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Examensuppsats På Kandidatnivå Nedskalad Truminspelning Med Ett Stort Sound
! Examensuppsats på kandidatnivå Nedskalad truminspelning med ett stort sound Om Kevin Parker och hans sätt att producera trummor Författare: Andreas Troedsson Handledare: Berk Sirman Seminarieexaminator: Thomas Von Wachenfeldt Formell kursexaminator: Thomas Florén Ämne/huvudområde: Ljud- och musikproduktion Kurskod: LP2005 Ljudproduktion, fördjupningskurs Poäng: 30 hp Examinationsdatum: 2017-01-13 Jag/vi medger publicering i fulltext (fritt tillgänglig på nätet, open access): Ja Abstract Producenten Kevin Parker har onekligen fått igenkänning för sitt trumsound. Som huvudsaklig låtskrivare och producent i rockbandet Tame Impala har han skapat sig ett ”signature sound”. Eftersom många gillar hur Parkers trummor låter har det förts långa diskussioner angående produktionsprocessen. Uppsatsen ämnade att ta reda på hur Parkers produktion sett ut och vilka ljudliga artefakter det är som utgör hans sound. Resultatet visar på en väldigt nedskalad inspelning. Ofta med ett enkelt vintage-trumkit och tre till fyra mikrofoner, dämpade skinn samt en hel del kompression och distorsion. Soundet kan beskrivas som väldigt energiskt, mycket tack vare just hård kompression och distorsion. Parkers sound känns igen även utanför Tame Impala. Trummorna upplevs i många fall som mycket mer än bara ett rytminstrument. Uppsatsen förklarar hur okonventionella produktionsprocesser kan ge upphov till originella ljudliga karaktärer, vilket i slutändan kan anses en positiv konsekvens. Keywords Kevin Parker, Tame Impala, producent, inspelning, trummor, musikanalys. Innehållsförteckning -
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction. -
Warner Music Group Corp
WARNER MUSIC GROUP CORP. ANNOUNCES PRICING OF INITIAL PUBLIC OFFERING New York, New York (June 3, 2020) — Warner Music Group Corp. (the “Company”) announced today the pricing of its initial public offering (“IPO”) of 77,000,000 shares of its Class A common stock at a public offering price of $25.00 per share. The size of the IPO was increased from the previously announced 70,000,000 shares of Class A common stock. The offering consists entirely of secondary shares to be sold by Access Industries, LLC and certain related selling stockholders. The Company will not receive any proceeds from the offering. The shares of Class A common stock are expected to begin trading on The Nasdaq Stock Market on June 3, 2020 under the ticker symbol “WMG”. The underwriters will have a 30-day option to purchase up to an additional 11,550,000 shares of Class A common stock from the selling stockholders. Morgan Stanley & Co. LLC, Credit Suisse Securities (USA) LLC and Goldman Sachs & Co. LLC are acting as joint bookrunning managers and as representatives of the underwriters for the offering. BofA Securities, Inc., Citigroup Global Markets Inc. and J.P. Morgan Securities LLC are also acting as joint bookrunning managers. Barclays Capital Inc., Evercore Group L.L.C., Guggenheim Securities, LLC, Macquarie Capital (USA) Inc., Nomura Securities International, Inc., RBC Capital Markets, LLC, SunTrust Robinson Humphrey, Inc., CIBC World Markets Corp., HSBC Securities (USA) Inc., SG Americas Securities, LLC; Société Générale, LionTree Advisors LLC, Raine Securities LLC, AmeriVet Securities, Inc. Bancroft Capital, LLC, Blaylock Van, LLC, C.L. -
The 360 Contract in the Digitalizing Music Industry
Western University Scholarship@Western FIMS Publications Information & Media Studies (FIMS) Faculty 2012 The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry Matt Stahl The University of Western Ontario Leslie Meier The University of Western Ontario, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/fimspub Part of the Library and Information Science Commons Citation of this paper: Stahl, Matt and Meier, Leslie, "The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry" (2012). FIMS Publications. 272. https://ir.lib.uwo.ca/fimspub/272 The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry Matt Stahl & Leslie M. Meier University of Western Ontario ABSTRACT The devaluation of the recorded music commodity under digitalization has destabilized the recording industry. One primary record industry response is the new “360 deal” form of the recording contract. By securing rights to individual acts’ live performance, music publishing and licensing, and merchandizing activities, this new deal expands record companies’ access to more profitable fields of music industry activity (if in piecemeal fashion). We examine the context, evolution, and varieties of the 360 deal, and argue that it re-secures record industry profitability and further stratifies the population of recording artists by shifting risk onto performers. KEYWORDS Cultural Industries; Popular Music; Recording Industry; Creative -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Counting the Music Industry: the Gender Gap
October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free lance music industry consult ant, is a director of the board of PiPA http://www.pipacam paign.com/ and an exciting music tech startup called Delic https://www.delic.net work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist. -
A&R Update December 1-2-3-4 GO! RECORDS 423
A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St. -
Warner Music Group Annual Report 2019
Warner Music Group Annual Report 2019 Form 10-K (NASDAQ:WMG) Published: November 27th, 2019 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ___________________________________________________________________________________________ FORM 10-K ___________________________________________________________________________________________ (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 ___________________________________________________________________________________________ Warner Music Group Corp. (Exact name of Registrant as specified in its charter) ___________________________________________________________________________________________ Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1633 Broadway New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 ___________________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered None None None Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________________________________________ -
Senate Joint Resolution No. 24 ESJR 24
THE HOUSE OF REPRESENTATIVES Monday, April 6, 2009 ENGROSSED Senate Joint Resolution No. 24 ESJR 24 ENGROSSED SENATE JOINT RESOLUTION NO. 24 - By: SCHULZ, JOLLEY, ADELSON, ALDRIDGE, ANDERSON, BALLENGER, BARRINGTON, BASS, BINGMAN, BRANAN, BROGDON, BROWN, BURRAGE, COATES, COFFEE, CORN, CRAIN, CRUTCHFIELD, EASLEY, EASON MCINTYRE, ELLIS, FORD, GARRISON, GUMM, HALLIGAN, IVESTER, JOHNSON (CONSTANCE), JOHNSON (MIKE), JUSTICE, LAMB, LASTER, LEFTWICH, LERBLANCE, MARLATT, MAZZEI, MYERS, NEWBERRY, NICHOLS, PADDACK, REYNOLDS, RICE, RUSSELL, SPARKS, STANISLAWSKI, SWEEDEN, SYKES, WILSON AND WYRICK of the Senate and DORMAN of the House. A Joint Resolution recognizing “Do You Realize??” as the official Oklahoma State Rock and Roll Song; providing for codification; directing distribution; and declaring an emergency. 1 WHEREAS, the Oklahoma Legislature has adopted a State Folk Song (“Oklahoma 2 Hills”, Jack and Woody Guthrie, 2001), a State Country and Western Song (“Faded 3 Love”, Bob Wills, 1988), and an official state song (“Oklahoma”, Richard Rodgers and 4 Oscar Hammerstein II, 1953); and 5 WHEREAS, Oklahoma has been home to many exceptional Rock and Roll 6 performers and song writers and no official Rock and Roll Song has been adopted; and 1 WHEREAS, the House of Representatives of the 2nd Session of the 51st 2 Legislature, with the Oklahoma State Senate concurring therein, adopted House 3 Concurrent Resolution No. 1047 which specified how the Oklahoma Historical Society 4 would conduct a competition to select the official Rock and Roll Song, how -
2013 March 26 April 2
NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: MARCH 26 APRIL 2 ORDERS DUE: FEB 27 ORDERS DUE: MARCH 6 ISSUE 7 wea.com 2013 3/26/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE A Rocket To The Moon Wild & Free FBY CD 075678766725 530448 $13.99 2/27/13 The Carol Burnett Show: This Time Burnett, Carol TSV DV 610583447392 27576-X $59.95 2/27/13 Together (6DVD) Original Album Series (5CD) - Has Chicago FLA CD 081227980139 524559 $21.95 2/27/13 been CANCELLED Original Album Series (5CD) - Cooper, Alice FLS CD 081227983574 522056 $21.95 2/27/13 BUMPED TO 4/23/13 Original Album Series (5CD) - Doobie Brothers, The FLS CD 081227975401 528898 $21.95 2/27/13 BUMPED TO 4/23/13 Doors, The Morrison Hotel FLE CD 603497924554 535080 $4.98 2/27/13 Original Album Series (5CD) - Franklin, Aretha FLE CD 081227982799 522563 $21.95 2/27/13 BUMPED TO 4/23/13 Kvelertak Meir RRR CD 016861761325 176132 $13.99 2/27/13 Manhattan Transfers, The Best Of The Manhattan Transfers FLE CD 081227966690 19319-F $4.98 2/27/13 The Marconi Marconi LAT CD 825646468805 535023 $11.98 2/27/13 530386- Shelton, Blake Based On A True Story… WNS CD 093624946113 $18.98 2/27/13 W Stills, Stephen Carry On (4CD) ACG CD 081227967864 534539 $54.98 2/27/13 Original Album Series (5CD) - Stone Temple Pilots FLE CD 081227971854 532180 $21.95 2/27/13 BUMPED TO 4/23/13 Wavves Afraid Of Heights WB CD 093624945369 534721 $13.99 2/27/13 Wavves Afraid Of Heights (Vinyl w/Bonus CD) WB A 093624945376 534721 $22.98 2/27/13 Last Update: 02/12/13 For the latest up to date info on this release visit WEA.com. -
Interferências
Universidade de Brasília Faculdade de Comunicação Departamento de Audiovisuais e Publicidade INTERFERÊNCIAS Visualidade e experiência em Currents Aline Macedo das Neves 10.0024025 Brasília, Novembro de 2017 Universidade de Brasília Faculdade de Comunicação Departamento de Audiovisuais e Publicidade INTERFERÊNCIAS Visualidade e experiência em Currents Aline Macedo das Neves 10.0024025 Memorial descritivo do produto apresentado à Faculdade de Comunicação da Universidade de Brasília, como requisito parcial para obtenção do título de Bacharel em Comunicação Social com habilitação em Publicidade e Propaganda, sob a orientação da Professora Gabriela Pereira de Freitas. Brasília, Novembro de 2017 INTERFERÊNCIAS Visualidade e experiência em Currents Aline Macedo das Neves 10.0024025 Memorial descritivo do produto apresentado à Faculdade de Comunicação da Universidade de Brasília, como requisito parcial para obtenção do título de Bacharel em Comunicação Social com habilitação em Publicidade e Propaganda, sob a orientação da Professora Gabriela Pereira de Freitas. Brasília, Novembro de 2017 BANCA EXAMINADORA _____________________________________________ Professora Gabriela Freitas Orientadora ______________________________________________ Professor Wagner Rizzo Examinador ______________________________________________ Professora Selma Oliveira Examinadora ______________________________________________ Professora Priscila Borges Examinadora Suplente In the end it’s stronger than I know how to be (The Moment – Tame Impala) AGRADECIMENTOS Aos meus