Sewing Machines and Sergers
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Class Descriptions Class Descriptions
class descriptions Class Descriptions SKILL LEVEL KEY SEWING/MACHINE CLASSES: BEGINNER Little or no sewing (i.e. construction, patterns) or machine (i.e. serger, sewing) knowledge. INTERMEDIATE Basic sewing (i.e. construction, patterns) or machine (i.e. serger, sewing) understanding. Can easily adjust stitches, tension, accessory feet, etc. ADVANCED Complete understanding of sewing (i.e. construction, patterns) and machines (i.e. serger, sewing). Able to construct a garment/quilt without guidance/assistance. Can upload, manipulate, edit embroidery designs. Complete understanding of sewing terminology. SOFTWARE: BEGINNER Little or no computer/software knowledge. INTERMEDIATE Legend Basic understanding of computers/software. Familiar with keyboards, mouse, external peripherals and equipment. (i.e. able to: copy/paste, drag/drop, make new file folders.) Hands On ADVANCED Complete understanding of computers/software. Can use multiple features of Digitizer MB. Can install/uninstall software/hardware with ease. (i.e. understands updates, drivers, Kit/Fee Required sewing machine to PC connectivity, PC terminology) Basic Sewing Kit: Sewing scissors, paper scissors, pins, seam ripper, rotary cutter/ruler/ mat, water-soluble fabric marker or chalk, tape measure, all purpose sewing thread, light Laptop Required neutral and dark neutral colors, glue stick or temporary spray adhesive, hand sewing needles, small flat head screwdriver, seam sealant, several medium safety pins. Lecture Basic Serger Kit: Sewing scissors, serger tweezers, thread snips, needle threader, floss threader, Allen screwdriver for 1100D and 1000CPX, needles, small lint brush, seam sealant. Pictures may not represent actual fabrics in the kits. 2 Class Descriptions NEW TOL ROOMS Certification for New TOL Machine for US and Canadian Dealers All US dealers must purchase a TOL machine as part of the certification. -
1T3 FUN to SEW Withasewing Machine
, .. _t '.- - - -. 'S -. -q z 1 . --: - ;'Y-, -' - -''..r.:-.-.-- _..4_..'4.._.3. - .5 5 ..5_ 'S r' _.5. q_ - .5 . 5. , I - cs__S.. .\ '.. -. .,c_. -. -.-_ -. -. - -'.-- i '-'-' S.._;1( -' .l._\s j - ' "- - S't -' j .5 5' 5-. .5. :-'cs-'.. '. .4 -S '. 5--I sV. q-'-c. I.\...'.. .L.I.c_--._5..1. - .5 -. -\ - )-S 'a ' _5 5._. - - -S '5.' -.--: .';- 'eI;, .-. ._..-.Sz- . .5.._ I_s._ 'S -'t:,. &._''.%str s.'. - .- . .,r. -: ...>-. '-- : - . .' ,-- .' '-.-'-..- :...:- L - :-cs-.-.-.5;n5.. .-.. .' S . ,.- : .'. _%'__ i._' _5.____._I___s5_-. \.'.'. -'''P S 5... -.-_._S..'pJ.. ... - .- -. -' .\cs.1"5.-:. - --.5----- ?. - -P ._ S' P. -.-, --:. '-. \ :--'' .' .- 5.. '-.-__.., ....... -. - .'.-' -. .- .. :- -.''-::, -.-. ::.-.'-..--5.__.5 _-. % .sI. 1T3 FUN TO SEW withasewing machine COOPERATIVE EXTENSION SERVICE PHASE 1 OREGON STATE UNIVERSITY, CORVALLIS 4-H CLUB SERIES 1-85 It's Fun to Sew- -With the Sewing Machine Prepared by HILDEGARDE STRUEFERT Extension Clothing Specialist Oregon State University, Corvallis PHASE 1 Where to find page Yourguide for the project ---------------------------------------------------------------------------------- 1 Planyour project-------------------------------------------------------------------------------------------------- 1 Become acquainted with your sewing tools ----------------------------------------------------2 Measuringtools ----------------------------------------------------------------------------------------------2 Cuttingtools---------------------------------------------------------------------------------------------------- -
NYC Garment District Locations by Street 35Th Street
NYC Garment District Locations By Street Shop Address Phone Description Notes: 35th Street Open to Public - Fashion Sew Fast Sew Easy 147 W. 35th St., Suite 807 (212) 268-4321 Patterns, sewing kits Source Book Open to Public - Fashion American Sewing Supply 224 W. 35th St., Suite 500B (212) 239-3695 Professional supplies and equipment for tailors etc Source Book Open to Public - Fashion Safa Fabrics 237 W. 35th St. Ground Floor (212) 239-3415 Laces, tapestry, silk, brocade Source Book No Minimums: Big in stock inventory all colors many skins including: Leathers,Suedes, Metallics, pearlized, Exotics, Embosses, Furs Shearling , Novelty leathers Laser and Open to Public - Fashion Global Leathers 253 W. 35th St., 9th Floor (212) 244-5190 Perforated. Source Book Imported high quality fabric for dress, lining, satin; Open to Public - Fashion Nousha Tex, Sunmaid 253 W. 35th St., Ground Floor (212) 268-7770 Converter and importer of fine fabrics, woven Source Book No sales minimum. Leather and suede skins dealer. Importer, leather dealer. The source for the world's most beautiful leather. Supplier of leather, suede in lambskin, cowhide, pigskin, pearlized, printed, perforated, embossed, Tibet lamb, snakeskins, exotics, leather and fur trim providing garment accessories, home furnishing and suede Open to Public - Fashion Leather Suede Skins, Inc. 261 W. 35th St., 11th Floor (212) 967-6616 skins. Available for immediate delivery from stock. Source Book Jobber of lining, interlining, fusable, fusing fabrics; Open to Public - Fashion Moon Tex 261 W. 35th St., Ground Floor (212) 631-0970 embroidered Source Book NYC_Garment District_Shop List RI Sewing Network NYC Garment District Locations By Street Shop Address Phone Description Notes: 36th Street Open to Public - Fashion Gettinger Feather Corp. -
Hand Woven Biscornu Pincushion for MAFA 2015 Side View of 8 Sided
Hand Woven Biscornu Pincushion for MAFA 2015 Side view of 8 sided pincushion (Biscornu) Have Fun! This particular shape is called a biscornu, meaning "irregular, quirky, complicated, bizarre". And quirky it is... Originally, they were made with linen or other embroidered fabrics. The trick to this pincushion is that the two squares are sewn together, not directly on top of each other as usual, but with a relative 45 degrees rotation. That's it! Sounds easy enough, right? Here is a link to see a good video of the sewing process: A simple biscornu cushion for you to sew by Debbie Shore http://youtu.be/l79t_Q1NJiA Instructions: First: Cut 2 squares 4 1/2" x 4 1/2"of handwoven fabric (matching fabric or contrasting fabrics. Be creative!). Stabilize handwoven fabrics with fusible interfacing if necessary. Use 1/4" seam allowances throughout this project. 1. fold each square in half lengthwise and widthwise and finger press, then make a small clip or notch at the edges to mark the half-way point on each edge 2. With right sides together, place one square on top of the other so that the top square’s side edge is positioned 1/4″ to the left of the half-way mark on the top edge of the lower square. Make sure the parallel raw edges are aligned. 3. Using a 1/4″ seam allowance, begin stitching at the half-way point of the lower square, moving towards the corner. Stop 1/4″ before you reach the corner of the lower square. 4. Here comes the tricky part. -
Term Association Modelling in Information Retrieval
TERM ASSOCIATION MODELLING IN INFORMATION RETRIEVAL JIASHU ZHAO A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMPUTER SCIENCE AND ENGINEERING YORK UNIVERSITY TORONTO, ONTARIO MARCH 2015 c Jiashu Zhao 2015 Abstract Many traditional Information Retrieval (IR) models assume that query terms are in- dependent of each other. For those models, a document is normally represented as a bag of words/terms and their frequencies. Although traditional retrieval models can achieve reasonably good performance in many applications, the corresponding inde- pendence assumption has limitations. There are some recent studies that investigate how to model term associations/dependencies by proximity measures. However, the modeling of term associations theoretically under the probabilistic retrieval frame- work is still largely unexplored. In this thesis, I propose a new concept named Cross Term, to model term prox- imity, with the aim of boosting retrieval performance. With Cross Terms, the asso- ciation of multiple query terms can be modeled in the same way as a simple unigram term. In particular, an occurrence of a query term is assumed to have an impact on its neighboring text. The degree of the query term impact gradually weakens with increasing distance from the place of occurrence. Shape functions are used to ii characterize such impacts. Based on this assumption, I first propose a bigram CRoss TErm Retrieval (CRT ER2) model for probabilistic IR and a Language model based LM model CRT ER2 . Specifically, a bigram Cross Term occurs when the correspond- ing query terms appear close to each other, and its impact can be modeled by the intersection of the respective shape functions of the query terms. -
Fons and Porter's Love of Quilting TV Supplies Series 1700 Page 1 Sewing Machine for the Series Was the Baby Lock Symphony
Fons and Porter's Love of Quilting TV Supplies Series 1700 Page 1 Sewing machine for the series was the Baby Lock Symphony. The sewing center is provided by Koala Cabinets. For piecing, we use the 1/4” quilting presser foot or the monogramming presser foot. We use basic sewing supplies such as fabric, rotary cutters, and scissors, plus specific items listed below. We wear a Klutz cut-resistant safety glove when rotary cutting, press with an Oliso Iron, and measure using Omnigrid, and Fons & Porter rulers. Patterns and instructions for quilts featured are in Love of Quilting or Easy Quilts magazine or as listed. We now have DVD's available for our TV shows beginning with the 400 series. SERIES 1700 LOVE OF QUILTING SHOW DESCRIPTIONS Our newest series includes several great techniques including mitered corners, tiny piped binding utility quilting, fabric weaving, paper piecing larger blocks, and how to make a quilter’s caddy to hold your quilting tools. All the episodes have great projects and wonderful techniques. 1701 – Amish Triangles Marianne and Mary share how to change the size of a simple patchwork quilt pattern. They also demonstrate utility quilting for flannel quilts. Quilt instructions featured in Easy Quilts Fall 2010 Quilts on Set: Amish Triangles by Debby Kratovil and quilted by Connie Gallant – this quilt used Gees Bend Hand Dyed Solids Plaid Triangles by Marianne Fons & Hannah Fons Supplies: Fons & Porter Rotary Cutter Fons & Porter Klutz Glove Fons & Porter Glass Head Pins Fons & Porter 8” x 14” Ruler Fons & Porter Mariner’s -
Clothes Without Bodies: Objects, Humans, and the Marketplace in Eighteenth-Century It-Narratives and Trade Cards
&ORWKHVZLWKRXW%RGLHV2EMHFWV+XPDQVDQGWKH0DUNHWSODFH LQ(LJKWHHQWK&HQWXU\,W1DUUDWLYHVDQG7UDGH&DUGV &KORH:LJVWRQ6PLWK Eighteenth-Century Fiction, Volume 23, Number 2, Winter 2010-11, pp. 347-380 (Article) 3XEOLVKHGE\8QLYHUVLW\RI7RURQWR3UHVV DOI: 10.1353/ecf.2010.0020 For additional information about this article http://muse.jhu.edu/journals/ecf/summary/v023/23.2.smith.html Access provided by Virginia Community College System (30 Sep 2015 15:38 GMT) Clothes without Bodies: Objects, Humans, and the Marketplace in Eighteenth-Century It-Narratives and Trade Cards Chloe Wigston Smith abstract While recent studies of the things of literature call attention to the narrative and psychological slippage between people and their posses- sions, this essay argues that rather than representing a loss for human agency, humans and things intermingle to the disadvantage of objects. I show how trade cards and object narratives engage with the same nexus of commercial culture, objects, and humans, and share a mutual resistance to “autonomous garments”—petticoats, shoes, gowns, and other garments depicted independently of the human form. Object narratives, read in tandem with trade cards, suggest that the growth of distance between persons and things, as opposed to their collapse into each other, constitutes a central narrative in the period’s commod- ity culture and fiction. Object narratives, even as they transform coats, waistcoats, petticoats, slippers, and shoes into first-person narrators, actively work against the entanglement of human and material spheres. Together these genres place sartorial commodities under human con- trol, emphasizing the human subject’s agency over those items worn closest to the self. in recent years, things have captured the imagination of eighteenth-century scholars. -
THE POLKA DOT PINCUSHION September - December, 2010
Volume 5, Issue 3 THE POLKA DOT PINCUSHION September - December, 2010 Dear friends, September, 2010 Inside this issue: We certainly have had a long, hot summer. It seems that each day brought either record temps or record humidity. I never had the chance to say, “Well, at least it‟s a dry heat.” That didn‟t happen this News and Views 1 year. Is it just my imagination or did we go directly from April to August without stopping in May, June and Class Listings 2 July? I hope we don‟t go directly to December without stopping at the months in between. They are my Calendar 3 favorites. I love the “start over” feeling in September when all the yellow busses are on the road and I can Calendar 4 hear the marching band practicing at the high school. October always reminds me of the gnarled apple tree in my parents‟ backyard that was just right for climbing. When I got home from school, I would take a book, Class Listings 5 climb the tree, pick an apple and sit. The anticipation of celebrations that begin in November are always Special Notes 6 painted in jewel-toned colors. And of course, December: frantic, fun, sometimes dysfunctional, yet always Special Events 7 memorable. Well, September is here and I love the changes that it will bring. What does this have to do with The Polka Dot Pincushion, you ask? Even if you didn‟t ask, I‟ll tell you. We have lots of changes in At The Polka Dot store. -
Diamond Pincushion
Diamond Pincushion You will need two fabrics for this pincushion. The top fabric (Fabric 1) is fussy-cut to create a distinctive pattern on top of the pincushion. This makes it a bit difficult to suggest an exact amount of fabric needed, but a generous approximate has been suggested in the materials list. For the English paper piecing technique, we have tacked (basted) the seam allowance around the edges but you could use paper piece glue instead. Materials • Fabric 1: approximately 8in (20cm) wide x 8½in high (21.5cm) – Flowerleaf Blue (100242) Bon Voyage collection • Fabric 2: 10in (25.5cm) wide x 5½in high (14cm) – Cookie Stripe Blue (130062) Tea Towel collection • Thick photo paper or stiff paper, for example, 150g–250g weight • Hand sewing needle and threads to match fabric • Fiberfill or wool filling for stuffing Making the Pincushion 1 On the pattern sheet, the tall diamond shape is for the fussy-cut top of the pincushion, while the wider, fatter shape with a dotted line is for the base. The dotted line shows where you will need to press the edge later, to give the pincushion its pyramid shape. Using the thick paper, cut out four of each shape. 2 On Fabric 1, place the diamond paper shapes on the wrong side of the fabric, positioning the shapes exactly on the same patterned area of the fabric (see Fig A). For Fabric 2, position the paper patterns as shown. Trace around the shapes and then cut them out with a ¼in (6mm) seam allowance. Fig A 3 Place the paper shape against the wrong side of the fabric shape, fold the seam allowance around the paper edge and tack (baste) through all the layers to attach (Fig B). -
This Little Carrot Is Sew Cute! It's a Pincushion! It's a Coaster! It's a Treat
By: Missy Billingsley This little carrot is sew cute! It’s a pincushion! It’s a coaster! It’s a treat bag! It could be all of the above! Depending on how you place the fabric on the back or whether you fill it with treats or polyfil. You have a design with many variations! Supplies: Supplies listed are based on ONE Carrot 1/8 yard 5 various orange fabrics ¼ yard back fabric ¼ yard Baby Lock Ultrasoft or lightweight fleece (my favorite is Pellon 987F) Cut away stabilizer – heavy or light depending on the firmness you want in the finished bag Embroidery thread Embroidery hoop – 5” x 7” size Ribbon/Trim– various widths cut about 6” long or length of choice Cutting 5 pieces 3” x 7” of each various orange fabric 2 – 6” x 12” back fabrics 1 – 6” x 8” Ultrasoft or fleece Various ribbons or rick rack trims 6” each or your choice of length © 2016 Missy Billingsley 1 Cutie Pie Carrots - In the Hoop The Cutie Pie Carrots are super cute and made entirely in the embroidery hoop so please read through all instructions before beginning and follow them as you go. The options for the carrots will be talked about at the final color of the designs. The many colors used in the designs are so the machine will stop. You can choose any colors you like. 1. Open design for the Carrot into your machine. Hoop stabilizer, skip color number one and stitch color number 2. This is the overall area for the carrot design. -
Attic Sampler Newsletter 05122006
CATHY CAMPBELL/PRIMITIVE TRADITIONS WORKSHOPS FLORENTINE BORDERS SEWING CHEST ~ Because of the huge response to this class, Cathy has agreed to teach this workshop two weekends in a row: Friday night, November 3, and Saturday, November 4, and then again Friday night, November 10, and Saturday, November 11. Please specify the dates for which you are registering. Create a unique, grain-painted finish on a wooden chest and complete the project with a beautiful stitched top. In addition to the design for the top, designs are included for the interior sides and bottom as well as a pattern book/needle case and a pincushion/scissors case. Complete finishing instructions are provided. Workshop Fee: $250 (includes all designs and instructions, the chest, and finishing materials as well as lunch on Saturday). A $125 deposit must be paid at the time the stitching instructions are provided; the balance of $125 will be due on or before November 1. All fees are due before your workshop begins. Cathy's model uses a stitcher's quarter of 36c Light Examplar from Lakeside Linens with 20 skeins of Needlepoint, Inc. silk. The materials kit for the sewing chest will be available at a special price of $75 for workshop participants (no other discounts may be applied). We have the silk in the shop; we are awaiting the linen. Unfortunately, Lakeside Linens has experienced a shipment delay in receiving 36c linen from the manufacturer. We will let you know as soon as we have the linen available. GRAIN-PAINTING A FRAME FOR YOUR SAMPLER. On Sunday, November 12, students will have the opportunity to grain-paint a frame built for their own stitched piece. -
Come in to Bernina, There's Something for You!
©2003 Bernina of America Special financing, great prices* and a sweepstakes, too! Come in to Bernina, there’s something for you! November 10 through December 31, you’ll also receive a free gift with select purchases at your Bernina Dealer. Plus, visit berninausa.com to see the holiday catalog and enter the exciting sweepstakes––you could win a $5,000 Bernina shopping spree! So, hop in your holiday sleigh and hurry in to your Bernina Dealer today. No one supports the creative sewer like a Bernina Dealer. • www.berninausa.com *At participating dealers ISSUE 8 Asian Styling, Page 4 Snap, Stitch & Scrap Page 12 2003 Bernina® Fashion Show: Fantasy, Page 20 WHO WE ARE... MEADOWBROOK TABLE MEDALLION FANTASTIC FELINES VEST Meet the talented staff and stitchers who Reprinted from the Benartex Fat Quarterly, this A creative combination of colorful embroidery, contribute tips, project ideas, and stories to table decoration by Gayle Camargo is perfect hand-dyed silk noil, and black and white prints. Through the Needle. for fall and winter, and easy to assemble. Page 18 Page 2 Page 10 THE 2003 BERNINA® FASHION SHOW: FANTASY BERNINA® NEWS BERNINA® FASHION: BLACK ROSE BLOUSE Take a peek at some of this year’s “fantastic” ® Be as creative as you want to be! From Don’t have time to stitch a special garment? entries at the BERNINA Fashion Show – these scrapbooks to patchwork vests, baseball caps to Start with a purchased linen blouse, then add garments are truly a fantasy come true. wearable art, BERNINA® sewing machines and embellishments as shown in this article.