Messiah for Singers Already Familiar with the Work

Bristol Choral Society COME &SING Messiah for singers already familiar with the work £15 Under 18s £7.50 – including score hire Saturday 21 April 2018 10am – 4pm Tyndale Baptist Church, Bristol BS8 2QG with Hilary Campbell Conductor Bristol Choral Society’s engaging new Musical Director Book by telephone 0117 962 3223 or see reverse to book by post OUR NEXT CONCERTS COME&SING CARMINA BURANA Handel’s Messiah plus Chilcott: Songs and Cries of London Town with Bristol Youth Choir Saturday 21 April 2018, 10am – 4pm Hilary Campbell (conductor) Tyndale Baptist Church, Whiteladies Road, Bristol BS8 2QG 10 March 2018 Colston Hall Aimed at those already familiar with Messiah – An in-depth workshop ZIMBE! of Messiah choruses for those familiar with Sing the songs of Africa the work (and a memory-jogger for BCS members!). Not designed as an introductory with Bristol school children sing-through. Spend the day getting deeper Hilary Campbell (conductor) into this magnificent work, under the direction 13 &14 March 2018 Orchard School of Bristol Choral Society’s Musical Director Hilary Campbell. Tickets £15 (under 18s £7.50) including score hire, Bach hot drink and cake for the morning break. There are MAGNIFIcat lots of places to eat nearby, or feel free to bring a picnic lunch. plus three Cantatas with Corelli Orchestra BOOK BY TELEPHONE 0117 962 3223 ASE Hilary Campbell (conductor) These tickets are not available from Colston Hall PLE BOOK 16 June 2018 Bristol Cathedral or fill in the form below to book by post EARLY! BOOKING FORM MESSIAH Singers @ £15 ______ Under 18 singers @ £7.50 ______ Voice part: Soprano _____ Alto _____ Tenor _____ Bass _____ I enclose total £______ Name . Address . .. Tel . email . ❏ I’ve enclosed an SAE and a cheque made payable to Bristol Choral Society ❏ Please send me MESSIAHdetails of future Bristol Choral Society concerts and events Please send your completed form, cheque and SAE to: Sarah Fernandes, 114 Abbey Road, Westbury on Trym, Bristol, BS9 3QX, Tel: 0117 962 3223, Bristol Choral Society is a [email protected] registered charity No. 1157699 .

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Bristol Choral Society Scholars
! Choral Scholarships 2021 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the year 2021. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings in term time, in addition to around four performances a year. Currently these are happening on line. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships can start at the beginning of any term in the season and are worth £1000. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will take an active role with social media for the ensemble, and generally support the endeavors of Bristol Choral Society. The choir has an auditioned membership of approximately 140 singers encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society usually stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West. 2020 saw the choir release it’s ﬁrst recording on CD under the Delphian Record label, called the Big Picture and featuring works for Choir, Piano and Percussion. The choir is directed by Hilary Campbell, a freelance choral specialist who is also founder and director of professional chamber choir Blossom Street, and Musical Director of the Music Makers of London and Chiswick Choir.
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Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715.
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CHAN 10120 BOOK.Qxd 20/4/07 3:01 Pm Page 2
CHAN 10120 Book Cover.qxd 20/4/07 2:51 pm Page 1 CHAN 10120(2) CHANDOS VAUGHAN WILLIAMS VAUGHAN THE POISONED KISS THE POISONED CHAN 10120 BOOK.qxd 20/4/07 3:01 pm Page 2 Ralph Vaughan Williams (1872–1958) The Poisoned Kiss premiere recording Lebrecht Collection Lebrecht An opera in three acts. Libretto by Evelyn Sharp and Ralph Vaughan Williams. Cast (in order of appearance) Angelica, Tormentilla’s Maid and Companion..............................Pamela Helen Stephen mezzo-soprano Gallanthus, the Prince’s Attendant ......................................................................Roderick Williams baritone Hob John Graham-Hall tenor Gob the Magician’s Hobgoblins..................................................................................Richard Suart baritone Lob } Mark Richardson bass Dipsacus, a Professional Magician...................................................................................Neal Davies baritone Amaryllus, the Prince, Son of the Empress...................................................................James Gilchrist tenor Tormentilla, the Magician’s Daughter.........................................................................Janice Watson soprano First Medium Gail Pearson soprano Second Medium the Empress’s Assistants............................................................Helen Williams soprano Third Medium } Emer McGilloway mezzo-soprano Empress Persicaria, Reigning Sovereign in Golden Town ......................................Anne Collins contralto Chorus of Day and Night Voices, Hobgoblins,
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Alaris Capture Pro Software
Society JQiWayAL...fa-:-- ( r ■ 1 Contents Editorial page 3 Concert Diary page 20 Worcester Statue & Wreath Book Reviews 21 Ceremony 5 Record Reviews 22 News Items 6 News from the Branches 27 A6M & Dinner 9 Letters 30 Subscriptions 32 Articles Elgar & James Whewall 10 A Country Life. pt.II 16 Notice from the Treasurer: In view of the high cost of postage, I am not now sending out receipts for subscriptions received, unless specif- ,L ically requested. In such cases an SAE would be appreciated. John Knowles. ************************************************************************** The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. ************************************************************************ Photograph on page 4 by Berrow’s Newspapers, Worcester The cover photograph of the new Elgar statue was taken by Tom Bader, of Worcester Elgar Society Journal ISSN 0143 - 1269 2 r rhe Elgar Society Journal 01-440 2651 104 CRESCENT ROAD, NEW BARNET, HERTS. SEPTEMBER 1981 EDITORIAL Vol. 2, no. 3 Readers will recall that in recent issues we have appealed for material for a Society Archive. I am pleased to say that excellent progress has been made in this direction, particularly a donation of papers from Mrs. S.Lambert, who was joint secretary with her husband for 11 years in the days when the Society was based in Malvern. These papers are of great interest and tell us much of the early days of the Society. We are now, as a matter of policy, trying to retain photo graphs, programmes, and newspaper cuttings which touch on the activ ities of the Society and its branches.
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City of Birmingham Choir Concerts from 2002 Concerts Conducted by Adrian Lucas with the CBSO in Symphony Hall Unless Otherwise Stated
City of Birmingham Choir concerts from 2002 Concerts conducted by Adrian Lucas with the CBSO in Symphony Hall unless otherwise stated. 2002 May 18 Walton: Coronation Te Deum Elgar: Cello Concerto Walton: The Twelve Walton: Belshazzar’s Feast Willard White Paul Watkins (Cello) Walton Centenary Concert Pre-concert talk by Michael Aston Christopher Robinson conducted his farewell concert July 2 Golden Jubilee Concert Walton: Coronation Te Deum Performed with Worcester Cathedral Choristers and the CBSO conducted by Sakari Oramo as part of the Queen’s Golden Jubilee Celebrations A number of other artists and groups took part in the presence of Her Majesty Queen Elizabeth II and The Duke of Edinburgh Nov 2 Mendelssohn: Elijah Sarah Fox Elinor Carter Lynton Atkinson William Clements Six treble choristers from Worcester Cathedral Pre-concert talk by Lyndon Jenkins Adrian Lucas conducts the Choir for the first time Dec 6 & 10 Handel: Messiah Geraldine McGreevy Catherine King Edward Lyon William Clements Dec 15 Carols for All Anna Huntley (soprano) Roy Massey (organ) Cambrian Brass Anna Huntley was the winner of the Singing Challenge 2003 Apr 12 Handel: Dixit Dominus Mozart: Mass in C Minor Ruth Holton Katharine Fuge Emily Bauer-Jones Robert Johnston Robert Rice May 10 Evensong in St John’s College, Cambridge By invitation some members joined the choristers of St John’s Conducted by Christopher Robinson 1 Jun 21 Music for a Summer Evening - Worcester Cathedral Vaughan Williams: Shakespeare Songs and Five Mystical Songs Finzi: Magnificat Britten:
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A Musical Reflection for Remembrance Sunday
Greater Love.. A Musical Reflection For Remembrance Sunday Presented by OLDHAM CHORAL SOCIETY SUNDAY NOV 12th 2017 at 7.00pm at the RNCM Including The Regional Premier of Dan Forrest's "Requiem for the Living" And "The Spirit of England" (Elgar) Soprano: Camilla Roberts The East Lancs Sinfonia Leader: Sally Robinson Conductor: Nigel P Wilkinson This concert has been generously supported by the Elgar Society OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Concert Manager: Gerard Marsden Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Sheila Tolley / Margaret Hallam Uniform Co-ordination: Val Dawson Patrons’ Sec.: Sylvia Andrew Press Secretary: Brenda Roberts Webmaster: David Baird LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR Welcome once again to the R.N.C.M for this evening’s concert. The events of the First World War are commemorated in tonight’s programme on this Remembrance Sunday. “The Spirit of England” by Sir Edward Elgar, was completed in 1916 and first performed in Birmingham in 1917. It was dedicated principally to the men of the Worcestershire Regiment, but to all the fallen, and is regarded as his “War Requiem”. It is not performed very often, but thanks to the generous support of the Elgar Society, we are able to include it in tonight’s programme. Alongside this, in contrast, is a modern work, “Requiem for the Living”, composed by Dan Forrest in 2013.
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Journal January 1987
r rhe Elgar Society JOURNAL ! January 1987 t; Contents Page Editorial Articles Fritz Volbach on Elgar Saga of the Recording of King Olaf Elgar’s Notes on ‘In the South’ News Items and Announcements Concert Diary Book Review Record Reviews Branch Reports Letters Crossword Solution Subscriptions The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views The cover portrait is reproduced by kind permission of RADIO TIMES ELGAR SOCIETY JOURNAL ISSN 0143-1269 2 The Elgar Society Journal 104 CRESCENT ROAD. NEW BARNET. HERTS. EN4 9RJ 01-440 2651 EDITORIAL Vol,5,no,1 January 1987 During 1984 we had. as expected, many concerts concentrating on Elgar’s works, books on British music, especially on Elgar's period, and recordings of his music. During 1985 and 1986 further recordings came our way, including several which have become firm favourites. Elgar concerts are still fairly frequent, and in the field of books Jerrold Northrop Moore’s “Elgar, a Creative Life’’, far from ending further investigation into that life, has stimulated much comment and research, filling in various minor gaps in our knowledge. Some of this research has found, and will continue to find, its way on to our pages. It might be thought that the issue of new recordings would now diminish, but advance news shows that this is not the case. In 1987 we can look forward to King Olaf, The Banner of St. George, the Te Deum and Benedictus, (with the orchestral accompaniments), two recordings of The Dream of Gerontius, one of which has already appeared in North America, and it it understood that Sinopoli wishes to record both the Symphonies in due course.
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Omar Khayyám
REAM.2128 STEREO*/MONO SIR GRANVILLE BANTOCK (1868-1946) OMAR KHAYYÁM OMAR KHAYYÁM Part One (1906) Part Two (1907) Part Three (1909) The Beloved, contralto……………………….Sarah Walker The Poet, tenor ……………………Anthony Rolfe Johnson The Philosopher, baritone …………….Brian Rayner Cook BBC Singers (director John Poole, chorus-master Nicholas Cleobury) BBC Symphony Orchestra (leader Bela Dekany) Sappho (1906) Johanna Peters, contralto Fifine at the Fair (1912) The Pierrot of the Minute (1908) BBC Scottish Symphony Orchestra (leader Tom Rowlette) Conducted by Norman Del Mar *Omar Khayyam, Broadcast 26 March 1979 Sappho, Fifine at the Fair & The Pierrot of the Minute, Broadcast 7 August 1968 The BBC wordmark and the BBC logo are trade marks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 c © Evening, Peer of gods he seems, who sits in thy presence, thou bringest all that bright morning scattered, Hearing close thy sweet speech the tender lamb to the ewe, and lovely laughter, the babe to its mother; I beholding, all the life in my bosom Then Hesperus shines, of all stars the fairest, Fluttering, fails me. Around the cool breeze wanders through apple boughs, For to see thee only, yea, but a little, And slumber streams from quivering leaves, Breaks my voice, my faltering soul is silent, While sweeter far than harp, Swiftly through all my veins a subtle fire runs, than gold more golden, All my life trembles. Singeth Spring’s messenger the sweet-voiced nightingale. Sight have I none, nor hearing, cold dew bathes me, Paler than grass I am, and in my madness The moon has set, and the Pleiades; Seem as one dead, yet dare I, poor and suppliant, It is midnight; time is going by, Dare I to love thee.
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Choral Scholarships 2019-20
Choral Scholarships 2019-20 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the academic year 2019-20. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings 7.15pm-9.30pm in term time, in addition to around four performances a year. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships run from October until mid-June and are worth £750. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will mentor our younger choral apprentices, take an active role with social media for the ensemble, and generally support the endeavours of Bristol Choral Society. The choir is conducted by Hilary Campbell, one of the foremost young British choral conductors. The choir has an auditioned membership of approximately 160 singers drawn from Bristol and the surrounding counties of Somerset, Wiltshire, Gloucestershire and South Wales, encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West and is invited to sing for organisations such as the Philharmonia Orchestra and BBC National Orchestra of Wales, including concerts under late Presidents Richard Hickox and Sir Charles Mackerras, BBC Radio 3 concert broadcasts and BBC Proms concerts.
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Music on the Home Front
THE RPS CONVERSATION – MUSIC ON THE HOME FRONT with Catherine Arlidge Ben England Helen Harrison Isata Kanneh-Mason and James Murphy Chief Executive, Royal Philharmonic Society transcribed by Lois Heslop James: Welcome to the RPS Conversation. I’m James Murphy, Chief Executive of the Royal Philharmonic Society. This is the third of our conversations that we’re presenting especially for classical music lovers, aiming to cut through some of the noise and stress and uncertainty of the pandemic, and give you a candid and human impression of how music makers are faring through all this. Today we’re talking about a whole world of music-making that literally nobody saw coming six months ago. Even as lockdown began in mid-March, could any of us have imagined the sheer deluge of music that people instantly started creating at home and sharing both online and on our doorsteps to keep us all bright? It says so much about how musical a nation we are, how much we all need music, and how those who make music – amateur and professional, young and old, individuals and groups, all across the country – cannot help but give of themselves for the enjoyment of others. In many ways, it’s the best of Britain. I’m joined today by four people who’ve each done remarkable musical things in lockdown: pianist Isata Kanneh-Mason, violinist Catherine Arlidge, conductor Helen Harrison and choral director Ben England. A big hello to you all. I want to kick off asking each of you what you’ve found yourself doing musically in lockdown that back in January you likely never dreamed.
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2021 American Choral Directors Association Conference WMG Featured Composers
2021 American Choral Directors Association Conference WMG Featured Composers Thea Musgrave Composing myself video: https://www.youtube.com/watch?v=74NaRw_kT2M Rich and powerful musical language and a strong sense of drama have made Scottish-American composer Thea Musgrave one of the most respected and exciting contemporary composers in the Western world. Her works are performed in major concert halls, festivals, and radio stations on both sides of the Atlantic. Known for the clarity of her invention, the skill of her orchestrations, and the power of her musical communication, Musgrave has consistently explored new means of projecting essentially dramatic situations in her music, frequently altering and extending the conventional boundaries of instrumental performance by physicalizing their musical and dramatic impact. Musgrave has been the recipient of many notable awards including two Guggenheim Fellowships, the Ivors Classical Music Award 2018, and The Queen's Medal for Music. She was awarded a CBE on the Queen's New Year's Honour List in 2002. By the River Code: No sales code but will be available on sale in time for ACDA. CD - Thea Musgrave - By the River National Youth Choir of Great Britain; Ben Parry, conductor NYCGB (Digital only) (Released 16 July 2020) Audio: https://open.spotify.com/track/0vRLxQg2jcvDShQI9p1ck6 Video: https://www.youtube.com/watch?v=7Ca3gVXDTVA On the Underground Set No. 2 (The Strange & the Exotic) Code: NOV160279 CD - Thea Musgrave - Cantos Sagrados National Youth Choir of Scotland; Christopher Bell, conductor Signum SIGCD604 (Released 08 May 2020) Movt I: https://open.spotify.com/track/6Ro720yl8pIeQj9lnGZljY Movt II: https://open.spotify.com/track/4nInuUmfcRJPINNCxd8SKS Movt III: https://open.spotify.com/track/5maKeJisy0T7GpfP686dPm Movt IV: https://open.spotify.com/track/5PmnCKex6Ycn5Z4EoGNCon Rorate Coeli Code: NOV072331 Musicroom description: Rorate Coeli for unaccompanied chorus, was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain.
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Radio 3 Listings for 28 June – 4 July 2008 Page
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