August 2014 Address for Communications
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Bristol Choral Society Scholars
! Choral Scholarships 2021 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the year 2021. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings in term time, in addition to around four performances a year. Currently these are happening on line. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships can start at the beginning of any term in the season and are worth £1000. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will take an active role with social media for the ensemble, and generally support the endeavors of Bristol Choral Society. The choir has an auditioned membership of approximately 140 singers encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society usually stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West. 2020 saw the choir release it’s first recording on CD under the Delphian Record label, called the Big Picture and featuring works for Choir, Piano and Percussion. The choir is directed by Hilary Campbell, a freelance choral specialist who is also founder and director of professional chamber choir Blossom Street, and Musical Director of the Music Makers of London and Chiswick Choir. -
Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715. -
Adrian Brown Leader – Andy Laing Violin Solo – Anna-Liisa Bezrodny
Conductor – Adrian Brown Leader – Andy Laing Violin solo – Anna-Liisa Bezrodny Saturday 10th March 2018 Langley Park Centre for the Performing Arts £ 1 . 50 . www.bromleysymphony.org Box office: 020 3627 2974 Registered Charity N o 1112117 PROGRAMME Smetana Overture: The Bartered Bride Tchaikovsky Violin Concerto Soloist: Anna-Liisa Bezrodny INTERVAL - 20 MINUTES Refreshments are available in the dining hall. Shostakovich Symphony No.15 Unauthorised audio or video recording of this concert is not permitted Our next concert is on May 19 th at the Langley Park Centre for the Performing Arts: Bernstein Overture ‘Candide’, Roy Harris Symphony No. 3, Holst ‘The Planets’ Suite First performed in 1918 under the baton of Sir Adrian Boult and now conducted in 2018 by his pupil Adrian Brown. ADRIAN BROWN – MUSIC DIRECTOR Adrian Brown comes from a distinguished line of pupils of Sir Adrian Boult. After graduating from the Royal Academy of Music in London, he studied intensively with Sir Adrian for some years. He remains the only British conductor to have reached the finals of the Karajan Conductors’ Competition and the Berlin Philharmonic was the first professional orchestra he conducted. Sir Adrian said of his work: “He has always impressed me as a musician of exceptional attainments who has all the right gifts and ideas to make him a first John Carmichael class conductor”. In 1992 Adrian Brown was engaged to conduct one of the great orchestras of the world, the St. Petersburg Philharmonic Orchestra. In 1998 he was invited to work with the Camerata Salzburg, one of Europe’s foremost chamber orchestras at the invitation of Sir Roger Norrington. -
SYMPHONY No 5
BROMLEY SYMPHONY ORCHESTRA CONDUCTOR - ADRIAN BROWN LEADER - BERNARD BROOK PROGRAMME SATURDAY 22NDMARCH 2003 AT 7.45pM - THE GREAT HALL, RAVENSBOURNE SCHOOL, BROMLEY ~ I www.bromleysymphony.org.uk PROGRAMME VERDI - OVERTURE 'SICILIAN VESPERS' BERLIOZ - DRAMATIC SYMPHONY 'ROMEO & JULIET' (EXCERPTS) INTERVAL - 20 MINUTES ARNOLD - SYMPHONY No 5 letter from Sir Malcolm Arnold To Adrian Brown ARAM & Bromley Symphony Orchestra. Dear Adrian. Thank-you so much for your kind invitation, sadly Icannot be with you at this time as I will be in the States and do not return until the end of April. Thank-you so much for programming my Symphony Fivewhich Ihope the orchestra will enjoy leaming and playing. Iwish you all a great concert and I hope the audience enjoy my piece. My thoughts will be with you on this special evening. Sir Malcolm Arnold ADRIAN BROWN - CONDUCTOR After graduating from the Royal Academy of Music in London, Adrian Brown studied with Sir Adrian Boult with whom he worked for several years. He remains the only British conductor to have reached the finals of the Karajan Conductors' Competition and the Berlin Philharmonic was the first professional orchestra he conducted. In 1992 he was engaged to conduct one of the great orchestras of the world, the SI. Petersburg Philharmonic Orchestra and was immediately invited to return. In 1998 he was invited to work with the Camerata Salzburg, one of Europe's foremost chamber orchestras and again he was invited back. Adrian works regularly with many leading British orchestras including the City of Birmingham Symphony, the BBC Symphony, the BBC Scottish Symphony and the London Sinfonietta. -
CHAN 10120 BOOK.Qxd 20/4/07 3:01 Pm Page 2
CHAN 10120 Book Cover.qxd 20/4/07 2:51 pm Page 1 CHAN 10120(2) CHANDOS VAUGHAN WILLIAMS VAUGHAN THE POISONED KISS THE POISONED CHAN 10120 BOOK.qxd 20/4/07 3:01 pm Page 2 Ralph Vaughan Williams (1872–1958) The Poisoned Kiss premiere recording Lebrecht Collection Lebrecht An opera in three acts. Libretto by Evelyn Sharp and Ralph Vaughan Williams. Cast (in order of appearance) Angelica, Tormentilla’s Maid and Companion..............................Pamela Helen Stephen mezzo-soprano Gallanthus, the Prince’s Attendant ......................................................................Roderick Williams baritone Hob John Graham-Hall tenor Gob the Magician’s Hobgoblins..................................................................................Richard Suart baritone Lob } Mark Richardson bass Dipsacus, a Professional Magician...................................................................................Neal Davies baritone Amaryllus, the Prince, Son of the Empress...................................................................James Gilchrist tenor Tormentilla, the Magician’s Daughter.........................................................................Janice Watson soprano First Medium Gail Pearson soprano Second Medium the Empress’s Assistants............................................................Helen Williams soprano Third Medium } Emer McGilloway mezzo-soprano Empress Persicaria, Reigning Sovereign in Golden Town ......................................Anne Collins contralto Chorus of Day and Night Voices, Hobgoblins, -
Alaris Capture Pro Software
Society JQiWayAL...fa-:-- ( r ■ 1 Contents Editorial page 3 Concert Diary page 20 Worcester Statue & Wreath Book Reviews 21 Ceremony 5 Record Reviews 22 News Items 6 News from the Branches 27 A6M & Dinner 9 Letters 30 Subscriptions 32 Articles Elgar & James Whewall 10 A Country Life. pt.II 16 Notice from the Treasurer: In view of the high cost of postage, I am not now sending out receipts for subscriptions received, unless specif- ,L ically requested. In such cases an SAE would be appreciated. John Knowles. ************************************************************************** The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. ************************************************************************ Photograph on page 4 by Berrow’s Newspapers, Worcester The cover photograph of the new Elgar statue was taken by Tom Bader, of Worcester Elgar Society Journal ISSN 0143 - 1269 2 r rhe Elgar Society Journal 01-440 2651 104 CRESCENT ROAD, NEW BARNET, HERTS. SEPTEMBER 1981 EDITORIAL Vol. 2, no. 3 Readers will recall that in recent issues we have appealed for material for a Society Archive. I am pleased to say that excellent progress has been made in this direction, particularly a donation of papers from Mrs. S.Lambert, who was joint secretary with her husband for 11 years in the days when the Society was based in Malvern. These papers are of great interest and tell us much of the early days of the Society. We are now, as a matter of policy, trying to retain photo graphs, programmes, and newspaper cuttings which touch on the activ ities of the Society and its branches. -
No. 60 – December 2016 Address for Communications
News In this issue ... Page Page Address for communications 2 Elgar Medal for Sir Mark Elder 13 Style Guide 2 Elgar Works 14 Keep in touch 4 Elgar Birthplace – the future 17 Letter from the Chairman 4 Letters to the Editors 17 Editorial 8 Branch Reports 22 From the Vice–Chairman 9 Branch Events 33 From the Secretary 10 Dates for your Diary 37 Treasurer’s notes 10 Hallé Orchestra Elgar Festival 52 From the Membership Secretary 12 Delius Society 52 Welcome to new Members 12 Crossword 54 No. 60 – December 2016 Address for Communications Contributions for the April 2017 issue of the Elgar Society News should be e–mailed to both the editors: Richard Smith: [email protected] Peter James: [email protected] Full contact details can be found on the back cover. The latest date for submissions for the April 2017 issue is 25 February 2017. Style Guide Abbreviations & contractions Contractions & familiar abbreviations: no full stop (Mr, Dr, BBC, OUP, am, pm, ie, eg) Abbreviations: add a full stop if needed for clarity or elegance (Op., No., J.S. Bach) Days: Mon, Tues, Weds, Thurs, Fri, Sat, Sun Months: Jan, Feb, Mar, Apr, May, June, July, Aug, Sept, Oct, Nov, Dec Capitals Chairman, Secretary and Branch of the Elgar Society in capitals, whether specific or general, and whether singular or plural. Dates & times Use the form 2 June 1857. Decades: 1930s, no apostrophe. 4.30pm (12hr clock, full stop, not colon); 12pm (not noon). E–mail Write as e–mail, not email. Foreign words In roman if well established in English (sic, crescendo), otherwise in italics. -
City of Birmingham Choir Concerts from 2002 Concerts Conducted by Adrian Lucas with the CBSO in Symphony Hall Unless Otherwise Stated
City of Birmingham Choir concerts from 2002 Concerts conducted by Adrian Lucas with the CBSO in Symphony Hall unless otherwise stated. 2002 May 18 Walton: Coronation Te Deum Elgar: Cello Concerto Walton: The Twelve Walton: Belshazzar’s Feast Willard White Paul Watkins (Cello) Walton Centenary Concert Pre-concert talk by Michael Aston Christopher Robinson conducted his farewell concert July 2 Golden Jubilee Concert Walton: Coronation Te Deum Performed with Worcester Cathedral Choristers and the CBSO conducted by Sakari Oramo as part of the Queen’s Golden Jubilee Celebrations A number of other artists and groups took part in the presence of Her Majesty Queen Elizabeth II and The Duke of Edinburgh Nov 2 Mendelssohn: Elijah Sarah Fox Elinor Carter Lynton Atkinson William Clements Six treble choristers from Worcester Cathedral Pre-concert talk by Lyndon Jenkins Adrian Lucas conducts the Choir for the first time Dec 6 & 10 Handel: Messiah Geraldine McGreevy Catherine King Edward Lyon William Clements Dec 15 Carols for All Anna Huntley (soprano) Roy Massey (organ) Cambrian Brass Anna Huntley was the winner of the Singing Challenge 2003 Apr 12 Handel: Dixit Dominus Mozart: Mass in C Minor Ruth Holton Katharine Fuge Emily Bauer-Jones Robert Johnston Robert Rice May 10 Evensong in St John’s College, Cambridge By invitation some members joined the choristers of St John’s Conducted by Christopher Robinson 1 Jun 21 Music for a Summer Evening - Worcester Cathedral Vaughan Williams: Shakespeare Songs and Five Mystical Songs Finzi: Magnificat Britten: -
Conductor – Adrian Brown . Leader – Andrew Laing Oboe Soloist – Caroline Marwood
Conductor – Adrian Brown . Leader – Andrew Laing Oboe soloist – Caroline Marwood Saturday 27th January 2018 Langley Park Centre for the Performing Arts £ 1 . 50 . www.bromleysymphony.org Box office: 020 3627 2974 Registered Charity N o 1112117 PROGRAMME Carl Nielsen Symphony No.3 ‘Espansiva’ Soprano: Nicola Ihnatowicz Baritone: Oskar McCarthy INTERVAL - 20 MINUTES Refreshments are available in the dining hall. Ralph Vaughan Williams Oboe Concerto Soloist: Caroline Marwood Richard Strauss Suite from ‘Der Rosenkavalier’ Unauthorised audio or video recording of this concert is not permitted Please note the change of date for our next concert: March 10 th – Smetana Overture ‘The Bartered Bride’, Tchaikovsky Violin Concerto (soloist: Anne-Liisa Bezrodny), Shostakovich Symphony No. 15 ADRIAN BROWN – MUSIC DIRECTOR Adrian Brown comes from a distinguished line of pupils of Sir Adrian Boult. After graduating from the Royal Academy of Music in London, he studied intensively with Sir Adrian for some years. He remains the only British conductor to have reached the finals of the Karajan Conductors’ Competition and the Berlin Philharmonic was the first professional orchestra he conducted. Sir Adrian said of his work: “He has always impressed me as a musician of exceptional attainments who has all the right gifts and ideas to make him a first JohnCarmichael class conductor”. In 1992 Adrian Brown was engaged to conduct one of the great orchestras of the world, the St. Petersburg Philharmonic Orchestra. In 1998 he was invited to work with the Camerata Salzburg, one of Europe’s foremost chamber orchestras at the invitation of Sir Roger Norrington. Adrian has also conducted many leading British orchestras including the City of Birmingham Symphony, the BBC Symphony, the BBC Scottish and the London Sinfonietta. -
August 2020 Vol.22, No. 2 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
Journal August 2020 Vol.22, No. 2 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] August 2020 Vol. 22, No. 2 Editorial 3 Sir Adrian Boult CH. 5 President Andrew Neill Sir Mark Elder CH CBE Sir John Barbirolli, CH: An Elgarian Perspective 16 David L. Jones Vice-Presidents Diana McVeagh Elgar - Views From and For the Continent 27 Dame Janet Baker, CH, DBE Christopher Redwood Leonard Slatkin Sir Andrew Davis, CBE Elgar and Dan 30 Christopher Robinson, CVO, CBE Arthur Reynolds Andrew Neill Martyn Brabbins ‘“Gerontius” with M.S. notes by Elgar’: R. J. Buckley’s Vocal Score of 36 Tasmin Little, OBE The Dream of Gerontius in the Borthwick Institute for Archives at the Julian Lloyd Webber University of York Professor Jonathan Wainwright Music Review 58 Chairman Neil Mantle MBE Book Review 61 Vice-Chairman CD Reviews 64 Stuart Freed Recent CD Releases 74 Treasurer Peter Smith 100 Years Ago... 76 Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Adrian Boult by Jonathan Trowell (loaned by the Bowerman Charitable Trust). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Respighi Roman Festivals Adrjan Brown - Conductor
BROMLEY SYMPHONY ORCHESTRA CONDUCTOR- - ADR-IAN BR-OWN LEADER - BERNARD BROOK PItOGItAMME SATURDAY 24TH JANUARY 2009 THE GREAT HALL, R-AVENSBOURNESC/IOOL, BROMLEY ~ I www.bromleysymphony.org Box office: 020 8464 5869 • PROGRAMME BERLIOZ 'ROMAN CARNIVAL' OVERTURE RAVEL RAPSODIE ESPAGNOLE INTERVAL- 20 MINUTES Refreshments are available in the Dining Hall. RODRIGO CONCIERTO DE ARANJUEZ FOR GUITAR AND ORCHESTRA RESPIGHI ROMAN FESTIVALS ADRJAN BROWN - CONDUCTOR Adrian comes from a distinguished line of pupils of Sir Adrian Boult, with whom he worked for some years after graduating from the Royal Academy of Music in London. He remains the only British conductor to have reached the finals of the Karajan Conductors' Competition and the Berlin Philharmonic was the first professional orchestra he conducted. In 1992 he was engaged to conduct the world-renowned St. Petersburg Philharmonic Orchestra, and was immediately invited to return. In 1998 he was invited to work with one of Europe's foremost chamber orchestras, the Camerata Salzburg. Adrian has worked regularly with many leading British orchestras including the City of Birmingham Symphony, the BBC Symphony and the London Sinfonietta. He is a great proponent of contemporary music and has several first performances to his credit. Working with young musicians has been an area where Adrian Brown has made a singular contribution to the musical life not only of Britain, but also in Europe, Japan and the Philippines. He has been a frequent visitor to conduct the National Youth Orchestra of Great Britain, working closely with Sir Colin Davis and Sir Roger Norrington. In 1996 he went to Japan to work with the Toyama Toho Academy Orchestra, a visit that was received with much acclaim. -
A Musical Reflection for Remembrance Sunday
Greater Love.. A Musical Reflection For Remembrance Sunday Presented by OLDHAM CHORAL SOCIETY SUNDAY NOV 12th 2017 at 7.00pm at the RNCM Including The Regional Premier of Dan Forrest's "Requiem for the Living" And "The Spirit of England" (Elgar) Soprano: Camilla Roberts The East Lancs Sinfonia Leader: Sally Robinson Conductor: Nigel P Wilkinson This concert has been generously supported by the Elgar Society OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Concert Manager: Gerard Marsden Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Sheila Tolley / Margaret Hallam Uniform Co-ordination: Val Dawson Patrons’ Sec.: Sylvia Andrew Press Secretary: Brenda Roberts Webmaster: David Baird LIFE MEMBERS Eva Dale, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR Welcome once again to the R.N.C.M for this evening’s concert. The events of the First World War are commemorated in tonight’s programme on this Remembrance Sunday. “The Spirit of England” by Sir Edward Elgar, was completed in 1916 and first performed in Birmingham in 1917. It was dedicated principally to the men of the Worcestershire Regiment, but to all the fallen, and is regarded as his “War Requiem”. It is not performed very often, but thanks to the generous support of the Elgar Society, we are able to include it in tonight’s programme. Alongside this, in contrast, is a modern work, “Requiem for the Living”, composed by Dan Forrest in 2013.