A Study of the Conversion Profiles of 35 British Wiccan Men
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An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
Read Book Witchcraft Today
WITCHCRAFT TODAY PDF, EPUB, EBOOK Gerald B Gardner | 197 pages | 01 Apr 2004 | Citadel Press | 9780806525938 | English | New York, NY, United States Witchcraft Today PDF Book Note: References to "limited space" reflect the fact that this article was originally published in a printed magazine. Then meet the universal symbols and always keep them in an area near the altar. In fact religion and witchcraft were alike in many ways. Here is a very simple love spell that I hope you'll adapt for your own purposes. This religion is not a joke. Bookseller Waterstone's has launched a Save Harry campaign. Wicca is a religion of fertility. A dedication ritual implies exactly what it sounds to you like. We don't want to convert you. Heathens, Pagans Dec 30, Laura rated it liked it Shelves: religion , witchcraft , book-club. Nor does it require the use of a special wand and sparkly, flashing lights. Yet this is a religion in which drugs and free sexuality are not condemned, but might be encouraged. Then there are those whose work is more directly related to their witchcraft practice, like tarot card readers, and several women who own and operate apothecaries. Free will is a powerful thing and should never be played with. An owl sent by a witch could not be killed. It's a small gesture that really goes a long way. To help set the stage for our discussion of contemporary witchcraft, it will be beneficial to take a brief tour of the modern history of this fascinating phenomenon. We don't harm or seduce people. -
Wicca 1739 Have Allowed for His Continued Popularity
Wicca 1739 have allowed for his continued popularity. Whitman’s According to Gardner, witchcraft had survived the per- willingness to break out of hegemonic culture and its secutions of early modern Europe and persisted in secret, mores in order to celebrate the mundane and following the thesis of British folklorist and Egyptologist unconventional has ensured his relevance today. His belief Margaret Murray (1862–1963). Murray argued in her in the organic connection of all things, coupled with his book, The Witch Cult in Western Europe (1921), that an old organic development of a poetic style that breaks with religion involving a horned god who represented the fertil- many formal conventions have caused many scholars and ity of nature had survived the persecutions and existed critics to celebrate him for his innovation. His idea of uni- throughout Western Europe. Murray wrote that the versal connection and belief in the spirituality present in a religion was divided into covens that held regular meet- blade of grass succeeded in transmitting a popularized ings based on the phases of the moon and the changes of version of Eastern theology and Whitman’s own brand of the seasons. Their rituals included feasting, dancing, sac- environmentalism for generations of readers. rifices, ritualized sexual intercourse, and worship of the horned god. In The God of the Witches (1933) Murray Kathryn Miles traced the development of this god and connected the witch cult to fairy tales and Robin Hood legends. She used Further Reading images from art and architecture to support her view that Greenspan, Ezra, ed. The Cambridge Companion to Whit- an ancient vegetation god and a fertility goddess formed man. -
On the Pagan Parallax a Sociocultural Exploration of the Tension Between Eclecticism and Traditionalism As Observed Among Dutch Wiccans 1
Proof version [The pomegranate 12.1 (2010) 49-70] On the Pagan Parallax A Sociocultural Exploration of the Tension between Eclecticism and Traditionalism as observed among Dutch Wiccans 1 Léon A. Van Gulik Abstract Post-modern nature religions face the challenge of justifying their practices and theology since there is no unbroken line between the classic and contemporary Paganisms of the Western world. Against the background of progressing historical knowledge, these religions constantly have to reinvent or recon- struct their traditions. At the same time, the present context is entirely different to that of when the classic Paganisms emerged. By discussing their roots in romanticism and expressivism, both the rele- vancy of the revived nature religions and the challenges they face, are explained. These issues are illus- trated by drawing on initial results of discourse analyses of on-line discussions between Dutch Wic- cans, yielding imaginative narratives of self-justification and self-identification amidst a continuous tension between traditionalism and eclecticism. Generalising these findings to contemporary Paganism at large, I have argued that the latter movement is counterbalancing sociohistorical developments by its changing acts of sanctioning, its aims to remain the maverick, and its constant striving for experien- tial receptivity creating an illusory idea of autonomous movement: the Pagan parallax. The Dutch cabaret artist Theo Maassen once said about dancing: “die eerste stap is altijd lullig” – “that first step is always shitty.”2 That is, the transition from walking to dancing is experienced as awkward. Picture this: one walks onto the dance floor, seemingly unaffected by the music, and then, merely as a function of reaching the desired spot, the bodily posture changes dramatically to facilitate the getting into the groove. -
The Witch-Cult in Western Europe, by Margaret Alice Murray This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
20411-0 The Project Gutenberg EBook of The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma THE WITCH-CULT IN WESTERN EUROPE _A Study in Anthropology_ BY MARGARET ALICE MURRAY OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press _London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai_ Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published _in extenso_; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
Strength Symbols
Ancient Japanese kanji symbol for Spiritual Strength Ancient Japanese symbol for Good Fortune. Ancient Japanese symbol for Black Sheep Ancient Japanese symbol for Supernatural Power. Strength Symbols The Bear-An ancient Heraldic symbol which signifies Strength. The Bull- Symbolized strenght in Egypt and other countries. Japanese Kanji Symbol for Strength Tabono - the 'paddles'. Ancient African Symbol- Symbol represents strength and perseverence. Celtic Boar symbol for Strength Chinese Symbol for Strength Good Luck Symbols Four Leaf Horseshoe-The horseshoe Clover-is a renown is considered very lucky symbol that means good and used to be hung in luck to the person who many homes to protect and finds one. What do the attract good fortune for the leaves symbolize? family residing inside. One leaf is for FAITH...The second for Horseshoes were also considered lucky HOPE... The third for LOVE... And the because they were made by fourth for LUCK! In Irish tradition the blacksmiths, which is also considered a Shamrock or Three-leaf Clover very lucky trade. Because they worked represents the Holy Trinity: one leaf for with elemental fire and magical iron, the Father, one for the Son and one for they were thought to have special the Holy Spirit. When a Shamrock is powers. found with the fourth leaf, it represents God's Grace. Lucky Rabbit's foot- Rabbits and hares were considered very lucky animals as they were associated with spring and the return of flowers and other plants. Spring was also a time of fertility and so rabbits were considered good luck to be seen running through the fields. -
The Charge of the Goddess
The Charge of the Goddess: A Wiccan Ethic It has been my experience that many people get involved in Wicca because they like the lack of rules. We don’t have a lot of “Thou shalt nots.” All we have is the Witch’si Rede, they say. But there are many unspoken rules of ethics that we think of as being essentially “Wiccan.” Why? Where do they come from? The answer should be self-evident but often isn’t. What is the one piece of liturgy that Wiccans really have? The answer is the Charge of the Goddess. Most modern Wiccans treat this prose as a lovely way to invoke the Goddess. It does work well that way. But consider the original meaning of the word “charge”. It is a command, a responsibility laid upon someone, an exhortation, a duty, an injunction, or being entrusted with someone’s care. It is a series of rules! In order to illustrate this, and illustrate how this piece of liturgy defines our Wiccan ethics, the remainder of this article will be concerned with breaking down the Charge into its component elements and paraphrasing them in a less poetic fashion. I will present both Doreen Valiente’s version and Starhawk’s version, since both are utilized among different Wiccan traditions. Though there are other versions, these are the most commonly known. There are also some slight differences (some elements present in one version may not be present in the other,) and so these differences need to be addressed as well. Valiente: Listen to the words of the Great Mother; she who of old was also called among men Artemis, Astarte, Athene, Dione, Melusine, Aphrodite, Cerridwen, Cybele, Arianrhod, Isis, Dana, Bride and by many other names: Starhawk: Listen to the words of the Great Mother, Who of old was called Artemis, Astarte, Dione, Melusine, Aphrodite, Cerridwen, Diana, Arionrhod, Brigid, and by many other names: The Goddess says, first and foremost, “Listen!” I don’t believe that this is merely a poetic way of beginning the script. -
OCCULT BOOKS Catalogue No
THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc. -
Umi-Uta-1189.Pdf (299.6Kb)
PARTICIPATION, IDENTITY, AND SOCIAL SUPPORT IN A SPIRITUAL COMMUNITY by LA DORNA MCGEE Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN SOCIOLOGY THE UNIVERSITY OF TEXAS AT ARLINGTON December 2005 Copyright © by La Dorna McGee 2005 All Rights Reserved ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my mom who always supported me in my endeavors. I would also like to thank Kathy Rowe, Jane Nicol, and Suzanne Baldon for their support. Lastly, I would like to thank my committee members for their extreme patience and guidance through this process. April 22, 2005 iii ABSTRACT PARTICIPATION, IDENTITY, AND SOCIAL SUPPORT IN A SPIRITUAL COMMUNITY Publication No. ______ La Dorna McGee, M.A. The University of Texas at Arlington, 2005 Supervising Professor: Frank Weed Paganism is a loosely organized community whose religious ideology incorporates the immanence of Deity. As a religious association with an ideology different from traditional Judeo-Christian faiths, members are often labeled as deviant and subjected to various negative sanctions. By relying on survey data collected on April 9-12, 1996 and in depth personal interviews collected on October 10-13, 1996, this study presents a model that best describes and explains acceptance and participation in Pagan spiritualism. This study identifies three characteristics associated with positive ratings of childhood religious affiliation (church disaffection, family closeness, and iv membership role), three characteristics associated with feelings of belonging to the Pagan community (church disaffection, social support, and participation), and finally examines a member’s disclosure of their Pagan identity as being a function of occupational prestige, weighing the costs of negative sanctions versus the Pagan value of openly expressing a Pagan identity, and self-efficacy. -
Renee: 0:01 This Is Renee Cyr Doing an Interview with Camille on July 11 2019, Discussing Paganism in Lawrence
Renee: 0:01 This is Renee Cyr doing an interview with Camille on July 11 2019, discussing Paganism in Lawrence. How do you define your religion and spiritual path? Camille: 0:19 To define my religion would be, the umbrella term is Paganism. But that means anything that's out of Judaism, or Christianity, or Catholicism. Technically I would be classified as a Wiccan. I'm very nature based, but I also incorporate a specific goddess that I like to make offerings to her. She makes me feel protected and safe. And I think everybody deep down inside, spiritually humans need to believe in something higher than themselves. Not just for accountability of what happens to them in life, but the idea that we're just here alone on this big planet, it's kind of sad. I think people are naturally drawn to religious idols. Mine would be Hekate. Renee: 1:03 How long have you practiced Paganism? Camille: 1:06 Since 2002. I discovered it when I was going to high school. When I was younger, I was forced to go to Catholic school. My family is Romani Gypsy, and Italians on my mom's side. So they're very much about adopting a major religion to kind of help us blend in more. And my grandmother and my mother actually really did take it to heart. It wasn't just like, a chameleon tactic to blend in. Going to Catholic school I realized that it just didn't feel right. Like I would leave church feeling worse than when I went in. -
Sacraments of Initiation Fallow Year Reflection Resource Document
DIOCESAN LITURGY COUNCIL Sacraments of Initiation A fallow year reflection resource … … You will sow your land and gather its produce, but (in the year of pandemic) … you will let it lie fallow and forgo all its produce … (Ex 23:10-11) In ancient times the ‘fallow’ year was concerned with the wellbeing of the land/creation and feeding the poor. The fallow year was also associated with Sabbath and time to rest with God. Sabbath is about becoming whole as a person, as a society, and in our case, as a church specifically in regard to the ministry of Christian Initiation with regard to children and families. 1 | P a g e Prayer of Teilhard de Chardin - Patient Trust Above all, trust in the slow work of God. We are quite naturally impatient in everything to reach the end without delay. We should like to skip the intermediate stages. We are impatient of being on the way to something unknown, something new. And yet it is the law of all progress that it is made by passing through some stages of instability— and that it may take a very long time. And so I think it is with you; your ideas mature gradually—let them grow, let them shape themselves, without undue haste. Don’t try to force them on, as though you could be today what time (that is to say, grace and circumstances acting on your own good will) will make of you tomorrow. Only God could say what this new spirit gradually forming within you will be.