THE POLKA DOT PINCUSHION September - December, 2010
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1T3 FUN to SEW Withasewing Machine
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S/S21collection Welcome
L / B Fashion Collection S/S21COLLECTION WELCOME ... Our SS21 Collection is here and I’m delighted to share it with you. The last 12 months have been so tough on all of us, but in spite of repeated lockdowns and the significant economic fallout, the Hartwell team have kept focused to develop a new range that befits a more positive outlook for 2021. With vaccines giving us all hope, I echo the piece in our recent blog that suggested this will be the era for small independent fashion brands and re- tailers to thrive once life returns to something like normal! I do hope you enjoy the pages that follow and we can all once again Live Well and Dress Well over the coming Spring/Summer months. Monica Sassoon HEAD OF DESIGN Item Name Code #23343, $2300 American Style www.americana.com Item Name Item Name Code #23343, $2300 Code #23343, $2300 American Style American Style www.americana.com www.americana.com LAYLA NEW SNAFFLES 100% COTTON SATIN LYCRA LAYLA PINK BIRDS 100% COTTON SATIN LYCRA LAYLA BLACK & WHITE HUNTING 100% COTTON SATIN LYCRA LAYLA POLKA DOT PHEASANTS 100% COTTON SATIN LYCRA LAYLA FLYING DUCKS 100% COTTON SATIN LYCRA LAYLA GROUSE 100% COTTON SATIN LYCRA LAYLA NEW HORSES 100% COTTON SATIN LYCRA LAYLA POINTER DOG 100% COTTON SATIN LYCRA LAYLA PHEASANT FRIENDS 100% COTTON SATIN LYCRA LAYLA WHITE PEARLS 100% COTTON SATIN LYCRA LYDIA DOGS LYDIA WHITE ANIMAL PARTY 100% VISCOSE 100% VISCOSE ZOE DRAGONFLY 100% OXFORD COTTON LYDIA FOXES LYDIA HORSE HEADS 100% VISCOSE 100% VISCOSE LYDIA BROWN STAGS 100% VISCOSE LYDIA RUNNING PHEASANTS 100% -
Sewing Machines and Sergers
Welcome To Janome Institute 2011- Your Education Connection September 3 7, at The Marriott World Center Resort In Orlando i Expand Your Horizons j How about some good news, for a change? The economic recovery has been a mixed bag for the sewing industry. Customers are buying... but they’re also holding onto their purse strings a little more tightly. They’re taking longer to make that big machine purchase. But, we’ve clearly seen, when they’re excited about a machine, they will gladly make the purchase. And that’s good news. Because at Janome Institute 2011 we’re going to unveil a machine that will cause your customers to be very excited. This top-of-the-line machine is going to redefine Janome sewing the way we did with the MC8000, MC10000, and MC11000. And it’s going to cause quite a stir among your customers. Believe me, people you’ve never seen before are going to stop by your store just to see it in person. You better have your demo ready, because you’ll be doing it a lot. (It wouldn’t be a bad idea, either, to order some extra cash register tape.) On Opening Night, Saturday, September 3rd, this machine will be revealed for the first time ever to attendees of Janome Institute 2011 in Orlando. You’re going to want to be one of them. Because starting the next day, you’ll get to try out the new machine and get the sales training and product knowledge you need to become a certified dealer. -
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019 Lot and Description Low High Price Realized 1 - Christian Dior Haute Couture Dress and Shawl, 2008 In 2008, Renée Fleming was the first woman to open the season of New York’s $3,000 $4,000 $10,625 Metropolitan Opera. For the occasion, she wore four haute couture creations, including this dress by John Galliano for... 2 - Vivienne Westwood Couture Dress, 2005 Renée Fleming wore this dress for the PBS Great Performances broadcast of Renée Fleming: $1,500 $2,500 Unsold Sacred Songs and Carols, which was recorded at Mainz Cathedral in Germany. Property from the Collection of Renée Fleming, New... 3 - Metropolitan Opera 18th Century Costume, 2009 Costume worn by Renée Fleming for her role as Marschallin in Act III of Der Rosenkravalier $3,000 $4,000 $3,250 at the Metropolitan Opera, 2009. Property from the Collection of Renée Fleming, New York, New York, to benefit the... 4 - Vivienne Westwood Couture Dress, 2008 Renée Fleming wore this dress at the New York Public Library for the Library Lions Gala and in $1,000 $2,000 Unsold Washington DC for her performance in the Washington National Opera’s opening night of Donizetti’s Lucrezia Borgia.... 5 - Reem Akra Dress, 2011 Renée Fleming wore this dress for her performance with the German pianist, Hartmut Höll at New York City’s $400 $600 $500 Carnegie Hall. Property from the Collection of Renée Fleming, New York, New York, to benefit the Renée Fleming... 6 - Akris Two-Piece Dress, 2008 Renée Fleming wore this dress for her performance for the US Supreme Court Justices in 2008. -
Hand Woven Biscornu Pincushion for MAFA 2015 Side View of 8 Sided
Hand Woven Biscornu Pincushion for MAFA 2015 Side view of 8 sided pincushion (Biscornu) Have Fun! This particular shape is called a biscornu, meaning "irregular, quirky, complicated, bizarre". And quirky it is... Originally, they were made with linen or other embroidered fabrics. The trick to this pincushion is that the two squares are sewn together, not directly on top of each other as usual, but with a relative 45 degrees rotation. That's it! Sounds easy enough, right? Here is a link to see a good video of the sewing process: A simple biscornu cushion for you to sew by Debbie Shore http://youtu.be/l79t_Q1NJiA Instructions: First: Cut 2 squares 4 1/2" x 4 1/2"of handwoven fabric (matching fabric or contrasting fabrics. Be creative!). Stabilize handwoven fabrics with fusible interfacing if necessary. Use 1/4" seam allowances throughout this project. 1. fold each square in half lengthwise and widthwise and finger press, then make a small clip or notch at the edges to mark the half-way point on each edge 2. With right sides together, place one square on top of the other so that the top square’s side edge is positioned 1/4″ to the left of the half-way mark on the top edge of the lower square. Make sure the parallel raw edges are aligned. 3. Using a 1/4″ seam allowance, begin stitching at the half-way point of the lower square, moving towards the corner. Stop 1/4″ before you reach the corner of the lower square. 4. Here comes the tricky part. -
Spring Lookbook
SPRING LOOKBOOK LIVE YOUR STYLE NEO SPRINGADIDAS.COM/NEO LOOKBOOK | 1 FUN IS A LIFESTYLE CHOICE NEO BRINGS FRESH LOOKS TO THE PARTY, THE CLASSROOM, AND EVERYWHERE BETWEEN NEW ANGLES ON PROVEN SILHOUETTES UNEXPECTED COLORS INSPIRED MATERIAL CHOICES ALL EXECUTED WITH FINESSE AND DESIGNED TO BE TAKEN FOR GRANTED BY FUN¯LOVING YOUTH IN THE PRIME OF LIFE THE FUTURE IS BRIGHT IN NEO 2 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 3 STEP INTO SPRING 4 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 5 A. C. B. D. A. POLKA DOT SWEATSHIRT C. PULLOVER A mix of polka dots and stripes gives the Polka Dot A top that goes with almost anything. This girls’ Sweatshirt a playful look. This feminine sweatshirt sweater slips on in a lightweight and flowy two- has an easy relaxed fit with a wide neckline and a tone waffle-knit fabric. metal NEO badge, in super-soft peached French GLOW CORAL ALUMINUM: M60862 / €XX.XX terry fabric. MEDIUM GREY HEATHER / WHITE: D. F78968 / €XX.XX KNIT PULLOVER With polka dots on the body and stripes on the arms, the Knit Pullover brings a special look to every day. B. SWEATER In 100% cotton fully-fashioned knit, it features a This sweater is blushing. Delicate dots add a feminine wide neckline and a relaxed fit, with metal feminine feel to this girls’ pullover. NEO branding. WHITE: M60847 / €XX.XX BLACK / WHITE: F78967 / €XX.XX 6 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 7 A. B. C. D. E. F. B. BONES TEE Eyepatch not included. This girls’ t-shirt gets a little edgy with a crossbones graphic. -
Fabric Collection by Pat Sloan
Tribute Fabric Collection by Pat Sloan FREE pattern available on our website, pbtex.com Baskets of Love quilt by Pat Sloan Size: 54" square Baskets of Love Quilt by Pat Sloan using her Tribute fabric collection for P&B Textiles Size: 54" square Yardages AppliqUé TRIB 670 B (main floral-navy) 1/4 yd Following the manufacturer’s instructions, use the templates to trace the shapes onto the paper side of the TRIB 670 LB (main floral-denim) 1/4 yd fusible web. Roughly cut out each shape about an 1/8" 1 TRIB 672 N (paisley-navy) /4 yd outside the drawn lines. Press each fusible template TRIB 672 R (paisley-red) 1/3 yd onto the wrong side of the fabrics listed below. Cut out TRIB 673 LB (polka dot stars-denim)11/4 yds each shape on the drawn lines. TRIB 674 N (stripe-navy) 1/4 yd Main floral-navy, cut: TRIB 675 N (shooting star-navy)11/4 yds • 3 baskets TRIB 676 E (plaid-ecru) 1 Fat quarter • 3 basket handles TRIB 677 N (tiny stars-navy) 1/4 yd Main floral-denim, cut: TRIB 677 R (tiny stars-red)11/8 yd • 3 baskets TRIB 677 E (tiny stars-ecru)11/2 yds • 3 basket handles LTEX 770YG (green tone-on-tone) 1 Fat quarter Paisley-navy, cut: BACKING: Any Tribute fabric 3 1/2 yds • 3 baskets FUSIBLE WEB: 2 3/4 yds • 3 basket handles Cutting Paisley-red, cut: • 4 flowers Tiny stars-ecru, cut: • 1 heart • (1) 16 1/2" square • 3 baskets • (20) 7 1/2" squares • 3 basket handles Polka dot stars-denim, cut: Stripe-navy, cut: • (56) 2 1/2" x 7 1/2" sashing strips • 4 baskets • 4 basket handles Tiny stars-red, cut: • (36) 2 1/2" squares 2 1/2" x 2 1/2" Plaid-ecru, cut: • (6) 2 1/2" x width of fabric binding strips • 8 large circles Shooting star-navy, cut: Tiny stars-navy, cut: • (4) 10 1/2" squares; cut in half diagonally to yield • 4 baskets (8) side setting triangles* • 4 basket handles • (2) 19 1/2" squares; cut in half diagonally to yield Tiny stars-red, cut: (4) corner triangles* • 4 flowers Polka dot stars-denim, cut: *The setting triangles are oversized to make cutting and • 8 small circles piecing easier. -
Fons and Porter's Love of Quilting TV Supplies Series 1700 Page 1 Sewing Machine for the Series Was the Baby Lock Symphony
Fons and Porter's Love of Quilting TV Supplies Series 1700 Page 1 Sewing machine for the series was the Baby Lock Symphony. The sewing center is provided by Koala Cabinets. For piecing, we use the 1/4” quilting presser foot or the monogramming presser foot. We use basic sewing supplies such as fabric, rotary cutters, and scissors, plus specific items listed below. We wear a Klutz cut-resistant safety glove when rotary cutting, press with an Oliso Iron, and measure using Omnigrid, and Fons & Porter rulers. Patterns and instructions for quilts featured are in Love of Quilting or Easy Quilts magazine or as listed. We now have DVD's available for our TV shows beginning with the 400 series. SERIES 1700 LOVE OF QUILTING SHOW DESCRIPTIONS Our newest series includes several great techniques including mitered corners, tiny piped binding utility quilting, fabric weaving, paper piecing larger blocks, and how to make a quilter’s caddy to hold your quilting tools. All the episodes have great projects and wonderful techniques. 1701 – Amish Triangles Marianne and Mary share how to change the size of a simple patchwork quilt pattern. They also demonstrate utility quilting for flannel quilts. Quilt instructions featured in Easy Quilts Fall 2010 Quilts on Set: Amish Triangles by Debby Kratovil and quilted by Connie Gallant – this quilt used Gees Bend Hand Dyed Solids Plaid Triangles by Marianne Fons & Hannah Fons Supplies: Fons & Porter Rotary Cutter Fons & Porter Klutz Glove Fons & Porter Glass Head Pins Fons & Porter 8” x 14” Ruler Fons & Porter Mariner’s -
Clothes Without Bodies: Objects, Humans, and the Marketplace in Eighteenth-Century It-Narratives and Trade Cards
&ORWKHVZLWKRXW%RGLHV2EMHFWV+XPDQVDQGWKH0DUNHWSODFH LQ(LJKWHHQWK&HQWXU\,W1DUUDWLYHVDQG7UDGH&DUGV &KORH:LJVWRQ6PLWK Eighteenth-Century Fiction, Volume 23, Number 2, Winter 2010-11, pp. 347-380 (Article) 3XEOLVKHGE\8QLYHUVLW\RI7RURQWR3UHVV DOI: 10.1353/ecf.2010.0020 For additional information about this article http://muse.jhu.edu/journals/ecf/summary/v023/23.2.smith.html Access provided by Virginia Community College System (30 Sep 2015 15:38 GMT) Clothes without Bodies: Objects, Humans, and the Marketplace in Eighteenth-Century It-Narratives and Trade Cards Chloe Wigston Smith abstract While recent studies of the things of literature call attention to the narrative and psychological slippage between people and their posses- sions, this essay argues that rather than representing a loss for human agency, humans and things intermingle to the disadvantage of objects. I show how trade cards and object narratives engage with the same nexus of commercial culture, objects, and humans, and share a mutual resistance to “autonomous garments”—petticoats, shoes, gowns, and other garments depicted independently of the human form. Object narratives, read in tandem with trade cards, suggest that the growth of distance between persons and things, as opposed to their collapse into each other, constitutes a central narrative in the period’s commod- ity culture and fiction. Object narratives, even as they transform coats, waistcoats, petticoats, slippers, and shoes into first-person narrators, actively work against the entanglement of human and material spheres. Together these genres place sartorial commodities under human con- trol, emphasizing the human subject’s agency over those items worn closest to the self. in recent years, things have captured the imagination of eighteenth-century scholars. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Diamond Pincushion
Diamond Pincushion You will need two fabrics for this pincushion. The top fabric (Fabric 1) is fussy-cut to create a distinctive pattern on top of the pincushion. This makes it a bit difficult to suggest an exact amount of fabric needed, but a generous approximate has been suggested in the materials list. For the English paper piecing technique, we have tacked (basted) the seam allowance around the edges but you could use paper piece glue instead. Materials • Fabric 1: approximately 8in (20cm) wide x 8½in high (21.5cm) – Flowerleaf Blue (100242) Bon Voyage collection • Fabric 2: 10in (25.5cm) wide x 5½in high (14cm) – Cookie Stripe Blue (130062) Tea Towel collection • Thick photo paper or stiff paper, for example, 150g–250g weight • Hand sewing needle and threads to match fabric • Fiberfill or wool filling for stuffing Making the Pincushion 1 On the pattern sheet, the tall diamond shape is for the fussy-cut top of the pincushion, while the wider, fatter shape with a dotted line is for the base. The dotted line shows where you will need to press the edge later, to give the pincushion its pyramid shape. Using the thick paper, cut out four of each shape. 2 On Fabric 1, place the diamond paper shapes on the wrong side of the fabric, positioning the shapes exactly on the same patterned area of the fabric (see Fig A). For Fabric 2, position the paper patterns as shown. Trace around the shapes and then cut them out with a ¼in (6mm) seam allowance. Fig A 3 Place the paper shape against the wrong side of the fabric shape, fold the seam allowance around the paper edge and tack (baste) through all the layers to attach (Fig B). -
Travel Guide for the Art Coast of Guide Michigan
The official Travel guide for the Art Coast of Guide Michigan. Play Eat Wellness Stay p. 4 p. 24 p. 42 p. 58 Arts Drink Shop p. 16 p. 36 p. 48 Welcome We’re so glad you found your way to the Art Coast of Michigan. Whether this is your first visit with us or your 20th, we’re sure you’ll agree that this is a one-of-a-kind place for both revelry and relaxation. We invite you to peruse this all-encompassing travel guide to discover inspiring activities, area maps, and a comprehensive list of local businesses that will enrich your experience here. For more information and events happening in the area, please visit Saugatuck.com. And don’t forget to share your experience with #ArtCoastofMichigan for a chance to be featured on our social media. 7 Small Town Getaways We Love 2020 20 Best Places to Go in 2020 Top 25 Beaches in the World Best of the Midwest Winner 2021: Best Beach Town 13 Best Weekend Beach Getaways in the US 2020 2 Saugatuck / Douglas / Fennville Area The Art Coast of Michigan is made Douglas up of three distinct towns that beat Enjoy a slower pace and the creative, open-minded culture with one welcoming heart. Explore that permeates Douglas. Brimming with galleries featuring the unique vibe of each area and artists of every medium, this walkable, quaint village is the discover how together they create Midwest destination for art an enchanting destination where lovers and all who embrace a laid-back mindset. people long to stay.