Straight Outta Compton

Total Page:16

File Type:pdf, Size:1020Kb

Straight Outta Compton lifestyle WEDNESDAY, AUGUST 19, 2015 Music & Movies One Direction members, from left, Harry Styles, Liam Payne, Niall Horan and Louis Tomlinson perform on ABC’s ‘Good Singer-songwriter Florence Welch of the band Florence + Singer Pharrell Williams performs on the Pyramid Stage at Morning America’ at Rumsey Playfield/SummerStage in New York. — AP the Machine performs in concert at Merriweather Post Glastonbury music festival at Worthy Farm, Glastonbury, Pavilion in Columbia, Md. England. harrell Williams, One Direction and Florence + The return to London “to perform for our fans in the Roundhouse Machine are going to appear at the Apple Music Festival and around the world on Apple Music!” Previously known as Pharrell, One Direction among Pnext month. Apple announced yesterday that the musi- the iTunes Festival, the eight-year-old concert event was cians will be among the headlining performers at the 10-night renamed the Apple Music Festival to support the launch earli- festival at London’s Roundhouse that begins Sept 19. Festival er this summer of the new Apple Music app. performances will be broadcast live and on-demand on Apple Past performers have included Adele, Lady Gaga, Justin Music, and additional material will be available on the app’s Timberlake and Elton John. — AP headliners at Apple Music fest Beats 1 radio. Niall Horan of One Direction said the group is excited to ‘Straight Outta Compton,’ unexpected box office star traight Outta Compton,” a biopic about (Ice Cube’s son, who plays his father), Corey comes out a year after the death of unarmed the pioneering rap group N.W.A., wowed Hawkins and Jason Mitchell-interpret the roles of teenager Michael Brown, killed in Ferguson last “SHollywood by taking first place in the the year by a white policeman. Los Angeles is also North American box office in its debut weekend. founding members of N.W.A., which stands for commemorating the 50th anniversary of the Watts Racing past its rivals and past even the most opti- Niggaz Wit Attitudes. Bock says biopics rarely gen- riots against police violence. mistic of expectations, the film took in an impres- erate such success. “But a couple of factors went The feature sailed ahead of the number two sive $60.2 million, box office tracker Exhibitor into this opening: one, there hasn’t been any studio film, “Mission: Impossible-Rogue Nation,” which Relations reported Monday. Yet the movie, which films that cater to the African-American crowd this took in $17.2 million, despite playing in nearly opened in the United States on August 14, comes summer and two, this was a seminal story in music 1,000 more theaters than “Compton.” The Tom off as strikingly contemporary as the nation grap- history that was long overdue,” he added. “Any time Cruise action-thriller, the fifth installment in the ples with a slew of recent deaths of African you have a group of underdogs taking down the blockbuster franchise, has earned a total of $138.3 Americans in custody of law enforcement. It was establishment... is always a good place to start for million in three weeks in theaters. The other major named after the 1988 debut studio album from the film success. debut of the week-”The Man from U.N.C.L.E.,” a group that gave birth to the gangsta rap genre and “This had it all, and said it very poignantly.” reboot of the hit 1960s spy series-earned $13.4 mil- launched the careers of Ice Cube and Dr Dre. N.W.A.’s story is also that over different fates, from lion for third place. Following in fourth was one of “F*** Tha Police,” N.W.A.’s heads-held-high cry of American success stories like Ice Cube, a recog- the major flops of the summer-the comic book defiance against the Los Angeles Police nized producer and musician to Suge Knight, fac- action film reboot “Fantastic Four,” which took in Jennifer Lopez, left, and Pitbull present the award for best pop solo performance at the Department, so alarmed authorities that it generat- ing life in prison for a fatal hit-and-run. The film just $8.2 million in its second week.—AFP 55th annual Grammy Awards in Los Angeles.— AP ed a warning letter from the FBI, and the song remains a controversial anthem in many protests. Directed by Gary Gray, best known for his music videos, “Straight Outta Compton” traces the roots Jennifer Lopez and Pitbull of the then teenagers’ rage against mostly white police in their gang-ridden home of Compton and other parts of the Los Angeles area. “What a wel- to lead iHeartRadio concert come surprise and the last blockbuster blast of the season,” Exhibitor Relations box office analyst Jeff ennifer Lopez and Pitbull will headline stations will also broadcast the event and Bock told AFP. the iHeartRadio Fiesta Latina concert in Telemundo will have a special re-broadcast “$60 million for an R-rated biopic featuring an JMiami this November, which will be on Nov 15. Tickets go on sale to the general ensemble of unknown African Americans-as far as I streamed live online. Other performers public on Saturday. The concert will come a know, that’s never happened before, so it’s quite joining Lopez and Pitbull at the few months after the iHeartRadio Music rare.” Until the film opened in theaters, Universal AmericanAirlines Arena in Miami include Festival in Las Vegas in September that will Pictures had expected just $20 million in weekend Don Omar, Wisin, Prince Royce, Marco feature Kanye West, Sam Smith, Janet ticket sales. The studio got a major coup in more Antonio Solis, Camila, Becky G, Fonseca and Jackson, the Who, Lil Wayne, Coldplay, the than doubling its reported budget of $29 million. Voz de Mando. Weekend and Blake Shelton. — AP The Nov 7 event will be streamed live on Largely African American public This photo provided by Universal Pictures shows, Aldis Hodge, from left, as MC Ren, Neil Brown, Jr Yahoo Live. iHeartMedia Spanish-language Relatively unknown actors-O’Shea Jackson Jr as DJ Yella, Jason Mitchell as Eazy-E, O’Shea Jackson, Jr as Ice Cube and Corey Hawkins as Dr Dre, in the film, ‘Straight Outta Compton.’ — AP Wanted Pakistani militant seeks to ban Bollywood action film Pakistani militant leader with a $10 million bounty on his nations of Palestinians over the 1972 Olympic Games attack by told The Associated Press. The movie’s “trailer shows that this film head over his alleged involvement in the 2008 Mumbai Black September. is against Hafiz Saeed and has posed a serious threat to his life,” Aterror attacks now has a new target: a Bollywood film that Dogar said. He wants “Phantom,” due to be released Aug 28, to be imagines him being assassinated. In a twist worthy of a movie Intelligence agencies banned from showing in Pakistan. He’ll argue his case before a itself, a lawyer for Hafiz Mohammed Saeed wants to ban the In “Phantom,” based on the novel “Mumbai Avengers” by S Lahore court on Thursday. upcoming film “Phantom” from being shown, arguing it is Indian Hussain Zaidi, Indian spies target those behind the Mumbai Saeed remains free in Pakistan to address crowds and lead propaganda meant to hurt the image of Pakistan abroad. But siege, a three-day rampage that saw gunmen attack two luxury anti-India protests. Pakistani authorities once briefly detained beyond the choreographed mayhem of the film’s imagined, per- hotels, a Jewish center and a busy train station in India’s financial Saeed, who has a $10 million US bounty on his head. Seven other fectly coiffed Indian spies, the movie’s premise lays bare the capital. But unlike the novel, which used pseudonyms for those suspects remain on trial, though the attack’s alleged mastermind, anger still felt over the Mumbai attacks that killed 166 people, accused of plotting the attack, “Phantom” apparently names Zaki-ur-Rehman Lakhvi, has been free on bail since April. A sus- including six Americans, as well as tensions between the two Saeed, as well as American David Coleman Headley, who was pected Pakistani spy service contact for the group, known as nuclear-armed rival countries. sentenced to 35 years in a US prison for his role in planning the “Major Iqbal,” also has yet to be identified or captured. That con- “I am surprised and amused that a wanted terrorist has gone siege. Authorities in the United States and India blamed the mili- tinues to anger many in India, including “Phantom” star Saif Ali and filed a petition,” film director Kabir Khan recently said, accord- tant group Lashkar-e-Taiba, long believed to be used as a proxy Khan. “America struck Osama right in his home,” Khan growls at ing to the Press Trust of India news agency. “He is the one who is by Pakistani intelligence agencies against India in the disputed one point in the film’s trailer. “Why can’t we do the same?” — AP spreading hate agenda and he is opposing the film, without even Kashmir region, for carrying out the Mumbai assault. Hafiz Mohammed Saeed, chief of Jamaat-ud-Dawwa knowing what the film is about.” Spy revenge films are nothing Saeed, who founded Lashkar-e-Taiba, now runs the charity and founder of Lashkar-e-Taiba talks with the new, like “Zero Dark Thirty” focusing on the US special forces raid Jamaat-ud-Dawa, which India says is a front group for Lashkar. Associated Press in Islamabad, Pakistan. in Pakistan that killed Al-Qaida leader Osama bin Laden or Saeed denies having any links with the militancy now.
Recommended publications
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Jihadist Violence: the Indian Threat
    JIHADIST VIOLENCE: THE INDIAN THREAT By Stephen Tankel Jihadist Violence: The Indian Threat 1 Available from : Asia Program Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, DC 20004-3027 www.wilsoncenter.org/program/asia-program ISBN: 978-1-938027-34-5 THE WOODROW WILSON INTERNATIONAL CENTER FOR SCHOLARS, established by Congress in 1968 and headquartered in Washington, D.C., is a living national memorial to President Wilson. The Center’s mission is to commemorate the ideals and concerns of Woodrow Wilson by providing a link between the worlds of ideas and policy, while fostering research, study, discussion, and collaboration among a broad spectrum of individuals concerned with policy and scholarship in national and interna- tional affairs. Supported by public and private funds, the Center is a nonpartisan insti- tution engaged in the study of national and world affairs. It establishes and maintains a neutral forum for free, open, and informed dialogue. Conclusions or opinions expressed in Center publications and programs are those of the authors and speakers and do not necessarily reflect the views of the Center staff, fellows, trustees, advisory groups, or any individuals or organizations that provide financial support to the Center. The Center is the publisher of The Wilson Quarterly and home of Woodrow Wilson Center Press, dialogue radio and television. For more information about the Center’s activities and publications, please visit us on the web at www.wilsoncenter.org. BOARD OF TRUSTEES Thomas R. Nides, Chairman of the Board Sander R. Gerber, Vice Chairman Jane Harman, Director, President and CEO Public members: James H.
    [Show full text]
  • Black Friday Mediation and the Impossibility of Justice
    Black Friday Mediation and the Impossibility of Justice Anuj Bhuwania WORKING PAPER SERIES Centre for the Study of Law and Governance Jawaharlal Nehru University, New Delhi CSLG/WP/17 Black FridaY Mediation and the Impossibility of Justice Anuj Bhuwania WORKING PAPER SERIES Centre for the Study of Law and Governance Jawaharlal Nehru University, New Delhi November 2012 [Reprint 2012] CSLG/WP/17 Anuj Bhuwania teaches at Jindal Global University in Sonepat, India. He was a visiting fellow at the Centre for the Study of Law and Governance, Jawaharlal Nehru University in 2007–08 BLACK FRIDAY Mediation and the Impossibility of Justice Anuj Bhuwania INTRODUCTION The subject was so sensitive, the film was almost like a trial. It dealt with real people, real names.’—Anurag Kashyap, Director, Black Friday1 his paper examines the anxieties of publicity and mediation in contemporary India by analyzing the ramifications of the Tlegal challenge to the release of a Hindi film called Black Friday based on a book on the police investigation of the serial bomb blasts, in the city then called Bombay, in March 1993. The film was to have an all-India release on 28 January 2005 but could not be released because one of the accused in the trial successfully filed a case asking for an injunction against it, arguing that the film in re-enacting the police investigation would pre-judge him as guilty and would thus vitiate the trial that was still in process. It would therefore be a ‘contempt of court’ as it would ‘interfere with the course of justice’ and would also defame the accused pronouncing them guilty before a public audience before the court has actually done so.
    [Show full text]
  • From Shakespearean Text to Cinema: a Study of Select Dramaturgic Adaptations
    FROM SHAKESPEAREAN TEXT TO CINEMA: A STUDY OF SELECT DRAMATURGIC ADAPTATIONS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of philosophy In English By FATIMAH JAVED UNDER THE SUPERVISION OF PROF. SAMINA KHAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (U.P) INDIA 2017 Professor Samina Khan Department of English Aligarh Muslim University, Aligarh Phone No: 09997398308 [email protected] Certificate Certified that the thesis entitled “From Shakespearean Text to Cinema: A Study of Select Dramaturgic Adaptations” submitted by Ms. Fatimah Javed for the award of the degree of the Doctor of Philosophy is an original work carried out under my supervision and has not been submitted, in part or full, to this University or any other University. Prof. Samina Khan Date: Supervisor Acknowledgements I am sincerely indebted to all those people who have helped, guided and encouraged me while I was working on my thesis. First and foremost, I thank my supervisor, Prof. Samina Khan who appreciated the idea and supported me at each and every phase of my research. I owe her my heartfelt gratitude for being there as my guide. This work would not have been possible without her able guidance and support. I would like to thank the Chairperson, Department of English, for her help and support. I would also like to extend a big thanks to Dr. Jawed S. Ahmad for his diligent proofreading of my various chapters. I am equally thankful to Dr. Akbar Joseph A. Syed and Dr. Rashmi Attri for their valuable suggestions and feedback. I also thank my friend Dr.
    [Show full text]
  • Étude Du Cinéma Hatke En Inde Mélanie Le Forestier
    Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde Mélanie Le Forestier To cite this version: Mélanie Le Forestier. Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde. Sciences de l’information et de la communication. Université Toulouse le Mirail - Toulouse II, 2016. Français. NNT : 2016TOU20073. tel-01587877 HAL Id: tel-01587877 https://tel.archives-ouvertes.fr/tel-01587877 Submitted on 14 Sep 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE E n vue de l’obtention du DOCTORAT DE L’UnIVERSITÉ DE TOULOUSE Délivré par : Université Toulouse - Jean-Jaurès Présentée et soutenue par : Mélanie Le Forestier le 15 septembre 2016 Titre : Imaginaires nationaux et dynamiques transnationales : étude du cinéma hatke en Inde École doctorale et discipline ou spécialité : ED ALLPH@ : science de l’information et de la communication Unité de recherche : Laboratoire d’Études et de Recherches appliquées en Sciences Sociales (LERASS) Directeur / trice(s) de Thèse : Pierre Molinier Claire Chatelet Jury : Alain Kiyindou Bruno Ollivier Imaginaires nationaux et dynamiques transnationales: étude du cinéma hatke en Inde Mélanie Le Forestier Remerciements Dans toute action, dans tout choix, le bien, c’est la fin, car c’est en vue de cette fin qu’on accompli toujours le reste.
    [Show full text]
  • National School of Banking : 1 : Ptr-0320 Points to Remember
    NATIONAL SCHOOL OF BANKING : 1 : PTR-0320 POINTS TO REMEMBER CONSTITUTION - Supreme Court - The Supreme Court on 13th November 2019, upheld the disqualification of 17 dissident Congress and Janata Dal (Secular) legislators by then Karnataka Assembly Speaker K.R. Ramesh Kumar under the Tenth Schedule (anti-defection law) but held that their ouster is no bar from contesting repolls. Neither under the Constitution nor under the statutory scheme it is contemplated that disqualification under the Tenth Schedule would operate as a bar for contesting re-elections, a Bench led by Justice N.V. Ramana said in a judgment. The court said Section 36 of the Representation of the People Act, 1951 does not contemplate such disqualification. On the provisions introduced in the 91st Constitutional Amendment, it said they were brought in specifically to ensure that a legislator disqualified for defection was not appointed as a government Minister or to any remunerative post from the date of his disqualification either till the expiry of his term of office or till he was re-elected to the legislature, “whichever is earlier”. In the light of the existing constitutional mandate, the Speaker is not empowered to disqualify any member till the end of the term. However, a member disqualified under the Tenth Schedule shall be subjected to sanctions provided under Articles 75(1B), 164(1B) and 361B of the Constitution, which provides for a bar from being appointed as a Minister or from holding any remunerative political post from the date of disqualification till the date on which the term of his office would expire or if he is re-elected to the legislature, whichever is earlier, the court held.
    [Show full text]
  • Mafia Queens of Mumbai- a Feminist- Psychoanalyst Perspective
    WAFFEN-UND KOSTUMKUNDE JOURNAL ISSN NO: 0042-9945 Mafia Queens of Mumbai- A feminist- psychoanalyst perspective By Sompurba Basu Assistant Professor, Reva University, Bangalore Key Words: Underworld, Mafia, drug-trafficking, psychoanalysis, feminist Abstract The Mumbai Underworld has always been an intriguing and fascinating sphere for many authors and filmmakers alike. Vishal Bharadwaj himself says that crime is juicier than spirituality, guns are more attractive than roses and perhaps, his adherence to this notion is predominant in his movies too, where crime plays a major role. The Mumbai drug-trafficking business which is an integral part of the Mumbai Mafia, didn‟t go untreated by him. The resultant by-product was the film, „Kaminey‟. When we come to authors, we have Vikram Chandra, whose book, „Sacred Games‟ has been made into a popular web-series in Netflix. Perhaps, the best crime writer to emerge into prominence is S. Hussain Zaidi, who is a veteran journalist, currently working as the resident editor of Deccan Chronicle/Asian Age, Mumbai. His bestselling book, „Black Friday‟, based on the 1993 serial bomb blasts was filmed by the very talented Anurag Kashyap in the year, 2004. His intense research on the Mumbai Mafia has been monumental in the production of all his Bestsellers and various movies. In this paper we will take into consideration his book, “Mafia Queens of Mumbai”, which depicts the lives of the very gutsy and lethal women mafia of Mumbai, their psychological complexities and the crisis, which pushed them beyond the limitations of human morality. Though he writes, not to pedestalize this pernicious race, yet we cannot ignore the feminist touch and sympathetic treatment to these women, which we can also term as the writer‟s folly.
    [Show full text]
  • Antecedents and Implications of the November 2008 Lashkar- E-Taiba (Let) Attack Upon Several Targets in the Indian Mega-City of Mumbai
    TESTIMONY THE ARTS This PDF document was made available from www.rand.org as a public CHILD POLICY service of the RAND Corporation. CIVIL JUSTICE EDUCATION ENERGY AND ENVIRONMENT Jump down to document6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS NATIONAL SECURITY The RAND Corporation is a nonprofit research POPULATION AND AGING organization providing objective analysis and effective PUBLIC SAFETY solutions that address the challenges facing the public SCIENCE AND TECHNOLOGY and private sectors around the world. SUBSTANCE ABUSE TERRORISM AND HOMELAND SECURITY TRANSPORTATION AND INFRASTRUCTURE Support RAND WORKFORCE AND WORKPLACE Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore RAND Testimony View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. TESTIMONY Antecedents and Implications of the November 2008 Lashkar- e-Taiba (LeT) Attack Upon Several Targets in the Indian Mega-City of Mumbai C. CHRISTINE FAIR CT-320 This product is part of the RAND March 2009 Corporation testimony series. RAND testimonies record testimony Testimony presented before the House Homeland Security Committee, presented by RAND associates to Subcommittee on Transportation Security and Infrastructure Protection on federal, state, or local legislative March 11, 2009 committees; government-appointed commissions and panels; and private review and oversight bodies.
    [Show full text]
  • Friday, August 28, 2015
    16:45, 21:00, 01:00 TEKKEN 2 (Pg-15) (Action/ CINECO (20) : Daily At: 11.15 Am. Adventure) New + 1.45 + 4.15 + 6.45 + 9.15 + 11.45 *- Kane Kosugi, Cary-Hiroyuki Pm. + (12.30 Mn. Thurs/Fri) Tagawa, Rade Serbedzija Daily At (Vip I): 2.30 + 7.45 + (1.00 SEEF (II):Daily At : 2.15 + 6.45 + Am. Thrs./Fri.) 11.15 Pm. SEEF (II):Daily At: 11.00 Am. + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 Pm. THE NUTCRACKER SWEET SAAR: Daily At: 10.45 Am + 1.15 (G) (Animation/Adventure) + 3.45 + 6.15 + 8.45 + (11.15 Pm *- Alicia Silverstone, Edward Thurs/Fri) Asner, Drake Bell SEEF (II):Daily At: 11.00 Am. + SELF/LESS (Pg-15) (Thriller) 12.45 + 2.30 + 4.15 Pm. *- Ryan Reynolds, Natalie Martinez, ALL IS WELL (Pg) (Hindi/ 15 Friday, August 28, 2015 HAYATY MEBAHDELA TERMINATOR GENISYS Matthew Goode Comedy/Drama/Romantic) ( Arabic/ Comedy ) ( Action / Sci-Fi ) CINECO (20) : Daily At: 11.30 Am. *- Abhishek Bachchan, Rishi HITMAN: AGENT 47 ( Action ) INSIDE OUT – 2D (Animation / Starring: Mohamed Saad, Hassan Starring: Arnold Schwarzenegger, + 1.45 + 4.00 + 6.15 + 8.30 + 10.45 Kapoor, Asin Starring: Rupert Friend, Hannah Adventure / Comedy ) Hosny, Nicole Saba, Samy Jason Clarke, Emilia Clarke Pm. SEEF (II):Daily At: 11.45 Am. + 4.15 Ware, Zachary Quinto Starring: Amy Poehler, Bill Hader, Maghawry DANA CINEMA: Timings: 13:30, SEEF (II):Daily At: 10.45 Am. + 3.00 + 8.45 Pm. DANA CINEMA: Timings: 11:00, Lewis Black DANA CINEMA: Timings: 18:30, 23:30 + 7.15 + 11.30 Pm.
    [Show full text]
  • Cinematic Adaptations of Shakespearean Dark Tragedies Into Bollywood
    Journal of Information and Computational Science ISSN: 1548-7741 Cinematic Adaptations of Shakespearean Dark Tragedies into Bollywood Bhojraj Singh Asst. Professor Department of English Govt. Girls Deegree College Chhibramau, Kannauj-209721, (Affiliated to CSJM University, Kanpur), Uttar Pradesh, India Abstract Cinema has emerged as an influential medium of information, entertainment, news, education and historical memory in the beginning of early twentieth century. The Cinema is not only a powerful means of communication but also a mirror of society, a cultural agent of change and subject-matter and a source of history. In the over 450 years of his demise, Shakespeare has inspired several generations of filmmakers across the world with ideas through his plays that have the universality to transcend the confines of the written word, albeit in an English that is no longer in vogue, with characters that belong to a different era and a different cultures.. One reason for the large number of celluloid versions of Shakespeare may have sprung from the fact that Indian cinema is importing the content from abroad. The cinematic adaptation of the plays of William Shakespeare in India has been an outstanding and ground-breaking venture. When Shakespeare's plays are adapted on Indian Bollywood screen, it sets ablaze, and transfers the audience to a cinematic romance. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as a blending of West and East and a confluence of the Avon and The Ganga universalizing the human values. Shakespearean plays are indianized on the screen of Bollywood and are represented in Indian context dealing with the contemporary issue The present research paper will analyze the Bollywood adaptations of some Shakespeare dark tragedies like Macbeth, Othello, and Hamlet Into the movies like Maqbool, Omkara and Haider directed by Vishal Bharadwaj respectively and try to probe what imitation and innovation are made in them by comparing the adapted movies and the literary sources.
    [Show full text]
  • Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
    About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 8, Issue-VI, December 2017 ISSN: 0976-8165 Dongri to Dubai: Six Decades of the Mumbai Mafia by S. Hussain Zaidi Roli Books 2012. Reviewed by: Gurvir Singh Assistant Professor Department Of Verbal Ability Lovely Professional University S.Hussain Zaidi, the author, is a veteran of investigative crime and terrorism. He is perhaps the best crime reporter Mumbai has ever produced. He has been the chief crime reporter of Mumbai’s best newspapers. His first book ‘Black Friday’ went to become a bestseller of its time and then adapted into a movie of the same name.The book traces the evolution of the Mumbai mafia from a group of thugs and smugglers to the present day mafia dons of organised crime. It traces the journey of Dawood Ibrahim from the by-lanes of Dongri where he first cut his teeth in crime, to Dubai, where he eventually established his empire. The book was adapted into the film Shootout at Wadala by Sanjay Gupta. Zaidi was the only one to get an interview with Dawood Ibrahim after he left the Indian shores forever. It is only befitting that Zaidi after two decades of work gives the city and the country a brief glimpse into that world.
    [Show full text]
  • Dongri to Dubai S
    DONGRI TO DUBAI S. HUSSAIN ZAIDI SIX DECADES OF THE MURDER MAFIA Foreword By VIKRAM CHANDRA DONGRITO DU B A I S.H U SSA IN ZA IDI SIXDECA DES OF TH EM U RDERM A FIA FOREW ORD B YVIKRA M CH A NDRA By far the best book on the Mumbai mafia. Anil Kapoor If it wasn't for this book there would be no Shootout at Wadala. Sanjay Gupta Dedicated to my friends Dr Shabeeb Rizvi, Chandramohan Puppala, Mir Rizwan Ali Contents Foreword .. .. .. .. .. .. .. .. .. .. 1 Preface .. .. .. .. .. .. .. .. .. .. 3 Introduction: Up, Close, and Personal .. .. .. .. .. .. 6 Part I 1. The Big D .. .. .. .. .. .. .. .. .. 13 2. In the Beginning: Bombay 1950–1960 .. .. .. .. .. 17 3. Bombay’sMidas .. .. .. .. .. .. .. .. 21 4. Madrasi Mobster .. .. .. .. .. .. .. .. 26 5. Tamil Alliance .. .. .. .. .. .. .. .. 32 6. Pathan Power .. .. .. .. .. .. .. .. 37 7. The Original Don: Baashu .. .. .. .. .. .. .. 43 8. The Star called David .. .. .. .. .. .. .. 48 9. The Baap of Dons .. .. .. .. .. .. .. .. 51 10. Of Young Turks .. .. .. .. .. .. .. .. 55 11. David versus Goliath .. .. .. .. .. .. .. 60 12. The First Blood .. .. .. .. .. .. .. .. 63 13. A Seed is Sown .. .. .. .. .. .. .. .. 68 14. Beginning of the Bloodshed .. .. .. .. .. .. 74 15. The Executioner .. .. .. .. .. .. .. .. 78 16. The Emergency .. .. .. .. .. .. .. .. 81 17. Mill Worker-Turned-Don .. .. .. .. .. .. .. 84 18. Pathan Menace .. .. .. .. .. .. .. .. 87 19. Mastan’sMasterstroke: The Truce .. .. .. .. .. 91 20. Dawood’sSmuggling Business .. .. .. .. .. .. 95 21. A Don in Love .. .. .. .. .. .. .. .. 99 22. Ageing Dons .. .. .. .. .. .. .. .. 101 23. Death of a Brother; Birth of a Gang War .. .. .. .. 104 24. Dawood’sCoronation .. .. .. .. .. .. .. 109 25. Mumbai’sHadley Chase .. .. .. .. .. .. .. 111 26. The Fallout .. .. .. .. .. .. .. .. 117 27. Mafia’sBollywood Debut .. .. .. .. .. .. .. 121 28. Pathan in Patharwali Building .. .. .. .. .. .. 123 29. Typewriter Thief: Rajan Nair .. .. .. .. .. .. 126 30. Pardesi Kills Pathan .. .. .. .. .. .. .. 129 31. Circle of Revenge .
    [Show full text]