Japan in the Muromachi Age
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Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
The International History Bee and Bowl Asian Division Study Guide!
The International History Bee and Bowl Asian Division Study Guide Welcome to the International History Bee and Bowl Asian Division Study Guide! To make the Study Guide, we divided all of history into 5 chapters: Middle Eastern and South Asian History, East and Southeast Asian History, US American History, World History (everything but American and Asian) to 1789, and World History from 1789-present. There may also be specific questions about the history of each of the countries where we will hold tournaments. A list of terms to be familiar with for each country is included at the end of the guide, but in that section, just focus on the country where you will be competing at your regional tournament (at least until the Asian Championships). Terms that are in bold should be of particular focus for our middle school division, though high school competitors should be familiar with these too. This guide is not meant to be a complete compendium of what information may come up at a competition, but it should serve as a starting off point for your preparations. Certainly there are things that can be referenced at a tournament that are not in this guide, and not everything that is in this guide will come up. At the end of the content portion of the guide, some useful preparation tips are outlined as well. Finally, we may post additional study materials, sample questions, and guides to the website at www.ihbbasia.com over the course of the year. Should these become available, we will do our best to notify all interested schools. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-02903-3 - The Cambridge History of Japanese Literature Edited by Haruo Shirane and Tomi Suzuki Index More information Index Abbot Rikunyo (1734–1801), 465 Ukiyo monogatari (Tales of the Floating Abe Akira (1934–89), 736 World, 1661), 392 Abe Kazushige (b. 1968), 765, 767 Atsumori, 8, 336, 343 Abe Ko¯bo¯(1924–93), 701, 708, 709, 760 aware (pathos), 80, 138, 239, 299, 474, 486 Adachigahara, 339 Ayukawa Nobuo (1920–86), 717 akahon (red books), 510–22 Azuma nikki (Eastern Diary, 1681), 409 Akazome Emon, 135, 161, 170, 193–7 Azumakagami, 201 Akimoto Matsuyo (1911–2001), 708 azuma-uta (eastland songs), 77, 79, 82, 111 Akizato Rito¯(?–1830), 524 To¯kaido¯ meisho zue (Illustrated Sights of Backpack Notes. See Matsuo Basho¯ the To¯kaido¯, 1797), 524–5 Bai Juyi (or Bo Juyi, J. Haku Kyoi or Haku Akutagawa Ryu¯nosuke (1892–1927), 286, 630, Rakuten, 772–846), 124 639, 669, 684, 694–5, 700 Baishi wenji (Collected Works of Bai Juyi, ancient songs, 25, 26, 28–9, 37, 40–4, 52, 57–8, J. Hakushi monju¯ or Hakushi bunshu¯, 60; see also kiki kayo¯ 839), 184–6, 283 Ando¯ Tameakira (1659–1716), 138, 480 Changhen-ge (Song of Never-Ending Shika shichiron (Seven Essays of Sorrow, J. Cho¯gonka, 806), 152 Murasaki, 1703), 138 Baitei Kinga (1821–93), 530 anime, 729, 764 bakufu (military government), 95, 201, 211–12, Anzai Fuyue (1898–1965), 684, 714–15 215, 216, 295, 297, 309, 312, 314, 348–9, aohon (green books), 510–22 374–6, 377–8, 388, 389, 393–5, 419, 432–3, Aono Suekichi (1890–1961), 658–9 505–7, 520–2, 532–3 Arai Hakuseki (1657–1725), 4, 461, 546 banka (elegy), 54, 63–4, 76, 77, 83 Arakida Moritake (1473–1549), 326 banzuke (theater programs), 391, 425, 452 Arakida Reijo (1732–1806), 377 Battles of Coxinga. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Nineteen 2015 Interdisciplinary Studies of Modern Japan Steven Heine Editor Editorial Board John A. Tucker, East Carolina University Yumiko Hulvey, University of Florida Matthew Marr, Florida International University Ann Wehmeyer, University of Florida Hitomi Yoshio, Florida International University Copy and Production María Sol Echarren Rebecca Richko Ian Verhine Kimberly Zwez JAPAN STUDIES REVIEW VOLUME NINETEEN 2015 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Going Postal: Empire Building through Miniature Messages on German and Japanese Stamps Fabian Bauwens 3 Old, New, Borrowed, and Blue: Hiroshi Senju’s Waterfall Paintings as Intersections of Innovation Peter L. Doebler 37 Delightfully Sauced: Wine Manga and the Japanese Sommelier’s Rise to the Top of the French Wine World Jason Christopher Jones 55 “Fairness” and Japanese Government Subsidies for Sickness Insurances Yoneyuki Sugita 85 ESSAYS A “Brief Era of Experimentation”: How the Early Meiji Political Debates Shaped Japanese Political Terminology Bradly Hammond 117 The Night Crane: Nun Abutsu’s Yoru No Tsuru Introduced, Translated, and Annotated Eric Esteban 135 BOOK REVIEWS Scream from the Shadows: The Women’s Liberation Movement in Japan By Setsu Shigematsu Reviewed by Julia C. Bullock 169 Critical Buddhism: Engaging with Modern Japanese Buddhist Thought By James Mark Shields Reviewed by Steven Heine 172 Banzai Babe Ruth: Baseball, Espionage, & Assassination During the 1934 Tour of Japan By Robert K. Fitts Reviewed by Daniel A. Métraux 175 Supreme Commander: MacArther’s Triumph in Japan By Seymour Morris Reviewed by Daniel A. Métraux 177 CONTRIBUTORS/EDITORS i EDITOR’S INTRODUCTION Welcome to the nineteenth volume of the Japan Studies Review (JSR), an annual peer-reviewed journal sponsored by the Asian Studies Program at Florida International University Seminar. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Honjo, Eijiro Citation Kyoto University Econo
A SHORT HISTORY OF SOCIAL PROBLEMS IN JAPAN Title BEFORE THE RESTORATION Author(s) Honjo, Eijiro Citation Kyoto University Economic Review (1928), 3(2): 41-85 Issue Date 1928-12 URL https://doi.org/10.11179/ker1926.3.2_41 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University Kyoto University Economic Review MEMOIRS OF THE DEI"ARTMENT OF ECONOMICS IN THE IMPERIAL UNIVERSITY OF KYOTO VOLUME III 1928 PUBLISHED BY THE DEPARTMENT OF ECONOMICS IN THE IMPERIAL UNIVERSITY OF KYOTO A SHORT HISTORY OF SOCIAL PROBLEMS IN JAPAN BEFORE THE RESTORA TION.* CHAPTER I CHANGES IN POLITICAL AND SOCIAL ORGANISATIONS. 1. SOCIETY BASED ON THE SHIZOKU (Jr;~) SYSTEM (CLAN SYSTEM). The constitution of the shizoku. The political and social organisations in Japan of remote ages were based on ! the shizoku system. The shizoku means a community embra· I cing a number of households of the same ancestry or those which believed themselves to be of the same ancestry. The I households constituting it include not only those of direct descent but those of collateral lines. Each shizoku community had its head who ruled all component households, while each I.. household was led by its master. To each of these uji (Jr;) (shizoku) belonged a body called be ('llII) or lomo (f$) and also another body called yakko (~). Although an uji was a community of those of the same ancestry, such was not necessarily the case with the be. As they belonged to some uji, they came by degrees to assume the name of that uji, and finally regarded themselves as of the same ancestry as their chief, their claim being recognised by outsiders also. -
He Ideals of the Eas Ith Special Refereno O The
HE I DEALS OF THE EAS I TH SPECI AL REFERENO O THE A R T O F J A PA N " 11 7 3 2. BY KAKUZO O KAKURA L O N D O N J O HN URRAY ALBE ARLE S TREET M , M 1905 PRE FATO RY NO TE wishes to point ou t tha t this book is wr i tten in by a na i a n t ve qf J ap . CO N TE N TS I NTRODUCTI O N THE RANGE O F I DEALS THE PRI MITI VE A RT O F J APAN CON FUCIANI S M NO RTHERN CH I NA LAO I S M AND TAO I S M — S O UTH ERN CH I NA BUDD H I S M AND INDIAN ART — THE AS UKA PERI OD ( 5 5 0 700 A .D .) — 1 08 THE NARA PE RI OD (700 8 00 A .O .) - 1 28 THE HEIAN PERIOD (8 00 900 AD .) W — THE FUJ I ARA PE RIOD (900 1200 A.D .) K K 1 2 - 40 A D THE AMA URA PERIOD ( 00 1 0 . .) 1 4 0- 1 w AS HI KAGA PERI OD ( 0 600 .) Vll C ONTENTS PAGE TOYOTO MI AN D EARLY TO KUGAWA — PERI OD ( 1 600 1 700 A n.) LATER TO KU GAWA PERIOD ( 1 700. 1 8 5 0 A .D .) THE M EIJI PERI OD ( 1 8 5 0 TO THE PRESE NT DAY ) THE V I STA I N T R O D U C T I O N K A KUZ O K A KURA t his O , the author of work on Japanese A r t Ideals— and the t future au hor, as we hope , of a longer and completely illustrated book on the same subject— has been long known to his own people and to others as the foremost living authority on Oriental Archaeology and Art . -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
Salvation and Sovereignty Syllabus KCJS
KCJS Salvation and Sovereignty Syllabus Salvation and Sovereignty: Buddhism and Shinto in Japanese History Seminar Spring 2019 Course Syllabus Instructor: Adam Lyons Email: [email protected] Course Time: Wed./Fri. 1:10-2:40 PM Location: KCJS Classroom Instructor Office Hour: Wed./Fri. aFter class and by appointment. Course Description and Goals This course draws on the rich resources of Kyoto to consider the place of Buddhism and Shinto in Japanese history. In addition to traditional reading assignments and classroom discussion, we will conduct multiple research expeditions to museums and signiFicant religious and cultural sites in and around Kyoto. Although there are common misconceptions that hold Buddhism to be a “world- renouncing” religion and Shinto to be a Form oF nature worship, this course places an emphasis on the political dimension oF these traditions to pursue a more nuanced understanding of Buddhism and Shinto. We will explore how Buddhism and Shinto have been driving forces in Japanese history—with many oF the most powerFul institutions based right here in Kyoto. By the end of the course, students should be able to articulate the political signiFicance oF Buddhist and Shinto institutions and ideas. Students should also reFine their grasp oF the relationship between the social and the ideological in light oF the course’s themes: kingship/cosmology, and voluntary political associations/salvation. They should ultimately gain the ability to deconstruct ahistorical representations of Buddhism and Shinto as static and monolithic, and they can also expect to cultivate a Familiarity with some oF the major figures, sects, and concepts of Japanese religious history.