West Side Story
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Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18Th Annual Excellence in Production Design Awards February 8, 2014
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18th Annual Excellence in Production Design Awards February 8, 2014 LOS ANGELES, Sept. 11 — Three legendary Production Designers – Robert Clatworthy, Harper Goff and J. Michael Riva – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 18th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on February 8, 2014, as announced today by ADG Council Chairman John Shaffner and Awards Producers Raf Lydon and Dave Blass. In making the announcement Shaffner said, “Clatworthy, Goff and Riva join a distinguished group of ADG Hall of Famers, whose collective work parallels the best of motion picture and television production design. They are most worthy and welcomed additions.” Nominations for the 18th Annual ADG Excellence in Production Design Awards will be announced on January 9, 2014. On awards night, February 8, the ADG will present winners in ten competitive categories for theatrical films, television productions, commercials and music videos. Recipient of this year’s Lifetime Achievement Award will be Production Designer and Art Director Rick Carter, as previously announced. The Excellence in Production Design Awards are open only to productions, when made within the U.S., by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. ROBERT CLATWORTHY (1911 – 1992) Robert Clatworthy (William Robert Clatworthy) was an Oscar®-winning American Production Designer who worked at Paramount starting in 1938, and at Universal until 1964. In the 1960’s Clatworthy became involved with some of Hollywood’s best directors, including Orson Welles, Alfred Hitchcock and Stanley Kramer. -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
June 1978 SC^ Monthly for the Press Ti& the Museum of Modern Art M9 11 West 53 Street, New York, N.Y
ITIGHT BINDING A\*e June 1978 SC^ Monthly for the Press ti& The Museum of Modern Art M9 11 West 53 Street, New York, N.Y. 10019 Department of Public Information, (212)956-2648 What's New Paqe 1 What's Coming Up Paqe 2 Current Exhibitions Page 3-4 Gallery Talks, Special Events Page 5 Ongoing, Museum Hours Page 6 New Film Series, Continuing Film Series Page 7 WHAT'S NEW ETCHINGS Jim Pine's Etchings Jun 6—Sep 5 One hundred prints trace the history of Dine's work in etching, exploring his imagery and techniques. In his first drypoints, Dine brought a fresh and imaginative attitude to printmaking, directly relating this work to his "happenings" and construc tion/canvases. He was one of the first to return to the oKJ art of hand-coloring prints, thereby producing a body of work of infinite variety. His most recent work has an expressive, tor tured character that expands and may reorient ideas regarding Dine's art and that of his generation. (East Wing, 1st floor) SOUND INSTALLATION Max Neuhaus June 8—Sep This is the second in a series of sound installations, the first of which was installed beneath a pedestrian island in Times Square where a deep, rich texture of sound was generated from beneath a subway grating, and transformed the aural environment for pedestrians. In contrast, the Museum's installation is located in the quiet of the Sculpture Garden, with sound generated from within a ventilation chamber running along the East Wing of the Museum. (over) June 1978 Page 2 WHAT'S NEW (CONT'D) ARCHITECTURE The Architecture of Gunnar Asplund Jun 30--Sep 10 Erik Gunnar Asplund (1885-1940) was Sweden's leading architect in the years between the two world wars. -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 19Th Annual Excellence in Production Design Awards January 31, 2015
ART DIRECTORS GUILD TO INDUCT THREE LEGENDARY PRODUCTION DESIGNERS INTO ITS HALL OF FAME AT 19TH ANNUAL EXCELLENCE IN PRODUCTION DESIGN AWARDS JANUARY 31, 2015 LOS ANGELES, October 15 — Three legendary Production Designers – John Gabriel Beckman, Charles Lisanby and Walter H. Tyler – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 19th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on January 31, 2015, as announced today by ADG Council Chairman John Shaffner and Awards Producers Dave Blass and James Pearse Connelly. In making the announcement Shaffner said, “Beckman, Lisanby and Tyler join an honored and distinguished group of ADG Hall of Famers, whose collective work parallels the best of motion picture and television production design. Their enduring legacy and accomplished mastery of our profession are most worthy, influential, inspiring and welcomed additions.” Nominations for the 19th Annual ADG Excellence in Production Design Awards will be announced on January 5, 2015. The ADG will present winners in 11 competitive categories for theatrical films, television productions, commercials and music videos on awards night, January 31, hosted by Comedian Owen Benjamin. JOHN GABRIEL BECKMAN (1898 – 1989) Award winning Production Designer John Gabriel Beckman was an architect prior to becoming an admired American set designer, art director, production designer and muralist. He worked behind-the-scenes for almost a decade before receiving his first screen credit as an art director for Charlie Chaplin’s 1947 black comedy Monsieur Verdoux (which was screened in May as part of ADG’s Film Society Series). -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
M*A*S*H Bash in National Limelight
US Postage PA I!.;. Bronx, New York Thursday Permit No. 7608 March 3,1983 Non-Profit Org. Volume 65 Number 7 FORDHAM UNIVERSITY, NEW YORK Robbery Bundy Aid Delayed Due Suspects •' «* J To State Budget Deficit by Melissa Goodman dham had anticipated. A delay in the payment of $1.3 million in Shea said the February allocation reduc- Arrested New York state Bundy Aid (o the University tion will be added to money distributed in by Lisa Lysko "has put a serious cramp into our cashflow May 1983. The funding reduction and Police have arrested five persons believed management," according to Financial Vice payment delay also affects 94 other indepen- President Bro. James Kenny, S.J. dent colleges in New York. to have been involved in the recent off- campus muggings. Payment of the Bundy money, which is a Fordham's allocated funding for the 1982- Within the past month, five separate rob- subsidy given to independent New York state 1983 fiscal year amounts to more than $3.5 beries, involving nine Fordham students, colleges based on the number of degrees an million. Bundy Aid is distributed tri-annually institution awards each year, was due to be in divisions of 30 percent in May, 35 percent have occurred in the vicinity of 194th Street received by the University on February 15. in October and 35 percent in February. In the and Webster Avenue. However, according to Thomas Shea, delayed February allocations Fordham will A task force of eight anti-crime officers assistant coordinator of the institutional aid be receiving only 34.1356 percent of its fun- and two detectives of the 48th Precinct was office of the State Education Department, ding. -
Hollywood Counterterrorism: Violence, Protest and the Middle East in U.S
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Hollywood Counterterrorism: Violence, Protest and the Middle East in U.S. Action Feature Films Jason Grant McKahan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES HOLLYWOOD COUNTERTERRORISM: VIOLENCE, PROTEST AND THE MIDDLE EAST IN U.S. ACTION FEATURE FILMS By JASON GRANT MCKAHAN A Dissertation submitted to the College of Communication and Information in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2009 The members of the committee approve the dissertation of Jason Grant McKahan defended on October 30, 2009. ____________________________________ Andrew Opel Professor Directing Dissertation ____________________________________ Cecil Greek University Representative ____________________________________ Donna Nudd Committee Member ____________________________________ Stephen McDowell Committee Member Approved: ____________________________________________ Stephen McDowell, Director, School of Communication ____________________________________________ Lawrence Dennis, Dean, College of Communication and Information The Graduate School has verified and approved the above-named committee members. ii I dedicate this to my mother and father, who supported me with love and encouragement. iii ACKNOWLEDGEMENTS I would like to express thanks to Dr. Andy Opel, my committee chair. Since I first stepped into his office in 2003, Andy inspired me with his rebellious free thinking and encouraged me to see the deeper connections between things too often taken in isolation. Together, Andy and I daily observed an absurd world with deteriorating human rights and environmental catastrophe and sought to expose injustice and counter arrogance with resistant voices and compassionate values. -
Art Directors Guild to Induct Three Additional Legendary
ART DIRECTORS GUILD TO INDUCT THREE ADDITIONAL LEGENDARY PRODUCTION DESIGNERS INTO ITS HALL OF FAME AT THE 17th ANNUAL EXCELLENCE IN PRODUCTION DESIGN AWARDS PRESENTED BY BMW ON FEBRUARY 2, 2013 LOS ANGELES, NOV. 5 — Three legendary Production Designers – Preston Ames, Richard MacDonald, and Edward S. Stephenson – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 17th Annual Excellence in Production Design Awards Presented by BMW ceremony to be held at the Beverly Hilton Hotel on February 2, 2013, as announced today by ADG President Thomas A. Walsh and Awards Producers Greg Grande and Raf Lydon. Previous ADG Hall of Fame inductees, which are only given posthumously, are Robert F. Boyle, William S. Darling, Alfred Junge, Alexander Golitzen, Albert Heschong, Eugène Lourié, John Box, Hilyard Brown, Malcolm F. Brown, Wilfred Buckland, Henry Bumstead, Edward Carfagno, Carroll Clark, Richard Day, John DeCuir Sr., Hans Dreier, Bob Keene, Cedric Gibbons, Stephen Goosson, Anton Grot, Stephen Grimes, Ted Haworth, Dale Hennesy, Harry Horner, Joseph McMillan “Mac” Johnson, Romain Johnston, Boris Leven, John Meehan, William Cameron Menzies, Harold Michelson, Van Nest Polglase, Ferdinando Scarfiotti, Jan Scott, Alexandre Trauner, James Trittipo and Lyle Wheeler. In making the announcement, ADG President, Thomas A. Walsh, said, “This continues to be a proud moment for our Guild as we look to the past so we may build the bridges to our future. The ADG Hall of Fame recognizes the many achievements of those artists who created and evolved the unique discipline of art direction for the moving image. Their creative legacy continues to inspire and challenge all of those who have chosen the art of production design as their profession and it is appropriate that we honor their memory through their induction into the ADG Hall of Fame.” Nominations for the 17th Annual ADG Excellence in Production Design Awards Presented by BMW will be announced on January 3, 2013. -
Hall of Fame on February 5, 2011
ART DIRECTORS GUILD TO INDUCT THREE ADDITIONAL LEGENDARY PRODUCTION DESIGNERS INTO ITS HALL OF FAME ON FEBRUARY 5, 2011 LOS ANGELES, September 14 — Three legendary Production Designers are to be inducted into the Art Directors Guild’s Hall of Fame at the Guild’s 15th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on February 5, 2011. The Guild’s Council has named Production Designers Alexander Golitizen, Albert Heschong and Eugène Lourié as its latest Hall of Fame inductees. In making the announcement, ADG Council Chairman, Thomas A. Walsh, said, “This continues to be a proud moment for our Guild as we look to the past so we may build the bridges to our future. The ADG Hall of Fame recognizes the many achievements of those artists who created and evolved the unique discipline of art direction for the moving image. Their creative legacy continues to inspire and challenge all of those who have chosen the art of production design as their profession and it is appropriate that we honor their memory through their induction into the ADG Hall of Fame.” Nominations for the 15th Annual ADG Awards will be announced on January 5, 2011. On awards night, February 5, the ADG will present winners in nine competitive categories for theatrical films, television productions and commercials, along with the Guild’s awards for Lifetime Achievement and Outstanding Contribution to Cinematic Imagery, both still to be announced. For the second consecutive year, and by popular demand, Paula Poundstone is set to host this year’s show, which is themed, “Design on Film.” Co-Producers for the ADG Awards are Dawn Snyder and Tom Wilkins. -
Culture Through Color Perception in West Side Story
ISSN: 2638-0668 ____________________________________________________ Culture Through Color Perception In West Side Story Marissa Christina Secades College of Liberal Arts and Sciences, University of Florida Faculty mentor: Barbara Mennel, Department of English Abstract This article focuses on the use of color theory to clearly characterize members of rival ethnic gangs in the 1961 film adaptation of West Side Story. Originally a 1957 Broadway musical, West Side Story captured audiences with its groundbreaking innovation in choreography and music, while earning praise from critics for delving into contemporary issues like immigration and gang-related violence. It won an astonishing ten Academy Awards, including Best Costume Design and Best Art Direction, and still holds the record for the most Academy Awards won by a movie musical. While much of the existing research on West Side Story focuses on references of vying cultures made explicitly through song and dance, my research instead focuses on the non-verbal representations of these cultures that are expressed through color in the film. By studying the film’s iconic art direction and investigating audiences’ subsequent perceptions of characters and settings the colors featured in the costume designs and set designs are used to denote a culturally-charged power structure within the Jets and the Sharks. Based on close examination of these various designs, the film’s overall color palette, and published scholarship, the West Side Story's non-verbal references are uniquely dangerous to its explicit references, as they subliminally promote harmful stereotypes and suggest that gang violence brings life to an otherwise drab city. Studying the connection between color theory and culture ultimately illuminates the historical roots of society's perceptions of colors and their seemingly inherent associations to certain traits.