DOCSLIB.ORG

Hirshhorn Museum and Sculpture Garden LIST of FILMS / VIDEOS January 9, 2004

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hirshhorn Museum and Sculpture Garden LIST of FILMS / VIDEOS January 9, 2004 Hirshhorn Museum And Sculpture Garden LIST OF FILMS / VIDEOS January 9, 2004 1941 41-10 Mr. and Mrs. Chagall, daughter, son-in-law 1962 62-10 Guggenheim : Hirshhorn exhibition – no sound b&w one light work print positive (film) 62-20 Abram Lerner : sculpture at the Guggenheim “SS print” (film) 62-30 B&w negative picture Hirshhorn Exhibition (film – 5 reels) 1964 64-10 Interview – Abram Lerner and Joseph H. Hirshhorn (film?) 1974 74-60 HMSG Opening Ceremonies (video) 74-90 Visit of architect Gordon Bunshaft (2c.Beta, film) 74-100 Visit of Mr. Joseph H. Hirshhorn – 16mm work print (film) 74-110 Hirshhorn Remote Panorama (video – 2 reels) 74-210 Hirshhorn Museum Dedication ceremony (VHS) 1975 75-00 Hirshhorn: Man and Museum - Camera 3 (VHS) 75-10 Hirshhorn: Man and Museum - Camera 3b (video) 1976 76-10 Here at Smithsonian: California Artist - Robert Arneson (video) 76-20 A life of its own, v-1 (missing) 76-30 A life of its own, v-2 (missing) 1977 77-20 Checkerboard Foundation presents Brice Marden (missing) 1978 78-190 “Golden Door” 16mm original John Nugent (film) 1979 79-50 John Baldessari (VHS) 1980 1 80-20 Josef Albers, Commemorative Stamp Ceremony (video – 2 reels) 80-50 The Avant-Garde in Russia (video) 80-70 Victory over the Sun (play for RAG show) (video) 80-80 Victory over the Sun- Avant-Garde in Russia (play for RAG show) (video) 1981 81-10 5-minute Masters - Roger Brown (video) 1982 82-40 De Stijl - Vision of Utopia (video) 82-45 The Ephemeral is Eternal (play with sets by Piet Mondrian) (video) 82-48 Ephemeral is Eternal (unedited tape) (video – 2 reels) 82-49 Ephemeral is Eternal (Master Tape) (video – 2 reels) 82-50 Ephemeral is Eternal (Chant) (audio) 82-160 Here at the Smithsonian (video) 82-165 An evening with Raphael Soyer (video) 82-360 An evening with Raphael Soyer (video) 82-380 Magdalena Abakanowicz (video) 1983 83-30 Brown American Filmhouse (video) 1984 84-20 German Expression (HMSG) (video) 84-30 Drawings1974-1984 (v.1-2) (HMSG) (video) 84-40 Estes, Richard (video) 84-50 Artistic Collaboration in the 20th Century (HMSG) (video) 84-60 Content: A Contemporary Focus (video) 1985 85-30 Outdoor Sculpture Preserving Museum Collection (video) 85-40 Jim Dine; 5 Themes (HMSG) (video) 1986 86-30 Joseph Hirshhorn Bequest (video) 86-40 Segment of handicapped couple who visit Hirshhorn (video) 1987 87-20 Mark Di Suvero : Storm King (VHS) 87-30 Cosi Fan Tutte (Roger Brown set designs for opera) (video) 87-70 “Bridges” exhibition – Judith Zilczer – “Here at the Smithsonian” (video) 1988 88-20 Cornered Video Installation (Adrian Piper piece) (VHS) 2 88-30 Alberto Giacometti (video) 88-60 Evi Fersterer (VHS) 1989 89-20 Buster Simpson (HMSG) (VHS) 1990 90-30 Scenes and Songs from Boyd Webb (video documentary) (VHS) 1992 92-10 Art and Knowledge (video) 92-80 Robert Irwin - In response (VHS) 1993 93-20 Paul Reed Catalog #9 - 1936-1992 (artist=s work) (VHS) 93-30 Collection that Became a Museum (Smithsonian film transfer) (VHS – 2copies) 93-40 Marc Chagall (Smithsonian film transfer) (Beta) 93-50 A life of its Own (Smithsonian Film Transfer) (VHS) 1994 94-30 Seasons of a Poet - Jeanne Robert Foster Story (VHS) 94-40 Olga Hirshhorn interview (missing) 94-50 HMSG Intro to Modern Sculpture (Beta) 1996 96-20 Thomas Eakins and the Swimming Picture (VHS) 96-50 Isaac Monteiro A dialogue through Objects (VHS) 96-60 Beverly Semmes (VHS) 1997 97-80 Jeff Wall segment (VHS) 97-100 Willem De Kooning (VHS) 1998 98-10 George Segal (HMSG) (VHS) 98-20 George Segal -Dialogue (HMSG) (VHS) No Date 00-10 Francis Bacon and the Brutality of Fact (video) 00-20 Hirshhorn Museum - Intro. to Modern Sculpture (Beta) 00-30 The Ephemeral is Eternal (De Stijl play) (VHS) 00-40 Gary Hill – Dig (VHS) 00-50 Sculptor Marshall Fredericks (VHS) 00-60 Willem De Kooning (VHS) 3 00-100 The collection that became a Museum – Ron J. Cavalier (HMSG) (VHS) 00-140 Outdoor sculpture - preserving the Hirshhorn Museum collection (VHS) No Numbers/ No Date / HMSG Mark Di Suvero “Isis” (film) Hirshhorn Museum and Sculpture Garden – National Audiovisual Center (film) Robert Zakanitch (film) William Kentridge film samples (VHS) VIARC – Hirshhorn – rough cut (VHS) VIARC – Hirshhorn Museum and Sculpture Garden (VHS) No Numbers / HMSG 1998 George Segal – State of the Arts (VHS) 2000 Richard Flood & Ann Temkin at the Hirshhorn (VHS) Wolfgang Laib : a conversation between two curators (VHS) Ed Ruscha lecture (VHS) 2001 Meet the artist : William Kentridge (VHS – 2 copies) Meet the artist : Tacita Dean (VHS) Artist lecture series : Jose Bedia (VHS) Artist series (VHS) Artist Lecture : Arnaldo Roche-Rabell (VHS) Clyfford Still in context – James Demetrion lecture (VHS) Peter Michael DuFore at the Hirshhorn Museum (VHS) 4.
Load more

Recommended publications
  • Mmes. Carter and Mondale Attend SI Events V Mrs
    o THE SMITHSONIAN TORCH No. 78-8 Smithsonian Institution, Washington, D.C. August 1978 Mmes. Carter and Mondale Attend SI Events v Mrs. Carter Donates Gown; Hall Space To Be Expanded Tourists starting the ir museum . visits earl y on Jul y 20 were rewarded when RosaIynn Carter came to the Smithsonian to donate her Inaugural Ball gown in a public ceremony at the Mu seum of History and Technology. In accepting the blue chiffon gown de­ signed by Mary Matise , Secretary Ripley said, " This is a very special dress Mrs . Carter gives us today. It is one for which she has a very sentimental attachment be­ cause she first wore it in 1971 at the inau­ gural ball in Georgia when her husband be­ came Governor of Georgia. To the delight of the nation , she chose to wear that same gown again for the balls in Washington when her husband was inaugurated as President of the United States. The dual role of the gown makes it one of the most interesting to become part of the collection . " Ripley al so announced plans for the ex­ pansion of the First Ladies Hall , one of the Smithsonian 's most popular exhibits. He said that the crowded conditions which now exist in the Hall would be alleviated with the addition of a new exhibit setting based After presenting her Inaugural Ball gown to the Smithsonian, Mrs. Carter posed with Secretary Ripley and political history on the White House Red Room as it looked Curator Margaret Klapthor. See related photo, Page 5. durin g the admi ni stration of John F.
    [Show full text]
  • HIRSHHORN MUSEUM and SCULPTURE GARDEN LIBRARY VIDEO COLLECTION Recordings May Not Be Usable in Current Format
    HIRSHHORN MUSEUM AND SCULPTURE GARDEN LIBRARY VIDEO COLLECTION Recordings may not be usable in current format. Check with Library staff. Video materials are not circulated. (updated August 26, 2008) VHS TAPES 1. 41-10 Mr. & Mrs. Chagall, daughter, son-in-law 2. 74-60 HMSG Opening Ceremonies 3. 74-90 Visit of architect Gordon Bunshaft 4. 74-210 Hirshhorn Museum dedication ceremony 5. 75-00 Hirshhorn: Man and Museum-Camera 3 6. 76-20 A life of its own, v-1 7. 79-50 John Baldessari 8. 87-20 Mark Di Suvero: Storm King 9. 88-20 “Cornered” video Installation (Adrian piper piece) 10. 89-20 Buster Simpson (HMSG) 11. 90-30 Scenes and Songs from Boyd Webb (video documentary) 12. 92-80 Robert Irwin- In response 13. 93-20 Paul Reed Catalog #9-1936-1992 (artists’ work) 14. 93-30 Collection that Became a Museum (Smithsonian Film Transfer) 15. 93-30 Collection that Became a Museum (copy) 16. 93-50 A life of its own 17. 93-50 A life of its own 1976 18. 96-20 Thomas Eakins and the Swimming Picture 19. 96-60 Beverly Semmes 20. 97-10 Judith Zilczer interview on De Kooning 21. 97-80 Jeff Wall segment 22. 97-100 Willem De Kooning 23. 98-10 George Segal (HMSG) 24. 98-20 George Segal-Dialogue (HMSG) 25. 00-30 The Ephemeral is Eternal (De Stijl play) 26. 00-40 Gary Hill- Dig 27. 00-60 Willem De Kooning 28. 00-100 The collection that became a Museum-Ron J. Cavalier (HMSG) 29. 1974 Visit of Architect Bunshaft (HMSG) 30.
    [Show full text]
  • George V. Barton Reminiscences, 1982-1983
    Olga Hirshhorn Oral History Interviews, 1986-1988 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Introduction....................................................................................................................... 1 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Olga Hirshhorn Oral History Interviews https://siarchives.si.edu/collections/siris_arc_217734 Collection Overview Repository: Smithsonian Institution Archives, Washington, D.C., [email protected] Title: Olga Hirshhorn Oral History Interviews Date: 1986-1988 Identifier: Record Unit 9566 Creator:: Hirshhorn, Olga, interviewee Extent: 18 audiotapes (Reference copies). Language: English Administrative Information Prefered Citation Smithsonian Institution Archives,
    [Show full text]
  • Start Typing Here
    GOVERNMENT OF THE DISTRICT OF COLUMBIA HISTORIC PRESERVATION OFFICE HISTORIC PRESERVATION REVIEW BOARD APPLICATION FOR HISTORIC LANDMARK OR HISTORIC DISTRICT DESIGNATION New Designation _____ for: Historic Landmark ____ Historic District ____ Amendment of a previous designation _____ Please summarize any amendment(s) _______________________________________________ ________________________________________________________________________________ Property name ____________________________________________________________________ If any part of the interior is being nominated, it must be specifically identified and described in the narrative statements. Address _________________________________________________________________________ Square and lot number(s) ___________________________________________________________ Affected Advisory Neighborhood Commission __________________________________________ Date of construction _______________ Date of major alteration(s) __________________________ Architect(s) ________________________ Architectural style(s) ____________________________ Original use ____________________________ Present use ________________________________ Property owner ____________________________________________________________________ Legal address of property owner ______________________________________________________ NAME OF APPLICANT(S) _________________________________________________________ If the applicant is an organization, it must submit evidence that among its purposes is the promotion of historic preservation in the
    [Show full text]
  • Joseph H. Hirshhorn Papers, 1921-1981, 1996
    Joseph H. Hirshhorn Papers, 1921-1981, 1996 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Descriptive Entry.............................................................................................................. 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Joseph H. Hirshhorn Papers https://siarchives.si.edu/collections/siris_arc_389075 Collection Overview Repository: Smithsonian Institution Archives, Washington, D.C., [email protected] Title: Joseph H. Hirshhorn Papers Identifier: Accession 17-126 Date: 1921-1981, 1996 Extent: 1.88 cu. ft. (1 record storage box) (1 16x20 box) (0.19 non- standard size boxes) Creator:: Hirshhorn, Joseph H. Language: Language of Materials: English Administrative Information Prefered Citation Smithsonian Institution Archives, Accession 17-126, Joseph H. Hirshhorn Papers Access Restriction Box 1 contains restricted materials; see finding aid. Descriptive Entry This accession consists of papers of Joseph H. Hirshhorn. Joseph Hirshhorn was born
    [Show full text]
  • Hirshhorn Museum Sculpture Garden Significance and Integrity Report
    Through exhibitions that have captured the nation—and the world’s—imagination, and groundbreaking programming, interest in the Hirshhorn Museum and Sculpture Garden has never been higher. In the last three years, the Hirshhorn has enjoyed record annual visitation approaching 1,000,000, more than 50% higher than in each of the preceding three years. Our campus is the only museum directly integrated into the National Mall, which receives 35 million annual visitors. Through this powerful combination: visionary exhibits and public programs exploring the most compelling ideas of our age and one-of-a-kind geography, we are poised to engage and delight so many more. But to do so, we require a campus optimized for the public appreciation, study and preservation of the national collection of modern and contemporary art. Forty-five years after opening, the Sculpture Garden requires critical infrastructure repairs, enhanced universal accessibility, and dynamic new galleries that both highlight the beauty of our modern sculpture masterworks and provide new venues for 21st century large scale installations and performance art. The attached report commissioned by the Smithsonian confirms that the Sculpture Garden is a palimpsest that has evolved since its opening. The report proposes a layered period of significance for the Hirshhorn’s Sculpture Garden: 1974, 1981. As detailed in the report, the sculpture garden at the Museum of Modern Art (MOMA) in New York was the first purposely designed garden for the exhibition of changing displays of sculpture. The MOMA sculpture garden has been modified four times since 1953, maintaining the spirit of the original design.
    [Show full text]
  • A Finding Aid to the André Emmerich Gallery Records and André Emmerich Papers, 1929-2009, in the Archives of American Art
    A Finding Aid to the André Emmerich Gallery Records and André Emmerich Papers, 1929-2009, in the Archives of American Art Julie Schweitzer, Rihoko Ueno and Harriet E. Shapiro Funding for the processing of this collection was provided by the Leon Levy Foundation. 2012 April 17 and 2015 February 27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 5 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 7 Series 1: General Correspondence Files, 1958-2006.............................................. 7 Series 2: André Emmerich Appointment Books, 1954-2007.................................. 54 Series
    [Show full text]
  • MARCH THROUGH SEPTEMBER a Letter from the Director
    MARCH THROUGH SEPTEMBER A letter from the director In 2014, the Hirshhorn will celebrate its fortieth anniversary. Many of these elements are already an intrinsic part of the As we approach this signifi cant milestone, I am pleased to Hirshhorn’s work. Our ongoing commitment to research launch a series of letters informing you about a range of excit- and substantive exhibitions is evidenced by the opening of ing initiatives now underway to mark this event. The core of Yves Klein, the fi rst US retrospective in nearly thirty years this effort is a recently adopted plan outlining seven priorities of the career of one of the most infl uential artists of the for the Museum in the coming years that together will make twentieth century. And the depth, breadth, and strength of the Hirshhorn not only a renowned museum of modern and our collection is central to current exhibitions on renowned contemporary art, but a truly international resource for the art abstract artist and educator Josef Albers—the Hirshhorn’s and ideas of our time. holdings are among the largest and most comprehensive in the world—as well as an exploration of artists’ diverse Briefl y, the seven priorities are: approaches to color and abstraction in ColorForms and the latest Directions project featuring cutting-edge new media a fundamental commitment to research and work by Irish artist John Gerrard. greatly heightened focus on education for all audiences and generations that enhances our role in the Other aspects represent new areas of emphasis, crucial to Smithsonian’s knowledge-based mission; a twenty-fi rst-century museum.
    [Show full text]
  • The Olga Hirshhorn Collection
    Artis—Naples, The Baker Museum is one of the foremost fine arts museums in Southwest Florida. The museum hosts traveling exhibitions to complement installations drawn from the permanent collection. Its internationally recognized holdings of modern and contemporary art from the Americas include nearly 4,000 objects and continue to grow. The Baker Museum strives continuously to expand its cultural offerings and to make art meaningful and accessible to its entire community. 2016-17 Exhibitions:* 2016-17 Lectures:* The Olga Hirshhorn Collection November 9: Olga Hirshhorn’s Legacy September 6-July 23, 2017 The Baker Museum’s Director and Chief Curator Frank Verpoorten and Director of New Acquisitions: In Context From the Curatorial Affairs Gisela Carbonell Collection of Paul and Charlotte Corrdry Generously underwritten by Bob and Terry Edwards March 29: From D.C. to Naples September 6-October 23, 2016 Stéphane Aquin, chief curator of the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Harry De Zitter: Photographer Sans Frontières Supported by ALU December 6: Film Screening: September 6-November 13, 2016 Between the Folds Johnny’s Pool December 7: Lecture September 6-October 30, 2016 From Flapping Birds to Space Telescopes: The Art and Science of Origami Schrenk Student Photography Origami master Dr. Robert Lang September 6-November 9, 2016 Generously underwritten by January 25: Pursuing a New Light: George and Wynnell Schrenk 19th and 20th Century Artist Colonies and Washington, D.C. El Sr. y la Sra. Hirshhorn Arriba: Their Influence on American Impressionism Frederick Arthur Bridgman (American, 1847-1928) Origami in the Garden desarrollaron una amistad estrecha con Colleene Fesko, expert on 19th and 20th century Lawn Tennis Club, Dinard, n.d.
    [Show full text]
  • The Avant-Garde
    Studies in the Fine Arts: The Avant-Garde The Library of Professor Stephen C. Foster Professor Emeritus at the University of Iowa, former Director of the Fine Arts Dada Archive and Research Center, University of Iowa; General Editor of Crisis and the Arts: The History of Dada including The Library of Estera Milman Curator, University of Iowa Museum of Art, Founding Director of Alternative Traditions in the Contemporary Arts (ATCA) Project, Special Collections- University of Iowa Libraries 2,401 titles in circa 2,500 volumes Stephen Foster received his Ph.D. in Art History from The University of Pennsylvania and has been the recipient of honors and awards from The National Endowment for the Humanities, The National Endowment for the Arts, The Getty Grant Program, The Mellon Foundation, and The Smithsonian. Foster has served the field widely in reviewing the scholarship of his peers for The National Endowment of the Humanities, The National Endowment of the Arts and the Getty Post-Doctoral Grant Program. Additionally, he has administered and directed numerous fine arts and interdisciplinary programs of international scope; most notably, the University of Iowa’s Program for Modern Studies (with Estera Milman), widely respected as one of the best and most successful programs of its kind, the Corroborate (Intermedia Program), and The Dada Archive and Research Center, the largest American research center devoted to study in this field. As faculty involved in teaching and research at major art history programs from 1972 through 2001, Foster taught a full spectrum of twentieth century graduate courses and advanced seminars, and supervised numerous M.A.
    [Show full text]
  • Dc State Historic Preservation Office Determination of Eligibility Form
    DC STATE HISTORIC PRESERVATION OFFICE DETERMINATION OF ELIGIBILITY FORM PROPERTY INFORMATION Property Name(s): Hirshhorn Museum and Sculpture Garden Street Address(es): Independence Avenue at Seventh Street, SW Square(s) and Lot(s): Reservation 3A Property Owner(s): Smithsonian Institution Please include a current map(s) to indicate the location of the property/properties. The property/properties is/are being evaluated for potential historical significance as/for: An individual building or structure. A contributing element of a historic district (specify): National Mall Historic District A possible expansion of a historic district (specify): A previously unevaluated historic district to be known as (specify): An archaeological resource with site number(s) (specify): An object (e.g. statue, stone marker etc.) (specify): A new multiple property/thematic study regarding (specify): Association with a multiple property/thematic study (specify): Other (specify): Description, rationale for determination, photos & other pertinent information (enter below): Hirshhorn Museum and Sculpture Garden, facing south from Mall entrance. DC STATE HISTORIC PRESERVATION OFFICE DETERMINATION OF ELIGIBILITY FORM INTRODUCTION The purpose of this Determination of Eligibility is to provide the Smithsonian Institution with an objective and independent professional assessment of the eligibility of the Hirshhorn Museum and Sculpture Garden for inclusion in the National Register of Historic Places, in compliance with Section 106 of the National Historic Preservation Act of 1966, as amended. This report includes a brief discussion of the project’s purpose and methodology, with more detailed descriptions of the building’s physical appearance and the history of its design and construction. A discussion of the building’s historic context and evolution over time has also been included.
    [Show full text]
  • Director's Office Records Finding Aid Prepared by Anna J
    Director's Office Records Finding aid prepared by Anna J. Clarkson This finding aid was produced using the Archivists' Toolkit January 30, 2014 Describing Archives: A Content Standard Generously supported with funding from the National Historical Publications and Records Commission (NHPRC) Archives and Manuscripts Collections, The Baltimore Museum of Art 2013 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] Director's Office Records Table of Contents Summary Information ................................................................................................................................. 3 Institutional History....................................................................................................................................... 5 Scope and Contents....................................................................................................................................... 7 Arrangement...................................................................................................................................................8 Administrative Information .........................................................................................................................8 Controlled Access Headings..........................................................................................................................9 Collection Inventory...................................................................................................................................
    [Show full text]