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Johannes Berghuys and His Son Frederik Berghuys
Johannes Berghuys and his son Frederik Berghuys two Delft carillonneurs from 1741 to 1835 and their collection of music for carillon Dr. Laura J. Meilink-Hoedemaker Rotterdam, the Netherlands This article is based upon two papers presented at the Meeting of the World Carillon Federation, Ann Arbor, Michigan, and the Annual Meeting of the Guild of Carillonneurs in North America, Ottawa, Canada July 1986 Pagina 1 van 7 www.laurameilink.nl Mr Chairman, Ladies and Gentlemen This paper presents some data on the life and the works of Johannes Berghuys and his son Frederik Berghuys, city carillonneurs in Delft, the Netherlands, at the end of the 18th and the beginning of the 19th century. The city of Delft is situated in the old district of Holland. From early days Delft had connections with other Dutch cities such as The Hague, Haarlem, Leiden, Gouda, Rotterdam and Amsterdam. Johannes Berghuys was the second child born to taylor Frederik Berghuys and Alida Meyers who lived in Zutphen, but originally came from The Hague. The first son, Johannes, died shortly after birth in 1721. A second son, also called Johannes, was born in 1724. At the age of 17 this Johannes Berghuys moved to Delft upon being appointed city carillonneur. His parents settled with him there. At the age of 32 Johannes Berghuys married Maria Otte from The Hague. That same year their daughter Alida was born and six years later they had their son Frederik. No details are known about the family life and professional training of Johannes Berghuys in his Zutphen periode. -
Wie Kent Pieter Hellendaal Nog? Antoinette Lohmann Haalt De Componist Terug Met Een Set Stikmoeilijke Vioolsonates
Wie kent Pieter Hellendaal nog? Antoinette Lohmann haalt de componist terug met een set stikmoeilijke vioolsonates Rotterdam naar Utrecht. vioolspelen zelf. Maar vaker zat het tegen, 'Hij moet een ongelooflijke techniek professioneel en persoonlijk nog hebben gehad, hij schreef de meer. Zo werd zijn vader Johan op sonates in de eerste plaats om brute wijze vermoord, nadat hij had zichzelf als violist te presenteren. geprobeerd te bemiddelen bij een Hij heeft dingen genoteerd die je echtscheiding. Een Zweedse niet meteen begrijpt als je ze voor huurmoordenaar probeerde papa het eerst ziet. Hij vraagt Hellendaal eerst te vergiftigen. bijvoorbeeld om heel Toen dat mislukte, bewerkte hij de ongebruikelijke dubbelgrepen. Ik man met een bijl. Zijn ledematen stel me dan voor dat hij, wanneer werden verspreid over diverse hij zo'n passage speelde, grijnzend Amsterdamse grachten en tuinen. vanuit een ooghoek zijn vriendjes in de kroeg opzocht. Zo van: zag je Het verhaal is te lezen in het boekje wat ik deed?' Violist Antoinette Lohmann: 'Ik speel bij het nieuwe album van Antoinette graag onontgonnen repertoire omdat ik Lohmann, de barokviolist die er een Dat technisch meesterschap deed dan niet beïnvloed ben door andere sport van maakt goed maar Hellendaal op in Padua. Daar visies.' vergeten Nederlands repertoire studeerde hij viool en compositie bij Daniel Cohen onder de aandacht te brengen. 'Ik de beroemde vioolpedagoog ben altijd benieuwd naar wat er in Giuseppe Tartini (1692-1770). mijn eigen land gebeurd is', zegt Nederland profiteerde nauwelijks Lohmann. 'Maar onontgonnen van zijn talent - of zag het niet. Hij repertoire speel ik vooral graag woonde nog in Amsterdam en omdat ik dan niet beïnvloed ben Leiden, maar slaagde er niet in om door andere visies. -
October 11, 2018
October 11, 2018: (Full-page version) Close Window “Imagination creates reality.” —Richard Wagner Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Falla Three Dances ~ The Three-Cornered Hat Philadelphia Orchestra/Ormandy Sony 89291 696998929128 Awake! 00:15 Buy Now! Borodin Nocturne ~ String Quartet No. 2 in D Salerno-Sonnenberg/Kim/Kawasaki/Lidstrom EMI Classics 56481 724355648129 00:24 Buy Now! Brahms Piano Sonata No. 3 in F minor, Op. 5 Martin Jones Nimbus 1788 083603178826 01:00 Buy Now! Vivaldi Cello Concerto in G, RV 414 Harnoy/Toronto Chamber Orch/Robinson RCA 60155 090266015528 01:15 Buy Now! Nielsen Symphony No. 3, Op. 27 "Sinfonia espansiva" Gothenburg Symphony/Chung BIS 321 01:54 Buy Now! Dett Barcarolle, "Morning" Denver Oldham New World Records 367 n/a 02:00 Buy Now! Suppe Overture ~ The Peregrination after Fortune Academy of St. Martin-in-the-Fields/Marriner EMI 54056 077775405620 02:09 Buy Now! Rubbra Symphony No. 6, Op. 80 BBC National Orchestra of Wales/Hickox Chandos 9481 095115948125 02:44 Buy Now! Haydn Piano Concerto in F Pletnev/German Chamber Philharmonic Virgin 61881 724356188129 03:00 Buy Now! Dvorak The Noonday Witch, Op. 108 Slovak Philharmonic/Kosler Opus 1996-97 N/A 03:16 Buy Now! Bach, W.F. Flute Duet No. 2 in G Aurèle & Christiane Nicolet Denon 7287 N/A 03:27 Buy Now! Sibelius Symphony No. 3 in C, Op. 52 London Symphony/Davis LSO Live 0552 822231105220 03:59 Buy Now! Finzi Introit in F for Violin, Op. -
20 March 2021
20 March 2021 12:01 AM Benjamin Ipavec (1839-1908) Lahko Noc Ana Pusar-Jeric (soprano), Natasa Valant (piano) SIRTVS 12:05 AM Claude Debussy (1862-1918), Luc Brewaeys (arranger) La cathedrale engloutie - (No 10 from Preludes - Book 1) Royal Flemish Philharmonic, Daniele Callegari (conductor) BERTBF 12:12 AM Darius Milhaud (1892-1974) 3 Psaumes de David for chorus, Op 339 Elmer Iseler Singers, Elmer Iseler (conductor) CACBC 12:21 AM Pieter Hellendaal (1721-1799) Cello Sonata, Op 5 no 7 (1780) Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Zweistra (cello) NLNOS 12:32 AM Joseph Haydn (1732-1809) String Quartet in D major (Op.64, No.5) (Hob.III.63) "Lark" Bartok String Quartet HUMR 12:50 AM Frederick Delius (1862-1934) In a Summer Garden for orchestra BBC Symphony Orchestra, Andrew Davis (conductor) GBBBC 01:07 AM Ignacy Jan Paderewski (1860-1941) Polish Fantasy, Op 19 Lukasz Krupinski (piano), Santander Orchestra, Lawrence Foster (conductor) PLPR 01:29 AM Gustav Mahler (1860-1911) Ich ging mit lust durch einen grunen Wald Arleen Auger (soprano), Irwin Gage (piano) NLNOS 01:34 AM Johan Peter Emilius Hartmann (1805-1900) 6 Characteerstykker med indledende Smaavers af H.C Andersen, Op 50 Nina Gade (piano) DKDR 01:46 AM Giovanni Battista Pergolesi (1710-1736) Violin Concerto in B flat major Andrea Keller (violin), Concerto Koln DEWDR 02:01 AM Sergey Rachmaninov (1873-1943) Trio élégiaque no 1 in G minor Sascha Maisky (violin), Mischa Maisky (cello), Lily Maisky (piano) BERTBF 02:15 AM Dmitry Shostakovich (1906-1975) Piano Trio no -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
September 2020
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Brandis Friedman, Black Voices host and Hugo Balta, Latino Voices host SAT/SUN | 6 PM BEGINNING SEPT 12 September 2020 ALSO INSIDE On WFMT, we celebrate Hispanic Heritage Month featuring works by Spanish and Latin-American composers and musicians, and on wfmt.com, we explore Chicago’s rich cultural landscape as we talk to some of the city’s best Latin music and performing arts groups. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT As all of us face this uniquely challenging year, WTTW News has been out report- Renée Crown Public Media Center ing from the neighborhoods, talking with residents who are sharing their stories. 5400 North Saint Louis Avenue This coverage has illuminated how the COVID-19 crisis Chicago, Illinois 60625 disproportionately affects Black and Latino communi- ties in Chicago, and it is moments like these that compel Main Switchboard us to sharpen our focus on how we use our public media (773) 583-5000 Member and Viewer Services platform to serve our diverse community. (773) 509-1111 x 6 This month, we will launch Chicago Tonight: Latino Voices and Chicago Tonight: Black Voices, two additions Websites to our news and public affairs lineup and an extension wttw.com of WTTW’s flagship news show. The VOICES series will wfmt.com provide thoughtful and accurate coverage of current events to inform and engage the public, and create op- Publisher portunities for real conversation. -
[email protected] Website: Lawrence H
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #147 [Closing: Noon, Central Standard Time; Wednesday, December 7th, 2016] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #147! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Standard Time; Wednesday, December 7th, 2016. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail. -
Dedication to Mattheus Lestevenon from Sonatas Op. 1 (1744) Netherlands Music Institute, the Hague
Dedication to Mattheus Lestevenon from Sonatas Op. 1 (1744) Netherlands Music Institute, The Hague Furor Musicus at the Lutherse Kerk, Hilversum (© Christiaan de Roo) 2 3 PIETER (PETRUS, PIETRO, PETER) HELLENDAAL ROTTERDAM 1721 - CAMBRIDGE 1799 Pieter Hellendaal was born in Rotterdam in 1721. While little is known about his family’s circumstances and background, tax records indicate that the family was not particularly well off. His father, Johan Hellendaal, was registered as being a pastry baker, but he changed his profession to candlemaker when the family moved to Utrecht in 1731, where it was registered under the name of Hellendael. UTRECHT, 1731 -1737 In 1732, at the tender age of ten, Pieter was appointed as organist of the Nicolaïkerk in Utrecht, on condition that his father Johan would assist him. While this suggests that his father was also a musician and may even have been Pieter’s teacher, there is no actual historical evidence to support this surmise. The churchwardens’ resolu- tions include instructions dating from 1732, presumably specially drafted for young Pieter. Besides giving a precise description of the organist’s duties, they also include instructions for the use of the church’s Gerritsz organ. For instance, the smaller the congregation, the fewer stops he was required to use. Despite his youth, Pieter earned the same salary as his predecessor. Nicolaïkerk in Utrecht (drawing Pierre van Liender, 1756) Het Utrechts Archief collection, catalogue number 37465 4 5 His father Johan Hellendaal apparently knew a lot about organs, as he carried is evident from the first edition of the sonatas for violin and continuo opus 1 and out some repair work to the organ in 1732. -
12 April 2019 Page 1 of 12
Radio 3 Listings for 6 – 12 April 2019 Page 1 of 12 SATURDAY 06 APRIL 2019 5:30 am Mahler wrote his 4th Symphony on the very cusp of the Ludwig van Beethoven (1770-1827) Twentieth Century and it was premiered in Munich on 25th SAT 00:30 Music Planet World Mix (m0003tnj) 8 Variations on Mozart's 'La ci darem la mano' November 1901. Since Mahler's death, his 4th Symphony has Songs for girls, gringos and gangsters Hyong-Sup Kim (male) (oboe), Ja-Eun Ku (male) (piano) come to be recognised as one of his most 'classical' and approachable of his symphonic works, although it was Global beats and roots music from every corner of the world - 5:39 am considered to be a sacrilegious modernist work at the time of its with vintage mento from Jamaica, songs of the Sicilian Mafia, Lars-Erik Larsson (1908-1986) premiere. It completes the tetralogy of his first four and a version of Mexico's most famous song. String Quartet No.3 (Op.65) (1975) symphonies, his 'Wunderhorn' symphonies, so called because Uppsala Kammar Solister, Peter Olofsson (violin), Patrik they each reversion music from his orchestral Wunderhorn Swedrup (violin), Åsa Karlsson (viola), Lars Frykholm (cello) songs. In the case of the Fourth Symphony, it is the disquieting SAT 01:00 Through the Night (m0003tnl) song 'Das himmlische leben' that permeates the entire work and Chamber Music from Madrid 5:50 am then comes to the fore when solo soprano joins forces with the Claude Debussy (1862-1918) orchestra for the final movement. -
Musicians of Ma'alwyck Presents
Musicians of Ma’alwyck Presents Celebrating Dutch Heritage in New York’s Capital Region Through History and Music Part 2: Schuyler Mansion Program Ann-Marie Barker Schwartz, Director & Violin Norman Thibodeau, Flute André Laurent O’Neil, Baroque Cello Alfred V. Fedak, Harpsichord Andrew Snow, Viola Timothy Reno, Tenor The concert is supported as part of the Dutch Culture USA program by the Consulate General of the Netherlands in New York. Flute Quartet in D Minor, op 12/3 Christian Ernst Graf Allegro moderato (1723-1804) Largo Presto Sonata Op 4/3 Johannes Kauchlitz Colizzi Largo-Allegro (1742-1808) Minuetto I-II-III Variations on a Favorite Air from ”The Haunted Tower” Johannes Kauchlitz Colizzi Andante with Variations for Viola with Violin Accompaniment Josephus Andreas Fodor (1751-1828) Strephon and Myrtilla, a Cantata Pieter Hellendaal (1721-1799) Our thanks to Dr. Paula Quint at the Netherlands Music Institute in The Hauge, Netherlands for her assistance in procuring the score to the Hellendaal. Additional funding is provided by Stewart's Shops and The Dake Family, a fund of The Community Foundation for the Greater Capital Region The JM McDonald Foundation Program Notes The shadows cast by the legacies of Mozart, Haydn, and 18th century Italian opera composers tend to obscure, from a historical perspective, the quality and prominence of other composers of the same era. Each country had a stable of composers that were well-respected, popular and influential. Examining concert programs from England and America of the 1780s and 90s you can find music of these now nearly forgotten composers: Gretry, Pleyel, Martini, Shield, Vanhal, Gyrowitz and Dittersdorf to cite just a few. -
Radio 3 Listings for 25 April – 1 May 2020 Page
Radio 3 Listings for 25 April – 1 May 2020 Page 1 of 12 SATURDAY 25 APRIL 2020 Trumpet Concerto in D major Marc'Antonio Ingegneri: Missa Laudate Pueri Dominum and Stanko Arnold (trumpet), Slovenian Soloists, Marko Munih Giovanni Croce: In spiritu humilitatis SAT 01:00 Through the Night (m000hhpw) (conductor) Choir of Girton College Beethoven symphonies 3 and 5 Wayne Weaver (organ) 05:41 AM James Mitchell (organ) Le Concert des Nations with Jordi Savall, in Barcelona. Franz Liszt (1811-1886) Historic Brass of the Guildhall School and Royal Welsh College Catriona Young presents. Apres une Lecture de Dante: Fantasia quasi Sonata of Music and Drama Yuri Boukoff (piano) Gareth Wilson (conductor) 01:01 AM Toccata Classics TOCC0556 Ludwig van Beethoven (1770-1827) 05:57 AM https://toccataclassics.com/product/marcantonio-ingegneri- Symphony No 3 in E flat, op 55 'Eroica' Johann Baptist Vanhal (1739-1813) missa-laudate-pueri-dominum/ Le Concert des Nations, Jordi Savall (conductor) Concerto for 2 bassoons and orchestra Kim Walker (bassoon), Sarah Warner Vik (bassoon), John Adams: Must the Devil Have All the Good Tunes? and 01:46 AM Trondheim Symphony Orchestra, Arvid Engegard (conductor) China Gates Ludwig van Beethoven (1770-1827) Yuja Wang (piano) Symphony No 5 in C minor, op 67 06:20 AM Los Angeles Philharmonic Orchestra Le Concert des Nations, Jordi Savall (conductor) Grzegorz Fitelberg (1879-1953) Gustavo Dudamel (conductor) Piesn o sokele (The Song about a Falcon) - symphonic Poem Deutsche Grammophon 4838289 (download) 02:20 AM (Op.18) https://www.deutschegrammophon.com/en/catalogue/products/a -
The Violin Sonatas of Frederick Shepherd Converse and Daniel Gregory Mason
The Violin Sonatas of Frederick Shepherd Converse and Daniel Gregory Mason Classical music as it developed in America in the nineteenth century was largely inspired by Beethoven and the German symphonic tradition that he represented. This fact has sometimes been used, unfairly, as an indictment against the composers who worked with energy and talent to create an American concert music, on the grounds that it lacked originality. But a moment’s thought will show clearly the deficiency of the charge. After all, composers all over Europe as well were inspired and challenged by Beethoven, even in places that had long-established native musical cultures. Indeed, one could easily view the entire Romantic era as a series of responses to the example of Beethoven. And in the youthful United States, the challenge was so much the greater because underpinnings of an established concert life—symphony orchestras, opera companies, permanent chamber music ensembles, conservatories, and music publishers—were still just making their appearance. For philosophical as well as musical reasons, Beethoven’s German tradition appealed to Americans. In New England—the birthplace of both of the composers represented here—some of the leading Transcendentalists had recognized in Beethoven a new kind of music, one with an ethical component celebrating triumph over adversity, exactly the kind of story that Americans saw in their own history. John Knowles Paine (1839–1906), who is counted more than any other single individual as the father of American symphonic music, and who became a teacher of both Frederick Shepherd Converse and Daniel Gregory Mason, actually roomed in Berlin with the American scholar Alexander Wheelock Thayer while he was researching his famous Beethoven biography.