The Wright Stuff the Official Newsletter of the U.S.S
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Paul Clarke Song List
Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think -
Short Stories]
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1999 Riparia| [Short stories] Danis Banks The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Banks, Danis, "Riparia| [Short stories]" (1999). Graduate Student Theses, Dissertations, & Professional Papers. 3447. https://scholarworks.umt.edu/etd/3447 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. M I llMliw Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission /<? ^ Author's Signature. Date (7, Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. RIPARIA by Danis Banks B.A. Brown University, 1993 presented in partial fulfillment of the requirements for the degree of Master of Fine Arts The University of Montana 1999 Approved by: Chairperson Dean, Graduate School S-l 7-<7? Date UMI Number: EP34091 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. -
Rollbackfinaledit3.Pdf
Prologue Science fiction stories always fascinated me, especially during my teen years. For many decades, I daydreamed and fantasized about the possibilities of revisiting past times, especially those of my youth. Now on the backside of middle age, I understand that my fascination is quite common. Much discussion regarding the possibilities of time travel is regularly seen on TV science programs and related web sites. They are also themes of numerous books and movies. This leads us to the reason for this narrative. This is a story I have only shared with a trusted few. If it became common knowledge I fear I would become the subject of much unwanted scrutiny. This scrutiny might also involve more than just the idle tongue wagging of the neighborhood gossips. Certainly it wouldn’t improve my quality of life. This is something I have no desire to deal with at my age. Now the simple truth is this, I have actually been involved in time travel. This is possible because of my introduction to a time portal to a parallel dimension. It would be more accurate to say parallel dimensions, because there are many more than just the one in which we live. Chapter 1 I never dreamed I would be involved in a series of events that if known by the general public, would have landed me in one of those secret government interrogation rooms you’d read about in some thriller novel. In a period of less than four months I experienced more sensory overload than in the past sixty- five years of my life. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Backforty Bunkhouse Newsletter
Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – November, 2010 15. Backforty Roundup Vol. #46 16. Almeda Terry, Voices From The Range Est. January, 2007 17. Troy Bateson, Midnight Moon Howard Higgins, Western Swing Co-Founder & Advisor 18. Chuck Cusimano, Wind Blow My Blues Away 1. Brady Bowen, In My Spare Time – Vol. 6 19. Allan Chapman, West Of The 98th Meridian Joe Baker, Co-Founder & Publisher 2. Asleep At The Wheel & Leon Rausch, It‘s A Good 20. Bryan Ragsdale, Cowboy Christmas Tree Day Totsie Slover, Editor 3. Tony Harrison & Hot Texas, Swingin‘ Big 4. Gayla Earlene, Traditional Sugar "Swingin' West"- Mike Gross 5. Tom Houston, Tuxedo Country, Vol.#2 KSEY - Seymore, TX 6. Lonnie Spiker, Coming To A Honky Tonk Near Sundays 3-4 pm CST You November 1, 2010 7. -
* 1* Willow Moore
BY KRISTA & BECCA RITCHIE * 1 * willow moore Rules: Complete the form by answering each section truthfully. Once you’ve finished, tag other users to complete the task. Begin by sourcing the person who tagged you. If I had real life best friends who enjoyed Tumblr, I’d type their usernames at the bottom. It’s hard finding people with common interests in Caribou, Maine—not that the place is all at fault. I’m to blame, as my father has told me. If you liked more girl things, you’d have more friends, Willow. If you actually went to a party like a normal girl, you’d have more friends, Willow. If you wore more makeup and made an effort, you’d have a boyfriend, Willow. If you stopped watching superhero cartoons, you’d have a boyfriend, Willow. Every girl your age has one. I inhale a deep breath and try to block out the peanut gallery that has nothing nice to say about my friendship circle of two (Maggie and me) and my lack of potential suitors. I just don’t understand why having a boyfriend in high school determines my worth. I feel fine. Until someone points out that I should be miserable. Because I’ve never been kissed. Because I like “boy things” and yes, I have only one real life friend. If I was brazen and loud-spoken, I’d tell my father to fuck off. I’m neither. In fact, I hurt by even thinking what I actually feel. I lick my lips and source the person who tagged me: maggiewidowss “Bye! Have a safe drive home!” The irregularly high-pitched voice emanates from downstairs, soon followed by a door shutting. -
A Thesis Presented to Th
THE SOUND OF EVERYTHING: REPRESENTING JUSTICE IN THE FAMILY NOVEL ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in English ______________________________________ by Daniel J. Kington April 2018 Table of Contents Introduction: Representing Justice in the Family Novel…………………………………. 3 The Sound of Everything…………………………………………………………………38 Kington 2 Representing Justice in the Family Novel Introduction When Upton Sinclair published The Jungle in 1906, exposing the dark side of the American meatpacking industry, the novel provoked immense public outrage and horror. The Jungle sold thousands of copies upon its release and was translated into 17 languages within a matter of months (Younge). The public reaction to Sinclair’s subject matter forced President Theodore Roosevelt to create a commission to investigate the abuses Sinclair documented, resulting in the passage of the Meat Inspection Act and the Pure Food and Drug Act, which, in turn, led to the creation of the Food and Drug Administration (Younge). Novelist and Trotskyist activist James T. Farrell later argued that The Jungle made “a lasting contribution to the struggle of the American worker for social justice and emancipation from wage slavery” and that “it introduced the ideas and aspirations of socialism into the main body of American literature.” Indeed, it is difficult to imagine a novel that has had such a dramatic impact on American popular consciousness and politics as The Jungle. Sinclair gained such influence that President Roosevelt reportedly advised The Jungle’s publisher to “Tell Mr Sinclair to go home and let me run the country for a while” (Younge). -
Mr Paul Kelly
Mr Paul Kelly Citation for conferral of Doctor of Arts (honoris causa) Ceremony 14, Tuesday 16 September 2014, 11:00am Chancellor, it gives me great pleasure to present to you Mr Paul Maurice Kelly. The Degree of Doctor of the University, DUniv (honoris causa) is being awarded to Paul Kelly to acknowledge his exceptionally distinguished service to society and to recognise his service to not just Australian music but also to creative writing, his significant collaborations with Indigenous Australian musicians and film makers, and his significant community service through nationally-profiled benefits and fund-raising concerts. Paul Kelly was born on 13 January 1955, the sixth of nine children, and raised in Adelaide, where he attended Rostrevor College and was dux of his graduating year. His father, John Kelly, a lawyer practising in Adelaide with the family firm, Kelly & Co Lawyers, died of Parkinson’s disease when Paul was 13 years old. His mother, Josephine, was the daughter of the internationally-renowned Argentinian baritone Count Ercole Filippini, a leading soloist with La Scala opera company, and his Australian opera-singer wife Anne McFarland, who is also known as Australia’s first female symphony opera conductor. The Filippinis were founders of the Italo-Australian Opera Company, well known in Australia in the 1920s. From this colourful classical music pedigree, Paul Kelly himself has emerged as one of Australia’s most gifted and celebrated contemporary singer/songwriters. Internationally renowned for his song compositions, creative writing and recorded music performances over a thirty- year period, he is regarded by his fellow international music industry professionals as without peer in Australia. -
Morpheus 2009.Indd
Morpheus Morpheus 2009 2009 1st place visual arts Photo by Liz Kurtzman 1 About this publication Morpheus Welcome to the Fall 2009 edition of Morpheus, Heidelberg College’s student 2009 writing magazine. This year’s issue follows the precedents we established in 2007: 1) We publish the magazine electronically, which allows us to share the best writing at Heidelberg with a wide readership. 2) The magazine and the writing contest are managed by members of English 492, Senior Seminar in Writing, as an experiential learning component of that course. 3) The publication combines the winning entries of the Morpheus writing contest with the major writing projects from English 492. Please note that Morpheus staff members were eligible to submit entries for the writing contest; a faculty panel judged the entries, which had identifying information removed before judging took place. Staff members played no role in the judging of the contest entries. We hope you enjoy this year’s Morpheus! Cheers! Dave Kimmel, Publisher Editor-in-Chief-Alyssa Sullivan Contest Director-Aimee Lupinski Business Manager-Elizabeth Shrider Layout Design Director-Jonnatha Mayberry Special thanks to our contest judges: Dr. Douglas Collar Professor Chris Tucci Dr. Leigh Makay Dr. Ruth Wahlstrom Dr. Marc O’Reilly Dr. James Hagemeyer Please note: The open book picture used throughout this publication is from uiwp.uiuc.edu 2 Table of Contents Morpheus 2009 Morpheus Writing Contest Contest Winner Biographies Page 4 Poetry Page 6 Fiction Page 11 Literary Academic Fiction Page 21 General Nonfi ction Page 32 Senior Seminar in Writing Senior Writing Projects Page 39 3 Contest Winner Biographies Morpheus 2009 Rachael Drapcho Rachael Drapcho is a freshman English Writing and Spanish major from Greenland, New Hampshire. -
Kellyarjun04.Pdf (123.3Kb)
MarchJune 2004 2001 Kelly Rides with New Gang Appeared in - The Adelaide Review Paul Kelly Her Majesty’s I like Paul Kelly to stay the same and tend to get tetchy when he changes things around, especially when he tinkers with his band line-up. I couldn’t see why he had to shoot the Messengers or why he would hire hotshot American guitarist Randy Jacobs. Was the Professor Ratbaggy project just a scratch band, and what about that bluegrass Smoke thing ? And, these days, what is he doing with his nephew Dan and where are Hadley and Haymes, his bass and keyboard henchmen ? Clearly, if it was up to me, Paul Kelly would still be back at the year dot. Now, of course, the Live at the Continental CD is one of my favourites, especially with Jacobs belting it out on Dumb Things, and I have definitely got the hang of the esoteric dub funk of Ratbaggy. And so, comes Kelly’s current double CD, Ways and Means, with all its confident accomplishment. Showcasing yet another new line-up, Paul Kelly has got it right once again. The band is not all new - the staunch Peter Luscombe is still on drums, joined now by brother Dan on guitar and keyboards, Bill McDonald on bass and the young Dan Kelly, also guitar, and co-writing songs with his uncle Paul. The result both in the studio and on stage is impressive. They are touring a very strong set and they know it. It is impressive how well Paul Kelly steers and shapes, not only his music, but the way he presents it. -
Fields of Wonder: Exploring the Langston Hughes Song Cycles of Robert Owens
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 4-28-2008 Fields of Wonder: Exploring the Langston Hughes Song Cycles of Robert Owens Jamie Reimer University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Reimer, Jamie, "Fields of Wonder: Exploring the Langston Hughes Song Cycles of Robert Owens" (2008). Student Research, Creative Activity, and Performance - School of Music. 13. https://digitalcommons.unl.edu/musicstudent/13 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. FIELDS OF WONDER : EXPLORING THE LANGSTON HUGHES SONG CYCLES OF ROBERT OWENS (AN INTRODUCTORY ANALYSIS AND PERFORMANCE GUIDE) TEARLESS, OP. 9 SILVER RAIN, OP.11 DESIRE, OP. 13 HEART ON THE WALL, OP. 14 BORDER LINE, OP.24 MORTAL STORM, OP.29 By Jamie Michelle Reimer A DISSERTATION Presented to the Faculty of The Graduate College of the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Donna Harler-Smith Lincoln, Nebraska May, 2008 2 FIELDS OF WONDER : EXPLORING THE LANGSTON HUGHES SONG CYCLES OF ROBERT OWENS (AN INTRODUCTORY ANALYSIS AND PERFORMANCE GUIDE) Jamie Michelle Reimer, D.M.A. University of Nebraska, 2008 Advisor: Donna Harler-Smith Composer Robert Owens (b. -
And Then There Were None by AGATHA CHRISTIE CHAPTER 1 IN
And Then There Were None by AGATHA CHRISTIE CHAPTER 1 IN THE CORNER of a first-class smoking carriage, Mr. Justice Wargrave, lately retired from the bench, puffed at a cigar and ran an interested eye through the political news in the Times. He laid the paper down and glanced out of the window. They were running now through Somerset. He glanced at his watch-another two hours to go. He went over in his mind all that had appeared in the papers about Indian Island. There had been its original purchase by an American millionaire who was crazy about yachting-and an account of the luxurious modern house he had built on this little island off the Devon coast. The unfortunate fact that the new third wife of the American millionaire was a bad sailor had led to the subsequent putting up of the house and island for sale. Various glowing advertisements of it had appeared in the papers. Then came the first bald statement that it had been bought-by a Mr. Owen. After that the rurnours of the gossip writers had started. Indian Island had really been bought by Miss Gabrielle Turl, the Hollywood film star! She wanted to spend some months there free from all publicity! Busy Bee had hinted delicately that it was to be an abode for Royalty??! Mr. Merryweather had had it whispered to him that it had been bought for a honeymoon-Young Lord L-- had surrendered to Cupid at last! Jonas knew for a fact that it had been purchased by the Admiralty with a view to carrying out some very hush hush experiments! Definitely, Indian Island was news! From his pocket Mr.