Star Trek Beyond Checklist

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Star Trek Beyond Checklist Star Trek Beyond Checklist Base Cards # Card Title [ ] 01 Star Trek Beyond [ ] 02 Star Trek Beyond [ ] 03 Star Trek Beyond [ ] 04 Star Trek Beyond [ ] 05 Star Trek Beyond [ ] 06 Star Trek Beyond [ ] 07 Star Trek Beyond [ ] 08 Star Trek Beyond [ ] 09 Star Trek Beyond [ ] 10 Star Trek Beyond [ ] 11 Star Trek Beyond [ ] 12 Star Trek Beyond [ ] 13 Star Trek Beyond [ ] 14 Star Trek Beyond [ ] 15 Star Trek Beyond [ ] 16 Star Trek Beyond [ ] 17 Star Trek Beyond [ ] 18 Star Trek Beyond [ ] 19 Star Trek Beyond [ ] 20 Star Trek Beyond [ ] 21 Star Trek Beyond [ ] 22 Star Trek Beyond [ ] 23 Star Trek Beyond [ ] 24 Star Trek Beyond [ ] 25 Star Trek Beyond [ ] 26 Star Trek Beyond [ ] 27 Star Trek Beyond [ ] 28 Star Trek Beyond [ ] 29 Star Trek Beyond [ ] 30 Star Trek Beyond [ ] 31 Star Trek Beyond [ ] 32 Star Trek Beyond [ ] 33 Star Trek Beyond [ ] 34 Star Trek Beyond [ ] 35 Star Trek Beyond [ ] 36 Star Trek Beyond [ ] 37 Star Trek Beyond [ ] 38 Star Trek Beyond [ ] 39 Star Trek Beyond [ ] 40 Star Trek Beyond [ ] 41 Star Trek Beyond [ ] 42 Star Trek Beyond [ ] 43 Star Trek Beyond [ ] 44 Star Trek Beyond [ ] 45 Star Trek Beyond [ ] 46 Star Trek Beyond [ ] 47 Star Trek Beyond [ ] 48 Star Trek Beyond [ ] 49 Star Trek Beyond [ ] 50 Star Trek Beyond [ ] 51 Star Trek Beyond [ ] 52 Star Trek Beyond [ ] 53 Star Trek Beyond [ ] 54 Star Trek Beyond [ ] 55 Star Trek Beyond [ ] 56 Star Trek Beyond [ ] 57 Star Trek Beyond [ ] 58 Star Trek Beyond [ ] 59 Star Trek Beyond [ ] 60 Star Trek Beyond [ ] 61 Star Trek Beyond [ ] 62 Star Trek Beyond [ ] 63 Star Trek Beyond [ ] 64 Star Trek Beyond [ ] 65 Star Trek Beyond [ ] 66 Star Trek Beyond [ ] 67 Star Trek Beyond [ ] 68 Star Trek Beyond [ ] 69 Star Trek Beyond [ ] 70 Star Trek Beyond [ ] 71 Star Trek Beyond [ ] 72 Star Trek Beyond [ ] 73 Star Trek Beyond [ ] 74 Star Trek Beyond [ ] 75 Star Trek Beyond [ ] 76 Star Trek Beyond [ ] 77 Star Trek Beyond [ ] 78 Star Trek Beyond [ ] 79 Star Trek Beyond [ ] 80 Star Trek Beyond [ ] 81 Star Trek Beyond [ ] 82 Star Trek Beyond [ ] 83 Star Trek Beyond [ ] 84 Star Trek Beyond [ ] 85 Star Trek Beyond 85 Star Trek Beyond METAL Parallel Cards (1:24 packs) # Card Title [ ] 1-85 Star Trek Beyond METAL Base Parallel Star Trek Beyond - Quotable Cards (1:18 packs) # Card Title [ ] Q01 Star Trek Beyond - Quotable [ ] Q02 Star Trek Beyond - Quotable [ ] Q03 Star Trek Beyond - Quotable [ ] Q04 Star Trek Beyond - Quotable [ ] Q05 Star Trek Beyond - Quotable [ ] Q06 Star Trek Beyond - Quotable [ ] Q07 Star Trek Beyond - Quotable [ ] Q08 Star Trek Beyond - Quotable [ ] Q09 Star Trek Beyond - Quotable [ ] Q10 Star Trek Beyond - Quotable [ ] Q11 Star Trek Beyond - Quotable [ ] Q12 Star Trek Beyond - Quotable [ ] Q13 Star Trek Beyond - Quotable [ ] Q14 Star Trek Beyond - Quotable [ ] Q15 Star Trek Beyond - Quotable Star Trek Beyond Metal Poster Cards (1:144 packs) # Card Title [ ] MC1 Kirk [ ] MC2 Jaylah [ ] MC3 Uhura [ ] MC4 Spock [ ] MC5 Krall [ ] MC6 Sulu [ ] MC7 Scotty [ ] MC8 Chekov [ ] MC9 McCoy Star Trek Uniform Relic Cards and Pins Cards (1:24 packs) # Card Title [ ] BRC1 Enterprise Interior (Star Trek Beyond Relic) (Very Limited) [ ] BRC2 Swarm Ship (Star Trek Beyond Relic) (Extremely Limited) [ ] DC1 Kirk and Spock (Dual Character Relic) (Very Limited) [ ] DC2 Uhura and Spock (Dual Character Relic) (Very Limited) [ ] DC3 Kirk and Scotty (Dual Character Relic) (Very Limited) [ ] DC4 Kirk and Krall (Dual Character Relic) (Extremely Limited) [ ] DC5 Jaylah and Chekov (Dual Character Relic) (Very Limited) [ ] DR1 Captain Kirk (Dual Relic) (Very Limited) [ ] DR2 Spock (Dual Relic) (Very Limited) [ ] DR3 Chekov (Dual Relic) (Very Limited) [ ] DR4 Jaylah (Dual Relic) (Very Limited) [ ] RC04 Starfleet Academy Chair (Star Trek Expansion Relic) (Very Limited) [ ] RC05 Shuttlecraft Interior (Star Trek Expansion Relic) (Extremely Limited) Kirk and Khan Spacejump Suit (Star Trek Into Darkness Expansion Relic) (Very RC13 [ ] Limited) Klingon Shoulder Armor (Star Trek Into Darkness Expansion Relic) (Extremely RC14 [ ] Limited) [ ] RC15 Nibirian Warrior Scarf (Star Trek Into Darkness Expansion Relic) (Very Limited) [ ] RC16 Admiral Pike Uniform (Star Trek Into Darkness Expansion Relic) (Scarce) [ ] SR1 Captain Kirk (Single Relic) (Limited) [ ] SR2 Spock (Single Relic) (Limited) [ ] SR3 Uhura (Single Relic) (Limited) [ ] SR4 Scotty (Single Relic) (Limited) [ ] SR5 Chekov (Single Relic) (Limited) [ ] SR6 Krall (Single Relic) (Extremely Limited) [ ] SR7 Jaylah (Single Relic) (Limited) [ ] SR8 Chekov (Single Relic) (Limited) [ ] UB01 Kirk (Uniform Pin) [ ] UB02 Spock (Uniform Pin) [ ] UB03 McCoy (Uniform Pin) [ ] UB04 Uhura (Uniform Pin) [ ] UB05 Scotty (Uniform Pin) [ ] UB06 Chekov (Uniform Pin) [ ] UB07 Sulu (Uniform Pin) [ ] UB08 Kirk (Uniform Pin) [ ] UB09 Chekov (Uniform Pin) [ ] UB10 Spock (Uniform Pin) Star Trek Patch Cards (1:144 packs) # Card Title [ ] BP1 Spock (U.S.S. Franklin) [ ] BP2 Scotty (U.S.S. Franklin) [ ] BP3 Kirk (Yorktown Military) [ ] BP4 Commander Finnegan (Yorktown Military) [ ] BP5 Shazeer (Yorktown Military) [ ] BP6 Kirk (Starfleet Flight Suit) [ ] BP7 Chekov (Starfleet Flight Suit) [ ] BP8 McCoy (Starfleet Flight Suit - STID) [ ] BP9 Carol Marcus (Starfleet Flight Suit - STID) Star Trek Sketch Cards # Card Title [ ] Carlos Cabalerio [ ] Debbie Jackson [ ] Achilleas Kokkinakis [ ] Tim Levandoski [ ] Lee Lightfoot [ ] Jeff Mallinson [ ] Brad Utterstrom [ ] Chris Meeks [ ] Rich Molinelli [ ] Veronica O'Connell [ ] Brent Ragland [ ] Scott Rorie [ ] Danny Silva [ ] Scott Houseman [ ] Warren Martineck [ ] Dan Bergren [ ] Irma Ahmed [ ] Adam Cleveland [ ] Jennifer Allyn [ ] Michael Horgan [ ] Francois Chartier [ ] Roy Cover [ ] Charles Hall [ ] Marcia Dye [ ] Gabe Farber [ ] Kristin Allen [ ] Jim Faustino [ ] Andrew Garcia [ ] Kevin Graham [ ] Jason Davies Anton Yelchin/Chekov In Memoriam Cards (1:288 packs) # Card Title [ ] M1 Anton Yelchin/Chekov In Memoriam Card [ ] M2 Anton Yelchin/Chekov In Memoriam Card [ ] M3 Anton Yelchin/Chekov In Memoriam Card [ ] M4 Anton Yelchin/Chekov In Memoriam Card [ ] M5 Anton Yelchin/Chekov In Memoriam Card [ ] M6 Anton Yelchin/Chekov In Memoriam Card [ ] M7 Anton Yelchin/Chekov In Memoriam Card [ ] M8 Anton Yelchin/Chekov In Memoriam Card [ ] M9 Anton Yelchin/Chekov In Memoriam Card Leonard Nimoy/Spock In Memoriam Expansion Cards (1:288 packs) # Card Title [ ] M10 Leonard Nimoy/Spock In Memoriam Expansion Card [ ] M11 Leonard Nimoy/Spock In Memoriam Expansion Card [ ] M12 Leonard Nimoy/Spock In Memoriam Expansion Card [ ] M13 Leonard Nimoy/Spock In Memoriam Expansion Card [ ] M14 Leonard Nimoy/Spock In Memoriam Expansion Card [ ] M15 Leonard Nimoy/Spock In Memoriam Expansion Card Star Trek Movies Autograph Cards (1:12 packs) # Card Title xxx- Zachary Quinto as Spock in Star Trek (Autograph Relic) (Very Limited) [ ] 01 xxx- Sofia Boutella as Jaylah in Star Trek Beyond (Autograph Relic) (Very Limited) [ ] 02 xxx- Alice Eve as Carol Marcus in Star Trek Into Darkness (Autograph Relic) (Very [ ] 03 Limited) xxx- Karl Urban as McCoy in Star Trek Into Darkness (Autograph Relic) (Very Limited) [ ] 04 xxx- Chris Pinez as Captain Kirk in Star Trek (Star Trek Design) (Very Limited) [ ] 05 xxx- Zachary Quinto as Spock in Star Trek (Star Trek Design) (Very Limited) [ ] 06 xxx- Karl Urban as McCoy in Star Trek (Star Trek Design) (Very Limited) [ ] 07 xxx- Ben Cross (green) as Sarek in Star Trek (Star Trek Design) (Limited) [ ] 08 xxx- [ ] Kimberly Arland as Madeline in Star Trek (Star Trek Design) (Limited) 09 xxx- Nazheen Contractor as Rima Harewood in Star Trek Into Darkness (Star Trek Design) [ ] 10 xxx- Justin Lin as Director in Star Trek Beyond (Star Trek Design) (Extremely Limited) [ ] 11 xxx- Danny Pudi as Fi'Ja in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 12 xxx- Melissa Roxburgh as Ensign Syl in Star Trek Beyond (Star Trek Design) (Very [ ] 13 Limited) xxx- Fraser Aitcheson as Hider in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 14 xxx- Jeremy Raymond as Shazeer in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 15 xxx- Jacob Kogan as Young Spock in Star Trek (Star Trek Design) (Very Limited) [ ] 16 xxx- Sofia Boutella as Jaylah in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 17 xxx- Jason Matthew Smith as Hendorff in Star Trek Beyond (Star Trek Design) (Very [ ] 18 Limited) xxx- Jeremy Raymond as Nibiran Leader in Star Trek Into Darkness (Star Trek [ ] 19 Design) (Very Limited) xxx- Fiona Vroom as Female Ensign in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 20 xxx- Doug Jung as Ben in Star Trek Beyond (Star Trek Design) (Very Limited) [ ] 21 xxx- Jeremy Fitzgerald as Iowa Cop in Star Trek (Star Trek Design) (Very Limited) [ ] 22 xxx- Lorenzo James Henrie as Vulcan Bully in Star Trek (Star Trek Design) (Very Limited) [ ] 23 xxx- Faran Tahir as Captain Robau in Star Trek (Star Trek Design) (Very Limited) [ ] 24 xxx- Jimmy Bennett as Young James T. Kirk in Star Trek (Star Trek Design) (Very Limited) [ ] 25 xxx- Kim Kold as Zavanko in Star Trek Beyond (Star Trek Design) (Limited) [ ] 26 xxx- Lydia Wilson as Kalara in Star Trek Beyond (Star Trek Design) (Limited) [ ] 27 xxx- Jason Matthew Smith as Hendorff in Star Trek Into Darkness (Star Trek [ ] 28 Design) (Limited) xxx- Joe Taslim as Manas in Star Trek Beyond (Star Trek Design) (Limited) [ ] 29 xxx- Zoe Saldana as Uhura in Star Trek Beyond (Classic Movie Design) (Extremely [ ] 30 Limited) xxx- Danny Pudi as Fi'Ja in Star Trek Beyond (Classic Movie Design) (Extremely Limited) [ ] 31 xxx- Lydia Wilson as Kalara in Star Trek Beyond (Classic
Recommended publications
  • Chapter Five Bibliographic Essay: Studying Star Trek
    Jessamyn Neuhaus http://geekypedagogy.com @GeekyPedagogy January 2019 Chapter Five Bibliographic Essay: Studying Star Trek Supplement to Chapter Five, “Practice,” of Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (Morgantown: University of West Virginia Press, 2019) In Chapter Five of Geeky Pedagogy, I argue that “for people who care about student learning, here’s the best and worst news about effective teaching that you will ever hear: no matter who you are or what you teach, you can get better with practice. Nothing will improve our teaching and increase our students’ learning more than doing it, year after year, term after term, class after class, day after day” (146). I also conclude the book with a brief review of the four pedagogical practices described in the previous chapters, and note that “the more time we can spend just doing them, the better we’ll get at effective teaching and advancing our students’ learning” (148). The citations in Chapter Five are not lengthy and the chapter does not raise the need for additional citations from the scholarship on teaching and learning. There is, however, one area of scholarship that I would like to add to this book as a nod to my favorite geeky popular text: Star Trek (ST). ST is by no means a perfect franchise or fandom, yet crucial to its longevity is its ability to evolve, most notably in terms of diversifying popular presentations. To my mind, “infinite diversity in infinite combinations” will always be the most poetic, truest description of both a lived reality as well as a sociocultural ideal—as a teacher, as a nerd, and as a human being.
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  • Star Trek Into Darkness Prime Directive
    Star Trek Into Darkness Prime Directive Subliminal and vasodilator Percy never fetter barefooted when Herbert match his linga. Is Lynn vesical when Finley fiddle ungovernably? Mixedly protomorphic, Christian upheave agnostics and relet Owen. He tells us constitution, star trek into darkness prime directive, or their hand. This star trek into darkness was captain kirk? In direct violation of darkness is. We see, before the Enterprise goes nuts in time, that an Earth is populated by Borg. Captain Has like Best Managerial Technique? Eminiar vii and why is your captain, this should interact with magic technology and discovered a new species? The artwork additionally encompassed at desk four pages showing illustrations of blow guns. Will allow a directive was because of darkness is did the trek into which provides detailed. Douglas, who are been delivering meals to your Salvation Army and UVA students in tissue early months of the pandemic through St. If star trek into darkness made for a directive, you will be applied at best drawn characters are? They were marching with suppressing an assault on star trek into darkness prime directive against him to star trek prime directive! From its comically horrific fight sequences to its lofty philosophical dialogue, TOS has been highly influential in popular culture and spurred serious academic discussions. Merik back into darkness images are so few minutes to his memory alpha is not secured, prime directive did khan makes sense, such hammy abandon. Though the star trek into darkness prime directive. But plenty the regime change in Afghanistan, Westernization is not inherently wrong day it violates the Prime Directive.
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  • Hasbro's KRE-O STAR TREK Beams Into the Toy Aisle with New Building Sets and a Stop Motion Digital Short Produced by Bad Robot
    May 7, 2013 Hasbro's KRE-O STAR TREK Beams into the Toy Aisle with New Building Sets and a Stop Motion Digital Short Produced by Bad Robot The Digital Short, Utilizing KRE-O STAR TREK Building Sets Now On Shelves, Will Make its TV Broadcast Premiere May 13 on Cartoon Network PAWTUCKET, R.I.--(BUSINESS WIRE)-- Hasbro, Inc. (NASDAQ: HAS), announced the availability of the new KRE-O STAR TREK line at retail locations beginning today. Also releasing today is a stop motion animated short featuring KRE-O building sets and KREON figures based on the iconic STAR TREK film franchise. Fans can watch the video, with a new stand-alone STAR TREK storyline, now on the official KRE-O YouTube channel at youtube.com/KREO. The digital short will make its television broadcast premiere May 13 at 7:30 p.m. EST on Cartoon Network. The KRE-O STAR TREK stop motion digital short animation was produced through film director J.J. Abrams' production company, Bad Robot, with special effects for the piece created by Kelvin Optical, one of the visual effects teams also working on the soon-to-be released STAR TREK INTO DARKNESS from Paramount Pictures. "KRE-O STAR TREK marks the first time the STAR TREK universe has been available as building sets, and we are thrilled to show off the universe of KRE-O STAR TREK building sets and KREON figures with this exciting stop motion digital short from the Bad Robot team," says Kim Boyd, KRE-O senior brand director for Hasbro. "We're especially excited that kids The KRE-O STAR TREK U.S.S.
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  • Responses to Sarcasm in Three Star Trek Movies
    LEXICON Volume 6, Number 1, April 2019, 11-20 Responses to Sarcasm in Three Star Trek Movies Shafira Sherin*, AdiSutrisno English Department, Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT Sarcasm has been widely studied in various disciplines such as linguistics, psychology, neurology, sociology, and even cross-cultural studies. Its aggravating nature, however, often elicits various responses by the hearer. This study attempts to investigate responses to sarcasm by the characters of three Star Trek “reboot” version movies. It aims to examine responses to sarcasm and to analyze the patterns of responses to sarcastic remarks in relation to the characters’ interpersonal relationship. The data used in this research were taken from the dialogues of the movies, which were categorized into eight classes of responses: laughter, literal, zero response, smile, nonverbal, sarcasm, topic change, and metalinguistic comment. The results show that the most frequent responses conveyed by the characters were literal responses (29.41%), whereas the least frequent responses are laughter (1.96%). There is no pattern in responding to sarcastic remarks in relation to the interpersonal relationship between the interlocutors. However, strangers tend to respond in literal, zero response, and topic change. Meanwhile, close acquaintance tend to give various responses. Keywords: interpersonal relationship; pragmatics; response; sarcasm. INTRODUCTION understood by the parties involved. It can be said that if the sarcastic remarks are expressed in Sarcasm, often mistakenly understood as appropriate circumstances, sarcastic criticisms, no verbal irony, is a figure of speech bearing a semantic matter how negative it may cause, may leave interpretation exactly opposite to its literal positive impacts such as laughter and make the meaning.
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  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
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  • Star Trek, Nyota Uhura, and the Female Role
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Graduate Theses, Dissertations, and Other Projects Capstone Projects 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Otto-Griffiths, C. (2020). Expectation versus reality: Star Trek, Nyota Uhura, and the female role [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1016/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role By Cecelia Otto-Griffiths [email protected] Advisor Dr. Laura Jacobi A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota May 2020 i April 13, 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths This thesis has been examined and approved by the following members of the student’s committee.
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  • Open Tunney.Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES THE EVOLUTION OF UHURA: REPRESENTATIONS OF WOMEN IN TREK KRISTEN TUNNEY Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Film-Video with honors in Media Studies Reviewed and approved* by the following: Jeanne Lynn Hall Associate Professor of Communications Thesis Supervisor Barbara Bird Associate Professor of Communications Honors Adviser Paula Droege Lecturer in Philosophy Third Reader * Signatures are on file in the Schreyer Honors College. i Abstract: The Evolution of Uhura: Representations of Women in Trek will be a primarily textual character analysis* of the ways in which the character of Uhura has evolved and transformed over the past forty years. In the paper, I claim that Trek films have always had both positive and negative representations of women, and that ―NuTrek‖ fails and succeeds in ways that are different from but comparable to those of ―classic‖ Trek. I will devote the first half of my paper to Uhura‘s portrayal in Star Treks I through VI. The second half of my research will focus on the newest film, Star Trek (2009). I will attempt to explain the character‘s evolution as well as to critique the ways in which NuTrek featuring the Original Series characters manages to simultaneously triumph and fail at representing the true diversity of women. * my interpretation of how different characters can be ―read‖ as either positive or negative representations of gender; my own interpretation will be compared and contrasted with that of other Trek scholars, and I will be citing sources both in feminist literature and media studies literature (and some combinations) to back up my own conclusions about the films.
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  • The History of Star Trek
    The History of Star Trek The original Star Trek was the brainchild of Gene Roddenberry (1921-1991), a US TV producer and scriptwriter. His idea was to make a TV series that combined the futuristic possibilities of science fiction with the drama and excitement of TV westerns (his original title for the series was ‘Wagon Train to the Stars’). Star Trek was first aired on American TV in 1966, and ran for three series. Each episode was a self-contained adventure/mystery, but they were all linked together by the premise of a gigantic spaceship, crewed by a diverse range of people, travelling about the galaxy on a five-year mission ‘to explore new life and new civilisations, to boldly go where no man has gone before’. Although not especially successful it attracted a loyal fan-base, partly male fans that liked the technological and special effects elements of the show. But the show also attracted a large number of female fans, many of whom were drawn to the complex interaction and dynamic between the three main characters, the charismatic but impetuous Captain Kirk (William Shatner), the crotchety old doctor McCoy (DeForest Kelley) and the coldly logical Vulcan science officer Spock (Leonard Nimoy). After the show was cancelled in 1969 the fans conducted a lengthy and ultimately successful campaign to resurrect the franchise. Roddenberry enjoyed success with several motion pictures, including Star Trek: The Motion Picture (1979); action-thriller Star Trek II: The Wrath of Khan (1982); Star Trek III: The Search for Spock (1984) and the more comic Star Trek IV: The Voyage Home (1986).
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  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
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  • LAMORINDA WEEKLY | "Star Trek Into Darkness"
    LAMORINDA WEEKLY | "Star Trek Into Darkness" Published May 22nd, 2013 "Star Trek Into Darkness" By Derek Zemrak One of the most famous quotes in the Star Trek legacy is "Where no man has gone before!" This film is a huge undertaking for any director of the Star Trek franchise that has created more than 700 television shows and 12 movies. At first glance into the galaxy, I would say man has gone everywhere, but surprisingly director J.J. Abrams, who directed the first reboot in 2009, delivers a detailed storyline and a movie that is exhilarating to watch on the big screen. Moviegoers will be on the edge of their seats as they experience a brilliantly shot film, while they cheer on the Enterprise crew to succeed in battle against the evil villain of mass destruction. Once again Chris Pine ("Bottle Shock," "Rise of the Guardians") returns as Captain Kirk and Zachary Quinto ("Margin Call," "Heroes," "American Horror Story") portrays Spock. As with the cult popular television series, it is the ensemble cast that makes it all work, with Zoe Saldana ("Avatar") as Uhura, Karl Urban ("The Lord of the Rings") as Bones, Simon Pegg ("Ice Age") as Scotty, and John Cho From left: Zachary Quinto is Spock and Chris Pine is ("Harold & Kumar") as Sulu. It should be noted that not one Kirk in "Star Trek Into Darkness" from Paramount of these cast members is a scene hog like William Shatner Pictures and Skydance Productions. (C) 2013 was in the television and early film series. Paramount Pictures. All Rights Reserved.
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  • Star Trek’ Reboots
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository Future Technology in the ‘Star Trek’ Reboots. Part II: Complex Future(s) Carl D. Wilson1,*, and Garrath T. Wilson2 1,* [email protected] 2 [email protected] Keywords – Star Trek; Reboots; Justin Lin; J.J. Abrams; Future Technology; Star Trek Beyond; Star Trek Into Darkness; Tethered Technology; Performative Technology; Complex Technology; Gene Roddenberry. --------------------------------------------------------------------------------------------------------------------- Carl Wilson is an Associate Editor in Film for PopMatters. He's contributed to over a dozen edited collections on film and TV. Garrath T. Wilson is a Lecturer in Industrial Design and a member of the Sustainable Design Research Group at Loughborough Design School, UK. Combining professional design practice and research experience with a PhD in Design for Sustainable Behaviour, Garrath is interested in understanding and developing the roles that design and technology can take in reducing domestic energy consumption. --------------------------------------------------------------------------------------------------------------------- Introduction As something for us to aim towards or as a lens to view how future technologies can be used within future worlds and contexts, something always needs fixing in Star Trek. With our first explorative adventure in Future Technology in the ‘Star Trek’ Reboots. Part I: Tethered and Performative,
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  • Star Trek Beyond Is a Knockout” –Peter Travers, Rolling Stone
    “Star Trek Beyond is a knockout” –Peter Travers, Rolling Stone “A total blast!” –Scott Mantz, “Access Hollywood” FROM DIRECTOR JUSTIN LIN AND PRODUCER J.J. ABRAMS COMES ONE OF THE BEST-REVIEWED ACTION MOVIES OF THE YEAR The All-New Star Trek Adventure Takes Off on 4K Ultra HD™, Blu-ray™ and Blu-ray 3D™ Combo Packs November 1, 2016 Get it on Digital HD Four Weeks Early on October 4! HOLLYWOOD, Calif. – The intrepid crew of the USS Enterprise returns in “the best action movie of the year” (Scott Mantz, “Access Hollywood”). The “highly entertaining” (David Rooney, Hollywood Reporter) new installment in the iconic franchise, STAR TREK BEYOND sets a course on 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs, DVD and On Demand November 1, 2016 from Paramount Home Media Distribution. The sci- fi adventure will also be available as part of the STAR TREK TRILOGY Blu-ray Collection. The film warp speeds to Digital HD four weeks early on October 4, 2016. Director Justin Lin (Fast & Furious) delivers “a fun and thrilling adventure” (Eric Eisenberg, Cinemablend) with an incredible all-star cast including Chris Pine and Zachary Quinto, as well as newcomers to the STAR TREK universe Sofia Boutella (Kingsman: The Secret Service) and Idris Elba (Pacific Rim). In STAR TREK BEYOND, the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. The STAR TREK BEYOND 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs are loaded with over an hour of action-packed bonus content, with featurettes from filmmakers Page 1 of 4 and cast, including J.J.
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