SEM 2013 Annual Meeting Table of Contents Sponsors
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AFN 121 Yoruba Tradition and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice. -
DIANA PATON & MAARIT FORDE, Editors
diana paton & maarit forde, editors ObeahThe Politics of Caribbean and Religion and Healing Other Powers Obeah and Other Powers The Politics of Caribbean Religion and Healing diana paton & maarit forde, editors duke university press durham & london 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by Katy Clove Typeset in Arno Pro by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Newcastle University, which provided funds toward the production of this book. Foreword erna brodber One afternoon when I was six and in standard 2, sitting quietly while the teacher, Mr. Grant, wrote our assignment on the blackboard, I heard a girl scream as if she were frightened. Mr. Grant must have heard it, too, for he turned as if to see whether that frightened scream had come from one of us, his charges. My classmates looked at me. Which wasn’t strange: I had a reputation for knowing the answer. They must have thought I would know about the scream. As it happened, all I could think about was how strange, just at the time when I needed it, the girl had screamed. I had been swimming through the clouds, unwillingly connected to a small party of adults who were purposefully going somewhere, a destination I sud- denly sensed meant danger for me. Naturally I didn’t want to go any further with them, but I didn’t know how to communicate this to adults and ones intent on doing me harm. -
Shiraz Dissertation Full 8.2.20. Final Format
UNIVERSITY OF CALIFORNIA SAN DIEGO The Shiraz Arts Festival: Cultural Democracy, National Identity, and Revolution in Iranian Performance, 1967-1977 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy In Music By Joshua Jamsheed Charney Committee in charge: Professor Anthony Davis, Co-Chair Professor Jann Pasler, Co-Chair Professor Aleck Karis Professor Babak Rahimi Professor Shahrokh Yadegari 2020 © Joshua Jamsheed Charney, 2020 All rights reserved. The dissertation of Joshua Jamsheed Charney is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ Co-chair _____________________________________________________________ Co-Chair University of California San Diego 2020 iii EPIGRAPH Oh my Shiraz, the nonpareil of towns – The lord look after it, and keep it from decay! Hafez iv TABLE OF CONTENTS Signature Page…………………………………………………………………… iii Epigraph…………………………………………………………………………. iv Table of Contents………………………………………………………………… v Acknowledgements……………………………………………………………… vii Vita………………………………………………………………………………. viii Abstract of the Dissertation……………………………………………………… ix Introduction……………………………………………………………………… 1 Chapter 1: Festival Overview …………………………………………………… 17 Chapter 2: Cultural Democracy…………………………………………………. -
2016 Conference Program
Image “Destiny” by Deanna Oyafemi Lowman MOYO ~ BIENVENIDOS ~ E KAABO ~ AKWABAA BYENVENI ~ BEM VINDOS ~ WELCOME Welcome to the fourth conference of the African and Diasporic Religious Studies Association! ADRSA was conceived during a forum of scholars and scholar- practitioners of African and Diasporic religions held at the Center for the Study of World Religions at Harvard Divinity School in October 2011 and the idea was solidified during the highly successful Sacred Healing and Wholeness in Africa and the Americas symposium held at Harvard in April 2012. Those present at the forum and the symposium agreed that, as with the other fields with which many of us are affiliated, the expansion of the discipline would be aided by the formation of an association that allows researchers to come together to forge relationships, share their work, and contribute to the growing body of scholarship on these rich traditions. We are proud to be the first US-based association dedicated exclusively to the study of African and Diasporic Religions and we look forward to continuing to build our network throughout the country and the world. Although there has been definite improvement, Indigenous Religions of all varieties are still sorely underrepresented in the academic realms of Religious and Theological Studies. As a scholar- practitioner of such a tradition, I am eager to see that change. As of 2005, there were at least 400 million people practicing Indigenous Religions worldwide, making them the 5th most commonly practiced class of religions. Taken alone, practitioners of African and African Diasporic religions comprise the 8th largest religious grouping in the world, with approximately 100 million practitioners, and the number continues to grow. -
SEM 63 Annual Meeting
SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S. -
Being Muslim: a Cultural History of Women of Chicago in the 1990S, Castor Takes the Reader on a Color in American Islam
congresses and the incorporation of Orishas into national politics, Black Power and African con- Trinidadian carnival (including the tensions it sciousness for shaping what became (and what con- caused within Ifa/Orisha communities) to highlight tinues to become) Ifa/Orisha religion as practiced differences between what Castor calls Yoruba-cen- in Trinidad. In this, we learn how specific local con- tric shrines (religious communities that look to texts, international connections and particular trav- Africa for spiritual authority and ritual guidance) elers shaped and continue to mold this diasporic and Trinidad-centric shrines (communities rooted African-based religion in Trinidad, placing Castor’s in local practices and histories in Trinidad). Chap- ethnography alongside recent work of scholars of ter 4 explores the growing transnational networks Yorub a religion in places like South Carolina of practitioners by focusing on connections (Clarke 2004) and Cuba (Beliso-De Jesus 2015). between the Caribbean and Africa, especially This highly recommended ethnography would be a through the experiences of many who traveled to very valuable text for undergraduate and graduate Nigeria for participation in the Seventh annual students, general scholars and practitioners alike. Orisha World Congress in Nigeria in 2001. Here, Castor investigates how people were initiated in REFERENCES CITED Nigeria and what she calls spiritual economies: Beliso-De Jesus, Aisha. 2015. Electric Santeria: Racial and Sexual “the transfer and exchange of value...for spiritual Assemblages of Transnational Religion, New York: Columbia labor” (p. 122). Chapter 5 explores how the first University Press. Clarke, Kamari. 2004. Mapping Yoruba Networks: Power and Ifa divinatory lineages were established in Trini- Agency in the Making of Transnational Communities. -
Evaluation of the Role of Iran National Museum in the Cultural Tourism in Iran
EVALUATION OF THE ROLE OF IRAN NATIONAL MUSEUM IN THE CULTURAL TOURISM IN IRAN Omid Salek Farokhi Per citar o enllaçar aquest document: Para citar o enlazar este documento: Use this url to cite or link to this publication: http://hdl.handle.net/10803/667713 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). -
Society for Ethnomusicology 58Th Annual Meeting Abstracts
Society for Ethnomusicology 58th Annual Meeting Abstracts Sounding Against Nuclear Power in Post-Tsunami Japan examine the musical and cultural features that mark their music as both Marie Abe, Boston University distinctively Jewish and distinctively American. I relate this relatively new development in Jewish liturgical music to women’s entry into the cantorate, In April 2011-one month after the devastating M9.0 earthquake, tsunami, and and I argue that the opening of this clergy position and the explosion of new subsequent crises at the Fukushima nuclear power plant in northeast Japan, music for the female voice represent the choice of American Jews to engage an antinuclear demonstration took over the streets of Tokyo. The crowd was fully with their dual civic and religious identity. unprecedented in its size and diversity; its 15 000 participants-a number unseen since 1968-ranged from mothers concerned with radiation risks on Walking to Tsuglagkhang: Exploring the Function of a Tibetan their children's health to environmentalists and unemployed youths. Leading Soundscape in Northern India the protest was the raucous sound of chindon-ya, a Japanese practice of Danielle Adomaitis, independent scholar musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize an employer's business by marching through the From the main square in McLeod Ganj (upper Dharamsala, H.P., India), streets. How did this erstwhile commercial practice become a sonic marker of Temple Road leads to one main attraction: Tsuglagkhang, the home the 14th a mass social movement in spring 2011? When the public display of merriment Dalai Lama. -
Trinidad Orisha Opens the Road
SHIFTING MULTICULTURAL CITIZENSHIP: Trinidad Orisha Opens the Road N. FADEKE CASTOR CTexas A&M UniversityA The procession of Orisha folks moved down the streets of Arouca to end at the African Ancestral Site. First were the praises to the ancestors, then the granting of awards and a brief Calypso interlude before the children lined up, performing their rehearsed dance as water libations were made to cool the earth (Onile). A person of importance, a holder of political power had arrived. Claps and the Trinidad Orisha call—a warble yell produced by beating the hand against the mouth—greeted the political leader of Trinidad, Prime Minister Basdeo Panday, as he stepped onto Orisha holy land, a welcome guest. On this day he would speak to the Orisha folks and promise the support of his party and the government. And later that year in Parliament his promises would materialize.1 As put by Pearl Eintou Springer,2 then member of the newly formed Council of Orisha Elders, “We want to say that it is the first time that a Prime Minister of this country has come to be part of Orisha people business” (Orisha Family Day 1999). Prime Minister Basdeo Panday’s photo at the festival would be on the front page of both national newspapers under headlines of “Shango Rising” and “PM promises more rights for Orishas” (Trinidad Express March 22, 1999; Henry 2003:129). Panday spoke as an invited guest at the Second Annual Orisha Family Day, March 21, 1999. In the 37 years since independence he was the first Indo- Trinidadian political leader. -
Dianne Marie Stewart C.V
Dianne Marie Stewart C.V. 11/03/17 1 DIANNE MARIE STEWART Department of Religion Department of African American Studies Emory University Atlanta, GA 30322 [email protected] (404) 727-8671 EDUCATION 1997 Ph.D. Systematic Theology Specialization: African Diaspora Religious Thought & Cultures Union Theological Seminary, New York, NY 1993 M.Div. Theology & Culture Specialization: African American Religious Thought Harvard Divinity School, Cambridge, MA 1990 B.A. English & AAS Colgate University, Hamilton, NY AWARDS AND HONORS (PROFESSIONAL) 2017 The Bill and Carol Fox Center for Humanistic Inquiry Senior Fellowship, Emory University 2016 PERS Grant, Emory College of Arts and Sciences (archival research Gullah Religious Traditions) 2016 Eleanor Main Graduate Faculty Mentor Award, Emory University Laney Graduate School 2016 CFDE Engaged Learning Program Grant 2016 Center for Creative Arts Grant 2013 Distinguished Advising Award, Emory College of Arts and Sciences 2012 American Academy of Religion, Collaborative Research Assistance Grant (Trinidad & England) 2011 Woodruff Presidential Faculty Research & Travel Grant (DR Congo & England), Emory College 2009 Woodruff Faculty Resource Grant, Emory College 2008 ICIS Faculty International Travel Grant (England), Emory College 2006 Fulbright Scholar, Democratic Republic of Congo (17 months) 2006 ICIS Faculty International Research Grant, Emory College 2005 Massee-Martin Teaching Consultation Grant (with Dr. Regine Jackson), Emory College 2005 ICIS Faculty International Travel Grant, Emory University -
N. FADEKE CASTOR EDUCATION University of Chicago, Department
N. FADEKE CASTOR [email protected] HTTP://SCHOLARS.TAMU .EDU/FADEKE Texas A&M University 302B Bolton Hall, MS 4456 College Station, Texas 77843-4456 EDUCATION University of Chicago, Department of Anthropology 2009 Doctor of Philosophy, Sociocultural Anthropology Dissertation: Invoking the Spirit of Canboulay: Pathways of African Middle Class Cultural Citizenship in Trinidad Dissertation Committee: Dr. Jean Comaroff (co-chair), Dr. Andrew Apter (co-chair), Dr. John Comaroff, Dr. Stephan Palmié, Dr. Michel-Rolph Trouillot University of Chicago, Master of Arts Program in the Social Sciences 2000 Master of Arts, Social Sciences MA thesis: Orisha Online: Community and Identity in the Black Atlantic Pomona College 1994 Bachelor of Arts, Political Philosophy ACADEMIC POSITIONS Assistant Professor, Anthropology and Africana Studies, Texas A&M University 2009– present Religious Studies, Affiliate, 2009-present Race and Ethnic Studies Institute, Affiliate 2007-present Visiting Assistant Professor, Anthropology and Africana Studies, Texas A&M U. 2007–2009 Mellon Writing in the Disciplines Fellow, African & African-American Studies, Duke U. 2006–2007 Consortium in Latin American and Caribbean Studies, Affiliate 2006-2007 Gaius Charles Bolin Fellow, Anthropology, Williams College 2005–2006 Lecturer, Graham School, University of Chicago Summer 2002 RESEARCH & TEACHING INTERESTS Afro-Atlantic religions, race and ethnicity, performance, cultural citizenship, decolonization, modernity, ritual and festival, black feminist theory, critical theory, popular culture, new media, post-colonialism, transnationalism, visual ethnographic methods; Caribbean, West Africa, North America, African Diaspora. PUBLICATIONS “Shifting multicultural citizenship: Trinidad Orisha opens the road” Cultural Anthropology (28)3 August 2013: 475-489. WORK IN PROGRESS Sacred Imaginaries: Performing Citizenship, Decolonizing Blackness. Book manuscript submitted to Duke University Press. -
Ostâd Mortezâ Varzi
Ostâd Mortezâ Varzi 30 December 1922 – 3 January 2004 It is with great sadness that I note the death of Ostâd (master) Mortezâ Varzi, Iranian musician extraordinaire. He was 81 years old. Mortezâ Varzi was born in Tehran, Iran, on 30 December 1922. Mr. Varzi started his music lessons on the violin at age 15 with the Ney-Dâvoud brothers, two of the greatest Persian instrumentalists of the twentieth century. After his father advised him to play music on a traditional Persian instrument, he began studying setâr with master Nasratollâh Zarrin-Panjeh, and kemenche with master Ali-Asghâr Bahâri. After finishing college with a degree in economics, Mr. Varzi was employed by the Iranian government, traveling throughout the world, conducting official business in Japan, the Philippines, India, China, the UK, and the United States. Mortezâ Varzi, 1922 – 2004. During his official duties, he represented the Iranian government at forums such as the CENTO Symposium on Decentralization of Government. He undertook post-graduate studies in Finance and Personnel Management in the United States, and in Public Administration in the UK. Later, after attaining high office at the Iranian State Railroad and at the Iranian Ministry of the Interior (where his posts included Governor of the Province of Sari, Director of Planning and Studies, Director General of Plans and Studies, Director General of Organization and Method, Consultant to the Minister of the Interior, and Executive Director of the Iran Municipal Association), he spent his free time collecting Iranian musical recordings, and researching Persian classical and folkloric music. In 1970, Mr. Varzi took up residence in the United States, promoting Persian music and culture, and instructing both Iranians and Americans in the Persian classical musical repertoire.