DOCSLIB.ORG

Midsummer: Rituals, Recipes and Lore for Litha Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Midsummer: Rituals, Recipes and Lore for Litha Free FREE MIDSUMMER: RITUALS, RECIPES AND LORE FOR LITHA PDF Deborah Blake | 240 pages | 04 Jun 2015 | Llewellyn Publications,U.S. | 9780738741826 | English | Minnesota, United States Litha, Summer Solstice Rituals, Activities and Lore The lowest-priced brand-new, unused, unopened, Recipes and Lore for Litha item in its original packaging where packaging is Midsummer: Rituals. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non- retail packaging, such as an unprinted box or plastic bag. See details for additional description. Great book for awesome ideas and recipes. I would recommend this great book for anyone interested in learning more about midsummer rituals Midsummer: Rituals recipes, and the summer sabbat. Thanks for the amazing book! Greatly written! Verified purchase: Yes Condition: New. This was the perfect book! Just the thing Recipes and Lore for Litha was looking for! I had info about the old ways, the new traditions and ways to celebrate!! A must have for all who want to celebrate the sabbats!!!! Full of history and well written. Skip to main content. Llewellyn's Sabbat Essentials Ser. About this product. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Catalogue Number: Format: BOOK. Missing Information?. See all 7 brand new listings. Buy It Now. Add to cart. About this product Product Information Midsummer--also known as the Summer Solstice or Litha--is a time to rejoice in abundance and light. This guide to the history and modern celebration of Midsummer shows you how to celebrate and Recipes and Lore for Litha with the energy of the longest day of the year. Rituals Recipes Lore Spells Divination Crafts Correspondences Invocations Prayers Meditations Llewellyn's Sabbat Essentials explore the old and new ways of celebrating the seasonal rites that are the cornerstones of the witch's year. Additional Product Features Dewey Edition. Contents Series Recipes and Lore for Litha. Show More Show Less. Add to Cart. Any Condition Any Condition. See all Recipes and Lore for Litha - All listings for this product. Ratings and Reviews Write a review. Most relevant reviews. Llwellyn's Litha book of Rituals and Recipes is a must have! Best Selling in Nonfiction See all. Bill o'Reilly's Killing Ser. When Women Pray Hardcover T. Jakes Christian Inspirational No ratings or reviews yet. Save on Nonfiction Trending price is based on prices over last 90 days. You may also like. Paperback Books Recipe Journal. Paperback Books Classic Recipes. Paperback Books Recipe Collection. Illustrated Paperback Books Recipe Collection. Trade Paperback Books. This item doesn't belong on this page. Litha Folklore, Legends and Mythology As the wheel turns again we find ourselves at Summer Solstice. Litha - Midsummer is one of the Lesser Wiccan Sabbats. The sun is at the height of it power before beginning its slide into darkness and we experience the longest day and shortest night of the year. It is important to note that the separation of the light and dark halves of the year have nothing to do with good and evil. Light signifies growth and expansion; dark means withdrawal and rest. Both are necessary. While steamy Midsummer marks the beginning of the Sun's dying strength the season itself is very lush, erotic and sexy. The Sun, flowers and Earth are in full bloom. Hot Midsummer creates a fiery, mature, breathless passion. The God is at the very height of his power as we hit midsummer, at this point of the year the crops are coming along nicely. We have done all of the planting associated with spring and life gets a little easier as we sit back and tend what we have created. Its a time of great celebration before we meet the work ahead as the harvest comes in. We honor the God and Goddess whose union has blessed us with the fertility Recipes and Lore for Litha create the projects we began way back at Imbolc. On Midsummer the veil between the worlds is said to be very thin making this a great time for divination, historically many maidens would divine a husband at this time. Mid Summers Eve is said to be a time when fairies abound in great numbers this is a great time to commune with them and leave gifts of sweets outdoors. Litha celebrates abundance, fertility, virility, the beauty and bounty of Nature. Harnessing the Suns great power makes all types of magick appropriate now. We can also harvest the first of our magickal herbs at this time since they are drenched with the great power of the sun on this longest day of the year. It is a good time for empowerment, for strong magick, male ritual, handfastings, communing with Nature Spirits and Recipes and Lore for Litha workings of culmination. The journey into Recipes and Lore for Litha harvest season has begun. Be complete -- include things related to career, personal issues, and other factors like clarity, confidence, and fun. After sunset, light Recipes and Lore for Litha candle of your choice. Place a vase of flowers you like next to the candle. I ask that this be. So mote it be. Allow the candle to burn until you go to sleep. Celebrate the energy of the evening in some way -- play music, raise a glass, allow yourself some indulgence. From Hearth and Home Witchery. Begin by casting a circle. Now Midsummer: Rituals before your altar and say the following or similar: "Great God of the sun, I have come here this day to honor you in your strength, for I know that now is the time of your greatest power. Raise your Midsummer: Rituals or Athame towards the sun and say the following or similar: "Great father God, Recipes and Lore for Litha mother Goddess, come into my heart, and purify me. Smite the evil in my soul, just as your magickal love purges the evil from all things. Visualize the energy Midsummer: Rituals the sun flowing into your athame, and into you. See it clean any impurities that exist in you. Feel it as it cleans you. Once you have finished reflecting on the God and Goddess' purification of you, move to the south side of you circle the direction of fire and light a small ritual fire. Recipes and Lore for Litha say the following Midsummer: Rituals similar: Midsummer: Rituals horned father, may this fire burn in representation of your greatness. Meditate for Midsummer: Rituals while while staring into the flames on the sun, and all it does for us. Once you have meditated, you should allow yourself some time to commune with the gods. Just open your mind to them and let them speak to you. If you like you can thank them and tell them what midsummer means to you. Or you can just lay there in silence and know that they are watching. Once you are done, thank the gods for watching over you. Any spells cast during this time are likely to be vastly more powerful than when cast at other times. If you do not have any particular thing to cast a spell for, then perhaps now would be the best time to cast a spell that ensures happiness for you over the coming winter months. Think hard about it, because this opportunity comes but once a year. Preparation: Sweep area moving in desoil manor. Set up Quarter Candles and any accessories symbolizing the Elements of the Quarters. Decorate the alter with seasonal flowers, especially Sunflowers. Recipes and Lore for Litha your Recipes and Lore for Litha of Summertime Herbs, and as you make it, pour your troubles, pains, sorrows, illness, and regrets into it. Place the Cauldron in the center of your alter, the Red Sun candle to the right of itthe Green Goddess Candle to the Recipes and Lore for Litha of it. Take a shower Recipes and Lore for Litha bath for purification. Sit quietly Midsummer: Rituals meditate for a while, then ground and center. When ready, play some peaceful music for the ritual. Cast the circle All of Recipes and Lore for Litha vibrates with the fertileness of the Goddess and of the God. The Earth basks in the light and life of the Sun. The ever turning Wheel of the Year has made the light ever stronger And the light has kept growing longer, until today The middle of the time of light, Litha, Mid Summer's Day, Recipes and Lore for Litha Solstice. From here, the light begins to fade, again, Until once more the Wheel turns to the time of darkness, Yule, Winter Solstice. Yet, for today, the Sun is high, Midsummer: Rituals light is bright, the Earth is warm. As the Sun God blazes above, may the fires of my rite flame below. Face the Recipes and Lore for Litha, put down your wand, and light the Green Goddess Candle to the left of your cauldron, saying: Oh, Mother of Nature, She that brings the meadow to bloom, Green Midsummer: Rituals Mother, from lakes Midsummer: Rituals streams your children spring forth. God of Fertility and Fruitfulness, from hill and forest Midsummer: Rituals children emerge. Take the Herb Pouch and hold above your head, saying: By thy power, oh sacred herbs, may the Lord of the Sun Burn away the hurtful, the troublesome, and the painful, Leaving me purified through His warmth and Light. Hold the pouch over your main Alter Candle to take Midsummer: Rituals. While it is burning, drop it in the cauldron, saying: Great Goddess and Great God, from Thee all powers flow forth.
Load more

Recommended publications
  • The Witch-Cult in Western Europe, by Margaret Alice Murray This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
    20411-0 The Project Gutenberg EBook of The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma THE WITCH-CULT IN WESTERN EUROPE _A Study in Anthropology_ BY MARGARET ALICE MURRAY OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press _London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai_ Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published _in extenso_; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices.
    [Show full text]
  • Constructing the Witch in Contemporary American Popular Culture
    "SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans.
    [Show full text]
  • The Charge of the Goddess
    The Charge of the Goddess: A Wiccan Ethic It has been my experience that many people get involved in Wicca because they like the lack of rules. We don’t have a lot of “Thou shalt nots.” All we have is the Witch’si Rede, they say. But there are many unspoken rules of ethics that we think of as being essentially “Wiccan.” Why? Where do they come from? The answer should be self-evident but often isn’t. What is the one piece of liturgy that Wiccans really have? The answer is the Charge of the Goddess. Most modern Wiccans treat this prose as a lovely way to invoke the Goddess. It does work well that way. But consider the original meaning of the word “charge”. It is a command, a responsibility laid upon someone, an exhortation, a duty, an injunction, or being entrusted with someone’s care. It is a series of rules! In order to illustrate this, and illustrate how this piece of liturgy defines our Wiccan ethics, the remainder of this article will be concerned with breaking down the Charge into its component elements and paraphrasing them in a less poetic fashion. I will present both Doreen Valiente’s version and Starhawk’s version, since both are utilized among different Wiccan traditions. Though there are other versions, these are the most commonly known. There are also some slight differences (some elements present in one version may not be present in the other,) and so these differences need to be addressed as well. Valiente: Listen to the words of the Great Mother; she who of old was also called among men Artemis, Astarte, Athene, Dione, Melusine, Aphrodite, Cerridwen, Cybele, Arianrhod, Isis, Dana, Bride and by many other names: Starhawk: Listen to the words of the Great Mother, Who of old was called Artemis, Astarte, Dione, Melusine, Aphrodite, Cerridwen, Diana, Arionrhod, Brigid, and by many other names: The Goddess says, first and foremost, “Listen!” I don’t believe that this is merely a poetic way of beginning the script.
    [Show full text]
  • Scepticism and Belief in English Witchcraft Drama, 1538–1681
    SCEPTICISM AND BELIEF IN ENGLISH WITCHCRAFT DRAMA, 1538–1681 Scepticism and belief in English witchcraft drama, 1538–1681 ERIC PUDNEY Lund University Press Copyright © Eric Pudney 2019 The right of Eric Pudney to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Lund University Press The Joint Faculties of Humanities and Theology P.O. Box 117 SE-221 00 LUND Sweden http://lunduniversitypress.lu.se Lund University Press books are published in collaboration with Manchester University Press. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978 9 1983 7686 9 hardback ISBN 978 9 1983 7687 6 open access First published 2019 This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of Lund University, which permits non-commercial use, distribution and reproduction provided the author(s) and Lund University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/ licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Lund University Press gratefully acknowledges publication assistance from the Thora Ohlsson Foundation (Thora Ohlssons
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY Archives Doreen Valiente Papers, The Keep Archival Centre, Brighton. Feminist Archive North, Brotherton Library, University of Leeds. Feminist Archive South, Bristol University Library. Feminist Library, South London. Library of Avalon, Glastonbury. Museum of Witchcraft’s Library, Boscastle, England. Peter Redgrove Papers, University of Sheffeld’s Library. Robert Graves Papers, St. John’s College Library, Oxford University. Sisterhood and After: The Women’s Liberation Oral History Project, The British Library. Starhawk Collection, Graduate Theological Union, Berkeley. Women’s Library, London School of Economics Library. Primary Sources Amanda, “Greenham Festival of Life,” Pipes of PAN 7 (1982): 3. Anarchist Feminist Newsletter 3 (September 1977). Anon., You Can’t Kill the Spirit: Yorkshire Women Go to Greenham (S.L.: Bretton Women’s Book Fund, 1983). Anon., “Becoming a Pagan,” Greenleaf (5 November 1992). © The Editor(s) (if applicable) and The Author(s), under exclusive 277 license to Springer Nature Switzerland AG 2020 S. Feraro, Women and Gender Issues in British Paganism, 1945–1990, Palgrave Historical Studies in Witchcraft and Magic, https://doi.org/10.1007/978-3-030-46695-4 278 BIBLIOGRAPHY “Aquarian Pagans,” The Cauldron 22 (Beltane 1981): 5. Arachne 1 (May Eve 1983). Arachne Collective, “Arachne Reborn,” Arachne 2 (1985): 1. Ariadne, “Progressive Wicca: The New Tradition,” Dragon’s Brew 3 (January 1991): 12–16. Asphodel, “Letter,” Revolutionary and Radical Feminist Newsletter 8 (1981). Asphodel, “Letters,” Wood and Water 2:1 (Samhain 1981): 24–25. Asphodel, “Womanmagic,” Spare Rib 110 (September 1981): 50–53. Asphodel, “Letter,” Matriarchy Research and Reclaim Network Newsletter 9 (Halloween 1982). Asphodel, “Feminism and Spirituality: A Review of Recent Publications 1975– 1981,” Women’s Studies International Forum 5:1 (1982): 103–108.
    [Show full text]
  • The Methodology of Resistance in Contemporary Neopaganism
    University of Puget Sound Sound Ideas Summer Research 2012 The ethoM dology of Resistance in Contemporary NeoPaganism Rebecca Short [email protected] Follow this and additional works at: http://soundideas.pugetsound.edu/summer_research Part of the Comparative Methodologies and Theories Commons, History of Religions of Western Origin Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Short, Rebecca, "The eM thodology of Resistance in Contemporary NeoPaganism" (2012). Summer Research. Paper 151. http://soundideas.pugetsound.edu/summer_research/151 This Article is brought to you for free and open access by Sound Ideas. It has been accepted for inclusion in Summer Research by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Rebecca Short 24 September 2012 Professor Greta Austin The Methodology of Resistance in Contemporary NeoPagan Culture The number of adherents of NeoPaganism is one of the fastest growing, doubling in numbers about every eighteen months. 1 NeoPaganism is a set of several religious traditions and spiritualities that seek to either (1) painstakingly reconstruct the indigenous religions of the Christianized world, especially those of Europe, or (2) reinterpret these religions in the contemporary era to formulate new religious traditions. Reconstructionist NeoPagan traditions include Asatru , a Norse Reconstructionist path, and Hellenismos , a Greek Reconstructionist religion. More contemporary, eclectic, new religious movements include Wicca, a tradition of religious witchcraft born out of the ancient Hermetic school of spirituality and magic practice. Wicca is by far the most popular tradition (or, now, set of traditions) in all of NeoPaganism. This religious tradition was started by a man named Gerald Gardner in 1950s England.
    [Show full text]
  • Religion and the Return of Magic: Wicca As Esoteric Spirituality
    RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of
    [Show full text]
  • A Midsummer Night's Dream" Alexandra Larkin College of the Holy Cross, [email protected]
    The Criterion Volume 2018 | Issue 1 Article 5 5-8-2018 Forgotten Fairies: Traditional English Folklore in "A Midsummer Night's Dream" Alexandra Larkin College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/criterion Part of the Comparative Literature Commons, Folklore Commons, Literature in English, British Isles Commons, and the Rhetoric and Composition Commons Recommended Citation Larkin, Alexandra (2018) "Forgotten Fairies: Traditional English Folklore in "A Midsummer Night's Dream"," The Criterion: Vol. 2018 : Iss. 1 , Article 5. Available at: https://crossworks.holycross.edu/criterion/vol2018/iss1/5 This Essay is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in The rC iterion by an authorized editor of CrossWorks. Ali Larkin 12/7/17 Shakespeare Forgotten Fairies: Traditional English Folklore in A Midsummer Night’s Dream One of the most popular sets of characters in Shakespeare’s comedy A Midsummer Night’s Dream is the powerful and mysterious fairies, whose magical antics drive the action of the play. Based in traditional English folklore, the fairies stand in contrast to the upper class Athenians and the Athenian peasant players. The play, which is set in Athens, follows in part the marital discord of Oberon and Titania, King and Queen of the Fairies and their servants, which reflects the aristocratic tendencies both of the Athenian court and the patrons of Shakespeare’s work. The two fairies rule over the woods outside of Athens, and yet their lives are extremely intertwined with those within the city.
    [Show full text]
  • The Reclaiming Cauldron
    WEB FEATURES A special feature from Reclaiming Quarterly & WeaveAndSpin.org New from Reclaiming Quarterly Reclaiming Archives – Free Online! The Reclaiming Cauldron Back issues of a journal of magic, creativity, and action Reclaiming The Reclaiming Cauldron is an Quarterly — experimental journal of writings, 60+ pages of artwork, photography, music, video – Witchcraft and even some funny stuff! and Magical Activism – This PDF is an excerpt from our first – are available and possible only – issue. as free Find the entire journal – print edition downloadable or free PDF – at our webpage: PDF files at RQ.org WeaveAndSpin.org/cauldron Plus The Cauldron was initiated by a you’ll find lots of other features on Spring 2020 magical writing class. We gender, magic, ritual, Tarot, music, put out a call in July for more writ- activism, and much more! ings, artwork, photos, music, etc, and Visit WeaveAndSpin.org/archives pretty soon we had 150 pages of cre- ativity, book excerpts, music playlists, photographs... For more information, visit our webpage (above) or email us (see footer). Reclaiming Music CDs Chants & Music available online Campfire Chants – our latest album! Join us around the witchcamp balefire for 18 classic Reclaiming chants written by Starhawk, Suzanne Sterling, T. Thorn Coyle, and others. The album features many of Reclaiming’s most-loved chants of the 2000s. Recorded by a mixed chorus plus conga, guitar, fiddle, flute, clarinet, and even a ukelele – perfect for learning or singing along! Reclaiming has released five albums of Streaming at all sites or find Earth-based chants and music. links at: Our albums feature many of Reclaiming’s WeaveAndSpin.org/playlists finest witchcamp chants, including songs by Starhawk and others, recorded by a Free download of our 50- mixed chorus plus conga, guitar, fiddle, page full-color Lyrics & Lore and more.
    [Show full text]
  • Transcript Dead Ladies Show Podcast Episode 26 Doreen Valiente & Martha Maxwell
    Transcript Dead Ladies Show Podcast Episode 26 Doreen Valiente & Martha Maxwell (Dead Ladies Show Music - ‘Little Lily Swing’ by Tri-Tachyon) SUSAN STONE: Welcome to the Dead Ladies Show Podcast. The Dead Ladies Show celebrates women both overlooked and iconic who achieved amazing things against the odds. And we do it through live history storytelling. I'm Susan Stone, and I'm here with Dead Ladies Show co- founder Katy Derbyshire. KATY DERBYSHIRE: Hi, Susan! SUSAN STONE: We're in Berlin, but sometimes the Dead Ladies Show finds another home far from our shores. KATY DERBYSHIRE: It does. We have a sister show now in New York City, and it's hosted by Molly O'Laughlin Kemper at the KGB Bar Red Room. Molly and her team have recently celebrated their one-year Dead Ladies Show anniversary. We're really pleased -- congratulations! SUSAN STONE: Yay! Red Room. It just sounds so spooky -- Red Room, Red Room -- doesn't it? In fact, in this episode with help from our New York pals, we're going to get a little spooky ourselves. Now just because we have the word 'dead' in the title of the show doesn't mean we're scary, usually. Although for some, there's nothing more terrifying than the idea of a woman doing whatever she wants, achieving great things, and even changing the world. To get ready for today's recording, I've worn my scary lady skeleton hand hair-clip in glorious rhinestones. And Katy has a timely homage in brooch form. KATY DERBYSHIRE: Yeah, so I have made this brooch out of a safety pin and a plastic spider which just lives in my kitchen in honor of Lady Hale, who if you've been following Brexit news, you'll be exhausted by now, but Lady Hale is the very senior judge in the UK who ruled that putting the parliament on hold -- so-called prorogation was illegal -- and they all had to go back to the Houses of Parliament and she did so wearing this beautiful glittering spider brooch, inspiring many memes.
    [Show full text]
  • The Empowerment Manual
    Advance Praise for The EMPOWERMENT MANUAL It’s not easy to meld a sweeping vision with practical steps on how to implement it, but Starhawk has succeeded brilliantly in The Empowerment Manual. Filled with case histories, illustrative stories, and, most importantly, clearly written exercises for honing your collaborative skills, this book is a must-read for anyone interested in building community and truly empowering themselves and others. — Toby Hemenway, author, Gaia’s Garden: A Guide to Home-Scale Permaculture True social change is a collaborative art. Here’s a trove of tips, guidelines, deft strategies and open secrets, that will speed and ease our capacity to work together. It comes to us with Starhawk’s signature blend of vast experience, wit, and love for life. — Joanna Macy, author, The Work that Reconnects and co-author, Active Hope: How to Face the Mess We’re In Without Going Crazy This new book, The Empowerment Manual: A Guide for Collaborative Groups, is Starhawk at her best — wise woman elder, articulate thinker and witty writer, experienced leader and fierce guardian of the planet. This is the how-to we’ve been needing, an eloquent and thoughtful handbook of intelligent advice detailing exactly how to bring the principles of cooperation, caring, and demo- cratic sustainability fully into living practice. Extremely well done! — Vicki Noble, co-creator of Motherpeace, author of Shakti Woman and The Double Goddess The Empowerment Manualis truly a guide to ensure the survival of those of us who us who are struggling to work collaboratively. It sheds a light on those dark corners of group dynamics that can leave us confused and disheartened.
    [Show full text]
  • Paganism.Pdf
    Pagan Introduction ................................................................................................................................................................... 2 About the Author .................................................................................................................................................................. 2 Beliefs, Teachings, Wisdom and Authority ....................................................................................................................... 2 Basic Beliefs ........................................................................................................................................................................... 2 Sources of Authority and (lack of) scriptures ........................................................................................................................ 4 Founders and Exemplars ....................................................................................................................................................... 5 Ways of Living ................................................................................................................................................................ 5 Guidance for life .................................................................................................................................................................... 5 Ritual practice .......................................................................................................................................................................
    [Show full text]