Radio 3 Listings for 28 June – 4 July 2008 Page
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
October 11, 2018
October 11, 2018: (Full-page version) Close Window “Imagination creates reality.” —Richard Wagner Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Falla Three Dances ~ The Three-Cornered Hat Philadelphia Orchestra/Ormandy Sony 89291 696998929128 Awake! 00:15 Buy Now! Borodin Nocturne ~ String Quartet No. 2 in D Salerno-Sonnenberg/Kim/Kawasaki/Lidstrom EMI Classics 56481 724355648129 00:24 Buy Now! Brahms Piano Sonata No. 3 in F minor, Op. 5 Martin Jones Nimbus 1788 083603178826 01:00 Buy Now! Vivaldi Cello Concerto in G, RV 414 Harnoy/Toronto Chamber Orch/Robinson RCA 60155 090266015528 01:15 Buy Now! Nielsen Symphony No. 3, Op. 27 "Sinfonia espansiva" Gothenburg Symphony/Chung BIS 321 01:54 Buy Now! Dett Barcarolle, "Morning" Denver Oldham New World Records 367 n/a 02:00 Buy Now! Suppe Overture ~ The Peregrination after Fortune Academy of St. Martin-in-the-Fields/Marriner EMI 54056 077775405620 02:09 Buy Now! Rubbra Symphony No. 6, Op. 80 BBC National Orchestra of Wales/Hickox Chandos 9481 095115948125 02:44 Buy Now! Haydn Piano Concerto in F Pletnev/German Chamber Philharmonic Virgin 61881 724356188129 03:00 Buy Now! Dvorak The Noonday Witch, Op. 108 Slovak Philharmonic/Kosler Opus 1996-97 N/A 03:16 Buy Now! Bach, W.F. Flute Duet No. 2 in G Aurèle & Christiane Nicolet Denon 7287 N/A 03:27 Buy Now! Sibelius Symphony No. 3 in C, Op. 52 London Symphony/Davis LSO Live 0552 822231105220 03:59 Buy Now! Finzi Introit in F for Violin, Op. -
Bristol Choral Society Scholars
! Choral Scholarships 2021 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the year 2021. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings in term time, in addition to around four performances a year. Currently these are happening on line. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships can start at the beginning of any term in the season and are worth £1000. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will take an active role with social media for the ensemble, and generally support the endeavors of Bristol Choral Society. The choir has an auditioned membership of approximately 140 singers encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society usually stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West. 2020 saw the choir release it’s first recording on CD under the Delphian Record label, called the Big Picture and featuring works for Choir, Piano and Percussion. The choir is directed by Hilary Campbell, a freelance choral specialist who is also founder and director of professional chamber choir Blossom Street, and Musical Director of the Music Makers of London and Chiswick Choir. -
Gloucester Cathedral Lay Clerks
GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715. -
Barbora Kohoutková
BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague. -
New National Theatre, Tokyo 2019/2020 Season
PRESS RELEASE (FEB 2019) NEW NATIONAL THEATRE, TOKYO NEW NATIONAL THEATRE, TOKYO 2019/2020 SEASON BALLET & DANCE THE NATIONAL BALLET OF JAPAN New National Theatre, Tokyo (NNTT) announced the 2019/2020 Ballet & Dance Season, the final season under the Artistic Director, Noriko OHARA, which features 38 performances of 6 ballet works including 5 full-length narrative ballet, and 11 performances of 3 dance pieces. The Final Season for Noriko OHARA as Artistic Director of Ballet and Dance at the New National Theatre, Tokyo Noriko OHARA became the Ballet Mistress of the company in 1999, Assistant Director in 2010 before assumed office as the Artistic Director in September 2014. During these 20 years ever since the company was founded, she has nurtured and led the dancers for The National Ballet of Japan to become the leading company in Japan. This season's line-up sums up this company's best works thus far. The season will open in October with Kenneth MACMILLAN's "Romeo and Juliet", an exemplar of the dramatic ballet tradition. This will be followed by "Manon" in February and March. Both works will showcase the company's expressive richness and depth. Christmas season will feature Wayne EAGLING's "The Nutcracker and the Mouse King". Technically a very demanding piece, this dreamy fairy tale has real visual appeal which audiences of all ages will enjoy. Then, our "New Year Ballet" will feature what has been called "music for the eyes" in the form of George BALANCHINE's "Serenade", as well as pas de deux from "Raymonda" and "Le Corsaire". -
Words Into Movement: the Ballet As Intersemiotic Translation Karen
Words into Movement: The Ballet as Intersemiotic Translation 1 Karen Bennett Centre for Comparative Studies University of Lisbon In 1959, Roman Jakobson, in his famous article “On Linguistic Aspects of Translation”, extended the concept of translation from the merely verbal to include transfer between different sign systems. On the basis of this, most ballets, which generally derive their aesthetic structure and narrative content from some preceding text, may legitimately be considered as examples of intersemiotic translation. Indeed, many classical ballets are based upon not one but two prior texts - a musical score, which largely determines the form and emotional thrust of the choreography, 1 and a canonical or popular work of literature of which the score is itself a ‘translation’; hence there is a dual transfer involved. This is the case in the three versions of Romeo and Juliet that I wish to look at here, all of which are simultaneously based upon Prokofiev’s score and Shakespeare’s play. If we define ballet as translation into kinesthetic/visual medium of a work previously encoded in verbal or musical form, then the tools used in the discipline of Translation Study may be validly applied to these works. The objective of this paper, therefore, is to examine some of the constraints operating upon three different ballet versions of Romeo and Juliet, produced at different moments during the twentieth century, which I will do so with reference to the categories suggested by André Lefevere in his 1985 article “Why Waste our Time on Rewrites?” These are, in his order, 1 Published in Teatro e Tradução: Palcos de Encontro, Maria João Brilhante & Manuela Carvalho (Eds) Lisbon: Colibri, 2007 (pp.125-138). -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
English National Ballet Emerging Dancer
English National Ballet Emerging Dancer Sadler’s Wells, London Tuesday 7 May 2019 Performance at 7.30pm Tickets: £12- £30 Box office: 020 7845 9300 and ballet.org.uk/emerging Celebrating its tenth year, English National Ballet’s Emerging Dancer competition will be held at Sadler’s Wells on Tuesday 7 May 2019. Through this ‘highly anticipated annual event’ [Pointe Magazine], English National Ballet recognises the excellence of its artists. Selected by their peers, six of the company's most promising dancers perform in front of an eminent panel of expert judges, before one receives the 2019 Emerging Dancer Award. The recipients of the People's Choice Award, selected by members of the public, and the Corps de Ballet Award, acknowledging the work on and off-stage of a member of the Corps de Ballet, will also be revealed. Emerging Dancer is a key part of English National Ballet’s commitment to developing and nurturing talent within the Company and is generously supported by Graeme and Sue Sloan. Last year’s Emerging Dancer Award winner, Daniel McCormick has since performed the role of Nutcracker in the Christmas favourite, the Pas de Trois and Spanish dance in Swan Lake and Lescaut in Manon. The 2019 finalists are: Alice Bellini Bellini trained at La Scala Ballet School and Royal Ballet Upper School before joining English National Ballet as an Artist of the Company in 2017. One of her career highlights to date was dancing the pas de deux in Aszure Barton’s Fantastic Beings. Bellini was voted the 2018 People’s Choice Award winner at last year’s Emerging Dancer competition. -
15 May 2020 Page 1 of 12
Radio 3 Listings for 9 – 15 May 2020 Page 1 of 12 SATURDAY 09 MAY 2020 04:25 AM https://www.deutschegrammophon.com/en/catalogue/products/ Pieter Hellendaal (1721-1799) vinci-veni-vidi-vinci-fagioli-11926 SAT 01:00 Through the Night (m000hx7r) Sonata Prima in G major (Op.5) RIAS Chamber Chorus with Capella de la Torre Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Vaughan Williams: Horn Sonata, Quintet, Household Music & Zweistra (cello) Bax: Horn Sonata James MacMilan, Gabrieli, Schutz and Praetorius from the Peter Francomb (horn) 2019 Heinrich Schütz Music Festival. Jonathan Swain presents. 04:34 AM Victor Sangiorgio (piano) Alexander Glazunov (1865-1936) Royal Northern Sinfonia Chamber Ensemble 01:01 AM Concert waltz for orchestra no 2 in F major, Op 51 Dutton Epoch CDLX 7373 (Hybrid SACD) James MacMillan (b.1959) CBC Vancouver Symphony Orchestra, Kazuyoshi Akiyama https://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX Miserere (conductor) 7373 Stephanie Petitlaurent (soprano), Waltraud Heinrich (alto), Jorg Genslein (tenor), Andrew Redmond (bass), Goethe Secondary 04:42 AM Kreek: the Suspended Harp of Babel School Chorus, Gera Franz Schubert (1797-1828) Choral music of Cyrillus Kreek Trio in B flat D.471 Vox Clamantis 01:14 AM Trio AnPaPie ECM 4819041 Heinrich Schutz (1585-1672) https://www.ecmrecords.com/catalogue/1575278895 Magnificat a 14, from 'Sacrae symphoniae II' 04:51 AM RIAS Chamber Chorus, Berlin, Justin Doyle (director), Capella Antonio Vivaldi (1678-1741) Grigory Sokolov - Beethoven, Brahms & Mozart de la -
Sonia Ganassi
Saverio Clemente Andrea De Amici Luca Targetti Sonia Ganassi, tra i maggiori mezzosoprani della sua generazione, è regolarmente invitata nei più prestigiosi teatri del mondo (Metropolitan di New York, Royal Opera House Covent Garden di Londra, Teatro alla Scala di Milano, Teatro Real di Madrid, Liceu di Barcellona, Bayerische Staatsoper etc.) dove collabora con direttori quali Riccardo Chailly, Riccardo Muti, Myung-Whun Chung, Daniele Gatti, Antonio Pappano, Daniel Barenboim. A seguito dei suoi innumerevoli successi, nel 1999 i critici musicali italiani le assegnano il Premio Abbiati. Tra i numerosi ruoli interpretati – molti dei quali incisi in CD o DVD - si ricordano: Rosina ne’ Il Barbiere di Siviglia, Angelina ne La Cenerentola, Ermione, Elisabetta regina d’Inghilterra, Romeo ne’ I Capuleti e i Montecchi, Adalgisa in Norma, Leonora ne’ La Favorita, Zaide in Dom Sébastien, Giovanna Seymour in Anna Bolena, Elisabetta in Maria Stuarda, Idamante in Idomeneo, Donna Elvira in Don Giovanni, Eboli in Don Carlo, Charlotte in Werther, Carmen, Marguerite in La Damnation de Faust, Fenena in Nabucco, Amneris in Aida, Isoletta ne La Straniera, Cuniza in Oberto Conte di San Bonifacio. All’impegno operistico alterna un’intensa attività concertistica nelle più prestigiose sale da concerto: Stabat Mater di Rossini al Concertegebow di Amsterdam e all’Avery Fisher Hall di New York, al Teatro alla Scala di Sonia Ganassi Milano, il Requiem di Verdi presso la Philharmonie di Berlino e il Teatro Mezzosoprano alla Scala diretta dal M° Barenboim, presso l’Accademia Nazionale di Santa Cecilia diretta dal M° Pappano, al Teatro San carlo di Napoli diretta dal M° Muti e Parma diretta dal M° Temirkanov.