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The Reverend Robert Walker Skating on Duddingston Loch
Art Appreciation Lecture Series 2015 Meet the Masters: Highlights from the Scottish National Gallery The Reverend Robert Walker skating on Duddingston Loch Angus Trumble 15/16 July 2015 Lecture summary: The Reverend Robert Walker skating on Duddingston Loch, c. 1798-1800, has not only become synonymous with the art of Sir Henry Raeburn, but has also assumed the character of an icon of the Scottish enlightenment, and of Scottish painting itself. Ten years ago, in a long article in the Burlington Magazine, Stephen Lloyd cast serious doubt upon the attribution to Raeburn on various grounds, and proposed instead that this action portrait was instead painted by the Frenchman Henri-Pierre Danloux. The ensuing controversy, and rebuttal, has shed much new light on the picture, and indeed the artist, but raises far broader questions as to the relationship between “technical” art history and connoisseurship. What are the limitations of each, and both in sometimes fraught dialogue? If, as is generally accepted, while iconic, The Reverend Robert Walker is a very unusual product of Raeburn’s studio, just how unusual can a picture be, at least in what used to be called an artist’s oeuvre, to raise and justify doubts as to its authorship? What factors, including a relatively secure provenance and close, not to say intense “looking,” may legitimately be marshalled in defence of the longstanding attribution to Raeburn? What is the role of scholarly consensus or, indeed, dissent in these debates? Slide list: 1. Henry Raeburn, The Reverend Robert Walker skating on Duddingston Loch, c. 1798-1800, oil on canvas, National Gallery of Scotland, Edinburgh (I shall return again and again to this image) 2. -
1. Canongate 1.1. Background Canongate's Close Proximity to The
Edinburgh Graveyards Project: Documentary Survey For Canongate Kirkyard --------------------------------------------------------------------------------------------------------------------- 1. Canongate 1.1. Background Canongate’s close proximity to the Palace of Holyroodhouse, which is situated at the eastern end of Canongate Burgh, has been influential on both the fortunes of the Burgh and the establishment of Canongate Kirk. In 1687, King James VII declared that the Abbey Church of Holyroodhouse was to be used as the chapel for the re-established Order of the Thistle and for the performance of Catholic rites when the Royal Court was in residence at Holyrood. The nave of this chapel had been used by the Burgh of Canongate as a place of Protestant worship since the Reformation in the mid sixteenth century, but with the removal of access to the Abbey Church to practise their faith, the parishioners of Canongate were forced to find an alternative venue in which to worship. Fortunately, some 40 years before this edict by James VII, funds had been bequeathed to the inhabitants of Canongate to erect a church in the Burgh - and these funds had never been spent. This money was therefore used to build Canongate Kirk and a Kirkyard was laid out within its grounds shortly after building work commenced in 1688. 1 Development It has been ruminated whether interments may have occurred on this site before the construction of the Kirk or the landscaping of the Kirkyard2 as all burial rights within the church had been removed from the parishioners of the Canongate in the 1670s, when the Abbey Church had became the chapel of the King.3 The earliest known plan of the Kirkyard dates to 1765 (Figure 1), and depicts a rectilinear area on the northern side of Canongate burgh with arboreal planting 1 John Gifford et al., Edinburgh, The Buildings of Scotland: Pevsner Architectural Guides (London : Penguin, 1991). -
Introduction: Borderlines: Contemporary Scottish Gothic
Notes Introduction: Borderlines: Contemporary Scottish Gothic 1. Caroline McCracken-Flesher, writing shortly before the latter film’s release, argues that it is, like the former, ‘still an outsider tale’; despite the emphasis on ‘Scottishness’ within these films, they could only emerge from outside Scotland. Caroline McCracken-Flesher (2012) The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders (Oxford: Oxford University Press), p. 20. 2. Kirsty A. MacDonald (2009) ‘Scottish Gothic: Towards a Definition’, The Bottle Imp, 6, 1–2, p. 1. 3. Andrew Payne and Mark Lewis (1989) ‘The Ghost Dance: An Interview with Jacques Derrida’, Public, 2, 60–73, p. 61. 4. Nicholas Royle (2003) The Uncanny (Manchester: Manchester University Press), p. 12. 5. Allan Massie (1992) The Hanging Tree (London: Mandarin), p. 61. 6. See Luke Gibbons (2004) Gaelic Gothic: Race, Colonization, and Irish Culture (Galway: Arlen House), p. 20. As Coral Ann Howells argues in a discussion of Radcliffe, Mrs Kelly, Horsley-Curteis, Francis Lathom, and Jane Porter, Scott’s novels ‘were enthusiastically received by a reading public who had become accustomed by a long literary tradition to associate Scotland with mystery and adventure’. Coral Ann Howells (1978) Love, Mystery, and Misery: Feeling in Gothic Fiction (London: Athlone Press), p. 19. 7. Ann Radcliffe (1995) The Castles of Athlin and Dunbayne, ed. Alison Milbank (Oxford: Oxford University Press), p. 3. 8. As James Watt notes, however, Castles of Athlin and Dunbayne remains a ‘derivative and virtually unnoticed experiment’, heavily indebted to Clara Reeves’s The Old English Baron. James Watt (1999) Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764–1832 (Cambridge: Cambridge University Press), p. -
The Register of Burials in the Churchyard of Restalrig 1728
lifelii p" I (SCOTTISH RECORD SOCIETY, INDEX TO THE REGISTER OF BURIALS IN THE CHURCHYARD OF RESTALRIG, 1728-1854. c EDITED BY FRANCIS J. GRANT, W.S., ROTHESAY HERALD AND LYON CLERK.- EDINBURGH : t) hos PRINTED FOR THE SOCIETY BY JAMES SKINNER & COMPANY 1908. EDINBURGH: PRINTED BY JAMES SKINNER ANU COMPANY. 54- PREFACE. The village of Restalrig is situated in the parish of South Leith and on the eastern outskirts of the city of Edinburgh. It is a place of great antiquity, and in pre-Reformation times its collegiate church was the parish church of Leith. At the Reformation the church, which was dedicated to St. Triduana, was ordered by the General Assembly to be -razed and utterly cast down as a monument of idolatry, and the parishioners ordained to repair to St. Mary's Church at Leith, a sentence which was only too faithfully carried out. The edifice remained a ruin till the year 1836, when the present chapel of ease was constructed out of its remains. Though ceasing to be a place of worship after 1560, the churchyard continued to be a place of sepulchre, and after the disestablish- ment of Episcopacy in 1689 was used by the members of that body as a place of burial when denied the right to conduct service in other places. In 1726, with the sanction of John, Lord Balmerino, and James, Lord Coupar, his son, the proprietors of the Barony, the Friendly Society of Restalrig was constituted, and to its care the ruined church and church- yard were made over. The first members of this Society were Messrs. -
Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Bissonette on Rosner, 'The Anatomy Murders: Being The
H-Law Bissonette on Rosner, 'The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes' Review published on Friday, January 28, 2011 Lisa Rosner. The Anatomy Murders: Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes. Philadelphia: University of Pennsylvania Press, 2010. vi + 328 pp. $29.95 (cloth), ISBN 978-0-8122-4191-4. Reviewed by Melissa Bissonette (St. John Fisher College)Published on H-Law (January, 2011) Commissioned by Christopher R. Waldrep The Creepy and Bloodless Crime Spree: Science and Murder in Edinburgh In 1818, Mary Shelley wrote of Victor Frankenstein, a man of pure reason, becoming a star pupil in the study of natural philosophy and physiology. She has her hero bluntly acknowledge that “to examine the causes of life, we must first have recourse to death,” which is found only in “vaults and charnel houses” and amid the “unhallowed damps of the grave” (pp. 79, 82). Though without “superstition” himself, Victor is fully aware of the popular prejudice against the use of corpses; he works at night and in secret. Thus Shelley articulated what was an awkward yoking of knowledge and fear, humanity’s advance and its criminal underbelly, throughout the Enlightenment. Lisa Rosner’s The Anatomy Murders explores that yoking as exemplified by William Burke and William Hare, serial killers of 1828, whose string of murders were motivated by the constant demand, from the schools of anatomy and surgery in Edinburgh, for bodies to study. -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J. -
PINTS, POLITICS and PIETY: the Architecture and Industries of Canongate
PINTS, POLITICS AND PIETY: the architecture and industries of Canongate NORTH CANONGATE AREA OF TOWNSCAPE CHARACTER Section 8.3 Alex Adamson, Lynn Kilpatrick and Miriam McDonald March 2016 Historic Environment Scotland (HES) John Sinclair House 16 Bernard Terrace EDINBURGH EH8 9NX Tel: 0131 662 1456 Web: www.historicenvironment.scot www.canmore.org.uk 1 This document forms part of a larger report: Pints, Politics and Piety: the architecture and industries of Canongate. 8.3 NORTH CANONGATE AREA OF TOWNSCAPE CHARACTER Figure 214: Map showing boundary of North Canongate Area of Townscape Character © Copyright and database right 2016 Ordnance Survey licence number 100057073 For the purposes of this survey the North Canongate Area of Townscape Character lies to the north side of the Canongate backlands and is bounded by Cranston Street to the west, Calton Road and part of the railway track to the north and Campbell’s Close to the east. 8.3.1 Lost Sites on the Boundary with North Canongate Area The north side of Canongate was historically a focus for institutions to support its poorer and less fortunate residents. A number of charitable hospitals, poorhouses and correctional institutions were located in, or adjacent to, this part of Canongate burgh. Just outwith the north-western corner of this sector, where the railway line now marks the boundary of the survey area, were the earliest of these charitable institutions: Trinity Kirk and Hospital; and St Paul’s Work (shortened over time to Paul’s Work). These institutions stood on either side of Leith Wynd, a customs port on the edge of Edinburgh town, though not leading directly into the town itself. -
Dead and Buried... for Now the Misdiagnosis of Death In
Southern New Hampshire University Dead and Buried… For Now The Misdiagnosis of Death in Enlightenment England A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Nicole Salomone Collingswood, NJ December, 2018 Copyright © 2018 by Nicole Salomone All Rights Reserved ii Student: Nicole Salomone I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. Student: [Student’s full name] I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. April 23, 2019 __________________________________________ _______________ Capstone Instructor Date April 23, 2019 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract While the concept of the misdiagnosis of death resulting in premature burial sounds like a theme from Hollywood, it was a real circumstance that took place in Western Europe from antiquity through the nineteenth century. Specifically focusing on the England in the eighteenth and early nineteenth centuries, stories of people who had been prematurely diagnosed as dead, prematurely set into their coffin for viewing, and prematurely committed to the grave have been well documented within medical texts, academic books, art, and newspapers articles from the time. These sorts of publications showcased societies awareness of people were being misdiagnosed as dead committed to the earth alive. In response, scholarly physicians began to identify the stages of death with the intent of properly diagnosing people, and only committing those who were absolutely dead to their final resting places. -
The Edinburgh Graveyards Project
The Edinburgh Graveyards Project A scoping study to identify strategic priorities for the future care and enjoyment of five historic burial grounds in the heart of the Edinburgh World Heritage Site The Edinburgh Graveyards Project A scoping study to identify strategic priorities for the future care and enjoyment of ve historic burial grounds in the heart of the Edinburgh World Heritage Site Greyfriar’s Kirkyard, Monument No.22 George Foulis of Ravelston and Jonet Bannatyne (c.1633) Report Author DR SUSAN BUCKHAM Other Contributors THOMAS ASHLEY DR JONATHAN FOYLE KIRSTEN MCKEE DOROTHY MARSH ADAM WILKINSON Project Manager DAVID GUNDRY February 2013 1 Acknowledgements his project, and World Monuments Fund’s contribution to it, was made possi- ble as a result of a grant from The Paul Mellon Estate. This was supplemented Tby additional funding and gifts in kind from Edinburgh World Heritage Trust. The scoping study was led by Dr Susan Buckham of Kirkyard Consulting, a spe- cialist with over 15 years experience in graveyard research and conservation. Kirsten Carter McKee, a doctoral candidate in the Department of Architecture at Edinburgh University researching the cultural, political, and social signicance of Calton Hill, undertook the desktop survey and contributed to the Greyfriars exit poll data col- lection. Thomas Ashley, a doctoral candidate at Yale University, was awarded the Edinburgh Graveyard Scholarship 2011 by World Monuments Fund. This discrete project ran between July and September 2011 and was supervised by Kirsten Carter McKee. Special thanks also go to the community members and Kirk Session Elders who gave their time and knowledge so generously and to project volunteers David Fid- dimore, Bob Reinhardt and Tan Yuk Hong Ian. -
Holyrood Abbey Statement of Significance
Property in Care (PIC) ID: PIC223 Designations: Scheduled Monument (SM13031) Taken into State care: 1906 (Ownership) Last reviewed: 2014 STATEMENT OF SIGNIFICANCE HOLYROOD ABBEY We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH HOLYROOD ABBEY SYNOPSIS The Augustinian Abbey of Holyrood was founded by David I in 1128 as a daughter-house of Merton Priory (Surrey). By the 15th century the abbey was increasingly being used as a royal residence – James II was born there in 1430 - and by the time of the Protestant Reformation (1560) much of the monastic precinct had been subsumed into the embryonic Palace of Holyroodhouse. -
Contributors to SSL 43:2
Studies in Scottish Literature Volume 43 | Issue 2 Article 35 12-15-2017 Contributors to SSL 43:2 Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation (2017) "Contributors to SSL 43:2," Studies in Scottish Literature: Vol. 43: Iss. 2, 364–370. Available at: https://scholarcommons.sc.edu/ssl/vol43/iss2/35 This Back Matter is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. NOTES ON CONTRIBUTORS TO SSL 43:2 Timothy C. Baker is Senior Lecturer in Scottish and Contemporary Literature at the University of Aberdeen. He is the author of George Mackay Brown and the Philosophy of Community (2009) and Contemporary Scottish Gothic: Mourning, Authenticity, and Tradition (2014). Forthcoming projects include a study of the relation between animality, suffering, and language in contemporary fiction and another on gender and space in mid-twentieth-century women’s fiction. Jamie Reid Baxter has long been active in scholarship on, and performance of, Renaissance Scottish drama, poetry and music, with a principal research focus is the interaction of religion, politics and culture in Scotland from the 1540s to the 1640s. He is currently completing an edition of the writings of Elizabeth Melville, Lady Culross. Iain Beavan is Keeper of Rare Books, emeritus, University of Aberdeen, and honorary research fellow, School of Critical Studies, University of Glasgow. He contributed to the Edinburgh History of the Book in Scotland, vols.