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CRMA JUDGE BIOS 2014 Jeanne Abbott, Associate Professor
CRMA JUDGE BIOS 2014 Jeanne Abbott, Associate Professor, University of Missouri, worked for the Anchorage Daily News for nearly 15 years and covered the oil boom, native land claims issues and the exploding growth of a frontier city. After earning a Ph.D. in journalism from Missouri, Abbott also spent time at the Sacramento Bee and Des Moines Register before becoming a full‐‐time faculty member. Julie Vosburgh Agnone is Vice President of Editorial Operations for National Geographic Kids Publishing and Media. During her career at National Geographic, Julie has written, edited, and managed magazines and books for children, educational media for schools, and CD‐ROMs for beginning and ESL readers. She has worked on various special initiatives for National Geographic, including international editions, strategic partnerships, and electronic publishing. Danita Allen Wood is the co‐owner and editor‐in‐chief of Missouri Life magazine, which she and her husband purchased and revived in 1999. Danita learned the magazine business at Meredith Corporation, which publishes Better Homes & Gardens, Midwest Living, Successful Farming, and many other magazines. She returned to her home state of Missouri in 1995 to teach at the Missouri School of Journalism, holding the Meredith Chair until 2005, when she decided to devote her full time to Missouri Life. Dave Anderson is a photographer and filmmaker whose work can be found in the Museum of Fine Arts, Houston, the Ogden Museum of Southern Art, the Cocoran Gallery and in the pages of Esquire, Stern and ESPN the Magazine. In 2011 Anderson won a National Magazine Award for his “SoLost” video series created for the Oxford American. -
Eastern Craft in Orientalism and Modern Design ISHIKAWA, Yoshimune / Phd / Toyo Institute of Art and Design / Japan
Eastern craft in Orientalism and Modern Design ISHIKAWA, Yoshimune / PhD / Toyo Institute of Art and Design / Japan Chinoiserie / Japonisme / Japanese Design / Scandinavian roof and door with a lattice pattern similar to the back of the chair Design (fig. 1, right). Because part of their design derived from traditional Chinese architecture, their design was different from original Chi- This article focuses on furniture inspired by Eastern culture in Ori- nese furniture. For example, the Chinese chair had a back that entalism and modern design and clarifies the acceptance of the was one curved slat with minimal fretwork. The cabinet was a East not only as exoticism but also as inspiration for new design simple box that had no architectural decoration (however, there and theory beyond century. Eastern craft often offered new im- were some examples that had pediment or cornice in the origi- ages from the eighteenth to the twentieth century, and this his- nal Chinese cabinet importing Orientalism in the nineteenth cen- torical process is easily seen. Therefore, with regard to craft, the tury). The exoticism portrayed by Chippendale was, as it were, a East was not an “other” as Said has suggested. collage of Chinese architecture. In 1754, Chippendale published The Gentleman and Cabinet-Mak- 1. Introduction er’s Director, which shows Chinese style governed by his logi- According to Edward Said, the Orient signified a system of repre- cal method of design. He took Chinese architecture apart once, sentations that were politically framed by the Western world and chose some of its symbolic parts, and then reconstructed them existed as a separate, eccentric, backward, and silently different in Rococo style. -
AAH Spring 2008 Newsletter
Historic News Volume 13, Issue 1 Spring/Summer 2008 2008 ANNUAL MEETING With special thanks to our hosts, Samford University and the Samford Department of History, we report that the 2008 Annual Meeting of the Alabama Association of Historians (AAH) was a success. Paper sessions (top) were well- Attendees enjoyed strong paper sessions attended at this throughout the weekend, a delicious Friday year’s annual evening reception at Southern Progress meeting, hosted by the Samford Corporation’s headquarters adjacent to the University Samford campus, and an opening plenary Department of session that was entertaining and reflective of History. innovation in the presenters’ collaborative approach to teaching and learning. Keynote speakers for the meeting were scholars Steve Noll (University of Florida) and Dave Tegeder (Santa Fe Community College.) Friday night’s reception and plenary session were held The team shared their popular inter-disciplinary at Southern Progress Corporation’s headquarters, home approach to teaching Florida history, Ditch of to Time Warner publications such as Southern Living, Dreams: The Cross-Florida Barge Canal and the Cooking Light and Cottage Living magazines, among Struggle for Florida’s Future. others. Announcements Public History News Alabama Historical Commission (AHC) The AHC welcomed Frank W. White as its new executive The Alabama Humanities Foundation director on January 2. White previously served as the en- (AHF) will soon host Face the Future, a dangered properties revolving fund director at the Georgia Trust for Historic Preservation. In his 11 years at the Geor- Leadership Summit on Humanities and Technology in the 21st Century. The gia Trust, White built the revolving fund into a self- sustaining program. -
Inquiry Mail Survey
Currituck County Department of Travel and Tourism Inquiry Mail Survey Mail Survey Methodology 3,000 surveys were mailed to a stratified random sample of the total inquiries received by the Currituck County Department of Travel and Tourism (CCDTT) during a twelve-month period. The sample was stratified by the time of year received during the twelve-month period and by the inquiry source. The surveys were mailed the week of July 3, 2007. A total of 318 surveys had been received by September 15, 2007 representing 10.60% which is within the acceptable response minimum of 10% to 15%. Thus, N=318 for the total response in this report unless otherwise noted. The survey instrument (questionnaire) was printed on a single sheet of 11” x 17” white paper and folded to a four page 8 ½” x 11” letter size format. The survey was mailed in an envelope at first class postage rate and a postage paid return mail addressed envelope was included. The survey included an incentive of a drawing for a free weekend visit to be selected from those that responded to the survey. The survey contained forty-two (42) questions. Each question is stated in the following pages in numerical sequence and the findings and responses follow each question. Observations and conclusions based on the responses are printed in italics after each response. Additionally, it should be noted that fifteen (15) intercept interviews were conducted during the month of June 2007. The purpose of these interviews was to delve more deeply into specific issues on tools used for trip planning, visitor behaviors, expenditures and perceptions. -
Sprawling Dragons, Squatting Pagods, and Clumsy Mandarines’, the Georgian Group Jounal, Vol
Philippa Tristram, ‘Sprawling Dragons, Squatting Pagods, and Clumsy Mandarines’, The Georgian Group Jounal, Vol. V, 1995, pp. 1–8 + 127–128 TEXT © THE AUTHORS 1995 ‘Sprawling dragons, squatting pagods, and clumsy mandarines’ Philippa Tristram Sinologists and art historians agree that in the eighteenth century, as in the seventeenth, dis tance lent enchantment to the English view of China. They also agree that disillusionment followed hard upon our first direct experience of that country. In pilot studies of China and the West, the crucial encounter cited used to be the Macartney embassy of 1793, when British subjects first travelled through the ‘Great Within’. But in recent years, sinologists - perhaps aware of the many negative references to China prior to the Macartney embassy1 - have set back the advent of disillusion to 1748, when Captain Anson’s Voyage round the world was pub lished. This included an account of his bellicose coastal dispute with the Chinese. Although Anson never entered China proper, sinologists now declare that from 1748 the ‘cult of China, whether intellectual or aesthetic, faded swiftly’.2 Art historians, on the other hand, remark that the baroque chinoiserie of the Restoration lost ground in the early eighteenth century, and returned to favour in rococo form only in the reign of George II, ‘rising to its peak of fash ion in the 1750s’3 (directly after the publication of the Voyage}, and declining gradually from 1760-90, displaced by Gothic, not the choleric Captain. Even when seeking evidence prior to 1748 for an admiration of all things Chinese, sinolo gists and art historians differ, although in complementary respects. -
Magazines, Blogs and Design…Wiki-Style
THESIS WRITE MY THESIS: MAGAZINES, BLOGS AND DESIGN…WIKI-STYLE Brittany Watson Interior Design In partial fulfillment of the requirements For the Degree of Master of Art Corcoran College of Art and Design Washington DC Spring 2010 2 Thesis Statement Design blogs and other forms of social media have assumed a more prominent role over the traditional printed magazine in disseminating information, creating a sense of community, encouraging artistic collaboration and identifying new tastes, which is explored in this thesis through author-mediated crowd-sourcing through a blog called Write My Thesis leading to an online magazine, Baker Street. Abstract The day Domino magazine folded in January of 2009, a silence was heard throughout the design community. This marked yet another design magazine that had fallen victim to declining advertisement sales in recent years. Until this point, magazines were at the forefront of identifying design trends and up-and-coming designers, while providing one of the only locations to provide guides of where to find products and how to assemble looks. The rise in social media, including blogs, vlogs, wikis, podcasts, wall postings, and photosharing, has quickly assumed a more prominent role in the wake of printed magazines. Like Wikipedia, this thesis is mass-collaboratively written by the users of the Web 2.0 through crowd-sourcing the content on a wiki site with the author acting as mediator and main contributor. The aim is to discover the benefits of social media versus 3 traditional print and how it affects design. The project describes the qualities that made the magazine successful in its golden age and how they eventually grew outdated as social media became more popular. -
Architectural Chinoiserie in Germany Chinese Tower, English Garden, Munich, Germany
The Future of Historical Network Research , 13-15 September, 2013 Hamburg Conceptualize into Yanan Sun History Cornell University Heidelberg University “Dots and Lines” [email protected] Dynamic Network Analysis of the History of Chinoiserie Architecture in Germany Outline ² History of Chinoiserie ² Network: build Chinoiserie network ² Diffusion analysis : - Adopter types: 5 phases - Adoption thresholds ² Historical explanation of network analysis Outline ² History ² Network ² Analysis ² Historical explanation History of Chinoiserie ² “Chinoiserie” a French word, meaning “chinese-esque” ² àin decorative arts ² à in architecture ² ! Chinoiserie is not “Chinese,” but “European” Decorative Arts The Chinese Garden, a chinoiserie painting in by François Boucher. Chinoiserie Chinoiserie porcelain, made in Europe Chinoiserie in Decorative Arts Chinoiserie furniture Chinoiserie in Decorative Arts Chinoiserie interior, mirror cabinet in Schönbrunn Palace, Austria Decorative Arts in Chinoiserie Austira Schönbrunn Palace, Chinoiserie interior, Chinoiserie in Decorative Arts 1767 Versaille, France Trianon de Procelain, Chinoiserie in Architecture Chinese/Japanese Tea House, Sanssouci, Potsdam, Germany Architectural Chinoiserie in Germany Chinese Tower, English Garden, Munich, Germany Architectural Chinoiserie in Germany Architectural Chinoiserie in Germany Selected sites with Chinoiserie buildings: 1. Sanssouci , Potsdam 2. New Garden, Potsdam 3. Pillnitz , Dresden 4. Mulang, Wilhelmshöhe, Kassel 5. Nyphemburg, Munich 6. English Garden, Munich 7. -
Coastal Living Selects Norfolk, Va's East Beach As
FOR IMMEDIATE RELEASE May 13, 2011 Media Contact: Pat Lubking 985-630-3015 [email protected] Becky Bump 757-228-5815 [email protected] COASTAL LIVING SELECTS NORFOLK, VA’S EAST BEACH AS LOCATION FOR 25th ULTIMATE BEACH HOUSE New York, NY – May 13, 2011 – Coastal Living and East Beach Company, LLC are pleased to announce that East Beach, a traditional neighborhood in Norfolk, Virginia, is the location for the Coastal Living 2011 Ultimate Beach House, the 25th of its showcase homes highlighting the style of life on the coast. This year marks the second time Coastal Living has selected the picturesque East Beach neighborhood for its show home. “We are thrilled to return to Norfolk for Coastal Living’s 25th showcase home, and excited to partner with the developers of East Beach once again,” says Nicole Hendrick, Idea Home Manager, Coastal Living magazine. "By sharing our mutual vision, we continue to develop Norfolk as a jewel of the Atlantic Coast. The great beaches, busy harbor, and traditional neighborhood style of East Beach provide a simple and balanced life. There is no better location to build the new 2011 Coastal Living Ultimate Beach House,” says Bart Frye, Managing Partner, East Beach Company. As the charity partner, the St. Mary’s Home for Disabled Children will receive a portion of admission sales. St. Mary’s volunteers will oversee tours throughout the season, July 29 - November 27, Wednesday - Saturday 11 AM –5 PM and Sunday 1 –5 PM. The Ultimate Beach House will be closed each Monday and Tuesday for special events. -
Summertime, and the June Issue of Southern Living Is All About Enjoying the Easy Life
SUMMERTIME, AND THE JUNE ISSUE OF SOUTHERN LIVING IS ALL ABOUT ENJOYING THE EASY LIFE Birmingham, Ala. – As the temperature heats up, Southern Living has some great ideas to cool down, from a no-stress party menu in our Healthy Living section, to our Travel Editors’ picks of places to lay your beach towel (www.editorscityguide.com). Even our flavor-packed pies will have you chillin’ in no time. Check our June issue for these and many other great solutions for summer. Fuss-Free Menu (p. 114) – Some of the best parties happen on the spur of the moment – no fancy linens, flatware or china required. But, even a casual get together needs crowd pleasing dishes, so check out the simple and nutritious menu in our Healthy Living section that only takes 1 ½ hours to make. Recipes include: Open-faced Turkey Joes, Corn-and-Lima Bean Salad, and Warm Blackberry Sauce over Mango Sorbet. Fresh from the Bayou (p. 90) – Southern Living Executive Food Editor Scott Jones spent the day with shrimper Timmy Cheramie near Golden Meadow, La. This third-generation shrimper who still handcrafts outrigging for his boat, shared his family’s best recipes with us, including: Boiled Shrimp With Timmy’s Shrimp Sauce; Bayou Fried Shrimp; and Shrimp-and-Sausage Stew. [Check out a video of Scott’s trip: http://www.southernliving.com/southern/video/0,30747,1747225,00.html] Easy As Pie (p. 134) – We believe summer is all about simple, and these mouthwatering pies top our list of fun desserts. No wrangling with the rolling pin – just pat the crust in the pan, fold together the filling – and chill. -
The Politics of Chinoiserie
ONE THE POLITICS OF CHINOISERIE The Disappearance of Chinese Objects “Is there any point to which you would wish to draw my attention?” “To the curious incident of the dog in the night-time.” “The dog did nothing in the night-time.” “That was the curious incident,” remarked Sherlock Holmes. —Arthur Conan Doyle, “Silver Blaze” This chapter explores an absence, or more accurately, an erasure. It is an attempt to understand why Chinese art disappeared from an American art discourse in the 1870s. This remains a critical question still, because despite the reemergence of Chinese objects in the art discourse of the 1890s, that almost twenty-year silence has shaped subsequent discussion concerning American art of that time. The significance of Americans’ reluctance to acknowledge the Chinese origin of import ware during this period cannot be seen fully by examining the isolated Chinese object. Rather, such an investigation requires a more oblique look, one capable of incorporating the surrounding political as well as the aesthetic context. Reconstructing the surrounding positive space gives shape to the missing discourse: seeing Chinese material culture through the mediating histories of the earlier decades of commerce between China and the United States, through American attitudes toward Chinese people, and, finally, through the contrasting American reception of Japanese people and things. The juxtaposition of social/political history with the study of material culture assumes a relationship between politics and art. Connections between 13 © 2012 State University of New York Press, Albany 14 COLLECTING OBJECTS / EXCLUDING PEOPLE the two have been elaborated throughout the modern period at least as early as 1798, when William Blake wrote: “The Foundation of Empire is Art and Science. -
Holiday 2015
Complimentary Holiday 2015 for the Bay Boomer and beyond... Art of Living Winter in the Bay Bay Gardening: Is Life Making Holly is Jolly You Weary? Angels in Our Skies Holiday 2015 1 OutLook FROM THE DESK For the Bay Boomer and Beyond... Publisher and Tecla Emerson Murphy Walk away. Recently I was asked how we keep the peace in Editor-in-Chief [email protected] such a widely diverse family and friends group. Like most families, Managing Editor Mick Rood no two members are alike. We’re made up of artists, executives, [email protected] homemakers, students, small-business owners, sports figures and Operations Cynthia Rott Manager [email protected] everything in between. Their interests range from travel, to getting Art Director Emma Stultz [email protected] kids properly educated, to staying active in their communities, to Columnists Dr. Jim David sports, volunteer groups and, all too often, just getting through [email protected] the week. There are little kids and old people and many nonrelated Michael J. Dodd [email protected] sorta’ family who may as well be related. We give them chores to Victoria Duncan do and errands to run and gentle corrections: no throwing peas at [email protected] the table and you have to wear shoes and shirt to dinner. They’re all Jessica L. Estes [email protected] part of this burgeoning family and we’re interested in their thoughts Ryan Helfenbein [email protected] and opinions. We work hard at hearing them out. Henry S. Parker So what is the answer to keeping the peace? After polling various [email protected] members of this tribe, the overall consensus is to walk away. -
Tiara Pair of Earrings in Chinoiserie Style
1 1. Italy or France Tiara Gold and coral, about 1817 Purchased with funds given by Rita Barbour Kern, 1996.27 French Neoclassicism revived the fashion for wearing a tiara, a head ornament based on an ancient Greek diadem. Tiaras of varying degrees of intrinsic value were worn by every woman from the middle classes to royalty. Coral, which was believed to posses protective powers, was often used in jewelry for children and young adults. A portrait painted by Luigi Bernero in 1817 of Maria Teresa of Savoy (1803– 1879) shows the 14-year-old Italian princess wearing a hair ornament almost exactly like this tiara. Most coral in Europe came from the sea around Naples and nearby Torre del Greco. In the 19th century coral jewelry became a fashionable souvenir. This was partly because people could travel more once the Napoleonic wars had ended in 1815, but also due to the growing popularity of Luigi Bernero (Italy, 1775–1848), Maria Teresa di Savoia. Oil on canvas, naturalistic jewelry in the 1850s. about 1817. Palazzo Reale, Turin, Italy 2. and pagoda-shaped elements of these earrings reflect the England period’s romantic taste for the Far East, known as chinoiserie Pair of Earrings in (sheen-WAH-zer-ee). Chinoiserie Style Pierced earrings were a sign of maturity. The first pair of earrings was usually given to a young girl in England at Silver, gold, diamonds, pearls and rubies, age 16, when simple ‘top-and-drop’ pearl earrings were considered to be more appropriate for a young, unmarried about 1820 girl.