Bot-Man According to Some, the New Millenium Began Three Years Ago
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Soul on Fire: the Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc
SOUL ON THE LIFE AND MUSIC OF FIRE PETER STEELE WAGNER BY JEFF BY Dedicated to the memory of Peter Thomas Ratajczyk and Barbara Emma Banyai SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. Soul on Fire: The Life and Music of Peter Steele Copyright © 2014 FYI Press, Inc. All rights reserved. www.petersteelebio.com Cover photo by John Wadsworth Cover design by Scott Hoffman and Adriene Greenup Photographs as credited Book design by Scott Hoffman for Eyedolatry Design Copyediting by Valerie Brooks Editing and additional contributions by Adriene Greenup First published in the United States in 2014 by FYI PRESS Greensboro, NC 27403 www.fyipress.com ISBN 978-1-934859-45-2 Printed in the United States of America SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. “There is no weapon more powerful than the human soul on fire” —General Ferdinand Foch “Do you believe in forever? I don’t even believe in tomorrow” —Peter Steele SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. SOF Sample 4/11/2015 - Copyright FYI Press, Inc. NOT FOR SALE OR TO BE COPIED. CONTENTS Prologue: Too Late for Apologies vii Part I: RED 1 Ground Zero Brooklyn 1 2 Into the Reactor 13 3 You Are What You Eat 35 4 Extreme Neurosis 63 Part II: GREEN 5 Power Tools 91 6 Into the Sphincter of the Beast 117 (and other Fecal Origins) 7 Religion…Women…Fire 129 8 An Accidental God 147 9 Product of Vinnland 171 Part III: BLACK 10 It’s Coming Down 203 11 The Death of the Party 225 12 Repair — Maintain — Improve 249 13 All Hail and Farewell 275 Gratitude 296 Endnotes 297 SOF Sample 4/11/2015 - Copyright FYI Press, Inc. -
Jaines Donahue Nained New" SMC President
The Collegian Volume 110 2012-2013 Article 22 4-9-2013 Volume 110, Number 22 - Tuesday, April 9, 2013 Saint Mary's College of California Follow this and additional works at: https://digitalcommons.stmarys-ca.edu/collegian Part of the Higher Education Commons Recommended Citation Saint Mary's College of California (2013) "Volume 110, Number 22 - Tuesday, April 9, 2013," The Collegian: Vol. 110 , Article 22. Available at: https://digitalcommons.stmarys-ca.edu/collegian/vol110/iss1/22 This Issue is brought to you for free and open access by Saint Mary's Digital Commons. It has been accepted for inclusion in The Collegian by an authorized editor of Saint Mary's Digital Commons. For more information, please contact [email protected]. MORAGA, CALIFORNIA VOLUME 110, NUMBE~ TUESDAY, APRIL 9, 2013 STMARYSCOLLEGIAN.COM TWITTER: @ SMC_COLLEGIAN FACEBOOK.COM/SMCCOLLEGIAN -2-Z,, INSIDE THIS Jaines Donahue nained neW" SMC president WEEK'S EDITION First lay .president of Saint Mary's PAGE3 Trevor Project works to College raise suicide awareness announced over Spring Break BY CHARLIE GUESE CHIEF COPY EDITOR At a conference on the Chapel Lawn on March 26, Saint Mary's College officials formally named Dr. James A Donahue of the Grad uate Theological Union as the Col lege's 29th president. Donahue's term as president is effective July 1, 2013. "It's an absolute honor and bless ing to be named the 29th president of Saint Mary's College," Donahue said, "I promise that I will dedicate myself with all that I have to make Saint Mary's College the best aca SPORTS demic institution it can be." Donahue's speech at the an Baseball pummels nouncement ceremony highlight Georgetown ed his excitement at being named President of Saint Mary's, the heritage of the College's history, Prior to his appointment, Do It was announced in June 2012 Brother Ron was appointed Poetry and the all-encompassing Lasal nahue also served on the Advisory that incumbent President Brother president on September 23, 2005. -
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
WHO's on FIRST - BLUES HAPPENINGS AROUND the STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N
1 WHO'S ON FIRST - BLUES HAPPENINGS AROUND THE STATE & AREA NEXT ISSUE: Week of June 7, 2017 Great N. Blues Soc.: Next meet: 6/13/2017 - Loppnow's Bar, Wausau at 7 PM Dates do change! Check with the venue and/or band to confirm before you go!!!! GROUP DATE VENUE TIME 20 Watt Tombstone 5/21 Tin Roof, Charleston; SC 9 PM Robert Allen Jr. Band 5/21 Smiling Moose, Osman 4 PM Altered Five Blues Band 6/03 Jackson Blues Fest, Jackson; MI 4:30 PM Dale Anderson Big Mouth & Power Tool Horns 6/01 Astor Park, Green Bay 6 PM The Blue Olives The Blues Disciples 5/27 Knuckle Down Saloon, Madison 9 PM Chris Brandenburg & the 6/24 Classics Lounge, Shawano 8 PM Bluetones Cadillac Pete w/Donnie Pick 5/28 Hardtails, Hortonville 2 PM Cash Box Kings 5/24 Buddy Guy's Legends, Chicago; IL 9 PM ERIC NODEN w/Steve Cohen 5/21 Von Trier's, Milwaukee 6:30 PM Davina and the Vagabonds 5/22-6/04 European Tour, Various Venues Varies Glenn Davis & Cruise Control 5/24 Harry's Cafe Blues JAM, Lake Geneva 9 PM Sena Ehrhardt Band 6/13 Saint Paul Saints Game, St. Paul; MN 7 PM Bobby Evans Band 7/07 Gibson Music Hall, Appleton 8 PM Paul Filipowicz 5/26 Ginger Snaps, Oshkosh 8 PM Flat Broke Blues Band 6/17 Kestner Park, Houghton; MICHIGAN 7:30 PM Billy Flynn 5/26 Ground Zero, Clarksdale; MISSISSIPPI Nick Foytik 5/25 Acoustic Cafe, Eau Claire 7:30 PM Highway 414 6/10 Thirsty Beaver, Beaver Dam 7 PM Hip Pocket 6/07 The Bar, Wausau 7 PM Jonny T-Bird & the MP's 5/25 Red Dot Tosa, Wauwatosa 7:30 PM Katz Sass Band 6/11 Locust Street Fest, Milwaukee ? Greg Koch Left Wing Bourbon 6/02 -
Happy Mondays ...Yes Please! Mp3, Flac, Wma
Happy Mondays ...Yes Please! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: ...Yes Please! Country: US Released: 1992 Style: House, Breaks, Synth-pop, Alternative Rock, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1153 mb Rating: 4.6 Votes: 856 Other Formats: MOD DXD AHX MIDI AC3 WMA MPC Tracklist Hide Credits 1 Stinkin' Thinkin' 4:18 2 Monkey In The Family 4:41 3 Sunshine And Love 4:46 4 Dustman 3:44 5 Angel 5:51 Cut 'em Loose Bruce 6 4:26 Vocals – Kermit 7 Theme From Netto 4:13 8 Love Child 5:12 9 Total Ringo 3:38 10 Cowboy Dave 5:06 Companies, etc. Phonographic Copyright (p) – Factory Communications Ltd. Copyright (c) – Factory Communications Ltd. Published By – FFRR Music Ltd. Published By – London Music Ltd. Recorded At – Blue Wave Recording Studios Mixed At – Axis Studios Mixed At – Comforts Place Mastered At – Masterdisk Pressed By – PRS Hannover Credits Artwork – Central Station Design Backing Vocals – Rowetta Bass – Paul Ryder Drums – Gary Whelan Edited By, Arranged By [Assembled] – Scott Hull Guitar – Mark Day Keyboards – Paul Davis Lead Vocals – Shaun Ryder Mastered By – Bob Ludwig Mixed By – Steven Stanley Mixed By [Assistant] – John Parthum Percussion – Bruce Martin Performer [Bez] – Bez Producer – Chris Frantz, Tina Weymouth Programmed By [Additional Programs], Sampler [Additional Samples] – Bruce Martin Programmed By, Sampler – Simon Machan Recorded By – Mark Roule Recorded By [Assistant] – Bryon Europe*, Ray Mascarenas Songwriter – Happy Mondays Notes Recorded at Blue Wave Studio, St. Philip, Barbados. Assisted at Comfort's Place Studio, Lingfield, Surrey, U.K. -
Partial Listing of Gluten-Free “Mainstream” Products Available in the Chicago Area Or Through the Internet
PARTIAL LISTING OF GLUTEN-FREE “MAINSTREAM” PRODUCTS AVAILABLE IN THE CHICAGO AREA OR THROUGH THE INTERNET Updated March 5, 2005 Wheaton Gluten-Free Support Group This list was compiled from lists and postings on celiac and autism organizations’ websites and from information provided by manufacturers and retailers. In addition to products in this list, a wide variety of gluten-free specialty products are available, clearly labeled “gluten free.” This list is based on available information and does not claim to be complete. Its accuracy depends on the accuracy of the information provided by the product manufacturers. Information verification dates are given in parentheses. INGREDIENTS OF SOME PRODUCTS CHANGE OFTEN. FOR CURRENT INFORMATION, CHECK THE INGREDIENT LIST ON THE PRODUCT LABEL. 2 TABLE OF CONTENTS Shelf-Stable Entrees/Travel Foods .................................................................39 MIXES ........................................................................................................40 PICKLES AND OLIVES ................................................................................41 BAKERY/BREAD/TACOS/TORTILLAS.......................................................... 3 SALAD DRESSINGS ....................................................................................42 Waffles....................................................................................................... 3 SAUCES/CONDIMENTS ..............................................................................43 BAKING PRODUCTS ................................................................................... -
Examensuppsats På Kandidatnivå Nedskalad Truminspelning Med Ett Stort Sound
! Examensuppsats på kandidatnivå Nedskalad truminspelning med ett stort sound Om Kevin Parker och hans sätt att producera trummor Författare: Andreas Troedsson Handledare: Berk Sirman Seminarieexaminator: Thomas Von Wachenfeldt Formell kursexaminator: Thomas Florén Ämne/huvudområde: Ljud- och musikproduktion Kurskod: LP2005 Ljudproduktion, fördjupningskurs Poäng: 30 hp Examinationsdatum: 2017-01-13 Jag/vi medger publicering i fulltext (fritt tillgänglig på nätet, open access): Ja Abstract Producenten Kevin Parker har onekligen fått igenkänning för sitt trumsound. Som huvudsaklig låtskrivare och producent i rockbandet Tame Impala har han skapat sig ett ”signature sound”. Eftersom många gillar hur Parkers trummor låter har det förts långa diskussioner angående produktionsprocessen. Uppsatsen ämnade att ta reda på hur Parkers produktion sett ut och vilka ljudliga artefakter det är som utgör hans sound. Resultatet visar på en väldigt nedskalad inspelning. Ofta med ett enkelt vintage-trumkit och tre till fyra mikrofoner, dämpade skinn samt en hel del kompression och distorsion. Soundet kan beskrivas som väldigt energiskt, mycket tack vare just hård kompression och distorsion. Parkers sound känns igen även utanför Tame Impala. Trummorna upplevs i många fall som mycket mer än bara ett rytminstrument. Uppsatsen förklarar hur okonventionella produktionsprocesser kan ge upphov till originella ljudliga karaktärer, vilket i slutändan kan anses en positiv konsekvens. Keywords Kevin Parker, Tame Impala, producent, inspelning, trummor, musikanalys. Innehållsförteckning -
Making Company of Darkness Joshua Evan Borgmann Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Making company of darkness Joshua Evan Borgmann Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Borgmann, Joshua Evan, "Making company of darkness " (1999). Retrospective Theses and Dissertations. 7097. https://lib.dr.iastate.edu/rtd/7097 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Making company of darkness by Joshua Evan Borgmann . A thesis submitted to the graduate faculty in partialfulfillment of the requirements for the degreeof MASTER OFARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1999 11 Graduate College Iowa State University This is to certify that the Master's thesis of Joshua Evan Borgmann has met the requirements ofIowa State University Major Professor For the Major Program For the Graduate College m TABLE OF CONTENTS I. INSALUBRIOUS BIFURCATIONS 1 Family Portrait at 23 2 Family 3 Family Spirit 4 Insalubrious Bifurcation ofthe Post-Nuclear Family Schema 5 Christmas Eves 6 Holiday Edge 7 Food, Football, Family 9 Wal-Mart Christian 11 Devil's Advocate 13 Religion in Ice 14 Deicide 15 Suicide Poem # 23 16 Suicide Poem # 24 17 23 to 2 18 Sadistic Auto-Masochistic Persecution 19 Random SelfIndulgent Shit 20 High School High Via the Lost Highway 23 Forgetting '87 24 Thirteen 25 Absence ofLight 26 Windows 27 The House 28 Old Woman 29 In the Night 30 Goathoms 31 H. -
Race for the Prize: the Proto-Selfie As Endurance Performance
Race for the Prize: The Proto-Selfie as Endurance Performance Art Marc A. Tasman Abstract: In the paper “Race for the Prize: The Proto-Selfie as Endurance Performance Art,” the author characterizes a small group of artists (including himself) working on time-lapse, self-portrait photographic projects as competitive— in a race with distinct formal, aesthetic, and technical categories. Set on the cusp of the millennial change from 20th to 21st century, these self-portrait works suggested practices and modes of new digital materiality that helped to birth the phenomenon called “the Selfie.” In the few decades before this Web 2.0 debut, the self-portrait was already evolving with electronic media. Neo-avant-garde performance artists and post-modern photographers were making identity-fluid works, self-portraits that were highly performative, prefiguring the coming practices of self-representation in digital networks. An important link, a reference to the passage of time, reinforce a familiar theme in art history—memento-mori, which is a reminder to the viewer that our time alive is fleeting. In this way, along with other threads, including first-hand accounts by the quartet of time-lapse self-portrait artists, we can derive the context and continuity that connects antecedents to descendant selfie practices, ubiquitous in contemporary culture. 1. Introduction I am writing here ten years after the conclusion of the Ten Year Polaroid Project (Figure1), also known as Ten Years and One Day, twenty years after the start of my photo series. This is a project in which I photographed myself using a Polaroid camera and instant film for 3654 consecutive days, from 24 July 1999 through 24 July 2009. -
Www .Tsunamiedizioni.Com Campione Gra Tuito
CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO “Non c’è arma più potente dell’animo umano in fiamme”. Generale Ferdinand Foch “Se credo nell’eternità? Io non credo neppure nel domani”. Peter Steele CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO SOUL ON Web Tsunami Facebook Titolo originale dell’opera: “Soul on Fire: The Life and Music of Peter Steele” Copyright © 2014 FYI Press, Inc. Edizione originale pubblicata in USA da: FYI Press, Greensboro, NC 27403 Copyright © 2015 A.SE.FI. Editoriale Srl - Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - twitter: @tsunamiedizioni Prima edizione Tsunami Edizioni, settembre 2015 - I Cicloni 23 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione di Alessia Di Giovanni Foto di copertina di John Wadsworth, design di Scott Hoffman e Adriene Greenup Stampato nel mese di settembre 2015 da GESP - Città di Castello (PG) ISBN: 978-88-96131-78-7 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l’autorizzazione scritta dell’Editore. Nell’impossibilità di risalire agli aventi diritto delle fotografie pubblicate, l’Editore si dichiara disponibile a sanare ogni eventuale controversia. - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO FIRE E TYPE O NEGATIVE PETER STEELE TRA CARNIVORE SOUL ON TRADUZIONE DI ALESSIA DI GIOVANNI JEFF CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO WAGNER CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO Dedicato alla memoria di Peter Thomas Ratajczyk e Barbara Emma Banyai CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO INDICE CAMPIONE GRATUITO - WWW.TSUNAMIEDIZIONI.COM CAMPIONE GRATUITO PROLOGO: TROPPO TARDI PER SCUSARSI 9 PARTE I - ROSSO 1 GROUND ZERO: BROOKLYN 15 2 NEL REATTORE 27 3 SEI QUELLO CHE MANGI 49 4 NEVROSI ESTREMA 79 PARTE II - VERDE 5 STRUMENTI DI POTERE 107 6 NELLO SFINTERE DELLA BESTIA 133 7 RELIGIONE.. -
Christian Woman Guitar Tab
CHRISTIAN WOMAN As recorded by Type O Negative (From the 1993 Album BLOODY KISSES) Transcribed by Freekmo Words and Music by Peter Steele Arranged by Cherry Lane Music A Intro Guitars I, II, VI tune down 2.5 steps, low - high: B E A D F# B Slow Dirge Rock = 90 Guitars III, IV, V standard tuning N.C. P 1 gggg 4 W W V V W W V V U I 4 u u Gtr III Keyboard T 11 13 A 14 11 14 13 11 (11) B N.C. U U U U 6 gggg W W V V W W V V U I u u T 14 (14) (14) (14) 11 13 A 14 11 14 13 11 11 B B Verse 1 N.C. 10 gggg W W V V W W V V U I u u T 11 13 A 14 11 14 13 11 (11) B N.C. Gtrs I, II Dist. _ 6 17fr. U U U U 14 gggg W W V V W W V V U I u u T 14 (14) (14) (14) 11 13 A 14 11 14 13 11 11 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org CHRISTIAN WOMAN - Type O Negative Page 2 of 11 A5 B5 D5 Fb5 N.C. A5 Gb5 D5 Fb5 N.C. 18 g g g g W V W } R I W V V W R V W V V V P W V V V W P W V V V V P Gtrs I, II Heavy distortion Gtr IV P.M. -
OBSERVER Vol
OBSERVER Vol. 9 No. 1 September 25, 1998 Back Page Bot-man: License to Chafe Chris Van Dyke, John Holowach Front Page Proposed Performing Arts Center Building Site Angers Neighbors Montgomery Place contends the structure will destroy the continuity of their horizon By David Porter Miller Protested Firing Line Airs, Diversity Debate Continues Spring debate over the ACLU is broadcast, includes Students of Color protest unedited By Anna-Rose Mathieson Boot This! Campaigns Against Brock and Parking Club wants to pay tickets, end Boot, and challenge parking and road policies By Jessica Jacobs Page 2 News Briefs Student Center Hardhat Tours By Nate Schwartz Conference on War Crimes By John Holowach Page 3 Firing Line Episode (continued) Proposed Northern Dutchess Hospital Merger Officially Fails Administrative conflicts will keep Rhinebeck’s hospital a secular institution By Amanda Kniepkamp Earth Coalition Planning Several Events, Initiatives Upcoming: testing Bard’s tap water, a solar oven, campus clean-up efforts Page 4 Student Convocation Fund Budget Allotments, Fall 1998 Page 5 El Más Wicked Info-Revolution Henderson Computer Center’s new boss has a dream: for every community member an “information-technology dialtone” Joe Stanco Page 6 Beer and Circus: Budget Forum ‘98 Another parliamentary morass of drunken debate Leigh Jenco Green Party’s Kovel Asks Voters: Why Not? Former psychiatrist and activist, Bard Social Studies Professor Joel Kovel is running for the New York Senate Susannah E. David and Jeff GiaQuinto Student Association Officers