Radio 3 Listings for 28 June – 4 July 2008 Page

Total Page:16

File Type:pdf, Size:1020Kb

Radio 3 Listings for 28 June – 4 July 2008 Page Radio 3 Listings for 28 June – 4 July 2008 Page 1 of 8 SATURDAY 28 JUNE 2008 6.03am SAT 14:00 Radio 3 Lunchtime Concert (b00c70pj) Marenzio: Quell'augellin che canta A Radio 3 Lunchtime Concert from Wigmore Hall in London, SAT 01:00 Through the Night (b00c5r1d) 6.06am featuring a recital from British pianist Imogen Cooper. Through the Night Schutz, Heinrich (1585-1672): Selve beate 6.08am Schubert: Impromptus, D899 With Susan Sharpe. Schutz: O primavera, gioventu de l'anno Bartok: Selection from 14 Bagatelles, Op 6 6.14am Liszt: Hungarian Rhapsody No 13 in A minor. Including: Gagliano, Marco da (1582-1643): Cingetemi d'informo Cantus Colln Nielsen, Carl (1865-1931): Pan og Syrinx (Pan and Syrinx), FS SAT 15:00 World Routes (b00c70pl) 87; Concerto for violin and orchestra, Op 33 6.16am Presented by Lucy Duran and featuring a session and interview Rachmaninov, Sergey (1873-1943): Symphonic Dances, Op 45 Haydn, Joseph (1732-1809): Arietta and 12 variations with Brazilian singer and guitarist Vinicius Cantuaria as well as Bach, Johann Christoph Friedrich (1732-1795): Pygmalion, Andreas Staier (fortepiano) a round-up of recent Brazilian releases on CD with guests Sue cantata for bass and orchestra Steward and Robin Denselow. Mendelssohn, Felix (1809-1847): String Quartet in D, Op 44 6.34am No 1 Zarebski, Juliusz (1854-1885), orch Maklakiewicz: Dances Stainov, Petko (1896-1977): Fairy Tale - Symphonic Suite polonaises (originally for piano) SAT 16:00 Jazz Line-Up (b00c70pn) (1930) National Polish Radio Symphony Orchestra Julian Joseph presents an exclusive session from the BBC's Juon, Paul (1872-1940): Fairy Tale in A minor for cello and Janusz Powolny (conductor). Maida Vale studios, featuring Arnie Somogyi's Ambulance, a piano, Op 8 group who made their debut in 2005 at Ronnie Scott's jazz club. Chopin, Fryderyk (1810-1849): Fantasy in F minor for piano, Comprised of young UK jazz musicians, used to improvising in Op 49 SAT 07:00 Breakfast (b00c6scq) similar styles, Ambulance perform with American trumpeter Kirnberger, Johann Philipp (1721-1783): Cantata (An den Martin presents a breakfast selection, including a Grainger Eddie Henderson, with whom they have appeared on several Flussen Babylons) tribute to Bach and a motet dedicated to King Philip II of Spain. previous occasions. The line-up features Arnie Somogyi on Corigliano, John (b 1938): Elegy for orchestra double bass, Eddie Henderson on trumpet, Rob Townsend on Petrali, Vincenzo (1832-1889): Versetti per il Gloria (Nos 1,2,3 Including: tenor and soprano saxophones, Tim Lapthorn on piano and and 6) electric piano and Dave Smith on dums. Ginastera, Alberto (1916-1983): Danza final (Malambo) Grainger: Blithe Bells (Estancia - dances for orchestra, Op 8a) BBC Philharmonic Handel, Georg Frideric (1685-1759): Flammende Rose, Zierde Richard Hickox (conductor) SAT 17:30 Jazz Record Requests (b00c70pq) der Erden, HWV 210 Geoffrey Smith presents a selection of listeners' jazz requests. Weber, Carl Maria von (1786-1826): Overture (The Ruler of Lobo: Versa est in luctum the Spirits, Op 27) Westminster Cathedral Choir Elgar, Edward (1857-1934): To her beneath whose steadfast James O'Donnell (Conductor) SAT 18:30 Opera on 3 (b00c70s7) star Verdi's Don Carlo Krek, Uros (1922-2008): Sonatina for strings Vivaldi: Concerto in E flat, RV 257 Liszt, Franz (1811-1886): Funerailles (Harmonies Poetiques et Giuliano Carmignola (violin) A production from the Royal Opera House, Covent Garden of Religieuses: 10 pieces for piano, S173 No 7) Venice Baroque Orchestra Verdi's tragic love story set 16th-century Spain, directed by Verhulst, Johannes (1816-1891), arr Stumpff: Gruss aus der Andrea Marcon (director) Nicholas Hytner and conducted by Antonio Pappano, with tenor Fernen, Op 7 Rolando Villazon and Marina Poplavskaya in the central roles. Moniuszko, Stanislaw (1819-1872): Piesn Nai (Naia's Song) Haydn: Piano Trio in E, H XV 34 Vivaldi, Antonio (1678-1741): Sinfonia (L'Olimpiade) Beaux Arts Trio. Don Carlos, heir the Spanish thone and the French Elisabeth de Marenzio, Luca (c 1553-1599): Com' e dolce il gioire o vago Valois are in love, and remain so even after she is forced to Tirsi; Quell'augellin che canta marry his father, King Philip II. However, when Princess Eboli, Schutz, Heinrich (1585-1672): Selve beate; O primavera, SAT 09:00 CD Review (b00c6sgr) who is in love with Don Carlos finds out, she informs the King, gioventu de l'anno Building a Library: Bach: Mass in F BWV 233 who engineers a grim fate for him. Gagliano, Marco da (1582-1643): Cingetemi d'informo Haydn, Joseph (1732-1809): Arietta and 12 variations, H XVII Andrew McGregor introduces Radio 3's weekly programme Presented by Christopher Cook. 3 devoted to all that's new in the world of recorded music. Zarebski, Juliusz (1854-1885), orch Maklakiewicz: Dances With Rolando Villazon (tenor), Marina Poplavskaya, Paula polonaises (originally for piano). Building a Library: Murrihy (soprano), Dmitri Tiliakos (baritone), Ferrucio Bach: Mass in F BWV 233 Furlanetto (bass), Sonia Ganassi (mezzo-soprano), Eric Halfvarson, Robert Lloyd (bass), Jacques Imbrailo (baritone), SAT 05:00 Through the Night (b00c5r1g) Reviewer - David Vickers Krzysztof Szumanski (bass-baritone), Kostas Smoriginas (bass- Through the Night baritone), Daniel Grice (bass-baritone), Darren Jeffrey (bass), First Choice Recommendation: Vuyani Mlinde (bass), Nikola Matisic (tenor), Anita Watson With Susan Sharpe. (c/w Mass in A major BWV 234, Mass in G minor BWV 235, (soprano). Mass in G major BWV 236) 5.00am Cantus Cölln, Konrad Junghänel (conductor) The Royal Opera Chorus Weber, Carl Maria von (1786-1826): Overture (The Ruler of Harmonia Mundi HMC 901939.40 (2 CDs) The Orchestra of the Royal Opera House the Spirits, Op 27) Antonio Pappano (conductor). BBC Philharmonic CD Review BAL Catalogue Data Vassily Sinaisky (conductor) bal.bach: bal.bach.mass.in.f.bwv.233 SAT 22:30 Hear and Now (b00c70s9) 5.06am Aldeburgh Festival Elgar, Edward (1857-1934): To her beneath whose steadfast star SAT 12:15 Music Feature (b00c6sgt) Sara Mohr-Pietsch presents the first of two programmes of BBC Singers Debussy's Summer of 1912 music from this year's Aldeburgh Festival. Artistic Director Stephen Layton (conductor) Thomas Ades conducts the Birmingham Contemporary Music Lowri Blake presents a programme about Debussy's work Group in a concert that explores the music of composers 5.11am during the summer of 1912, talking to pianists Roy Howat, Gyorgy Kurtag and Gyorgy Ligeti, as well as Gerald Barry's Krek, Uros (1922-2008): Sonatina for strings Peter Hill and Alasdair Beatson as well as musicologist Robert view of Beethoven and Ades's own instrumental fantasy Living The Slovenian Philharmonic String Chamber Orchestra Orledge, and introducing music from that time. Toys. Andrej Petrac (artistic leader) It was a very hot summer and Debussy had no time to take his Birmingham Contemporary Music Group: 5.26am wife and seven-year-old daughter Chouchou on their annual trip Natalia Zagorinskaia (soprano) Liszt, Franz (1811-1886): Funerailles (Harmonies Poetiques et to the seaside, much to her displeasure. He had to compose a Katalin Karolyi (mezzo-soprano) Religieuses: 10 pieces for piano, S173, No 7) Diaghilev commission as well as his last completed orchestral Stephen Richardson (bass) Francois-Frederic Guy (piano) work - the ballet Jeux. He was trying to finish the second book Thomas Ades (conductor) of the Preludes for piano, was working on numerous other 5.40am projects and was tussling with the dancer Maud Allen who Ligeti: Sippal, Dobbal, Nadihegeduvel (with pipes, drums and Verhulst, Johannes (1816-1891), arr Stumpff: Gruss aus der wanted changes to the ballet Khamma. He also had a visit from fiddles) Fernen, Op 7 Stravinsky and together they played through, as a piano duet, Gerald Barry: Beethoven Dutch National Youth Wind Orchestra the score of The Rite of Spring. It made a very significant Ades: Living Toys Jan Cober (conductor) impression on him. Gyorgy Kurtag: Messages of the Late Miss RV Troussova. 5.47am Moniuszko, Stanislaw (1819-1872): Piesn Nai (Naia's Song) SAT 13:00 The Early Music Show (b00c8x5d) Urszula Kryger (mezzo-soprano) Charles Burney - Journeyman, Historian and Composer SUNDAY 29 JUNE 2008 Katarzyna Jankowska-Borzykowska (piano) Lucie Skeaping talks to musicologist Ian Gammie about the life SUN 00:00 The Early Music Show (b00c4c9m) 5.53am and travels of the inimitable Charles Burney. Burney, the 18th- The King's Singers Vivaldi, Antonio (1678-1741): Sinfonia (L'Olimpiade) century music-writer, teacher, organist and composer was well Concerto Copenhagen known for having opinions on just about everything, and, during The King's Singers were founded in 1968, and so to celebrate Gottfried von der Goltz (violin/conductor) his extensive travels through Europe, met some of the great their 40th anniversary, Robert Hollingworth guest presents a musical luminaries of his day, including Padre Martini, Scarlatti programme focussing on the large amount of 16th and 17th 6.00am and even the young Mozart. century repertoire covered by the group. Robert hosts a round Marenzio, Luca (c 1553-1599): Com' e dolce il gioire o vago the table chat and welcomes founder baritone Simon Tirsi Carrington, who is now Professor of Choral Conducting at Yale Supported by bbc.co.uk/programmes/ Radio 3 Listings for 28 June – 4 July 2008 Page 2 of 8 University, and two current members of the group, the counter- Stephen Connolly (Bass) 4.54am tenor David Hurley and baritone Christopher Gabbitas. They Signum Classics SIGCD 065 Vejvanovsky, Pavel Josef (c 1633/39-1693): Offertur ad duos chat about the early influences of the group in this repertoire Track 12 choros (Ms Kremsier) and how approaches to this music have changed over the King's Musica Aeterna Bratislava Singers 40 years. Music in the programme includes works by Peter Zajicek (director).
Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • October 11, 2018
    October 11, 2018: (Full-page version) Close Window “Imagination creates reality.” —Richard Wagner Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Falla Three Dances ~ The Three-Cornered Hat Philadelphia Orchestra/Ormandy Sony 89291 696998929128 Awake! 00:15 Buy Now! Borodin Nocturne ~ String Quartet No. 2 in D Salerno-Sonnenberg/Kim/Kawasaki/Lidstrom EMI Classics 56481 724355648129 00:24 Buy Now! Brahms Piano Sonata No. 3 in F minor, Op. 5 Martin Jones Nimbus 1788 083603178826 01:00 Buy Now! Vivaldi Cello Concerto in G, RV 414 Harnoy/Toronto Chamber Orch/Robinson RCA 60155 090266015528 01:15 Buy Now! Nielsen Symphony No. 3, Op. 27 "Sinfonia espansiva" Gothenburg Symphony/Chung BIS 321 01:54 Buy Now! Dett Barcarolle, "Morning" Denver Oldham New World Records 367 n/a 02:00 Buy Now! Suppe Overture ~ The Peregrination after Fortune Academy of St. Martin-in-the-Fields/Marriner EMI 54056 077775405620 02:09 Buy Now! Rubbra Symphony No. 6, Op. 80 BBC National Orchestra of Wales/Hickox Chandos 9481 095115948125 02:44 Buy Now! Haydn Piano Concerto in F Pletnev/German Chamber Philharmonic Virgin 61881 724356188129 03:00 Buy Now! Dvorak The Noonday Witch, Op. 108 Slovak Philharmonic/Kosler Opus 1996-97 N/A 03:16 Buy Now! Bach, W.F. Flute Duet No. 2 in G Aurèle & Christiane Nicolet Denon 7287 N/A 03:27 Buy Now! Sibelius Symphony No. 3 in C, Op. 52 London Symphony/Davis LSO Live 0552 822231105220 03:59 Buy Now! Finzi Introit in F for Violin, Op.
    [Show full text]
  • Bristol Choral Society Scholars
    ! Choral Scholarships 2021 Bristol Choral Society is pleased to invite singers to apply for one of four choral scholarships for the year 2021. Successful candidates will be expected to attend weekly rehearsals on Wednesday evenings in term time, in addition to around four performances a year. Currently these are happening on line. The scholarships are open to singers aged 18-30, or students in full or part time music education. The scholarships are ideal for aspiring professional singers wishing to develop their choral singing and sight-reading, or in preparation for university choral scholarships, and as a means of broadening repertoire knowledge. Scholarships can start at the beginning of any term in the season and are worth £1000. There will be some solo/quartet/semi chorus opportunities, and also a chance for the scholars to receive coaching from the choir’s Musical Director. It is expected that choral scholars will take an active role with social media for the ensemble, and generally support the endeavors of Bristol Choral Society. The choir has an auditioned membership of approximately 140 singers encompassing all ages from students and young professionals to the recently retired, from all walks of life. Bristol Choral Society usually stages at least four major concerts each year, with professional orchestras and soloists. The choir has an established reputation as the leading symphony chorus in the South West. 2020 saw the choir release it’s first recording on CD under the Delphian Record label, called the Big Picture and featuring works for Choir, Piano and Percussion. The choir is directed by Hilary Campbell, a freelance choral specialist who is also founder and director of professional chamber choir Blossom Street, and Musical Director of the Music Makers of London and Chiswick Choir.
    [Show full text]
  • Gloucester Cathedral Lay Clerks
    GLOUCESTER CATHEDRAL ORGAN SCHOLARSHIP The Dean & Chapter of Gloucester Cathedral annually seek to appoint an organ scholar for each academic year. He/She will play a key role in the Cathedral music department, working closely with Adrian Partington (Director of Music), Jonathan Hope (Assistant Director of Music), Nia Llewelyn Jones (Singing Development Leader) and Helen Sims (Music Department Manager). The organ scholarship is open to recent graduates or to gap-year applicants of exceptional ability. Duties The organ scholar plays for Evensong every Tuesday, and in addition plays the organ or directs the choirs as necessary when the DoM or the ADoM is away. He/She will also play for many of the special services which take place in the Cathedral, for which additional fees are paid (see remuneration details below). The organ scholar is fully involved with the training of choristers and probationers and the teaching of theory and general musicianship. They will also be expected to help with the general administration of the music department, attending a weekly meeting and assisting other members of the department in the music office. Gloucester Cathedral Choir Today’s choir is the successor to the boys and monks of the Benedictine Abbey of St Peter, who sang for daily worship nine centuries ago. The choir of today stems from that established by Henry VIII in 1539, consisting of 18 choristers (who receive generous scholarships to attend the neighbouring King’s School), 12 lay clerks and choral scholars. The choir plays a major part in the internationally renowned Three Choirs Festival, the world’s oldest Music Festival, which dates back to 1715.
    [Show full text]
  • Barbora Kohoutková
    BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague.
    [Show full text]
  • New National Theatre, Tokyo 2019/2020 Season
    PRESS RELEASE (FEB 2019) NEW NATIONAL THEATRE, TOKYO NEW NATIONAL THEATRE, TOKYO 2019/2020 SEASON BALLET & DANCE THE NATIONAL BALLET OF JAPAN New National Theatre, Tokyo (NNTT) announced the 2019/2020 Ballet & Dance Season, the final season under the Artistic Director, Noriko OHARA, which features 38 performances of 6 ballet works including 5 full-length narrative ballet, and 11 performances of 3 dance pieces. The Final Season for Noriko OHARA as Artistic Director of Ballet and Dance at the New National Theatre, Tokyo Noriko OHARA became the Ballet Mistress of the company in 1999, Assistant Director in 2010 before assumed office as the Artistic Director in September 2014. During these 20 years ever since the company was founded, she has nurtured and led the dancers for The National Ballet of Japan to become the leading company in Japan. This season's line-up sums up this company's best works thus far. The season will open in October with Kenneth MACMILLAN's "Romeo and Juliet", an exemplar of the dramatic ballet tradition. This will be followed by "Manon" in February and March. Both works will showcase the company's expressive richness and depth. Christmas season will feature Wayne EAGLING's "The Nutcracker and the Mouse King". Technically a very demanding piece, this dreamy fairy tale has real visual appeal which audiences of all ages will enjoy. Then, our "New Year Ballet" will feature what has been called "music for the eyes" in the form of George BALANCHINE's "Serenade", as well as pas de deux from "Raymonda" and "Le Corsaire".
    [Show full text]
  • Words Into Movement: the Ballet As Intersemiotic Translation Karen
    Words into Movement: The Ballet as Intersemiotic Translation 1 Karen Bennett Centre for Comparative Studies University of Lisbon In 1959, Roman Jakobson, in his famous article “On Linguistic Aspects of Translation”, extended the concept of translation from the merely verbal to include transfer between different sign systems. On the basis of this, most ballets, which generally derive their aesthetic structure and narrative content from some preceding text, may legitimately be considered as examples of intersemiotic translation. Indeed, many classical ballets are based upon not one but two prior texts - a musical score, which largely determines the form and emotional thrust of the choreography, 1 and a canonical or popular work of literature of which the score is itself a ‘translation’; hence there is a dual transfer involved. This is the case in the three versions of Romeo and Juliet that I wish to look at here, all of which are simultaneously based upon Prokofiev’s score and Shakespeare’s play. If we define ballet as translation into kinesthetic/visual medium of a work previously encoded in verbal or musical form, then the tools used in the discipline of Translation Study may be validly applied to these works. The objective of this paper, therefore, is to examine some of the constraints operating upon three different ballet versions of Romeo and Juliet, produced at different moments during the twentieth century, which I will do so with reference to the categories suggested by André Lefevere in his 1985 article “Why Waste our Time on Rewrites?” These are, in his order, 1 Published in Teatro e Tradução: Palcos de Encontro, Maria João Brilhante & Manuela Carvalho (Eds) Lisbon: Colibri, 2007 (pp.125-138).
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • English National Ballet Emerging Dancer
    English National Ballet Emerging Dancer Sadler’s Wells, London Tuesday 7 May 2019 Performance at 7.30pm Tickets: £12- £30 Box office: 020 7845 9300 and ballet.org.uk/emerging Celebrating its tenth year, English National Ballet’s Emerging Dancer competition will be held at Sadler’s Wells on Tuesday 7 May 2019. Through this ‘highly anticipated annual event’ [Pointe Magazine], English National Ballet recognises the excellence of its artists. Selected by their peers, six of the company's most promising dancers perform in front of an eminent panel of expert judges, before one receives the 2019 Emerging Dancer Award. The recipients of the People's Choice Award, selected by members of the public, and the Corps de Ballet Award, acknowledging the work on and off-stage of a member of the Corps de Ballet, will also be revealed. Emerging Dancer is a key part of English National Ballet’s commitment to developing and nurturing talent within the Company and is generously supported by Graeme and Sue Sloan. Last year’s Emerging Dancer Award winner, Daniel McCormick has since performed the role of Nutcracker in the Christmas favourite, the Pas de Trois and Spanish dance in Swan Lake and Lescaut in Manon. The 2019 finalists are: Alice Bellini Bellini trained at La Scala Ballet School and Royal Ballet Upper School before joining English National Ballet as an Artist of the Company in 2017. One of her career highlights to date was dancing the pas de deux in Aszure Barton’s Fantastic Beings. Bellini was voted the 2018 People’s Choice Award winner at last year’s Emerging Dancer competition.
    [Show full text]
  • 15 May 2020 Page 1 of 12
    Radio 3 Listings for 9 – 15 May 2020 Page 1 of 12 SATURDAY 09 MAY 2020 04:25 AM https://www.deutschegrammophon.com/en/catalogue/products/ Pieter Hellendaal (1721-1799) vinci-veni-vidi-vinci-fagioli-11926 SAT 01:00 Through the Night (m000hx7r) Sonata Prima in G major (Op.5) RIAS Chamber Chorus with Capella de la Torre Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Vaughan Williams: Horn Sonata, Quintet, Household Music & Zweistra (cello) Bax: Horn Sonata James MacMilan, Gabrieli, Schutz and Praetorius from the Peter Francomb (horn) 2019 Heinrich Schütz Music Festival. Jonathan Swain presents. 04:34 AM Victor Sangiorgio (piano) Alexander Glazunov (1865-1936) Royal Northern Sinfonia Chamber Ensemble 01:01 AM Concert waltz for orchestra no 2 in F major, Op 51 Dutton Epoch CDLX 7373 (Hybrid SACD) James MacMillan (b.1959) CBC Vancouver Symphony Orchestra, Kazuyoshi Akiyama https://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX Miserere (conductor) 7373 Stephanie Petitlaurent (soprano), Waltraud Heinrich (alto), Jorg Genslein (tenor), Andrew Redmond (bass), Goethe Secondary 04:42 AM Kreek: the Suspended Harp of Babel School Chorus, Gera Franz Schubert (1797-1828) Choral music of Cyrillus Kreek Trio in B flat D.471 Vox Clamantis 01:14 AM Trio AnPaPie ECM 4819041 Heinrich Schutz (1585-1672) https://www.ecmrecords.com/catalogue/1575278895 Magnificat a 14, from 'Sacrae symphoniae II' 04:51 AM RIAS Chamber Chorus, Berlin, Justin Doyle (director), Capella Antonio Vivaldi (1678-1741) Grigory Sokolov - Beethoven, Brahms & Mozart de la
    [Show full text]
  • Sonia Ganassi
    Saverio Clemente Andrea De Amici Luca Targetti Sonia Ganassi, tra i maggiori mezzosoprani della sua generazione, è regolarmente invitata nei più prestigiosi teatri del mondo (Metropolitan di New York, Royal Opera House Covent Garden di Londra, Teatro alla Scala di Milano, Teatro Real di Madrid, Liceu di Barcellona, Bayerische Staatsoper etc.) dove collabora con direttori quali Riccardo Chailly, Riccardo Muti, Myung-Whun Chung, Daniele Gatti, Antonio Pappano, Daniel Barenboim. A seguito dei suoi innumerevoli successi, nel 1999 i critici musicali italiani le assegnano il Premio Abbiati. Tra i numerosi ruoli interpretati – molti dei quali incisi in CD o DVD - si ricordano: Rosina ne’ Il Barbiere di Siviglia, Angelina ne La Cenerentola, Ermione, Elisabetta regina d’Inghilterra, Romeo ne’ I Capuleti e i Montecchi, Adalgisa in Norma, Leonora ne’ La Favorita, Zaide in Dom Sébastien, Giovanna Seymour in Anna Bolena, Elisabetta in Maria Stuarda, Idamante in Idomeneo, Donna Elvira in Don Giovanni, Eboli in Don Carlo, Charlotte in Werther, Carmen, Marguerite in La Damnation de Faust, Fenena in Nabucco, Amneris in Aida, Isoletta ne La Straniera, Cuniza in Oberto Conte di San Bonifacio. All’impegno operistico alterna un’intensa attività concertistica nelle più prestigiose sale da concerto: Stabat Mater di Rossini al Concertegebow di Amsterdam e all’Avery Fisher Hall di New York, al Teatro alla Scala di Sonia Ganassi Milano, il Requiem di Verdi presso la Philharmonie di Berlino e il Teatro Mezzosoprano alla Scala diretta dal M° Barenboim, presso l’Accademia Nazionale di Santa Cecilia diretta dal M° Pappano, al Teatro San carlo di Napoli diretta dal M° Muti e Parma diretta dal M° Temirkanov.
    [Show full text]