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Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18Th Annual Excellence in Production Design Awards February 8, 2014
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18th Annual Excellence in Production Design Awards February 8, 2014 LOS ANGELES, Sept. 11 — Three legendary Production Designers – Robert Clatworthy, Harper Goff and J. Michael Riva – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 18th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on February 8, 2014, as announced today by ADG Council Chairman John Shaffner and Awards Producers Raf Lydon and Dave Blass. In making the announcement Shaffner said, “Clatworthy, Goff and Riva join a distinguished group of ADG Hall of Famers, whose collective work parallels the best of motion picture and television production design. They are most worthy and welcomed additions.” Nominations for the 18th Annual ADG Excellence in Production Design Awards will be announced on January 9, 2014. On awards night, February 8, the ADG will present winners in ten competitive categories for theatrical films, television productions, commercials and music videos. Recipient of this year’s Lifetime Achievement Award will be Production Designer and Art Director Rick Carter, as previously announced. The Excellence in Production Design Awards are open only to productions, when made within the U.S., by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. ROBERT CLATWORTHY (1911 – 1992) Robert Clatworthy (William Robert Clatworthy) was an Oscar®-winning American Production Designer who worked at Paramount starting in 1938, and at Universal until 1964. In the 1960’s Clatworthy became involved with some of Hollywood’s best directors, including Orson Welles, Alfred Hitchcock and Stanley Kramer. -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
June 1978 SC^ Monthly for the Press Ti& the Museum of Modern Art M9 11 West 53 Street, New York, N.Y
ITIGHT BINDING A\*e June 1978 SC^ Monthly for the Press ti& The Museum of Modern Art M9 11 West 53 Street, New York, N.Y. 10019 Department of Public Information, (212)956-2648 What's New Paqe 1 What's Coming Up Paqe 2 Current Exhibitions Page 3-4 Gallery Talks, Special Events Page 5 Ongoing, Museum Hours Page 6 New Film Series, Continuing Film Series Page 7 WHAT'S NEW ETCHINGS Jim Pine's Etchings Jun 6—Sep 5 One hundred prints trace the history of Dine's work in etching, exploring his imagery and techniques. In his first drypoints, Dine brought a fresh and imaginative attitude to printmaking, directly relating this work to his "happenings" and construc tion/canvases. He was one of the first to return to the oKJ art of hand-coloring prints, thereby producing a body of work of infinite variety. His most recent work has an expressive, tor tured character that expands and may reorient ideas regarding Dine's art and that of his generation. (East Wing, 1st floor) SOUND INSTALLATION Max Neuhaus June 8—Sep This is the second in a series of sound installations, the first of which was installed beneath a pedestrian island in Times Square where a deep, rich texture of sound was generated from beneath a subway grating, and transformed the aural environment for pedestrians. In contrast, the Museum's installation is located in the quiet of the Sculpture Garden, with sound generated from within a ventilation chamber running along the East Wing of the Museum. (over) June 1978 Page 2 WHAT'S NEW (CONT'D) ARCHITECTURE The Architecture of Gunnar Asplund Jun 30--Sep 10 Erik Gunnar Asplund (1885-1940) was Sweden's leading architect in the years between the two world wars. -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
Fr. Berry, S. J. Appointed Head of Mathematics Department
! | UllllllllllllllUi: IHIIillllllHIIIUlllSllllllllitllllllllllillll illilll I Illllllllil' OFFER A ROSARY FOR ALUMNI IN BEHIND LARKIN SERVICE EVERY DAY AT 1:00 NEW YORK, JULY 28, 1944 IJo. 11 Fr. Gannon Speaks FORBHAM Pharmacy Graduation Fr. Berry, S. J. Appointed Head FRATERNITY Before Boarders Held On June 23rd On Bolivar Day On Friday evening, June 23, Of Mathematics Department the Fordham College of Phar- Since the last issue of the RAM w macy held its graduation in have learned of the deaths of three for Emphasizes Cooperation Keating Hall on the campus. The Frs. Butcher, Dwyer Raised to Ass't Professors mer students at Fordham. Hev. Robert I. Gannon, S.J., Capt. George Hambrecht, '38, Army With Latin America president of the University, pre- Numerous Changes in Faculty Staff was killed in action in the South Pacific sided and awarded diplomas to Capt. Tom O'Malley, x'40, Army, wh( At Banquet starred with the freshman football team, seventeen graduates. Rev. Edward B. Berry, S.J., for the past six years Assistant Professor of was killed in action in Normandy on At the exercises, a plaque in Mathematics and Physics in both the College and the Graduate School, has D-Day. In honor of the one hundred and commemoration of the late Dr, been appointed Head of the newly created Mathematics Department in Otto F. A. Canis, Ph.D., Phar J)., 2nd Lt. Frank Cleary, x'43, Marin sixty-first anniversary of the birth the College, according to an announcement from Rev. Robert I. Gannon, S.J. Corps, former member of the freshman of Simon Bolivar, Venezuelan lib- who taught pharmacy in the basketball team and resident student, College for twenty-five years, The son of a Fordham alumnus, Fr. -
Beaudoin, Faith in Music
Faith in Music: Attempting a Free, Public, Online Course in Practical Theology Tom Beaudoin Fordham University Abstract The author reviews a free, open, online course on popular music that he taught from a practical theological perspective. By considering several dimensions of the structure and content of the course, and with continual reference to literature in practical theology and cultural studies, he attempts to identify its practical theological significance and to detail a critique opening onto a reconstruction for future iterations of such a course. round the time I was defending my dissertation at Boston College, Thomas Groome handed me an article titled “Music and Practical Theology” by Bernard Reymond from theInternational Journal of Practical Theology.1 Having been introduced by Groome to practical theology several years earlier, Athis was the first work interrelating practical theology and music I had read. Nearly two decades later, I taught a course trying to bring practical theology and music to bear on each other. Having taught the course two years ago, I have spent time reviewing the experience, in its practical theological significance, as I prepare to refine the course for future purposes, including teaching it as a for- credit course, offering it for free in other community contexts, and writing it up as a book. As I reviewed the course, I sorted my learning into several categories. On the one hand are structural and process elements that are theologically saturated: launching the course, motivations for teaching, structure and content, diversity and access; on the other hand are conceptual markers that are theologically saturated: sound theology, God, and faith in music. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 19Th Annual Excellence in Production Design Awards January 31, 2015
ART DIRECTORS GUILD TO INDUCT THREE LEGENDARY PRODUCTION DESIGNERS INTO ITS HALL OF FAME AT 19TH ANNUAL EXCELLENCE IN PRODUCTION DESIGN AWARDS JANUARY 31, 2015 LOS ANGELES, October 15 — Three legendary Production Designers – John Gabriel Beckman, Charles Lisanby and Walter H. Tyler – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 19th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on January 31, 2015, as announced today by ADG Council Chairman John Shaffner and Awards Producers Dave Blass and James Pearse Connelly. In making the announcement Shaffner said, “Beckman, Lisanby and Tyler join an honored and distinguished group of ADG Hall of Famers, whose collective work parallels the best of motion picture and television production design. Their enduring legacy and accomplished mastery of our profession are most worthy, influential, inspiring and welcomed additions.” Nominations for the 19th Annual ADG Excellence in Production Design Awards will be announced on January 5, 2015. The ADG will present winners in 11 competitive categories for theatrical films, television productions, commercials and music videos on awards night, January 31, hosted by Comedian Owen Benjamin. JOHN GABRIEL BECKMAN (1898 – 1989) Award winning Production Designer John Gabriel Beckman was an architect prior to becoming an admired American set designer, art director, production designer and muralist. He worked behind-the-scenes for almost a decade before receiving his first screen credit as an art director for Charlie Chaplin’s 1947 black comedy Monsieur Verdoux (which was screened in May as part of ADG’s Film Society Series). -
Middle States Reaccreditation Self-Study and Decennial Review
Middle States Reaccreditation Self-Study and Decennial Review Table of Contents Executive Summary i Certification Statement x Introduction and Organizational Outline of Self-Study xi Part I: The Student Experience Chapter 1: University Mission: Educating Leaders for a Global Society (Standard 1) 1 Chapter 2: Student Admissions and Retention (Standard 8) 14 Chapter 3: Student Support Services: Cura Personalis (Standard 9) 22 Chapter 4: Educational Offerings and General Education: Education for Excellence (Standards 11 and 12); Assessment of Student Learning: Achieving the Educational Mission (Standard 14) 33 Chapter 5: Related Educational Activities: “Go and Set the World on Fire” (Standard 13) 57 Part II: Institutional Context Chapter 6: Planning and Institutional Resources: A Foundation for Excellence (Standards 2 and 3) 72 Chapter 7: Leadership, Governance, and Administration: Moving Forward Together (Standards 4 and 5) 85 Chapter 8: Integrity (Standard 6) 92 Chapter 9: Institutional Assessment/Effectiveness (Standard 7) 101 Chapter 10: Faculty: Scholar-Teachers and Community Members (Standard 10) 108 Self-Study Steering Committee Recommendations 121 Appendix 1: Index of Supporting Documents and Task Force Membership 123 Appendix 2: Institutional Template of Compliance with Federal Regulations 133 Appendix 3: Organizational Chart of Senior-Level Administration Offices 133 Appendix 4: Financial Statements 133 EXECUTIVE SUMMARY Introduction Fordham University, founded in 1841, is an independent co-educational Catholic and Jesuit institution of higher learning. The University encompasses nine schools with residential campuses in the Bronx (Rose Hill) and Manhattan (Lincoln Center). It has an additional campus in Westchester County and administers the Louis Calder Biological Field Station in Armonk, New York, as well as the Fordham London Centre in the United Kingdom. -
Fordham University Provost Search Leadership Profile
Leadership Profile Provost and Senior Vice President for Academic Affairs Prepared by Jean A. Dowdall, Ph.D. Robin Mamlet Sheila Murphy Philip Tang September 2018 This leadership profile is intended to provide information about Fordham University and the position of Provost and Senior Vice President for Academic Affairs. It is designed to assist qualified individuals in assessing their interest in this position. Fordham University Provost and Senior Vice President for Academic Affairs Opportunity and Position Summary Fordham University invites inquiries, nominations and applications for the position of provost and senior vice president for academic affairs, the chief academic officer of the University. The new provost and senior vice president for academic affairs (the provost) will be an innovative leader who will provide a vision for all aspects of academic life in the University, including enriching academic programs and faculties, and enhancing teaching, research and the student experience. The provost leads efforts to realize the University’s promise, building upon the questioning and questing character of Jesuit, Catholic higher education. The new provost will work with the other members of the leadership team of the University to help achieve the University’s strategic goals and its vision of excellence, including enhancing Fordham’s role as a community and world leader. Further, the provost will achieve this vision through strengthening administrative processes and support systems, guiding faculty development, fostering partnerships, setting budget policy and overseeing all aspects of the University’s academic areas. The new provost must be a seasoned administrator with demonstrated leadership experience; a deep knowledge of and ability to promote the Jesuit mission; a clear sense of the diverse challenges of a university with undergraduate, graduate and professional schools; and the skills required to promote individual and mutual strength among schools. -
The 2021 University Convocation
THE 2021The 2021 UniversityUNIVERSITY ConvocationCONVOCATION Recognizing the recipients of the Bene Merenti Medal, the Archbishop Hughes Medal, and the Sursum Corda Award Sunday, 7 March 2021 | 3 p.m. VIAvia zoomZOOM webinarWEBINAR Program About the Awards Master of Ceremonies Dennis C. Jacobs The Bene Merenti Medal was specially struck for the first University Convocation of all faculties Provost and Senior Vice President for Academic Affairs on 10 May 1931 by Aloysius J. Hogan, S.J., President of Fordham from 1930 to 1936. On the face The National Anthem Jeff Ryan Miraflor, S.J., FCRH ’21 is a reproduction of the University seal and on the reverse side is the inscription Bene Merenti de Soloist Universitate Fordhamensi and the name of the recipient with the years of his or her service. Robert Minotti Organist The Archbishop Hughes Medal was commissioned by James C. Finlay, S.J., President of Invocation Michael C. McCarthy, S.J. Fordham from 1972 to 1983, to honor members of the administrative staff. This medal carries the Vice President for Mission Integration and Planning name of Archbishop John Hughes, whose ability in administration and devotion to the search for truth through education focused itself upon the founding of Fordham in 1841. Those who Presentation of Awards will receive this medal today serve his vision and his memory. The Bene Merenti Medal Maura B. Mast Dean, Fordham College at Rose Hill Laura Auricchio The Sursum Corda Award, established in 2005 by Fordham’s current president, Dean, Fordham College at Lincoln Center Joseph M. McShane, S.J., recognizes those members of the staff who have made outstanding The Archbishop Hughes Medal Jonathan Crystal contributions to the life and mission of the University. -
Table of Contents
Middle States Institutional Self-Study 2006 i TABLE OF CONTENTS Assessing the Use of Resources and Future Resource Allocation 39 Recommendations 40 EXECUTIVE SUMMARY 1 STANDARD 4: CERTIFICATION STATEMENT 9 LEADERSHIP AND GOVERNANCE 43 Introduction 43 INTRODUCTION 13 The Board of Trustees 43 The University: Its Colleges and Schools 13 The President 44 The 1990s: Structural, Procedural, and Programmatic Innovations 16 The Faculty Senate 45 The 2006 Self-Study 17 Student Representation in Governance 46 Strategic Planning 18 Recommendations 49 Conclusion 19 STANDARD 5: ADMINISTRATION 53 STANDARD 1: Description of Administrative Structure 53 MISSION, GOALS AND OBJECTIVES 23 First Level of Administration: Department Chairs and Program Directors 54 Introduction: Ignatian Education 23 Second Level of Administration: Contemporary Jesuit Education 23 The Arts and Sciences Deans 55 History of Fordham’s Mission Statement 24 Third Level of Administration: The Mission in Action 26 The Vice Presidents 56 Recommendations 28 Top Level of Administration: The President 57 Qualifications of Administrators 57 STANDARDS 2/3: STRATEGIC PLANNING, Mechanisms for University-Wide Planning, PLANNING AND RESOURCE ALLOCATION 31 Coordination and Communication 57 Introduction 31 Administrative Electronic Information Systems 58 Strategic Planning 31 Recommendations 58 Earlier Planning at Fordham 32 STANDARD 6: INTEGRITY 63 Planning Groups 32 Introduction 63 Evaluating Planning Effectiveness 32 Commitment to and Implementation Assessing Planning Efforts and Some Examples