University of Portland Pilot Scholars Graduate Theses and Dissertations 4-2014 Euripides' Alkestis: Experimenting with the Exotic Andrew Wardenaar Follow this and additional works at: http://pilotscholars.up.edu/etd Part of the Fine Arts Commons, and the Theatre and Performance Studies Commons Recommended Citation Wardenaar, Andrew, "Euripides' Alkestis: Experimenting with the Exotic" (2014). Graduate Theses and Dissertations. 18. http://pilotscholars.up.edu/etd/18 This Master Thesis is brought to you for free and open access by Pilot Scholars. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Pilot Scholars. For more information, please contact
[email protected]. Table of Contents! ! Chapter 1: Exotic Experiment!! ! ! ! ! ! 4! Chapter 2: Research Foundations!! ! ! ! ! 11! Chapter 3: Analysis!! ! ! ! ! ! ! 33! !!!!!!!!!! !Chapter 4: Approach!! ! ! ! ! ! ! 53! Chapter 5: Process!!!!!!!!62! !!!!!!!!! !Chapter 6: Response!! ! ! ! ! ! ! 91! !Works Cited!! ! ! ! ! ! ! ! ! 103! Appendices!! ! ! ! ! ! ! ! ! 105! ! !!!!!!!!!! !!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! "2 ! ! ! Note:! In accordance with Anne Carson’s translation of Alkestis, which seeks to more closely emulate the original Greek, I will employ her spellings of character names in my discussion. Traditionally, English translations have furnished the names Alkestis and Herakles with a “c” (Alcestis, Heracles), and Admetos with a “u” (Admetus), and where !this practice occurs in referenced material, it will be quoted as such.! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "3 An Exotic Experiment! ! The plays of Euripides, when placed upon the contemporary stage, have two prominent qualities: they are 1) exotic, and 2) experimental. The theatre of Euripides is a foreign thing to modern audiences, steeped in ritual, and so holds the potential to captivate today’s observers and practitioners in ways that more familiar, narrative theatre cannot.