa Red Front.Std
c TAM PA RED c PABL003 PABL003 THE M AN W ITH THE GOLD GUITAR TTaammppaa / She's Love Crazy (3:00) 24/6/41 @ Love With A Feeling (2:58) 16/6/38 RReedd 0 Delta Woman Blues (3:07) 11/10/37 A Travel On (2:24) 11/10/37 1 Bessemer Blues (2:48) 15/5/39 B Deceitful Friend Blues (3:02) 11/10/37 2 It's A Low Down Shame (2:57) 24/6/41 C When The One You Love Is Gone (3:08) 4/5/37 3 Hard Road Blues (2:57) 27/11/40 D It Hurts Me Too (2:32) 10/5/40 4 So Far, So Good (2:43) 24/6/41 E Witchin' Hour Blues (3:13) 27/10/34 5 You Missed A Good Man (3:34) 1/11/35 F Grievin' And Worryin' Blues (3:05) 14/6/34 6 Anna Lou Blues (2:53) 10/5/40 G Let Me Play With Your Poodle (2:39) 6/2/42 7 Got To Leave My Woman (3:19) 14/3/38 H She Wants To Sell My Monkey (3:20) 6/2/42 ? Kingfish Blues (3:08) 22/3/34 I Why Should I Care? (3:26) 14/3/38 All songs written and performed by Tampa Red (vocals, guitar, electric guitar, piano, kazoo) with Carl Martin (guitar, 17), Henry Scott (guitar, 16), Black Bob (guitar, 7, 10, 11?) Willie B. James (guitar, 2, 12, 13, 14, 20), Blind John Davis (piano, 3, 8, 15), Ransom Knowling (bass, 1, 3, 4, 6) Big Maceo Merriweather (piano, 1, 4, 6, 18, 19), Clifford 'Snags' Jones (drums, 18, 19), and others TThhee MM aann All recorded in Chicago except tracks 2, 9, 11, 12, 14, 20, Aurora, Illinois Restoration and XR remastering by Andrew Rose at Pristine Audio, January 2008 WW iitthh TThhee Cover artwork based on photographs of Tampa Red Total duration: 60:13 ©2008 Pristine Audio. -
I Went Down to St James Infirmary
FOLD FOLD spine = Iwent downto A goldmine of information, with an amazing cast of characters. ‘‘ The definitive statement on the subject—and a very entertaining read to boot. —Rob Walker, author of Buying In and ’’ Letters from New Orleans What better way to honor a great song than to tell a great story ST. JAMES INFIRMARY ‘‘ about it? —David Fulmer, author of The Blue Door and ’’ Chasing the Devil’s Tail Iwent down to “St. James Infirmary” is the quintessential jazz-blues song 0f the early ST. JAMES twentieth century. Major performing and recording artists have covered it, from Louis Armstrong and Jimmie Rodgers to Van Morrison and the White INFIRMARY Stripes. Infused with ego-driven angst, once considered obscene because of the lyrics’ stark depiction of death and their portrayal of a seedy underworld inhabited by gamblers, pimps, “loose” women, and every sort of rounder, the song has been adapted, rewritten, borrowed, stolen, attacked, revered, and Investigations in the shadowy loved. In its heyday of the 1920s and 30s, when recordings and sheet music of world of early jazz-blues in the “St. James Infirmary” were first packaged and marketed, the public could not get enough of it. Nearly a hundred years later, its allure remains. company of Blind Willie McTell, Robert W. Harwood follows the song as it travels from its folk origins into Louis Armstrong, Don Redman, the recording studios, performances stages, and law courts of America’s jazz era. Along the way he picks up a retinue of fascinating characters whose Irving Mills, Carl Moore, and a stories are as interesting as the song itself. -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
Interstellar Music - by Mike Overly
Interstellar Music - by Mike Overly Let's imagine that you could toss a message in a bottle faster than a speeding bullet into the cosmic ocean of outer space. What would you seal inside it for anyone, or anything, to open some day in the distant future, in a galaxy far, far away from our solar system? Well, imagine no more because it's been done! Thirty-five years ago, NASA launched two Voyager spacecraft carrying earthly images and sounds toward the Stars. Voyager 1 was launched on September 5, 1977, from Cape Canaveral, Florida and Voyager 2 was sent on its way August 20 of that same year. Voyager 1 is now 11 billion miles away from earth and is the most distant of all human-made objects. Everyday, it flies another million miles farther. In fact, Voyager 1 and 2 are so far out in space that their radio signals, traveling at the speed of light, take 16 hours to reach Earth. These radio signals are captured daily by the big dish antennas of the Deep Space Network and arrive at a strength of less than one femtowatt, a millionth of a billionth of a watt. Wow! Both Voyagers are headed towards the outer boundary of the solar system, known as the heliopause. This is the region where the Sun's influence wanes and interstellar space waxes. Also, the heliopause is where the million-mile-per-hour solar winds slow down to about 250,000 miles per hour. The Voyagers have reached these solar winds, also known as termination shock, and should cross the heliopause in another 10 to 20 years. -
Joe Bonamassa Free Album 2017 Mp3, Flac, Wma
Joe Bonamassa Free Album 2017 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Free Album 2017 Country: US Released: 2017 Style: Blues Rock MP3 version RAR size: 1685 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1666 mb Rating: 4.5 Votes: 261 Other Formats: MMF VOX WMA MIDI AC3 VOC TTA Tracklist 01 –Joe Bonamassa I Know Where I Belong 5:37 02 –Joe Bonamassa Mountain Time 3:41 03 –Joe Bonamassa The River 5:29 04 –Joe Bonamassa Bridge To Better Days 5:06 05 –Joe Bonamassa, Alvin Lee One Of These Days 5:39 06 –Joe Bonamassa The Ballad Of John Henry 6:25 07 –Joe Bonamassa Blue And Evil 5:43 08 –Joe Bonamassa Dust Bowl 4:32 09 –Joe Bonamassa Driving Towards The Daylight 4:49 10 –Joe Bonamassa Slow Train 6:36 11 –Joe Bonamassa Different Shades Of Blue 4:35 12 –Joe Bonamassa Drive 5:47 13 –Joe Bonamassa Song Of Yesterday (Carnegie) 9:20 Notes Free download: http://jbonamassa.com/free-bonamassa-album/ Track 01 taken from A New Day Yesterday (track 4) Track 02 taken from So, It's Like That (track 8) Track 03 taken from Had To Cry Today (track 9) Track 04 taken from You & Me (track 2) Track 05 taken from Sloe Gin (track 2) Track 06 taken from The Ballad Of John Henry (track 1) Track 07 taken from Black Rock (track 12) Track 08 taken from Dust Bowl (track 2) Track 09 taken from Driving Towards The Daylight (track 3) Track 10 taken from An Acoustic Evening At The Vienna Opera House (disc 1, track 6) Track 11 taken from Different Shades Of Blue (track 8) Track 12 taken from Blues Of Desperation (track 3) Track 13 taken from the -
Disability and Music
th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.