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October 11, 2018
October 11, 2018: (Full-page version) Close Window “Imagination creates reality.” —Richard Wagner Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Falla Three Dances ~ The Three-Cornered Hat Philadelphia Orchestra/Ormandy Sony 89291 696998929128 Awake! 00:15 Buy Now! Borodin Nocturne ~ String Quartet No. 2 in D Salerno-Sonnenberg/Kim/Kawasaki/Lidstrom EMI Classics 56481 724355648129 00:24 Buy Now! Brahms Piano Sonata No. 3 in F minor, Op. 5 Martin Jones Nimbus 1788 083603178826 01:00 Buy Now! Vivaldi Cello Concerto in G, RV 414 Harnoy/Toronto Chamber Orch/Robinson RCA 60155 090266015528 01:15 Buy Now! Nielsen Symphony No. 3, Op. 27 "Sinfonia espansiva" Gothenburg Symphony/Chung BIS 321 01:54 Buy Now! Dett Barcarolle, "Morning" Denver Oldham New World Records 367 n/a 02:00 Buy Now! Suppe Overture ~ The Peregrination after Fortune Academy of St. Martin-in-the-Fields/Marriner EMI 54056 077775405620 02:09 Buy Now! Rubbra Symphony No. 6, Op. 80 BBC National Orchestra of Wales/Hickox Chandos 9481 095115948125 02:44 Buy Now! Haydn Piano Concerto in F Pletnev/German Chamber Philharmonic Virgin 61881 724356188129 03:00 Buy Now! Dvorak The Noonday Witch, Op. 108 Slovak Philharmonic/Kosler Opus 1996-97 N/A 03:16 Buy Now! Bach, W.F. Flute Duet No. 2 in G Aurèle & Christiane Nicolet Denon 7287 N/A 03:27 Buy Now! Sibelius Symphony No. 3 in C, Op. 52 London Symphony/Davis LSO Live 0552 822231105220 03:59 Buy Now! Finzi Introit in F for Violin, Op. -
15 May 2020 Page 1 of 12
Radio 3 Listings for 9 – 15 May 2020 Page 1 of 12 SATURDAY 09 MAY 2020 04:25 AM https://www.deutschegrammophon.com/en/catalogue/products/ Pieter Hellendaal (1721-1799) vinci-veni-vidi-vinci-fagioli-11926 SAT 01:00 Through the Night (m000hx7r) Sonata Prima in G major (Op.5) RIAS Chamber Chorus with Capella de la Torre Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet Vaughan Williams: Horn Sonata, Quintet, Household Music & Zweistra (cello) Bax: Horn Sonata James MacMilan, Gabrieli, Schutz and Praetorius from the Peter Francomb (horn) 2019 Heinrich Schütz Music Festival. Jonathan Swain presents. 04:34 AM Victor Sangiorgio (piano) Alexander Glazunov (1865-1936) Royal Northern Sinfonia Chamber Ensemble 01:01 AM Concert waltz for orchestra no 2 in F major, Op 51 Dutton Epoch CDLX 7373 (Hybrid SACD) James MacMillan (b.1959) CBC Vancouver Symphony Orchestra, Kazuyoshi Akiyama https://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX Miserere (conductor) 7373 Stephanie Petitlaurent (soprano), Waltraud Heinrich (alto), Jorg Genslein (tenor), Andrew Redmond (bass), Goethe Secondary 04:42 AM Kreek: the Suspended Harp of Babel School Chorus, Gera Franz Schubert (1797-1828) Choral music of Cyrillus Kreek Trio in B flat D.471 Vox Clamantis 01:14 AM Trio AnPaPie ECM 4819041 Heinrich Schutz (1585-1672) https://www.ecmrecords.com/catalogue/1575278895 Magnificat a 14, from 'Sacrae symphoniae II' 04:51 AM RIAS Chamber Chorus, Berlin, Justin Doyle (director), Capella Antonio Vivaldi (1678-1741) Grigory Sokolov - Beethoven, Brahms & Mozart de la -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
September 2020
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Brandis Friedman, Black Voices host and Hugo Balta, Latino Voices host SAT/SUN | 6 PM BEGINNING SEPT 12 September 2020 ALSO INSIDE On WFMT, we celebrate Hispanic Heritage Month featuring works by Spanish and Latin-American composers and musicians, and on wfmt.com, we explore Chicago’s rich cultural landscape as we talk to some of the city’s best Latin music and performing arts groups. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT As all of us face this uniquely challenging year, WTTW News has been out report- Renée Crown Public Media Center ing from the neighborhoods, talking with residents who are sharing their stories. 5400 North Saint Louis Avenue This coverage has illuminated how the COVID-19 crisis Chicago, Illinois 60625 disproportionately affects Black and Latino communi- ties in Chicago, and it is moments like these that compel Main Switchboard us to sharpen our focus on how we use our public media (773) 583-5000 Member and Viewer Services platform to serve our diverse community. (773) 509-1111 x 6 This month, we will launch Chicago Tonight: Latino Voices and Chicago Tonight: Black Voices, two additions Websites to our news and public affairs lineup and an extension wttw.com of WTTW’s flagship news show. The VOICES series will wfmt.com provide thoughtful and accurate coverage of current events to inform and engage the public, and create op- Publisher portunities for real conversation. -
[email protected] Website: Lawrence H
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #147 [Closing: Noon, Central Standard Time; Wednesday, December 7th, 2016] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #147! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Standard Time; Wednesday, December 7th, 2016. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail. -
The Violin Sonatas of Frederick Shepherd Converse and Daniel Gregory Mason
The Violin Sonatas of Frederick Shepherd Converse and Daniel Gregory Mason Classical music as it developed in America in the nineteenth century was largely inspired by Beethoven and the German symphonic tradition that he represented. This fact has sometimes been used, unfairly, as an indictment against the composers who worked with energy and talent to create an American concert music, on the grounds that it lacked originality. But a moment’s thought will show clearly the deficiency of the charge. After all, composers all over Europe as well were inspired and challenged by Beethoven, even in places that had long-established native musical cultures. Indeed, one could easily view the entire Romantic era as a series of responses to the example of Beethoven. And in the youthful United States, the challenge was so much the greater because underpinnings of an established concert life—symphony orchestras, opera companies, permanent chamber music ensembles, conservatories, and music publishers—were still just making their appearance. For philosophical as well as musical reasons, Beethoven’s German tradition appealed to Americans. In New England—the birthplace of both of the composers represented here—some of the leading Transcendentalists had recognized in Beethoven a new kind of music, one with an ethical component celebrating triumph over adversity, exactly the kind of story that Americans saw in their own history. John Knowles Paine (1839–1906), who is counted more than any other single individual as the father of American symphonic music, and who became a teacher of both Frederick Shepherd Converse and Daniel Gregory Mason, actually roomed in Berlin with the American scholar Alexander Wheelock Thayer while he was researching his famous Beethoven biography. -
Monday Playlist
February 18, 2019: (Full-page version) Close Window “To send light into the darkness of men's hearts—such is the duty of the artist.” — Robert Schumann Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Academy of St. Martin-in-the- Sleepers, Awake! 00:01 Buy Now! Wassenaer Concerto in F minor Argo 410 205 028941020529 Fields/Marriner 00:13 Buy Now! Dett Magnolia Suite Denver Oldham New World Records 367 n/a Stoltzman/Slovak Radio 00:32 Buy Now! Weber Clarinet Concerto No. 2 in E flat, Op. 74 Navona 5801 896931002011 Symphony/Trevor 00:58 Buy Now! Copland Simple Gifts ~ Old American Songs, Set I Bailey/Downes Steinway & Sons 30025 034062300259 01:02 Buy Now! Gershwin Rhapsody in Blue Bernstein/LA Philharmonic MHS 513201A 717794320121 01:20 Buy Now! Sibelius Symphony No. 1 in E minor, Op. 39 Berlin Philharmonic/Karajan EMI 69028 077776902821 02:00 Buy Now! Strauss Jr. Tales from the Vienna Woods National Philharmonic/Stokowski PRT Records PCN 4 5011664000423 02:16 Buy Now! Bach Prelude in G, BWV 902 Glenn Gould Sony 52597 07464525972 02:20 Buy Now! Dvorak Slavonic Dances, Op. 46 Slovak Philharmonic/Kosler Marco Polo 8.223129 N/A 03:02 Buy Now! Rossini Overture ~ Semiramide London Classical Players/Norrington EMI 54091 077775409123 Bronfman/Tonhalle Orchestra 03:15 Buy Now! Beethoven Piano Concerto No. 3 in C minor, Op. 37 Arte Nova 640100 723721178758 Zurich/Zinman 1st mvt (Molto moderato) ~ Symphony 03:50 Buy Now! Vaughan Williams London Symphony/Thomson Chandos 241-35 095115243527 No. -
POLYPHONY Post Office Box #515 Highland Park, Illinois 60035
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #161 Closing: Noon, Central Daylight Time; Tuesday, March 16th, 2021 Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #161! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Daylight Time; Tuesday, March 16th, 2021. INSTRUCTIONS FOR ONLINE: This version is the same as the print version except no bidsheet is provided, since you can simply send an e-mail with notation of your bids and lot numbers of the items in which you are interested. A brief description of the item helps to confirm correct lot number. If you wish to authorize me to charge your winnings to a credit card which I do not already have on file, I do not suggest that you send this information via e- mail since it is not secure. You may quote an account number via phone/FAX or mail in advance – or you may wait for me to send you a copy of your invoice. If you have questions, by all means e-mail me at the address above! SEE PAGE 5 FOR TABLE OF CONTENTS, PAGE 4 FOR ABBREVIATIONS, PAGE 3 FOR CONDITION GRADING. For those of you receiving one of my catalogs for the first time, here are a few comments about the contents and their arrangement. -
PBS Newshour, Chicago Tonight and Wttw.Com/News AUGUST 17-27 | 7 PM
wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT American Democracy and the Race for the White House Coverage of the conventions on PBS NewsHour, Chicago Tonight and wttw.com/news AUGUST 17-27 | 7 PM August 2020 ALSO INSIDE On WFMT, get to know the new host of The Midnight Special, Marilyn Rea Beyer, as she takes the reins on August 1. And on wfmt.com, listen to our compendium of music from the women’s suffrage movement, and test your knowledge of Ludwig van Beethoven as we approach his 250th birthday. From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT The months leading up to a presidential election are always an exceptionally busy Renée Crown Public Media Center 5400 North Saint Louis Avenue time for news organizations, but the 2020 election season has proven to be unlike Chicago, Illinois 60625 any other in memory. The impact of COVID-19 on our communities has compelled journalists everywhere to Main Switchboard examine how they report on local and national news, (773) 583-5000 and the upcoming election. In this month’s Guide, learn Member and Viewer Services how Sara Just, Executive Producer of PBS NewsHour, and (773) 509-1111 x 6 our very own Hugo Balta, News Director for WTTW News, are adapting to this new normal, and how they plan to Websites wttw.com cover the upcoming “virtual” National Conventions. (See wfmt.com page 4.) On WTTW, each night after PBS NewsHour’s gavel-to- Publisher gavel Convention coverage, Chicago Tonight will provide Anne Gleason Art Director analysis and coverage at the special time of 10:00 pm, and Tom Peth please go to wttw.com/news for reporting every day throughout this important time WTTW Contributors in our country. -
JOHN ALDEN CARPENTER New World Records 80328 Collected Piano Works
JOHN ALDEN CARPENTER New World Records 80328 Collected Piano Works John Alden Carpenter was born in Park Ridge, Illinois, one hundred years after the United States became a nation. His namesake ancestor had arrived in America in 1620. Carpenter's mother, an accomplished singer, had studied in Europe. She took part in church musical activities, founded the Amateur Musicians Club of Chicago, and began teaching piano to John when he was five. Later he credited her with developing his love of music. At eleven he began four years of lessons with Amy Fay, a student of Tausig's and Liszt's. Then for two years he studied piano and theory with William Seeboeck, who had studied with Nottebohm, Brahms, and Rubenstein. In 1897 Carpenter graduated with honors from Harvard College, having taken the full music course as well as the liberal-arts program. While there he had accompanied and sung with the glee club, which performed several of his early compositions. The music courses were taught by John Knowles Paine (New World Records NW 206, 262, 280), the "first American symphonist." At their last meeting, Paine admonished Carpenter, "Better change your mind about going into that business!" "That business" was the family business of selling shipping supplies and groceries (in 1909 Carpenter became vice-president). For three months in 1906 Carpenter studied with Sir Edward Elgar, an experience unsuccessful for both. In 1909 he began three years of composition lessons with Bernhard Ziehn, the much respected and feared theorist and aesthetician. Carpenter acknowledged him as the greatest influence on his life as a composer. -
R. NATHANIEL DETT New World Records 80367 Piano Works DENVER OLDHAM
R. NATHANIEL DETT New World Records 80367 Piano Works DENVER OLDHAM As a black musician of his time, Robert Nathaniel Dett (1882-1943) had options for the evolution of his talent. Most readily, he could write songs for minstrel shows (as did James Bland and Ernest Hogan), ballads for the parlor (Gussie Davis), or instrumental Gebrauchsmusik (Frank Johnson). Had he participated in the idioms which evolved during his youth, he might have turned to musical theater, or created blues or ragtime pieces. With the exception, however, of After the Cakewalk, a ragtime piece, his lifework centered upon spirituals, as did that of his older contemporary Harry Burleigh (1866-1949), and the use of folkloric ideas. Two individuals provided substantial impetus for Dett's exploration of Afro-American compositional sources during his youth: Antonin Dvořák, who had counseled Americans to look to their own roots for the basis of a native school, and the Afro-Britisher Samuel Coleridge-Taylor (1875-1912), whose respect for the music of both native and black Americans was manifest even before his visits to the United States. Dett (who chose to be known as R. Nathaniel) was born in a suburb of Ontario's Niagara Falls, a terminus on the underground railroad for escaped slaves. His mother's family had been Canadian residents for at least two generations, and his father was a first-generation expatriate. "I played the piano ever since I can remember; no one taught me, I just picked it up: I used to follow my two older brothers to the house while their lessons were in progress," he recalled. -
JOHN KNOWLES PAINE New World Records 80350 Symphony No
JOHN KNOWLES PAINE New World Records 80350 Symphony No. 2 in A, Op. 34 (Im Frühling) The premieres of John Knowles Paine's two symphonies—-the First in 1876, the Second in 1880— may be said to mark the effective beginning of the American symphonic tradition. Nearly a half century later, another distinguished American composer, George W. Chadwick, who had been a young man in Boston in the 1870s, recalled that the Paine symphonies were "a stimulus and an inspiration to more than one ambitious musician of that time." Paine (1839-1906) studied with a German immigrant musician in Portland, Maine, then went to Berlin for several years. (Fuller biographical details can be found on the New World recording of Paine's Mass in D, New World 80262.) Upon returning to the United States, he settled in Boston, where his Mass in D persuaded many that here was a significant new voice. In 1873 he was named assistant professor of music at Harvard. The rest of his career combined composition with teaching. Immediately after his Harvard appointment, Paine entered a particularly prolific period, turning out in quick succession the Symphony No. 1 and the Violin Sonata (1875), an Overture to As You Like It and a Symphonic Poem on The Tempest (1876), the Duo Concertante for violin, cello, and orchestra (1877), the Symphony No. 2 (1879), and a complete incidental score for orchestra and male chorus to Oedipus tyrannus in the original Greek (1880-81). He spent a large part of the last two decades of his life completing the opera Azara, which he was never to hear.