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Proquest Dissertations
INFORM ATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fi'om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quali^ of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North2^eeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 OPENING TECHNOLOGY DISCOURSES TO DIFFERENCE: A RHIZOANALYSIS DISSERTATION Presented in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Patricia Ann O'Riley, B.Ed., M.A. -
Universidade Federal De Uberlândia Instituto De História
ii UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE HISTÓRIA MÁRCIO HENRIQUE GUIMARÃES REPRESENTAÇÕES DO IMAGINÁRIO NA FICÇÃO CIENTÍFICA COMO DESPERTADORES DE REFLEXÕES POLÍTICAS EM “O DIA EM QUE A TERRA PAROU” DE ROBERT WISE UBERLÂNDIA – MG 2015 MÁRCIO HENRIQUE GUIMARÃES REPRESENTAÇÕES DO IMAGINÁRIO NA FICÇÃO CIENTÍFICA COMO DESPERTADORES DE REFLEXÕES POLÍTICAS EM “O DIA EM QUE A TERRA PAROU” DE ROBERT WISE Dissertação apresentada ao Programa de Pós- Graduação em História do Instituto de História da Universidade Federal de Uberlândia, pela linha de pesquisa “Linguagens, Estética e Hermenêutica” como requisito parcial para a obtenção do título de Mestre em História. Orientador: Prof. Dr. Leandro José Nunes. UBERLÂNDIA – MG 2015 Dados Internacionais de Catalogação na Publicação (CIP) Sistema de Bibliotecas da UFU, MG, Brasil. G963r Guimarães, Márcio Henrique, 1976- 2015 Representações do imaginário na ficção científica como despertadores de reflexões políticas em “O dia em que a terra parou” de Robert Wise / Márcio Henrique Guimarães. - 2015. 152 f. : il. Orientador: Leandro José Nunes. Dissertação (mestrado) - Universidade Federal de Uberlândia, Programa de Pós-Graduação em História. Inclui bibliografia. 1. História - Teses. 2. Cinema - Teses. 3. Wise, Robert, 1914-2005 - Teses. 4. Ficção científica. - Teses. I. Nunes, Leandro José, 1958-. II. Universidade Federal de Uberlândia, Programa de Pós-Graduação em História. III. Título. CDU: 930 5 6 Para minha mãe, A maior mestra de todas. 7 ANTES DE AGRADECER, UM DESABAFO A universidade é essencialmente um espaço para produzir conhecimento e gerar reflexões, e não um local para desfilar vaidades, criar atritos ou repudiar novos olhares. Durante meu período na pós-graduação, testemunhei com maior intensidade da parte dos discentes, todos os aspectos negativos que vão à contramão do conhecimento universal: egos inflados, bajulação infantil e atitudes arrogantes em diferentes estágios dentro do Instituto de História da Universidade Federal de Uberlândia. -
Abel Ferrara
2 / PROGRAMAZIOA PROGRAMACIÓN PROGRAMME Zinemaldiaren egunkaria • Asteartea, 2005eko irailaren 20a GAURHOYTODAY20 SECCIÓN OFICIAL …ZABALTEGI …ZABALTEGI …HOR. LATINOS …ROBERT WISE …ABEL FERRARA 9:00 KURSAAL, 1 …PERLAS DE OTROS FESTIVALES …NUEVOS DIRECTORES …SELECCIÓN HORIZONTES 20:00 PRINCIPE, 2 22:45 PRINCIPE, 10 ILUMINADOS POR EL FUEGO RUN SILENT RUN DEEP ’R XMAS TRISTÁN BAUER • ARGENTINA • 100 M. • 16:30 KURSAAL, 2 19:00 KURSAAL, 2 17:30 WARNER, 10 TORPEDO UN CUENTO DE NAVIDAD 12:00 KURSAAL, 1 L’ENFER AGUA CON SAL CINEMA, ASPIRINAS E URUBUS ROBERT WISE • EE.UU. • 93 M. ABEL FERRARA • EE.UU. - FRANCIA • 85 M. PEDRO PÉREZ ROSADO • ESPAÑA - PUERTO RICO • 94 M. STESTI (SOMETHING LIKE EL INFIERNO CINE, ASPIRINAS Y BUITRES 22:30 WARNER, 9 VELÓDROMO HAPPINESS) DANIS TANOVIC • FRANCIA - ITALIA - BÉLGICA - JAPÓN • 98 M. 19:30 WARNER, 5 MARCELO GOMES • BRASIL • V.O. SUBTÍTULOS ELECTRÓNI- UNTIL THEY SAIL COS EN CASTELLANO • 99 M. BOHDAN SLÁMA • REP. CHECA - ALEMANIA • (NUEVOS 20:30 PRINCIPE, 7 DIE HOEHLE DES GELBEN MUJERES CULPABLES 10:00 VELÓDROMO DIRECTORES) • V.O. SUBTÍTULOS EN CASTELLANO Y EL. EN BEFORE IT HAD A NAME HUNDES (THE CAVE OF THE 18:45 PRINCIPE, 10 ROBERT WISE • EE.UU. • 95 M. INGLÉS • 100 M. GIADA COLAGRANDE • EE.UU. • 99 M. YELLOW DOG) SPY KIDS 3D. GAME OVER BYAMBASUREN DAVAA • ALEMANIA • 93 M. TORO NEGRO 22:30 PRINCIPE, 2 SPY KIDS 3D 23:00 PRINCIPE, 7 PEDRO GONZÁLEZ-RUBIO, CARLOS ARMELLA • MÉXICO • V.O. I WANT TO LIVE! ROBERT RODRIGUEZ • EE.UU. • (ORGANIZADO A TRAVÉS DE 16:00 WARNER, 6 HOLY LOLA 21:30 KURSAAL, 2 SUBTÍTULOS EN INGLÉS • PROYECCIÓN EN VÍDEO • 87 M. -
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18Th Annual Excellence in Production Design Awards February 8, 2014
Art Directors Guild to Induct Three Legendary Production Designers Into Its Hall of Fame at 18th Annual Excellence in Production Design Awards February 8, 2014 LOS ANGELES, Sept. 11 — Three legendary Production Designers – Robert Clatworthy, Harper Goff and J. Michael Riva – will be inducted into the Art Directors Guild (ADG) Hall of Fame at the Guild’s 18th Annual Excellence in Production Design Awards ceremony to be held at the Beverly Hilton Hotel on February 8, 2014, as announced today by ADG Council Chairman John Shaffner and Awards Producers Raf Lydon and Dave Blass. In making the announcement Shaffner said, “Clatworthy, Goff and Riva join a distinguished group of ADG Hall of Famers, whose collective work parallels the best of motion picture and television production design. They are most worthy and welcomed additions.” Nominations for the 18th Annual ADG Excellence in Production Design Awards will be announced on January 9, 2014. On awards night, February 8, the ADG will present winners in ten competitive categories for theatrical films, television productions, commercials and music videos. Recipient of this year’s Lifetime Achievement Award will be Production Designer and Art Director Rick Carter, as previously announced. The Excellence in Production Design Awards are open only to productions, when made within the U.S., by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. ROBERT CLATWORTHY (1911 – 1992) Robert Clatworthy (William Robert Clatworthy) was an Oscar®-winning American Production Designer who worked at Paramount starting in 1938, and at Universal until 1964. In the 1960’s Clatworthy became involved with some of Hollywood’s best directors, including Orson Welles, Alfred Hitchcock and Stanley Kramer. -
The Police Response to Homelessness
CRITICAL ISSUES IN POLICING SERIES The Police Response to Homelessness CRITICAL ISSUES IN POLICING SERIES The Police Response to Homelessness June 2018 This publication was supported by the Motorola Solutions Foundation. The points of view expressed herein are the authors’ and do not necessarily represent the opinions of the Motorola Solutions Foundation or all Police Executive Research Forum members. Police Executive Research Forum, Washington, D.C. 20036 Copyright © 2018 by Police Executive Research Forum All rights reserved Printed in the United States of America ISBN: 978-1-934485-43-9 Graphic design by Dave Williams. Text photos by Sarah Mostyn, PERF. Cover photo credits, from upper left, clockwise: • NYPD Officer Lawrence DePrimo offers a new pair of boots he purchased for a homeless man. Photo by Jennifer Foster. • Hillsborough County, FL Sheriff’s Deputy Linda Ruggerio shares her lunch with a young homeless man. Photo by Hillsborough County Sheriff’s Office. • Miami Beach, FL police officers deliver mosquito repellent to community members. Photo by Valerie Navarrete. • Santa Cruz, CA police officers conducting a survey of homeless persons in order to gather information and direct individuals to services. Photo by Santa Cruz Police Dept. • Pinellas County Sheriff’s Office deputies and employees of Safe Harbor, a homeless shelter and jail diversion created by the Sheriff’s Office. See pp. 12-13 of this report. Photo by PCSO. Contents Acknowledgments .....................................................................................................1 The Police Response to Homelessness: Problem-Solving, Innovation, and Partnerships ....................... 3 By Chuck Wexler Sidebar: Pinellas County Sheriff’s Office Opens a $2.3 Million Facility to Help Homeless Persons ...................................................................................12 What We Know About Homelessness ..................................... -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Complete Film Noir
COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society. -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
Tm 2006 N0126.Pdf
temps modems papers de cinema Edició mensual Octubre 2006 Núm. 126 Edita Centre de Cultura "SA NOSTRA" Carrer Concepció, 12 07012 Palma Telèfon 971 725 210 Fax 971 713 757 [email protected] Director Jaume Vidal Secretori Redacció Miquel Pasqual Assessorament lingüístic i traduccìons Jeroni Salom Conseil de redaccló Francisca Niell, Eva Mulet, Andreu Ramis i Josep Caries Romaguera Fotografíes Arxiu Centre de Cultura Portada: Damià Huguet davant el Café Tren de Campos Foto: M. Ballester Dlsseny maqueta / portada Santamà diseña Maquetacló Jaume Vidal i Fortesa Imprlmeix Gràfiques Planisi, SA Dipòsit Legai: PM 648-1994 Temps Moderns no comparteix, necessáriament, l'opinió deis seus col-labo- radors. Podeu trabar Temps Moderns al Centre de Cultura 'SA NOSTRA" de Maó, Eivissa, Formentera, Ciutadella i Palma; llibreria Embat, llibreria Ereso, llibres Mallorca, llibreria Espirafocs (Inca) i ais cines Portopí i Renoir. Surmari 2 Editorial 4 Memòria personal d'una visita a la Mostra de Cinema de Venezia per M. Magdalena Brotons 8 Festival Internacional de cine d'Eivissa i Formentera. Caligula protagonitza la presentació oficial per Toni Roca 10 Salvador i Alatriste, dues mirades sobre dues històries per Antoni M. Thomas 13 Jorda no era ùnicament sever per Toni Roca 15 Salvador: una pel-lfcula necessària per Joan Bover 17 Crònica de cine Algunes estrenes de l'estiu per Marti Martorell 20 Miami Vice i la buidor significativa per Pere Antoni Pons 21 El darrer estiu que vaig passar amb Gwyllyn S. Newton per Josep J. Rosselló 22 Glenn Ford. 1 de maig de 1916 - 30 d'agost de 2006 per Xavier Jimenéz 27 La mirada de l'adéu per Antoni Figuera 30 La pel-lfcula de la història L'ala trista de la Casa Bianca per Francese M.