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8 Dwight Street
LIZABETH PARAVISINI-GEBERT 8 Dwight Street Poughkeepsie, New York 12601 845 471-7998 (Home) 845 264-7541 (Mobile) http://repeatingislands.com/ (blog) http://lizabethparavisinigebert.com/ (website) OFFICE ADDRESS Vassar College, Box 541 Poughkeepsie, New York 12604 845 437-5611 (voice) 845 437-7025 (fax) [email protected] (e-mail) ACADEMIC DEGREES Ph.D. Comparative Literature. New York University (1982). [Diss. "The Novel as Parody of Popular Narrative Forms in the United States and Latin America: 1963-1980"] M.Phil. Comparative Literature. New York University (1981). M.A. Comparative Literature. New York University (1976). B.A. Comparative Literature. Magna cum laude. University of Puerto Rico (1973). TEACHING EXPERIENCE Professor, on the Randolph Distinguished Professor Chair, Multidisciplinary Programs/ Department of Hispanic Studies, Vassar College, 2004- Professor, Department of Hispanic Studies/Program in Africana Studies, Vassar College, 1997-2004. Visiting Professor, Depts. of English and Hispanic Studies, University of Puerto Rico, February 2007. Visiting Professor, Facultad de Humanidades. Universidad Carlos III de Madrid, Spring 2005. Associate Professor, Department of Hispanic Studies, Vassar College, 1991-1997. Associate Professor, Department of Puerto Rican, Caribbean and Latin American Studies, Lehman College (City University of New York), 1987-1991. Visiting Associate Professor, Department of Latin American Studies, City College, Fall 1990. Assistant Professor, Department of Puerto Rican Studies, Lehman College (CUNY), -
Paravisini-Gebert CV August 2018
LIZABETH PARAVISINI-GEBERT 454 Manhattan Avenue (Apt. 6M) New York, New York 10026 845 264-7541 (Mobile) [email protected] (e-mail) http://lizabethparavisinigebert.com/ (website) OFFICE ADDRESS Vassar College, Box 541 Poughkeepsie, New York 12604 845 437-5611 (voice) 845 437-7025 (fax) EDUCATION Ph.D. Comparative Literature. New York University. [Diss. "The Novel as Parody of Popular Narrative Forms in the United States and Latin America: 1963-1980"] M.Phil. Comparative Literature. New York University M.A. Comparative Literature. New York University B.A. Comparative Literature. Magna cum laude. University of Puerto Rico TEACHING EXPERIENCE Professor, on the Sarah Tod Fitz Randolph Distinguished Professor Chair, Multidisciplinary Programs/ Department of Hispanic Studies, Vassar College, 2004- Professor, Department of Hispanic Studies/Program in Africana Studies, Vassar College, 1997-2004. Visiting Professor, Facultad de Humanidades. Universidad Carlos III de Madrid, Spring 2005. Associate Professor, Department of Hispanic Studies, Vassar College, 1991-1997. Associate Professor, Department of Puerto Rican, Caribbean and Latin American Studies, Lehman College (City University of New York), 1987-1991. Visiting Associate Professor, Department of Latin American Studies, City College. Assistant Professor, Department of Puerto Rican Studies, Lehman College (CUNY). Lecturer, Department of Puerto Rican Studies, Lehman College (CUNY). ADMINISTRATIVE EXPERIENCE Director, Vassar’s Program in Media and Culture at Goldsmiths College, London (Spring -
Part III a Guide to Fiction by Caribbean Women Writers a to Z of Authors and Works by Country of Origin
Part III A Guide to Fiction by Caribbean Women Writers A to Z of Authors and Works by Country of Origin Antigua Jamaica Kincaid Annie John (1983) At the Bottom of the River (stories) (1983) A Small Place (essay) (1988) Lucy (1990) The Autobiography of My Mother (1996) Barbados June Henfrey Coming home and other stories (1994) Paule Marshall Brown Girl, Brownstones (1959) The Chosen Place, The Timeless People (1968) Merle: a novella and other stories (1983) Praisesong for the Widow (1983) Daughters (1991) Hazelle Palmer Tales from the Gardens and Beyond (1995) Belize Zee Edgell Beka Lamb (1982) In Times Like These (1991) The Festival of San joaquin (1997) Carriacou Audre Lorde Zami: A New Spelling of My Name (1982) Cuba Cristina Garcia Dreaming in Cuban (1992) Dominica Phyllis Shand Allfrey The Orchid House (1953) 219 220 Caribbean Women Writers Jean Rhys The Left Bank and Other Stories (1927) Quartet (1928) (first published as Postures) After Leaving Mr Mackenzie (1930) Voyage in the Dark (1934) Good Morning, Midnight (1939) Wide Sargasso Sea (1966) Tigers Are Better-Looking (1968) Sleep It Off Lady (1976) Tales of the Wide Caribbean: a New Collection of Short Stories (1985) Grenada Jean Buffong Under the Silk Cotton Tree (1992) Snowflakes in the Sun (1996) Merle Collins Angel (1987) Rain Darling (stories) (1990) The Colour of Forgetting (1995) Nellie Payne and Jean Buffong Jump-Up-and-Kiss-Me: Two stories from Grenada (1990) Guyana Joan Cambridge Clarise Cumberbatch Want to Go Home (1987) Norma De Haarte Guyana Betrayal (1991) Beryl -
Lonely Planet Publications 150 Linden St, Oakland, California 94607 USA Telephone: 510-893-8556; Facsimile: 510-893-8563; Web
Lonely Planet Publications 150 Linden St, Oakland, California 94607 USA Telephone: 510-893-8556; Facsimile: 510-893-8563; Web: www.lonelyplanet.com ‘READ’ list from THE TRAVEL BOOK by country: Afghanistan Robert Byron’s The Road to Oxiana or Eric Newby’s A Short Walk in the Hindu Kush, both all-time travel classics; Idris Shah’s Afghan Caravan – a compendium of spellbinding Afghan tales, full of heroism, adventure and wisdom Albania Broken April by Albania’s best-known contemporary writer, Ismail Kadare, which deals with the blood vendettas of the northern highlands before the 1939 Italian invasion. Biografi by Lloyd Jones is a fanciful story set in the immediate post-communist era, involving the search for Albanian dictator Enver Hoxha’s alleged double Algeria Between Sea and Sahara: An Algerian Journal by Eugene Fromentin, Blake Robinson and Valeria Crlando, a mix of travel writing and history; or Nedjma by the Algerian writer Kateb Yacine, an autobiographical account of childhood, love and Algerian history Andorra Andorra by Peter Cameron, a darkly comic novel set in a fictitious Andorran mountain town. Approach to the History of Andorra by Lídia Armengol Vila is a solid work published by the Institut d’Estudis Andorrans. Angola Angola Beloved by T Ernest Wilson, the story of a pioneering Christian missionary’s struggle to bring the gospel to an Angola steeped in witchcraft Anguilla Green Cane and Juicy Flotsam: Short Stories by Caribbean Women, or check out the island’s history in Donald E Westlake’s Under an English Heaven Antarctica Ernest Shackleton’s Aurora Australis, the only book ever published in Antarctica, and a personal account of Shackleton’s 1907-09 Nimrod expedition; Nikki Gemmell’s Shiver, the story of a young journalist who finds love and tragedy on an Antarctic journey Antigua & Barbuda Jamaica Kincaid’s novel Annie John, which recounts growing up in Antigua. -
Cross-Border Film Production: the Neoliberal Recolonization of an Exotic Island by Hollywood Pirates
CROSS-BORDER FILM PRODUCTION: THE NEOLIBERAL RECOLONIZATION OF AN EXOTIC ISLAND BY HOLLYWOOD PIRATES Anthony Frampton A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Committee: Oliver Boyd-Barrett, Advisor Federico A. Chalupa Graduate Faculty Representative Ewart Skinner Radhika Gajjala © 2014 Anthony Frampton All Rights Reserved iii ABSTRACT Oliver Boyd-Barrett, Advisor This qualitative study explores the relationship between Small Island Developing States (SIDS) and Hollywood’s cross-border film productions by examining the strategies that these islands use to facilitate the filming of big-budget foreign films within their borders. The dissertation also analyzes the inherent implications of transnational film production practices from the perspective of the host location and reviews extant theories of international film production to explore whether they adequately explain the peculiar dynamics and experiences of filmmaking in SIDS countries by heavily financed, non-resident film producers. The study blends relevant strands of political economy of media and critical cultural studies to construct a customized theoretical backbone. From this critical standpoint, it engages theories of globalization, development, cultural industries, post- colonialism, and policymaking to analyze the interaction between SIDS nations and international satellite film productions. Adopting a grounded theory methodological framework, it uses interviewees, focus groups, participant observation and document analysis to collect data from the island of Dominica in the Caribbean, which hosted two films in Disney’s Pirates of the Caribbean franchise. The study found that these foreign film producers received unprecedented levels of concessions and amassed huge savings from their ability to manipulate governmental authorities and local elites and exploit the weak institutional capacity of the state and its poor systems of accountability. -
Jean Rhys and Phyllis Shand Allfrey: the Tale of a Friendship
§ § § JEAN RHYS AND PHYLLIS SHAND ALLFREY: THE STORY OF A FRIENDSHIP Lizabeth Paravisini-Gebert Jean Rhys and Phyllis Shand Allfrey are unquestionably Dominica 's foremost twentieth-century writers. The island - small and densely forested, sparsely populated, and relatively isolated throughout most of its history - has nonetheless produced a number of writers of note, among them the critically neglected poet Daniel Thaly. Of these, only Rhys and Allfrey have enjoyed careers - literary in the case of Rhys , political and literary in Allfrey's that have warranted the attention of an international audience. The coincidence of Rhys and Allfrey's birth in the same remote colonial outpost has led scholars to focus on comparisons between the two. This comparative emphasis, however, has led to some notable misunderstandings about the links between these two very different women. The misconceptions stem from an emphasis on the superficial similarities between the two: the fact that they were both white Dominicans separated by barely a generation who established themselves as writers in England in the middle decades of the twentieth century and who are best known as authors of two novels - The Orchid House and Wide Sargasso Sea - which explore the interconnections between gender, race, and the remnants of plantation society in the West Indies. These resemblances, promising as they appear at first sight, yield little when measured "against the r eallife."l Rhys and Allfrey, despite surface similarities, were as different in their approaches to writing, their political stances, their understanding of the complexities of race and colonialism in their home island, and their formulations of their West Indian identities as any two writers could be . -
IN PERSON & PREVIEWS Talent Q&As and Rare Appearances
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Vita & Virginia UK-Ireland 2018. Dir Chanya Button. With Gemma Arterton, Elizabeth Debicki, Isabella Rossellini. 110min. Format tbc. 12A. Courtesy of Thunderbird Releasing Chanya Button’s (Burn Burn Burn) second feature brings to the screen the true story of the intense romantic relationship between author Virginia Woolf (Debicki) and enigmatic aristocrat Vita Sackville-West (Arterton). With exquisite production design, the film, which opened this year’s BFI Flare festival, is a vivid account of the physical and intellectual attraction between two extraordinary women. Tickets £15, concs £12 (Members pay £2 less) MON 1 JUL 18:15 NFT1 TV Preview: This Way Up + Q&A with Aisling Bea and Sharon Horgan (work permitting) Channel 4 2019. Dir Alex Winckler. With Aisling Bea, Sharon Horgan, Tobias Menzies, Indira Varma Aasif Mandvi. Eps 1 & 2, 54min Comedian, writer and actor Aisling Bea pens and stars in This Way Up, a pin-sharp and poignant new six-part comedy series about the social, mental and personal obstacles that people face in their own pursuit of happiness. Bea plays Aine, a woman trying to pull her life back together after a ‘teeny little nervous breakdown’, as her fretful sister Shona (Catastrophe’s Sharon Horgan) worries not only about her sibling, but also about her own life choices. Join us for a preview of the first two episodes and hear from cast and crew. TUE 2 JUL 18:15 NFT1 Preview: The Dead Don’t Die USA-Sweden 2019. -
{PDF EPUB} It Falls Into Place by Phyllis Shand Allfrey It Falls Into Place by Phyllis Shand Allfrey
Read Ebook {PDF EPUB} It Falls into Place by Phyllis Shand Allfrey It Falls into Place by Phyllis Shand Allfrey. Phyllis Shand Allfrey was born in 1908 into a family of white colonial officials in the British colony of Dominica in the eastern Caribbean. Like her compatriot and onetime friend, the writer Jean Rhys - Phyllis has a particular significance in the region as a political as well as a literary figure. Her acclaimed novel, The Orchid House paved the way for a successful writing career in Britain but instead she returned to the Caribbean in 1954 and entered politics. Since her death in 1986, Phyllis's literary work has been neglected. However this month sees the publication of It Falls into Place - her previously unpublished short fiction - which highlights her contribution to the development of West Indian literature. Angela Robson has been finding out more about Phyllis Shand Allfrey's life. She spoke first to Lenox Honeychurch, Phyllis's friend and literary executor in Dominica. It Falls Into Place: the stories of Phyllis Shand Allfrey By: Phyllis Shand Allfrey Published by: Papillote Press ISBN: 0953222411. Disclaimer The BBC is not responsible for the content of external websites. It Falls into Place by Phyllis Shand Allfrey. Allfrey, who was born in 1908 into a family of white colonial officials, is the author of the acclaimed novel, The Orchid House which was made into a movie for British television by Trinidadian film maker Horace Ove in 1991. She was also a political activist, and was famous for her role in the founding of Dominica’s first political party, the Dominica Labour Party in 1955. -
CULTURE and DECOLONIZATION in the BRITISH WEST INDIES LITERATURE and POLITICS, 1930-1980 by SHARON CATHERINE SEWELL Bachelor Of
CULTURE AND DECOLONIZATION IN THE BRITISH WEST INDIES LITERATURE AND POLITICS, 1930-1980 By SHARON CATHERINE SEWELL Bachelor of Arts Bridgewater State College Bridgewater, Massachusetts 1978 Master of Arts Oklahoma State University Stillwater, Oklahoma 1997 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2007 CULTURE AND DECOLONIZATION IN THE BRITISH WEST INDIES LITERATURE AND POLITICS, 1930-1980 Dissertation Approved: Dr. Elizabeth Williams __________________________________________ Dissertation Adviser Dr. Joseph Byrnes __________________________________________ Dr. Ronald Petrin __________________________________________ Dr. Donald Brown __________________________________________ Dr. A. Gordon Emslie __________________________________________ Dean of the Graduate College ii PREFACE In 1949 Vic Reid’s novel New Day became the first to be labeled West Indian Literature. Many more books and authors would follow. The novels were about the islands of he British Caribbean: Trinidad and Tobago; Jamaica; the Leeward Islands of Dominica, Montserrat, St. Kitts/Nevis, Antigua and Barbuda, and Anguilla; and the Windward Islands of Barbados, Grenada, St. Vincent and the Grenadines, and St. Lucia. Although each country maintains a unique identity, their populations also define themselves regionally as West Indians and today acknowledge some similarities, especially in history and culture. This study is about the novelists and the impact they had on the West Indies between 1950, the date associated with the advent of West Indian literature, and 1980, the date by which literary works began to focus on the problems of specific islands and moved away from a West Indian perspective. This work contributes to the fields of British colonial history and West Indian history in that it seeks to present the novels in relation to social and political developments in the British West Indies in the last years of colonial rule and the first years of independence. -
ESTABLISHED 1955 | SATURDAY, OCTOBER 6, A7 1962 PRICE 102 ALLFREY EXPULSION | up UPHELD
RESEARCH INSTITUTE FOR THE STUDY OF MAN 162 EAST 78 STREET, - NEW YORK 21, N. Ya We stand behind the U.N. Charter . ‘which uphotds ; FREEDOM OF THE:PRESS FREE? OM OF WORSHIP ‘FRE OM FROM WANT | FREEDOM FROM FEAR | (For the General Welfare of the People of Dominica, the further aivancemen’ of the West Indies and the Caribbean Area as a whole) ESTABLISHED 1955 | SATURDAY, OCTOBER 6, a7 1962 PRICE 102 ALLFREY EXPULSION | UP UPHELD “a Appeal , Points a Rejected a | Meredith Enrolis At University Ot Mississippi OR AN HOUR and a’ quarter yesterday afternoon, the Labout ~~ Paty Executive discussed the expulsion of their Founder and _. Oxford, Miss. , Oct..1 U.S.LS. — James H. Meredith enrolled Monday ex-President, Mrs. Phyllis Shand Allfrey, before her appearance morning as the first Negro student at the University of Mississippi. to make her appeal. This was heard and dismissed by sine . His registration climaxed another controversy in the long contest over the iS* votes to one and 3 abstentions.. One member walked out in p:o- sue of public education facilities for Negroes and whites in the southern area of th¢ test against the undemocratic voting procedure. United States. , “Mississippi state law calls for separate schools for whites and Negroes Labour: Party Conderins — sta- Among the paints made by Mrs.| British tutes which the U.S, Supreme Court has ruled are unconstitutional. State au~ that she had cri-| = CM And Nuclear Tests Allfrey against charges thotities, headed by Governor Ross Barnett, refused to admit Mr. Meredith to the ticised the policy of “Government, and At Brighton this week the British La- all-white university, despite federal court orders that he be enrolled, ae it into disrepate were the fol-] pour Party Conference confirmed by an brought When Mississippi Officials continued adamant in refusing to.admit Mr. -
BILL SCHWARZ Caribbean Migration to Britain Brought Many New Things – New Musics, New Foods, New Styles
Studies in imperialism ‘This is a fine collection and its significance lies in several areas. West Indian intellectuals were important actors in the drama that was to change the face of Britain, both because they adopted and reformulated British ideas about culture, and because they brought with them important cultural texts, including novels, poems and essays.’ Simon Gikandi, University of Michigan BILL SCHWARZ Caribbean migration to Britain brought many new things – new musics, new foods, new styles. It brought new ways of thinking too. This lively, innovative book explores the intellectual ideas which the West Indians brought with them to Britain. It shows that for more than a century West Indians living in Britain developed a dazzling intellectual critique of the codes of Imperial Britain. This is the first comprehensive discussion of the major Caribbean thinkers who came to live in twentieth-century Britain. Chapters discuss the influence of, amongst others, C. L. R. James, Una Marson, George Lamming, Jean Rhys, Claude McKay and V. S. Naipaul. The contributors to this fascinating volume draw from many different disciplines to bring alive the thought and personalities of the figures they discuss, providing a dramatic picture of intellectual developments in Britain from which we can still learn much. A lucid introduction argues that the recovery of this Caribbean past, on the home-territory of Britain itself, reveals much about the prospects of multiracial Britain. Written in an accessible manner, undergraduates and general readers interested in relations between the Caribbean and Britain, imperial history, literature, cultural and black studies will all find much of interest SCHWARZ in this collection. -
West Indian Intellectuals in Britain Schwarz, Bill (Ed.)
www.ssoar.info West Indian intellectuals in Britain Schwarz, Bill (Ed.) Veröffentlichungsversion / Published Version Sammelwerk / collection Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Schwarz, B. (Ed.). (2003). West Indian intellectuals in Britain (Studies in Imperialsim). Manchester: Manchester Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-270993 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Studies in imperialism ‘This is a fine collection and its significance lies in several areas. West Indian intellectuals were important actors in the drama that was to change the face of Britain, both because they adopted and reformulated British ideas about culture, and because they brought with them important cultural texts, including novels, poems and essays.’ Simon Gikandi, University of Michigan BILL SCHWARZ Caribbean migration to Britain brought many new things – new musics, new foods, new styles. It brought new ways of thinking too. This lively, innovative book explores the intellectual ideas which the West Indians brought with them to Britain. It shows that for more than a century West Indians living in Britain developed a dazzling intellectual critique of the codes of Imperial Britain. This is the first comprehensive discussion of the major Caribbean thinkers who came to live in twentieth-century Britain.