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Sheila Never Go As Fast As You Would Wish!) Don’T Worry – We Will Let You Know When You Can Open That Present!
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 1 January 2012 From The Editor – I hope you will enjoy this newsletter. In it there is lots of information that I think you will find helpful for the 2012! coming months and beyond. And I am looking forward to showing you all that is new at the Creative Sewing Market in Birmingham. Remember the dates are January 15‐16. Seems only yesterday we were turning the calendar to the new millennium of 2000! Indeed this is a new year and an Till Birmingham, Happy Stitching – exciting one as well, for Bear Threads. * We will soon be inaugurating a new website (things Sheila never go as fast as you would wish!) Don’t worry – we will let you know when you can open that present! *I will begin teaching again with several informative as well as fun lectures and projects. There are classes for beginner to advanced, as well as shop owners, too. BIRMINGHAM CREATIVE SEWING Please call for more information. MARKET *We have many new fabrics to entice your spring sewing. Sunday and Monday Honestly there are too many new fabrics to list here, but January 15 and 16, 2012 for teasers, we have brought back the beautiful Ecru in the Marriot Hotel – Hwy. 280 just south of I‐459 Bearissima. AND we have brought back the TRUE LAWN, in white, pink and blue. *We have a new price list that is easier to read and it lists Be sure to see Bear Threads, Ltd. first. -
S/S21collection Welcome
L / B Fashion Collection S/S21COLLECTION WELCOME ... Our SS21 Collection is here and I’m delighted to share it with you. The last 12 months have been so tough on all of us, but in spite of repeated lockdowns and the significant economic fallout, the Hartwell team have kept focused to develop a new range that befits a more positive outlook for 2021. With vaccines giving us all hope, I echo the piece in our recent blog that suggested this will be the era for small independent fashion brands and re- tailers to thrive once life returns to something like normal! I do hope you enjoy the pages that follow and we can all once again Live Well and Dress Well over the coming Spring/Summer months. Monica Sassoon HEAD OF DESIGN Item Name Code #23343, $2300 American Style www.americana.com Item Name Item Name Code #23343, $2300 Code #23343, $2300 American Style American Style www.americana.com www.americana.com LAYLA NEW SNAFFLES 100% COTTON SATIN LYCRA LAYLA PINK BIRDS 100% COTTON SATIN LYCRA LAYLA BLACK & WHITE HUNTING 100% COTTON SATIN LYCRA LAYLA POLKA DOT PHEASANTS 100% COTTON SATIN LYCRA LAYLA FLYING DUCKS 100% COTTON SATIN LYCRA LAYLA GROUSE 100% COTTON SATIN LYCRA LAYLA NEW HORSES 100% COTTON SATIN LYCRA LAYLA POINTER DOG 100% COTTON SATIN LYCRA LAYLA PHEASANT FRIENDS 100% COTTON SATIN LYCRA LAYLA WHITE PEARLS 100% COTTON SATIN LYCRA LYDIA DOGS LYDIA WHITE ANIMAL PARTY 100% VISCOSE 100% VISCOSE ZOE DRAGONFLY 100% OXFORD COTTON LYDIA FOXES LYDIA HORSE HEADS 100% VISCOSE 100% VISCOSE LYDIA BROWN STAGS 100% VISCOSE LYDIA RUNNING PHEASANTS 100% -
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019 Lot and Description Low High Price Realized 1 - Christian Dior Haute Couture Dress and Shawl, 2008 In 2008, Renée Fleming was the first woman to open the season of New York’s $3,000 $4,000 $10,625 Metropolitan Opera. For the occasion, she wore four haute couture creations, including this dress by John Galliano for... 2 - Vivienne Westwood Couture Dress, 2005 Renée Fleming wore this dress for the PBS Great Performances broadcast of Renée Fleming: $1,500 $2,500 Unsold Sacred Songs and Carols, which was recorded at Mainz Cathedral in Germany. Property from the Collection of Renée Fleming, New... 3 - Metropolitan Opera 18th Century Costume, 2009 Costume worn by Renée Fleming for her role as Marschallin in Act III of Der Rosenkravalier $3,000 $4,000 $3,250 at the Metropolitan Opera, 2009. Property from the Collection of Renée Fleming, New York, New York, to benefit the... 4 - Vivienne Westwood Couture Dress, 2008 Renée Fleming wore this dress at the New York Public Library for the Library Lions Gala and in $1,000 $2,000 Unsold Washington DC for her performance in the Washington National Opera’s opening night of Donizetti’s Lucrezia Borgia.... 5 - Reem Akra Dress, 2011 Renée Fleming wore this dress for her performance with the German pianist, Hartmut Höll at New York City’s $400 $600 $500 Carnegie Hall. Property from the Collection of Renée Fleming, New York, New York, to benefit the Renée Fleming... 6 - Akris Two-Piece Dress, 2008 Renée Fleming wore this dress for her performance for the US Supreme Court Justices in 2008. -
Hunting Shirts and Silk Stockings: Clothing Early Cincinnati
Fall 1987 Clothing Early Cincinnati Hunting Shirts and Silk Stockings: Clothing Early Cincinnati Carolyn R. Shine play function is the more important of the two. Shakespeare, that fount of familiar quotations and universal truths, gave Polonius these words of advice for Laertes: Among the prime movers that have shaped Costly thy habit as thy purse can buy, But not expressed infancy; history, clothing should be counted as one of the most potent, rich not gaudy; For the apparel oft proclaims the man.1 although its significance to the endless ebb and flow of armed conflict tends to be obscured by the frivolities of Laertes was about to depart for the French fashion. The wool trade, for example, had roughly the same capital where, then as now, clothing was a conspicuous economic and political significance for the Late Middle indicator of social standing. It was also of enormous econo- Ages that the oil trade has today; and, closer to home, it was mic significance, giving employment to farmers, shepherds, the fur trade that opened up North America and helped weavers, spinsters, embroiderers, lace makers, tailors, button crack China's centuries long isolation. And think of the Silk makers, hosiers, hatters, merchants, sailors, and a host of others. Road. Across the Atlantic and nearly two hundred If, in general, not quite so valuable per pound years later, apparel still proclaimed the man. Although post- as gold, clothing like gold serves as a billboard on which to Revolution America was nominally a classless society, the display the image of self the individual wants to present to social identifier principle still manifested itself in the quality the world. -
Spring Lookbook
SPRING LOOKBOOK LIVE YOUR STYLE NEO SPRINGADIDAS.COM/NEO LOOKBOOK | 1 FUN IS A LIFESTYLE CHOICE NEO BRINGS FRESH LOOKS TO THE PARTY, THE CLASSROOM, AND EVERYWHERE BETWEEN NEW ANGLES ON PROVEN SILHOUETTES UNEXPECTED COLORS INSPIRED MATERIAL CHOICES ALL EXECUTED WITH FINESSE AND DESIGNED TO BE TAKEN FOR GRANTED BY FUN¯LOVING YOUTH IN THE PRIME OF LIFE THE FUTURE IS BRIGHT IN NEO 2 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 3 STEP INTO SPRING 4 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 5 A. C. B. D. A. POLKA DOT SWEATSHIRT C. PULLOVER A mix of polka dots and stripes gives the Polka Dot A top that goes with almost anything. This girls’ Sweatshirt a playful look. This feminine sweatshirt sweater slips on in a lightweight and flowy two- has an easy relaxed fit with a wide neckline and a tone waffle-knit fabric. metal NEO badge, in super-soft peached French GLOW CORAL ALUMINUM: M60862 / €XX.XX terry fabric. MEDIUM GREY HEATHER / WHITE: D. F78968 / €XX.XX KNIT PULLOVER With polka dots on the body and stripes on the arms, the Knit Pullover brings a special look to every day. B. SWEATER In 100% cotton fully-fashioned knit, it features a This sweater is blushing. Delicate dots add a feminine wide neckline and a relaxed fit, with metal feminine feel to this girls’ pullover. NEO branding. WHITE: M60847 / €XX.XX BLACK / WHITE: F78967 / €XX.XX 6 | ADIDAS.COM/NEO NEO SPRING LOOKBOOK | 7 A. B. C. D. E. F. B. BONES TEE Eyepatch not included. This girls’ t-shirt gets a little edgy with a crossbones graphic. -
Fabric Dictionary
FABRIC DICTIONARY A Absorbency- The ability of a fabric to take in moisture. Acetate- A manufactured fiber formed by compound of cellulose, refined from cotton linters and/or wood pulp, and acedic acid that has been extruded through a spinneret and then hardened. Acrylic- A manufactured fiber, its major properties include a soft, wool-like hand, machine washable and dryable and excellent color retention. Alpaca- A natural hair fiber obtained from the Alpaca sheep, a domesticated member of the llama family. Angora- The hair of the Angora goat. Also known as Angora mohair. Angora may also apply to the fur of the Angora rabbit. Antique Satin-A reversible satin-weave fabric with satin floats on the technical face and surface slubs on the technical back created by using slub-filling yarns. It is usually used with the technical back as the right side for drapery fabrics and often made of a blend of fibers. Argyle- A pattern designed with different color diamond shapes knit into a fabric. B Bamboo Fabric- Bamboo fabric is a natural textile made from the pulp of the bamboo grass. Bamboo fabric has been growing in popularity because it has many unique properties and is more sustainable than most textile fibers. Bamboo fabric is light and strong, has excellent wicking properties, and is to some extent antibacterial. Barkcloth- A textured woven, usually printed cotton fabric that was popular in the 30s-40s and 50s as an interiors fabric. The prints were often large vines, leaves and florals. Basket Weave- A distinctive technique of weaving that creates a fabric resembling basket work with interwoven fibers. -
British Regulars
British Regulars The appearance of General Burgoyne's Army underwent a tremedous overhaul prior to their arrival at Ticonderoga in the summer of 1777. Their clothing was alterred due to events of the previous fall. In the fall of 1776 Captain John Paul Jones, patrolling the waters off the coast of Nova Scotia, captured the British merchant ship Mellish, destined for Canada and carrying much of the British Army's 1777 clothing supply. The capture of the Mellish would have profound effects on the appearance of the British Army in the following year. By the time General John Burgoyne assumed command of the army in early 1777, the regiments of his army were wearing clothing that was over a year old and had already seen an active season of campaigning. With no new clothing arriving for the troops by February 1777, steps were taken to modify and repair clothing for the upcoming campaign season. A General Order from Major General Phillips that appears in multiple orderly books at the beginning of February 1777 states: The Clothing for the several Regiments not being arriv'd, His Excellency the Commander in Chief allows the Commanding Officers of the Battalions to accommodate the present Clothing as shall be most convenient for the Men, and it is to be repaired so as to serve the Campaign until the new Clothing Arrives A subsequent order, noted in the orderly book of The Royal Regiment of Artillery in early March indicates further attempts at properly equipping the soldiers of the army for the upcoming campaign: 7th March, ...The Commissary to deliver to the Qr. -
Textiles and Clothing the Macmillan Company
Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text. -
Fabric Collection by Pat Sloan
Tribute Fabric Collection by Pat Sloan FREE pattern available on our website, pbtex.com Baskets of Love quilt by Pat Sloan Size: 54" square Baskets of Love Quilt by Pat Sloan using her Tribute fabric collection for P&B Textiles Size: 54" square Yardages AppliqUé TRIB 670 B (main floral-navy) 1/4 yd Following the manufacturer’s instructions, use the templates to trace the shapes onto the paper side of the TRIB 670 LB (main floral-denim) 1/4 yd fusible web. Roughly cut out each shape about an 1/8" 1 TRIB 672 N (paisley-navy) /4 yd outside the drawn lines. Press each fusible template TRIB 672 R (paisley-red) 1/3 yd onto the wrong side of the fabrics listed below. Cut out TRIB 673 LB (polka dot stars-denim)11/4 yds each shape on the drawn lines. TRIB 674 N (stripe-navy) 1/4 yd Main floral-navy, cut: TRIB 675 N (shooting star-navy)11/4 yds • 3 baskets TRIB 676 E (plaid-ecru) 1 Fat quarter • 3 basket handles TRIB 677 N (tiny stars-navy) 1/4 yd Main floral-denim, cut: TRIB 677 R (tiny stars-red)11/8 yd • 3 baskets TRIB 677 E (tiny stars-ecru)11/2 yds • 3 basket handles LTEX 770YG (green tone-on-tone) 1 Fat quarter Paisley-navy, cut: BACKING: Any Tribute fabric 3 1/2 yds • 3 baskets FUSIBLE WEB: 2 3/4 yds • 3 basket handles Cutting Paisley-red, cut: • 4 flowers Tiny stars-ecru, cut: • 1 heart • (1) 16 1/2" square • 3 baskets • (20) 7 1/2" squares • 3 basket handles Polka dot stars-denim, cut: Stripe-navy, cut: • (56) 2 1/2" x 7 1/2" sashing strips • 4 baskets • 4 basket handles Tiny stars-red, cut: • (36) 2 1/2" squares 2 1/2" x 2 1/2" Plaid-ecru, cut: • (6) 2 1/2" x width of fabric binding strips • 8 large circles Shooting star-navy, cut: Tiny stars-navy, cut: • (4) 10 1/2" squares; cut in half diagonally to yield • 4 baskets (8) side setting triangles* • 4 basket handles • (2) 19 1/2" squares; cut in half diagonally to yield Tiny stars-red, cut: (4) corner triangles* • 4 flowers Polka dot stars-denim, cut: *The setting triangles are oversized to make cutting and • 8 small circles piecing easier. -
THE POLKA DOT PINCUSHION September - December, 2010
Volume 5, Issue 3 THE POLKA DOT PINCUSHION September - December, 2010 Dear friends, September, 2010 Inside this issue: We certainly have had a long, hot summer. It seems that each day brought either record temps or record humidity. I never had the chance to say, “Well, at least it‟s a dry heat.” That didn‟t happen this News and Views 1 year. Is it just my imagination or did we go directly from April to August without stopping in May, June and Class Listings 2 July? I hope we don‟t go directly to December without stopping at the months in between. They are my Calendar 3 favorites. I love the “start over” feeling in September when all the yellow busses are on the road and I can Calendar 4 hear the marching band practicing at the high school. October always reminds me of the gnarled apple tree in my parents‟ backyard that was just right for climbing. When I got home from school, I would take a book, Class Listings 5 climb the tree, pick an apple and sit. The anticipation of celebrations that begin in November are always Special Notes 6 painted in jewel-toned colors. And of course, December: frantic, fun, sometimes dysfunctional, yet always Special Events 7 memorable. Well, September is here and I love the changes that it will bring. What does this have to do with The Polka Dot Pincushion, you ask? Even if you didn‟t ask, I‟ll tell you. We have lots of changes in At The Polka Dot store. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
TEXTILES What Every Homemaker Should Know by Marion Weller, Division of Home Economics
IDqr Jtutnrr.atty nf fltuursnta AGRICULTURAL EXTENSION DIVISION Special Bulletin No. 15 University Farm, St. Paul October 1917 PublisJ.ed hy the University of Minnesota, College of Agriculture, Extension Division, A. D. Wilson, Director, and distributed in furtherance of the purposes of the coOperative agri cultural extension work provided for in the Act of Congress of May 8, 1914. TEXTILES What Every Homemaker Should Know By Marion Weller, Division of Home Economics INTRODUCTION The women of this country are realizing that an intelligent expenditure of the family income is necessary to efficient homemaking. An examination of household budgets, compil ed by investigators-the budgets of individuals and families living on the lowest incomes adequate for physical efficiency-reveals the fact that from 15 to 25 per cent of the income is spent for clothing and home furnishings. It is, moreover, a fact that women are increasingly the I direct retail purchasers; 90 per cent of the money spent for home maintenance , in this country is spent by women. The homemaker who is the purchaser of the clothing and household fabrics should, therefore, know how to buy eco I I nomically, and it is the purpose of this bulletin to give to her such in formation concerning textile fabrics as may be helpful in planning and buying for the household. " There was a time when the production of textiles or woven fabrics for the home was entirely within the home. Women were the creators of these utili ties and ' controlled the quality of the product. They knew when a piece of cloth was all wool and what grade of wool went into it.