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Eccho Rights
//// CommentarY BY FABRICIO Ferrara Turkey, Home of Content at Mipcom 2015 riven by the Istanbul Chamber of Commerce (ITO) and several Government entities such us the D Ministry of Culture and Tourism and Ministry of Economy, Turkey Country of Honour hosts at MIPCOM 2015 an important series of conferences, screenings and activities on 4-8 October, 2015. Under the motto Turkey Home of Content, the program a trade delegation consisting of 33 Turkish companies, promises to be a smart experience for the market partici- which are taking part o the matchmaking meetings. pants, and a great opportunity for the Turkish industry to The Official Welcome Party on Monday at Martinez be (much more) known by the media world. A dedicated Hotel is sponsored by TRT, while ITV Inter Medya and website, www.turkeyhomeofcontent.com, has Global Agency host their own parties on Tuesday and Published by been previously launched to show the country news. Wednesday, respectively, and ATV organizes a launch Editorial Prensario SRL Turkish companies attend MIPCOM with its different at Carlton Hotel on Monday. Regarding meeting spaces, Lavalle 1569, Of. 405 C1048 AA K branches, including networks, production and distri- there is a common sector inside the Palais des Festivals Buenos Aires, Argentina bution companies, digital media and advertisement for meetings (106.5sqm2) and a tent outside (300sqm2). Phone: (+54-11) 4924-7908 business along with stars, screenwriters, producers and PRENSARIO has been covering the Turkish industry since Fax: (+54-11) 4925-2507 directors. A major audiovisual forum is taking place of- early 2005 and, it can be assured, the evolution has been fering a deeper look at the growing media landscapes: notorious. -
How Public Service Broadcasters in the Western Balkans Interact with Their Audiences
Public services without a public? How Public Service Broadcasters in the Western Balkans interact wiTh their audiences ¿Servicios Públicos sin público? Cómo los PSB interactúan con sus audiencias en los Países Balcánicos Occidentales Davor Marko (Analitika, Centre for Social Research, Sarajevo, Bosnia-Herzegovina) [[email protected]] http://dx.doi.org/10.12795/IC.2017.i01.08 E-ISSN: 2173-1071 IC – Revista Científica de Información y Comunicación 2017, 14, pp. 217 - 242 Abstract Struggling to cope with structural societal changes, digitalized news production, and the modified habits of fragmented media publics, public service broadcasters are expected to redefine the logic of their operations in order to regain the trust of citizens and engage them. This paper looks at how public service broadcasters in seven countries of the Western Balkans have embraced new approaches, technologies, and online channels to foster interaction with their audiences. This includes the analysis of their structures, the popularity of offline programmes, and the use of online channels to reach the public, on the basis of evidence, experiences and specific findings collected during the period 2014-2016, as part of the project implemented by the University of Fribourg (Switzerland) and the Centre for Social Research Analitika (Sarajevo, Bosnia-Herzegovina). Resumen Habitamos un contexto complejo en que los medios requieren (1) abordar cambios sociales significativos en las sociedades, (2) la digitalización de la producción de noticias y (3) las modificaciones en los hábitos de los fragmentarios públicos. En este entorno los medios de servicio público han de redefinir la lógica de su proceder de cara a la recuperación de la confianza entre la ciudadanía, restaurando los vínculos. -
Su-Re Sjsira
. .................................... ' P - ■ Dora3n's bid A ^ s; i i n g e r V. :story, ^ ^ | |_ 4 o i ^ Nslo. 1 - B31 h e r g ^ ^ S' ^nQQ^ l i ¥ T ¥ £ l ( 25^ ^ 78th1 y ear. No. 168 Twfin Falls. IdaiJaho FFriday. June 17.1983 s 1 * . * 1 1 * - C? * ^ ^ a » esU-Re^ p a y 4 i current economic clim ate in —By W ESI^VG, PIPPERT.IT--, ____ ^ .TThere h also should be a fombrmal national to cach of the approxlm aldy 00,000.),surviving_ si review or_anyany prot>atlve evidence agal[alnst could paM in the c i ^ United Press latemotloua}al apolctology for the “grave Injustice"Ice" done lo the pcr»ns exdudedc from their homesies on the them , w ere excexcluded, removed and eictaiiained Conpxjss. themem. W cstC oasast." by the UnitedBd iStates during Worid Warr 11."I "W e a re developinoping a ttwught that unless _ — -wasfnNGTON-=-A-f«-federal-commlssion --------“iTlo-not-conslder-it-to-be-gii“ 1- r-guiit-money;^'-— -It-also-ij-said-Congress-should sel•I iaside-$&— thecommlssion —:------somethlng-has-mon'Tioney-altadTed-lo-it^'ony^^^-^^— ^ recom m ended H iursday’ thithe govemmenl pay comimmission Chairman Joan BeBcmstcin told million tolo be used for Aleuts evacuatjn t^ .Iro m luded people suffered cnormtmous action tak en by govegovemmenl or privale indi- . ll.S bUUon In compcnsatloiillon to the surviving repoip orters. "1 consider it to be aI rresponse e in the thc Aleutijtian or Pribilof Islands dui d losses, bolh material and intntan- vldualsisofnouse."!c." I.Amdgren lolti reporters, 60.000 Japanese-A m eriansfis vwho w ere Interned u suual a m anner In our society foror ta w rong that w ar, andI a paym ent of $5,000 lo each ol d. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
Haber Değeri Kavraminin Değişmesi Sürecinde Basin
T.C. İSTANBUL ÜN İVERS İTES İ SOSYAL B İLİMLER ENST İTÜSÜ RADYO-TELEV İZYON-SİNEMA ANA B İLİM DALI Yüksek Lisans Tezi HABER DE ĞER İ KAVRAMININ DE ĞİŞ MES İ SÜREC İNDE BASIN KURULU ŞLARI MÜLK İYET İNİN ETK İSİ Nur Esra Atmaca 2501050494 Tez Danı şmanı Doç.Dr. Ne şe KARS İstanbul 2009 HABER DE ĞER İ KAVRAMININ DE ĞİŞ MES İ SÜREC İNDE BASIN KURULU ŞLARI MÜLK İYET İNİN ETK İSİ Nur Esra Atmaca ÖZ Çe şitlenen ileti şim araçlarının medya holdinglerine dönü şmesi ve bunların sahiplerinin medya dı şında ticari faaliyetler yürütmesi haberi ticari bir meta haline getirmi ştir. Haber kitlelere dezenforme edilerek ula şmaya ba şlamı ştır. Medya kurulu şlarının sınırlı etkileri olsaydı onlarca medya kurulu şunun sadece bir kaç ki şinin kontrolünde olması yani medyanın tekelle şmesi bir sorun olarak görülmezdi. Dünyanın her yerinde belli ba şlı medya organlarının yine belli ba şlı holdinglerce yönetilmesi insanlara ula ştırılan “haber”in güvenilirli ği üzerinde ciddi endi şelere neden olmaktadır. Tezimizde kitle ileti şim araçlarının yarattı ğı etki medya mülkiyeti sürecinde ele alındı. ABSTRACT Disscussing ownership of media how efects news is the question we ask and search for an answer. If the media have limited efects, as some argue, then the fact that a small number of people control the media is relatively unimportant. We will see in our thesis that how media ownership becomes a very significant matter. We feel the media must have must have profound efects on news and in our theses, we study this. 2 HABER DE ĞER İ KAVRAMININ DE ĞİŞ MES İ SÜREC İNDE BASIN KURULU ŞLARI MÜLK İYET İNİN ETK İSİ ÖZ-ABSTRACT......................................................................................................... -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions
December 2019 Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions Lauren Dickey, Erica Downs, Andrew Taffer, and Heidi Holz with Drew Thompson, S. Bilal Hyder, Ryan Loomis, and Anthony Miller Maps and graphics created by Sue N. Mercer, Sharay Bennett, and Michele Deisbeck Approved for Public Release: distribution unlimited. IRM-2019-U-019755-Final Abstract This report provides a general map of the information environment of the Pacific Island Countries (PICs). The focus of the report is on the information environment—that is, the aggregate of individuals, organizations, and systems that shape public opinion through the dissemination of news and information—in the PICs. In this report, we provide a current understanding of how these countries and their respective populaces consume information. We map the general characteristics of the information environment in the region, highlighting trends that make the dissemination and consumption of information in the PICs particularly dynamic. We identify three factors that contribute to the dynamism of the regional information environment: disruptors, deficits, and domestic decisions. Collectively, these factors also create new opportunities for foreign actors to influence or shape the domestic information space in the PICs. This report concludes with recommendations for traditional partners and the PICs to support the positive evolution of the information environment. This document contains the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the sponsor or client. Distribution Approved for public release: distribution unlimited. 12/10/2019 Cooperative Agreement/Grant Award Number: SGECPD18CA0027. This project has been supported by funding from the U.S. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
(Lista Da Classificação De Canais De Programação De Programadoras
CLASSIFICAÇÃO DOS CANAIS DE PROGRAMAÇÃO DAS PROGRAMADORAS REGULARMENTE CREDENCIADAS NA ANCINE 07/06/2013 Em cumprimento ao disposto no art. 22 da Instrução Normativa nº 100 de 29 de maio de 2012, a ANCINE torna pública a classificação atualizada dos canais de programação, das programadoras regularmente credenciadas na agência na presente data de 07 de junho de 2013, conforme segue: 1. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO NOS TERMOS DO §5º DO ART. 17 DA LEI Nº 12.485/2011”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30001 / 4744.30002 PRIME BOX BRAZIL / PRIME BOX BRAZIL HD 2. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO NOS TERMOS DO §4º DO ART. 17 DA LEI Nº 12.485/2011”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 1500.30001 CANAL BRASIL 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30001 / 4744.30002 PRIME BOX BRAZIL / PRIME BOX BRAZIL HD 1 3. CANAIS APTOS A CUMPRIR A OBRIGAÇÃO DE EMPACOTAMENTO NA CONDIÇÃO DE “CANAL BRASILEIRO DE ESPAÇO QUALIFICADO PROGRAMADO POR PROGRAMADORA BRASILEIRA INDEPENDENTE”: DE CONTEÚDO EM GERAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 22267.30001/ 22267.3 0002 CENNARIUM TV / CENNA RIUM TV HD 18160.30001 CHEF TV 259.30001 CINEBRASILTV 22831.30001 CURTA! O CANAL INDEP ENDENTE 4744.30007 / 4744.30008 FASHION TV BRAZIL / FASHION TV BRAZIL HD 22269.30001 / 22269.30002 FISHTV / FISHTV HD 22831.30002 MUNDO TV 4744.30001 / 4744.30 002 PRIME BOX BRAZIL / P RIME BOX BRAZIL HD 22270.30001 SUPERMIX 12273.30001 TAL – TELEVISÃO AMÉRICA LATINA 4744.30005 / 4744.30006 TRAVEL BOX BRAZIL / TRAVEL BOX BRAZIL HD 21229.30001 WOOHOO DE CONTEÚDO INFANTIL E ADOLESCENTE: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 1125.30001 TV RÁ TIM BUM! DE CONTEÚDO VIDEOMUSICAL: Nº DE IDENTIFICAÇÃO DO NOME CANAL NA ANCINE 4744.30003 / 4744.30004 MUSIC BOX BRAZIL / MUSIC BOX BRAZIL HD 4. -
Ereralregister
^ O N A L ^ ^ % Av I MANET I \f* ERERAL * s ^ XcQjP ^ ^ REGISTER VOLUME 20 ' V / J 9 3 4 NUMBER 238 O N i T t O ^ Washington, Thursday, December 8, 1955 TITLE 16— COMMERCIAL became, pursuant to § 3.21 of tHe rules CONTENTS of practice, tHe “Decision of tHe Com PRACTICES mission”. Agricultural Marketing Service Pa8® THe order to cease and desist is as Proposed rule making: Chapter I— Federal Trade Commission follows: U. S. standards: . [Docket 6384] I t is ordered, THat respondents Novel Cherries, sweet _________ 9017 Mfg. & Distributing Co., Inc., a corpora Grapefruit juice, deHydrated- 9020 Part 13—D igest of Cease and D esist tion, and its officers, and Sam Weitz and Orange juice, canned________ 9018 O rders RicHard WeitH, individually and as offi Agriculture Department NOVEL MFG. & DISTRIBUTING CO., INC., ET AL. cers of said corporation, and Russell See Agricultural Marketing Serv WeitH, individually and as general man ice; Commodity Stabilization Subpart—Advertising falsely or mis ager of said corporation, and respond Service ; Rural Electrification leadingly: § 13.125 Limited offers or sup Administration. ents’ representatives, agents and em ply; § 13.135 Nature: Product or service; Business and Defense Services § 13.155 Prices: Usual as reduced, special, ployees, directly or tHrougH any corpo etc. Subpart—:Misrepresenting oneself rate or otHer device, in connection witH Administration and goods—Goods: § 13.1685 Nature: tHe offering for sale, sale or distribution Rules and regulations: [Misrepresenting oneself and goods] — in commerce, as “commerce” is defined Titanium mill products; limita Prices: § 13.1825 Usual as reduced or to in tHe Federal Trade Commission Act, tions on required acceptance of rated orders______________ 9008 l)e increased.