From Science to Cosmos Damien Ehrhardt
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Andrea Wulf 20131
Founding Gardeners. The Revolutionary Generation, Nature, and the Shaping of the American Nation © Andrea Wulf 20131 This paper is based on my book the Founding Gardeners (2011), which examines the creation of the American nation and the lives of George Washington, John Adams, Thomas Jefferson, and James Madison through the lens of gardens, landscapes, nature and agriculture. Vegetable plots, ornamental plants, landscapes and forests played a crucial role in America’s struggle for national identity and in the lives of the founding fathers.2 Golden cornfields and endless rows of cotton plants became symbols for America’s economic independence from Britain; towering trees became a reflection of a strong and vigorous nation; native species were imbued with patriotism and proudly planted in gardens, while metaphors drawn from the natural world brought plants and gardening into politics. The founding fathers’ passion for nature, plants, gardens and agriculture is woven deeply into the fabric of America and aligned with their political thought, both reflecting and influencing it. I believe, it’s impossible to understand the making of America without looking at the founding fathers as farmers and gardeners. 1 Bibliography: please refer to my bibliography in Founding Gardener (2011). 2 The term ‘founding fathers’ describes a group with a fluctuating membership. When I refer to the four main protagonists in this paper as a group - George Washington, Thomas Jefferson, John Adams and James Madison - I have taken the liberty to use the term ‘founding fathers’. 1 I’ve chosen four themes from the Founding Gardeners to discuss in this paper: 1.George Washington’s Mount Vernon: Native Species as Political Statements 2. -
Literaturverzeichnis
Literaturverzeichnis Das Korpus der untersuchten Romane Goethe, Johann Wolfgang: Die Leiden des jungen Werthers / Leiden des jungen Werthers. Paralleldruck der Fassungen von 1774 und 1787. In: J. W. G.: Sämtliche Werke. Briefe, Ta- gebücher und Gespräche. Bd. 8. Hg. von Waltraud Wiethölter. Frankfurt a. M. 1994, S. 10/266 bzw. S. 11/267. Kehlmann, Daniel: Die Vermessung der Welt. Roman. Reinbek b. H. 2005. [Lafontaine, August Heinrich Julius]: Klara du Plessis und Klairant. Eine Familiengeschichte Französischer Emigrierten. Von dem Verfasser des Rudolphs von Werdenberg. Berlin 1795. Mann, Thomas: Große kommentierte Frankfurter Ausgabe. Werke, Briefe, Tagebücher. Bd. 1,1: Buddenbrooks. Verfall einer Familie. Roman. Hg. von Eckhard Heftrich. Frankfurt a. M. 2002. Miller, Johann Martin: Siegwart. Eine Klostergeschichte. 2 Bde. Faksimiledruck der Ausgabe Leipzig 1776. Stuttgart 1971. Remarque, Erich Maria: Im Westen nichts Neues. Roman. Hg. von Thomas F. Schneider. Köln 2014. Reuter, Gabriele: Aus guter Familie. Leidensgeschichte eines Mädchens. Bd. I: Text. Hg. von Katja Mellmann. Marburg 2006. Schlink, Bernhard: Der Vorleser. Zürich 1995. Süskind, Patrick: Das Parfum. Die Geschichte eines Mörders. Zürich 1985. Rezeptionsdokumente Die bibliographischen Angaben zu den historischen Quellen sind auf die Informationen kon- zentriert, die erforderlich sind, um die zitierten Texte zu identifizieren und aufzufinden. Gerade bei Quellen in Periodika kann das vielleicht hilfreich sein, etwa dann, wenn zwischen Jahr- gang/Band/Teil und Stück/Nummer oder dergleichen unterschieden wird. Mitunter erforderli- che Ergänzungen (Autorname, Anon., Ersatz für nicht vorhandene Titel, Erscheinungsort und Jahr, Seitenangabe) stehen in eckigen Klammern. Auf zusätzliche Angaben, zum Beispiel zum Verlag, auf die Wiedergabe von Informationen, die über die Gestaltung des Titelblattes Aus- kunft geben, und auf Standortangaben wurde aus Gründen der einfachen Benutzbarkeit be- wusst verzichtet. -
Residenc Y Sponsor S
RESIDENCY SPONSORS ART OMI With the support of generous sponsors, Art Omi offers transformational opportunities for artists from around the world, enriching both their lives, and those of our community. Art Omi is a not-for-profit arts center with residency programs for international artists, writers, translators, musicians, architects and dancers, and a 120-acre sculpture and architecture park. Art Omi believes that exposure to internationally diverse creative voices fosters tolerance and respect, raises awareness, inspires innovation, and ignites change. By forming community with creative expression as its common denominator, Art Omi creates a sanctuary for the artistic community and the public to affirm the transformative quality of art. Since its founding, Art Omi has been guided by the principle that artistic expression transcends economic, political, and cultural boundaries. robbinschilds performs on Smoke, by Richard Nonas. RESIDENCIES “The residency program at Art Omi was beyond Art Omi has five distinct international residency programs doubt a positive serving five artistic disciplines: and distinctive Architecture, Artists, Dance, Music, experience—a and Writers. As the residencies are discipline specific, Art Omi affords kind of utopian each artist an intense immersion into a global group of their professional peers. Each residency serves the field at large in hedonistic bliss a distinct way, inviting visitors and mentors to engage with the artists while they are in residence. All of the residency programs without daily life have a communal orientation—sharing ideas, creative space, and meals comprises a major part of the residency experience. All distractions and residents attend at no cost to themselves, except travel. -
Curriculum Vitae PATRICIA ANNE SIMPSON 139 N. 11Th St. Apt. 501 Lincoln, Nebraska Permanent
curriculum vitae PATRICIA ANNE SIMPSON 139 N. 11th St. apt. 501 Lincoln, Nebraska Permanent: 8 E. Beall Street Bozeman, Montana 406.579.4981 [email protected] Education: 1988: Ph.D., Department of Germanic Languages and Literatures, Yale University 1985: M. Phil., Yale University 1984: M.A., Yale University 1980: A.B., English Literature and German Civilization, Smith College Academic Positions: 2016-: Chair and Professor, Department of Modern Languages and Literatures, University of Nebraska in Lincoln Program Faculty, Women’s and Gender Studies 2017-: CourseShare Coordinator, UNL for the Big Ten Academic Alliance and synchronous/non-synchronous sharing of LCTLs 2012-2016: Professor of German Studies: German Studies Section Coordinator, Department of Modern Languages and Literatures, Montana State University, Bozeman 2006-12: Associate Professor of German Studies, Montana State University 2002-06: Assistant Professor of German, Montana State University 1999-02: Visiting Assistant Professor, Modern Foreign Languages, Kenyon College, Gambier, Ohio. 1998-99: Visiting Assistant Professor, Department of Languages and Literature, University of Utah, Salt Lake City 1998: Adjunct Assistant Professor, German Department, Hunter College, City University of New York 1989-96: Assistant Professor, Germanic Languages and Literatures, Associate of Program in Comparative Literature, University of Michigan, Ann Arbor 1988-89: Lecturer, German Department, Yale University 1984-88: Acting Instructor of German, Yale University Select Academic Grants and Awards: 2015-16: Recipient, MSU’s Cox Family Award for Creative Scholarship and Teaching: for “demonstrable union of superior research with excellence in upper-division/graduate instruction” 2015: MSU College of Letters and Science Meritorious Research Award 2 2014: Goethe Society of North America Essay Prize 2012-13: Scholarship & Creativity grant to conduct research on European immigrants in South America 2011-12: Sabbatical, MSU: Conducted research in Argentina, Brazil, Spain, Mauritius, and India. -
The Venus Transit: a Historical Retrospective
The Venus Transit: a Historical Retrospective Larry McHenry The Venus Transit: A Historical Retrospective 1) What is a ‘Venus Transit”? A: Kepler’s Prediction – 1627: B: 1st Transit Observation – Jeremiah Horrocks 1639 2) Why was it so Important? A: Edmund Halley’s call to action 1716 B: The Age of Reason (Enlightenment) and the start of the Industrial Revolution 3) The First World Wide effort – the Transit of 1761. A: Countries and Astronomers involved B: What happened on Transit Day C: The Results 4) The Second Try – the Transit of 1769. A: Countries and Astronomers involved B: What happened on Transit Day C: The Results 5) The 19th Century attempts – 1874 Transit A: Countries and Astronomers involved B: What happened on Transit Day C: The Results 6) The 19th Century’s Last Try – 1882 Transit - Photography will save the day. A: Countries and Astronomers involved B: What happened on Transit Day C: The Results 7) The Modern Era A: Now it’s just for fun: The AU has been calculated by other means). B: the 2004 and 2012 Transits: a Global Observation C: My personal experience – 2004 D: the 2004 and 2012 Transits: a Global Observation…Cont. E: My personal experience - 2012 F: New Science from the Transit 8) Conclusion – What Next – 2117. Credits The Venus Transit: A Historical Retrospective 1) What is a ‘Venus Transit”? Introduction: Last June, 2012, for only the 7th time in recorded history, a rare celestial event was witnessed by millions around the world. This was the transit of the planet Venus across the face of the Sun. -
Literature, 1990 to the Present
Literature, 1990 to the Present Heike Henderson Boise State University 1 General detailed analyses of literary texts by Helmut Krause, Daniel Kehlmann, Thomas Glavinic, Overviews Ulrike Draesner and Felicitas Hoppe. Leonhard Herrmann and Silke Horstkotte, Die Rezension: Aktuelle Tendenzen der Li- Gegenwartsliteratur:Eine Einführung, Stuttgart, teraturkritik, ed. Andrea Bartl and Markus Metzler, 2016, 230 pp., provides a comprehens- Behmer, Würzburg, Königshausen & Neu- ive introduction to and overview of German mann, 345 pp., considers the value of liter- literature since 1989. The authors pay spe- ary criticism, including new forms like book cific attention to the following topics: the lit- blogs and YouTube videos, as a topic for schol- erary debates surrounding Christa Wolf, Botho arly research. Verena Hepperle’s analysis of Strauß, Günter Grass and Martin Walser, ‘Wen- the newspaper debates regarding Christian deromane’ and German unification, pop lit- Kracht’s novel Imperium is particularly relev- erature and the ‘Fräuleinwunder’, history and ant for this section. memory, war and terror, globalization, utopias and dystopias, theatre, poetry, and finally lit- Feminist Studies erature’s marketability and mediality. While it Margaret McCarthy, Mad Mädchen. Feminism is obviously not possible to provide detailed and Generational Conflict in Recent German analyses of all relevant literature within one Literature and Film, New York, Berghahn, 270 volume, the authors manage to cover a wide pp., offers an analysis of trans-generational variety of perspectives on contemporary Ger- debates within feminism and their represent- man literature. ation in recent German literature and film. Die Kunst der Ordnung: Standortbestimmun- McCarthy identifies defining tropes like the gen gegenwärtigen Erzählens, ed. -
The Novel in German Since 1990 Edited by Stuart Taberner Frontmatter More Information
Cambridge University Press 978-0-521-19237-8 - The Novel in German Since 1990 Edited by Stuart Taberner Frontmatter More information THE NOVEL IN GERMAN SINCE Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann’s Measuring the World and W. G. Sebald’s Austerlitz) and of less familiar, but important texts (such as Yadé Kara’s Selam Berlin). Each novel dis- cussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller, demonstrate the energy and quality of contem- porary writing in German. st ua rt ta ber ner is Professor of German at the University of Leeds. He has previously edited The Cambridge Companion to Günter Grass (2009) and Contemporary German Fiction: Writing in the Berlin Republic (2007). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-19237-8 - The Novel in German Since 1990 Edited by Stuart Taberner Frontmatter More information THE NOVEL IN GERMAN SINCE edited by STUART -
ALEXANDER VON HUMBOLDT and TRANSCULTURAL MEMORY By
Alexander von Humboldt and Transcultural Memory Item Type text; Electronic Dissertation Authors Howell, James Ford Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 16:19:39 Link to Item http://hdl.handle.net/10150/625454 ALEXANDER VON HUMBOLDT AND TRANSCULTURAL MEMORY by James Ford Howell __________________________ Copyright © James Ford Howell 2017 A Dissertation Submitted to the Faculty of the GRADUATE INTERDISCIPLINARY PROGRAM IN TRANSCULTURAL GERMAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by James Ford Howell, titled Alexander von Humboldt and Transcultural Memory and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: 4/21/2017 Steven D. Martinson _______________________________________________________________________ Date: 4/21/2017 Susan Crane _______________________________________________________________________ Date: 4/21/2017 Thomas Kovach _______________________________________________________________________ Date: 4/21/2017 David J. Gramling Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
EN BUSCA DE VENUS Andrea Wulf
EN BUSCA DE VENUS Andrea Wulf Fragmento PROTAGONISTAS TRÁNSITO DE 1761 Gran Bretaña Nevil Maskelyne: Santa Elena Charles Mason y Jeremiah Dixon: Cabo de Buena Esperanza Francia Joseph-Nicolas Delisle: Academia de Ciencias de París Guillaume Le Gentil: Pondicherry (India) Alexandre-Gui Pingré: Rodrigues Jean-Baptiste Chappe d’Auteroche: Tobolsk, Siberia Jérôme Lalande: Academia de Ciencias de París Suecia Pehr Wilhelm Wargentin: Real Academia de Ciencias de Estocolmo Anders Planman: Kajana (Finlandia) Rusia Mijaíl Lomonosov: Academia Imperial de Ciencias de San Petersburgo Franz Aepinus: Academia Imperial de Ciencias de San Petersburgo Norteamérica John Winthrop: San Juan de Terranova TRÁNSITO DE 1769 Gran Bretaña Nevil Maskelyne: Royal Society, Londres William Wales: Fuerte Príncipe de Gales, bahía de Hudson James Cook y Charles Green: Tahití Jeremiah Dixon: Hammerfest (Noruega) William Bayley: Cabo Norte (Noruega) Francia Guillaume Le Gentil: Pondicherry (India) Jean-Baptiste Chappe d’Auteroche: Baja California (México) Alexandre-Gui Pingré: Haití Jérôme Lalande: Academia de Ciencias de París Suecia Pehr Wilhelm Wargentin: Real Academia de Ciencias de Estocolmo Anders Planman: Kajana (Finlandia) Fredrik Mallet: Pello (Laponia) Rusia Catalina la Grande: Academia Imperial de Ciencias de San Petersburgo Georg Moritz Lowitz: Guryev (Rusia) Norteamérica Benjamin Franklin: Royal Society, Londres David Rittenhouse: American Philosophical Society, Norriton, Pensilvania John Winthrop: Cambridge, Massachusetts Dinamarca Maximilian Hell: Vardø (Noruega) PRÓLOGO EL RETO Los antiguos babilonios la llamaban Ishtar, para los griegos era Afrodita y para los romanos, Venus, la diosa del amor, la fertilidad y la belleza. Es el astro más brillante del cielo nocturno, visible incluso en un día despejado. Algunos lo vieron como el heraldo de la mañana y de la tarde, de nuevas temporadas o de tiempos portentosos. -
Anais Martinez
Autumn 2017 Calendar All activities begin at the Osprey House unless otherwise noted. For directions and more information on these events, and to fnd out about additional activities, contact the Center or check the website. September 17 – Lehigh Gap Bike & Boat November 3-12 – Nature in Art Exhibition 12:30-4:30 p.m. Explore the Lehigh Gap by bike and canoe Our ffth annual juried art exhibition. View and/or purchase on a guided excursion hosted by LGNC and Wildlands works from local artists. Vote for the People’s Choice Conservancy. Bikes and canoes provided. Tickets available Award. Artists’ reception November 12. for $25 at the following link: bit.ly/LGNCBandB. November 4 – Fall Campfre and Astronomy September 23 – Migration Fest 6:30 p.m. Join us for a campfre, s’mores, and stars. 10:00 a.m.-4:00 p.m. Our annual celebration of hawk November 11 – More or Less 10K Trail Run (and 2-Mile migration and Applachian Mountain ecology. Learn about Scamper) the annual fall spectacle of hawks and butterfies migrating 9:00 a.m. See www.lgnc10k.com for more information. along the Kittatinny Ridge. Live raptor program at 1:00 p.m. Other festivities to be announced. November 16 – Cabin Fever Book Club 10:00 a.m. The Invention of Nature by Andrea Wulf October 14 – Second Saturday Bird Walk 9:00 a.m. Visit Bake Oven Knob to see migrating Sharpies November 18 – Hawk Watch Celebration and falcons. Meet at the Osprey House at 9:00 a.m. or go 6:30 p.m. -
Press Release Berlin, 12 June 2017
Press release Berlin, 12 June 2017 The Invention of Nature Encountering Alexander von Humboldt with Andrea Wulf and Neil MacGregor The Humboldt Forum is hosting The Invention of Nature, a series of discussions with Andrea Wulf and Neil MacGregor in the Deutsche Theater Berlin on 16 July 2017 at 5 pm. The art historian will talk to the Humboldt Forum Steering Committee member about the relevance today of Humboldt’s understanding of nature as a living whole. The first discussion took place in Berlin last December and will be repeated thanks to the overwhelming interest in the event. Alexander von Humboldt (1769–1859) was one of the most famous scientists of his time – a true cosmopolitan of international ranking. His groundbreaking thinking and ideas about nature and our place within it changed scientific research forever. Johann Wolfgang von Goethe revered him more than any other contemporary, he had a lifelong friendship with Thomas Jefferson and Charles Darwin wrote without Humboldt, he would never have boarded the Beagle. Countless glaciers, rivers and mountains in Central and South America are named after him, and there is even Mare Humboldtianum on the moon. The untiring naturalist lived in Berlin and Paris. His adventurous journeys took him to Latin America, Russia and Central Asia. Possessed by the desire to know and understand everything, his way of thinking and conducting research was way ahead of his time. Like no other researcher, Humboldt influenced our understanding of nature as a living whole, as a cosmos in which its smallest all the way to its largest component parts are connected – and with which we humans are inextricably linked. -
Die Jagd Auf Die Venus
Andrea Wulf die jagd auf die venus 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 1 007.03.127.03.12 16:3616:36 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 2 007.03.127.03.12 16:3616:36 Andrea Wulf DIE JAGD AUF DIE VENUS und die Vermessung des Sonnensystems Aus dem Englischen übertragen von Hainer Kober C. Bertelsmann 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 3 007.03.127.03.12 16:3616:36 Die Originalausgabe ist 2012 unter dem Titel »Chasing Venus« bei William Heinemann, London, erschienen. Verlagsgruppe Random House FSC-DEU-0100 Das für dieses Buch verwendete FSC®-zertifizierte Papier Munken Premium Cream liefert Arctic Paper Munkedals AB, Schweden. 1. Auflage © 2012 by Andrea Wulf © 2012 by C. Bertelsmann Verlag, München, in der Verlagsgruppe Random House GmbH Umschlaggestaltung: R·M·E Roland Eschlbeck und Rosemarie Kreuzer Bildredaktion: Dietlinde Orendi Satz: Uhl + Massopust, Aalen Druck und Bindung: GGP Media GmbH, Pößneck Printed in Germany ISBN 978-3-570-10095-0 www.cbertelsmann.de 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 4 007.03.127.03.12 16:3616:36 Für Regan 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 5 007.03.127.03.12 16:3616:36 110095_Wulf_Jagd_Venus_Neu_oEN.indd0095_Wulf_Jagd_Venus_Neu_oEN.indd 6 007.03.127.03.12 16:3616:36 Inhalt Vorbemerkung 11 Karten 12 Dramatis Personae 17 Prolog: Die Herausforderung 19 TEIL I Transit 1761 Kapitel 1 Der Aufruf 31 Kapitel 2 Die Franzosen sind die Ersten 51 Kapitel