The Olga Hirshhorn Collection
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Mmes. Carter and Mondale Attend SI Events V Mrs
o THE SMITHSONIAN TORCH No. 78-8 Smithsonian Institution, Washington, D.C. August 1978 Mmes. Carter and Mondale Attend SI Events v Mrs. Carter Donates Gown; Hall Space To Be Expanded Tourists starting the ir museum . visits earl y on Jul y 20 were rewarded when RosaIynn Carter came to the Smithsonian to donate her Inaugural Ball gown in a public ceremony at the Mu seum of History and Technology. In accepting the blue chiffon gown de signed by Mary Matise , Secretary Ripley said, " This is a very special dress Mrs . Carter gives us today. It is one for which she has a very sentimental attachment be cause she first wore it in 1971 at the inau gural ball in Georgia when her husband be came Governor of Georgia. To the delight of the nation , she chose to wear that same gown again for the balls in Washington when her husband was inaugurated as President of the United States. The dual role of the gown makes it one of the most interesting to become part of the collection . " Ripley al so announced plans for the ex pansion of the First Ladies Hall , one of the Smithsonian 's most popular exhibits. He said that the crowded conditions which now exist in the Hall would be alleviated with the addition of a new exhibit setting based After presenting her Inaugural Ball gown to the Smithsonian, Mrs. Carter posed with Secretary Ripley and political history on the White House Red Room as it looked Curator Margaret Klapthor. See related photo, Page 5. durin g the admi ni stration of John F. -
HIRSHHORN MUSEUM and SCULPTURE GARDEN LIBRARY VIDEO COLLECTION Recordings May Not Be Usable in Current Format
HIRSHHORN MUSEUM AND SCULPTURE GARDEN LIBRARY VIDEO COLLECTION Recordings may not be usable in current format. Check with Library staff. Video materials are not circulated. (updated August 26, 2008) VHS TAPES 1. 41-10 Mr. & Mrs. Chagall, daughter, son-in-law 2. 74-60 HMSG Opening Ceremonies 3. 74-90 Visit of architect Gordon Bunshaft 4. 74-210 Hirshhorn Museum dedication ceremony 5. 75-00 Hirshhorn: Man and Museum-Camera 3 6. 76-20 A life of its own, v-1 7. 79-50 John Baldessari 8. 87-20 Mark Di Suvero: Storm King 9. 88-20 “Cornered” video Installation (Adrian piper piece) 10. 89-20 Buster Simpson (HMSG) 11. 90-30 Scenes and Songs from Boyd Webb (video documentary) 12. 92-80 Robert Irwin- In response 13. 93-20 Paul Reed Catalog #9-1936-1992 (artists’ work) 14. 93-30 Collection that Became a Museum (Smithsonian Film Transfer) 15. 93-30 Collection that Became a Museum (copy) 16. 93-50 A life of its own 17. 93-50 A life of its own 1976 18. 96-20 Thomas Eakins and the Swimming Picture 19. 96-60 Beverly Semmes 20. 97-10 Judith Zilczer interview on De Kooning 21. 97-80 Jeff Wall segment 22. 97-100 Willem De Kooning 23. 98-10 George Segal (HMSG) 24. 98-20 George Segal-Dialogue (HMSG) 25. 00-30 The Ephemeral is Eternal (De Stijl play) 26. 00-40 Gary Hill- Dig 27. 00-60 Willem De Kooning 28. 00-100 The collection that became a Museum-Ron J. Cavalier (HMSG) 29. 1974 Visit of Architect Bunshaft (HMSG) 30. -
The Olga Hirshhorn Collection
http://artisnaples.org/baker-museum/exhibitions/2016-17/olga-hirshhorn-collectio The Olga Hirshhorn Collection Elsie Dorey Upham (American, b. 1907). Olga Hirshhorn, 1979. Acrylic on canvas. 35 1/4 x 31 1/2 inches. Artis—Naples, The Baker Museum. Bequest of Olga Hirshhorn. © Elsie Dorey Upham. Ray Johnson (American, 1927-1995). House, n.d. Paper construction. 29 3/4 x 19 3/4 inches. Artis— Naples, The Baker Museum. Bequest of Olga Hirshhorn. © The Ray Johnson Estate, Courtesy Richard L Feigen & Co. Niki de Saint Phalle (French, 1930-2002). Mini Nana Maison, 1968. Painted plaster. 5 1/2 x 4 1/2 x 5 inches. Artis—Naples, The Baker Museum. 2013.1.042. Gift of Olga Hirshhorn. © 2016 Niki Charitable Art Foundation. All rights reserved / ARS, NY / ADAGP, Paris. Abel Chrétien (French, 1919-1972). Olga Hirshhorn, 1966. Bronze. 16 inches. Artis—Naples, The Baker Museum. Bequest of Olga Hirshhorn. © Abel Chrétien. Willem de Kooning (Dutch-American, 1904-1997). Abstract Woman, 1966. Pastel on paper. 18 x 10 inches. Artis—Naples, The Baker Museum. Bequest of Olga Hirshhorn. © 2016 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. Frederick Arthur Bridgman (American, 1847-1928). Lawn Tennis Club, Dinard, n.d. Oil on canvas. 20 x 28 inches. Artis—Naples, The Baker Museum. Bequest of Olga Hirshhorn. John Seery, (American, born 1941). Abstract (Untitled), n.d. Oil on canvas. 90 3/4 x 74 1/2 inches. Artis—Naples, The Baker Museum. Bequest of Olga Hirshhorn. © John Seery. This exhibition is an acknowledgment of Olga Hirshhorn’s legacy and a celebration of the collection she has left to Artis—Naples, The Baker Museum for this community to enjoy. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
S21-DAP-Catalogue.Pdf
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
George V. Barton Reminiscences, 1982-1983
Olga Hirshhorn Oral History Interviews, 1986-1988 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Introduction....................................................................................................................... 1 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Olga Hirshhorn Oral History Interviews https://siarchives.si.edu/collections/siris_arc_217734 Collection Overview Repository: Smithsonian Institution Archives, Washington, D.C., [email protected] Title: Olga Hirshhorn Oral History Interviews Date: 1986-1988 Identifier: Record Unit 9566 Creator:: Hirshhorn, Olga, interviewee Extent: 18 audiotapes (Reference copies). Language: English Administrative Information Prefered Citation Smithsonian Institution Archives, -
Hirshhorn Museum and Sculpture Garden LIST of FILMS / VIDEOS January 9, 2004
Hirshhorn Museum And Sculpture Garden LIST OF FILMS / VIDEOS January 9, 2004 1941 41-10 Mr. and Mrs. Chagall, daughter, son-in-law 1962 62-10 Guggenheim : Hirshhorn exhibition – no sound b&w one light work print positive (film) 62-20 Abram Lerner : sculpture at the Guggenheim “SS print” (film) 62-30 B&w negative picture Hirshhorn Exhibition (film – 5 reels) 1964 64-10 Interview – Abram Lerner and Joseph H. Hirshhorn (film?) 1974 74-60 HMSG Opening Ceremonies (video) 74-90 Visit of architect Gordon Bunshaft (2c.Beta, film) 74-100 Visit of Mr. Joseph H. Hirshhorn – 16mm work print (film) 74-110 Hirshhorn Remote Panorama (video – 2 reels) 74-210 Hirshhorn Museum Dedication ceremony (VHS) 1975 75-00 Hirshhorn: Man and Museum - Camera 3 (VHS) 75-10 Hirshhorn: Man and Museum - Camera 3b (video) 1976 76-10 Here at Smithsonian: California Artist - Robert Arneson (video) 76-20 A life of its own, v-1 (missing) 76-30 A life of its own, v-2 (missing) 1977 77-20 Checkerboard Foundation presents Brice Marden (missing) 1978 78-190 “Golden Door” 16mm original John Nugent (film) 1979 79-50 John Baldessari (VHS) 1980 1 80-20 Josef Albers, Commemorative Stamp Ceremony (video – 2 reels) 80-50 The Avant-Garde in Russia (video) 80-70 Victory over the Sun (play for RAG show) (video) 80-80 Victory over the Sun- Avant-Garde in Russia (play for RAG show) (video) 1981 81-10 5-minute Masters - Roger Brown (video) 1982 82-40 De Stijl - Vision of Utopia (video) 82-45 The Ephemeral is Eternal (play with sets by Piet Mondrian) (video) 82-48 Ephemeral is Eternal (unedited -
Home of the Baker Museum and the Naples Philharmonic for RELEASE: October 31, 2019 at 4:00Pm Contact: Ashley Mirakian, VP Market
Home of The Baker Museum and the Naples Philharmonic FOR RELEASE: October 31, 2019 at 4:00pm Contact: Ashley Mirakian, VP Marketing and Digital Initiatives [email protected] | 239-254-2670 Website: artisnaples.org Facebook: facebook.com/artisnaples Twitter: @artisnaples | Instagram: artisnaples ARTIS—NAPLES, THE BAKER MUSEUM EXHIBITIONS TO OPEN TO THE PUBLIC DECEMBER 1, 2019 EXHIBITIONS FREE FOR THE MONTH OF DECEMBER AS THANK YOU TO THE COMMUNITY Naples, Fla., Artis—Naples, The Baker Museum announced today that The Baker Museum exhibitions will reopen to the public on December 1, 2019, after being closed for more than two years in the wake of Hurricane Irma. Admission to The Baker Museum exhibitions will be free for the month of December. The 2019-20 season of visual arts programming will showcase highlights of the museum’s growing permanent collection and notable artworks on loan in exhibitions organized especially for the museum. Four major exhibitions will open at noon on December 1. The visitor experience is heightened thanks to the dramatic changes to The Baker Museum designed by New York-based Weiss/Manfredi Architecture/Landscape/Urbanism. A renovated and more defined entrance to The Baker Museum guides patrons into an expanded lobby space and refreshed welcome experience. In addition, the new open and lushly landscaped Norris Garden is a tranquil and inviting gathering space for visitors, located between The Baker Museum and Hayes Hall. “We are excited beyond measure to reopen The Baker Museum exhibitions,” said CEO and President Kathleen van Bergen. “In a way, we are reintroducing The Baker Museum to many, and as a thank you to our community, it felt right to ensure free access to these stunning exhibitions in the month of December. -
Artis—Naples Announces 2019-20 Exhibition Season for the Repaired and Expanded Baker Museum
Home of The Baker Museum and the Naples Philharmonic EMBARGOED UNTIL: 10am, June 3, 2019 Contact: Ashley Mirakian, VP Marketing and Patron Engagement [email protected] | 239-254-2670 Website: artisnaples.org Facebook: facebook.com/artisnaples Twitter: @artisnaples | Instagram: artisnaples ARTIS—NAPLES ANNOUNCES 2019-20 EXHIBITION SEASON FOR THE REPAIRED AND EXPANDED BAKER MUSEUM Highlights include Iconic Works from the Permanent Collection, Monet to Matisse: French Masterworks from the Dixon Gallery and Gardens, Looking at Words: A Poetry of Shape, and Color Field Naples, Fla.—Artis—Naples, The Baker Museum will welcome back visitors on December 1, 2019, after being closed since September 2017 due to damage sustained from Hurricane Irma. The 2019-20 season of visual arts exhibitions will showcase highlights of the museum’s growing permanent collection and celebrated works on loan in exhibitions curated especially for the museum. Four major exhibitions will open in conjunction with the much-anticipated reopening of the restored and expanded museum. The visitor experience will be heightened thanks to the dramatic changes to The Baker Museum led by New York-based Weiss/Manfredi ARCHITECTURE / LANDSCAPE / URBANISM. Those changes are part of a visionary master plan set to recast the relationship between the buildings, parking and landscape of the Kimberly K. Querrey and Louis A. Simpson Cultural Campus. The open and lushly landscaped Norris Garden will welcome visitors as a tranquil and inviting gathering space. A renovated and more defined entrance will usher visitors into a brighter and airier space. Just a few highlights of the transformation include the Multipurpose Performance and Learning Center on the first floor, the Signature Event Space on the second floor and an Elevated Open-Air Terrace that will host rotating outdoor sculpture exhibitions, taking full advantage of the mild South Florida climate. -
Start Typing Here
GOVERNMENT OF THE DISTRICT OF COLUMBIA HISTORIC PRESERVATION OFFICE HISTORIC PRESERVATION REVIEW BOARD APPLICATION FOR HISTORIC LANDMARK OR HISTORIC DISTRICT DESIGNATION New Designation _____ for: Historic Landmark ____ Historic District ____ Amendment of a previous designation _____ Please summarize any amendment(s) _______________________________________________ ________________________________________________________________________________ Property name ____________________________________________________________________ If any part of the interior is being nominated, it must be specifically identified and described in the narrative statements. Address _________________________________________________________________________ Square and lot number(s) ___________________________________________________________ Affected Advisory Neighborhood Commission __________________________________________ Date of construction _______________ Date of major alteration(s) __________________________ Architect(s) ________________________ Architectural style(s) ____________________________ Original use ____________________________ Present use ________________________________ Property owner ____________________________________________________________________ Legal address of property owner ______________________________________________________ NAME OF APPLICANT(S) _________________________________________________________ If the applicant is an organization, it must submit evidence that among its purposes is the promotion of historic preservation in the -
Joseph H. Hirshhorn Papers, 1921-1981, 1996
Joseph H. Hirshhorn Papers, 1921-1981, 1996 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Descriptive Entry.............................................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Joseph H. Hirshhorn Papers https://siarchives.si.edu/collections/siris_arc_389075 Collection Overview Repository: Smithsonian Institution Archives, Washington, D.C., [email protected] Title: Joseph H. Hirshhorn Papers Identifier: Accession 17-126 Date: 1921-1981, 1996 Extent: 1.88 cu. ft. (1 record storage box) (1 16x20 box) (0.19 non- standard size boxes) Creator:: Hirshhorn, Joseph H. Language: Language of Materials: English Administrative Information Prefered Citation Smithsonian Institution Archives, Accession 17-126, Joseph H. Hirshhorn Papers Access Restriction Box 1 contains restricted materials; see finding aid. Descriptive Entry This accession consists of papers of Joseph H. Hirshhorn. Joseph Hirshhorn was born -
Hirshhorn Museum Sculpture Garden Significance and Integrity Report
Through exhibitions that have captured the nation—and the world’s—imagination, and groundbreaking programming, interest in the Hirshhorn Museum and Sculpture Garden has never been higher. In the last three years, the Hirshhorn has enjoyed record annual visitation approaching 1,000,000, more than 50% higher than in each of the preceding three years. Our campus is the only museum directly integrated into the National Mall, which receives 35 million annual visitors. Through this powerful combination: visionary exhibits and public programs exploring the most compelling ideas of our age and one-of-a-kind geography, we are poised to engage and delight so many more. But to do so, we require a campus optimized for the public appreciation, study and preservation of the national collection of modern and contemporary art. Forty-five years after opening, the Sculpture Garden requires critical infrastructure repairs, enhanced universal accessibility, and dynamic new galleries that both highlight the beauty of our modern sculpture masterworks and provide new venues for 21st century large scale installations and performance art. The attached report commissioned by the Smithsonian confirms that the Sculpture Garden is a palimpsest that has evolved since its opening. The report proposes a layered period of significance for the Hirshhorn’s Sculpture Garden: 1974, 1981. As detailed in the report, the sculpture garden at the Museum of Modern Art (MOMA) in New York was the first purposely designed garden for the exhibition of changing displays of sculpture. The MOMA sculpture garden has been modified four times since 1953, maintaining the spirit of the original design.