THE HEADER Center Your Band Name and the Album Or Tour Name at the Top of the Page. to Draw Attention to This Information, Make
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
V. 65, No. 10, November 14, 1996
Bryant College Thursday, November 14, 1996 Volume 65 Number 10 BY PAUL TOLME ASSOCIATED During nearly four w ek oftes HI URI FOOTBALL PLAY PRESS WRITER timony, Mann ne....er denied that ERSARRAlGNEDONASSAULT BarrettkilledSilvia, butsaidhe was CHARGES PROVIDENCE R.I. (AP)_ Re insane at the time and fired in self Two suspended University of jecting claims Dr. David Barren defense. Submitted by The Office of matchsince their most likely chance Rhode Island ~ otball players were was insane when he hot to death Psychiatrist testified Barren bad Student Activities. of finding a match i from someone arraigned Tuesday on a ault Joseph Silvia, a jury W dne day een iagnosed wilh manic depres~ • of a similar ethnic background. charges stemming from an attack convicted the former Brown Uni sian, and witnesse from Barrell Imagine for a moment that you Becoming a donor is easy. Th on a fraternity house. versity psychiatry re .dent f sec father to his colleagues at Brown could be the 1 in 20 000 match to fir t tep is to have a smaU amount William Edwards and Frank ond-degree murder. recalled episodes in which Barrett save the life ofyoung child. Tolllat of blood taken which is typed for Rom nolr., both 20 pleadedinno JUT rs deliberated 11 hours be acted "grandjo'e' and ·'manic." cbild you would be ahero and to the marker called HLA antigen .. Thjs cent to one count each of simple fore Iling mto the courtroom and Bello argued Barrell was using rest of us a life aver. information is entered in theNMDP assault and conspiracy to commit delivering the verdict. -
The Floozies Free Download [TSIS PREMIERE] Griz Announces All Good Records and Releases New Floozies Single As Free Download
the floozies free download [TSIS PREMIERE] GRiZ Announces All Good Records And Releases New Floozies Single As Free Download. GRiZ who is one of the pioneers of the electro-soul and future funk sounds, along with artists like Pretty Lights and Gramatik, yet has managed to carve his own lane in the genre. The always impressive artist announced his own record label 2 years ago with the release of his most recent album Rebel Era which was put out as a free download as well as being on iTunes. Today, the artist is announcing a new chapter in his career with the closing of Liberated Music and the launch of All Good Records. This label, while still carrying out releases being freely available, is also a step in the direction of a full service record label as opposed to just an avenue for Grant (Griz) to distribute his own work. The label has two signed artists, mid west live funk duo The Floozies and Chicago based soul star and TSIS regular Manic Focus . You can now follow the new All Good Records on Twitter, Instagram, and Facebook, but you should also visit the freshly launched website www.AllGoodRecords.com where you can hear a preview of a new GRiZ song which we can expect to see on his upcoming album Say It Loud that is dropping soon. Also to celebrate the launch, we have the latest single from the newly reformed labels' first release, The Floozies upcoming album Do Your Thing which will be released Jan 27th. We premiered "FNKTRP" and "Fantastic Love" from the group and now have an exclusive first listen of the song "She Ain't Yo Girlfriend" which captures the signature funky Floozies sound, yet is delivered in an extra sensual manner. -
The Definition of El Niño
The Definition of El Niño Kevin E. Trenberth National Center for Atmospheric Research,* Boulder, Colorado ABSTRACT A review is given of the meaning of the term “El Niño” and how it has changed in time, so there is no universal single definition. This needs to be recognized for scientific uses, and precision can only be achieved if the particular definition is identified in each use to reduce the possibility of misunderstanding. For quantitative purposes, possible definitions are explored that match the El Niños identified historically after 1950, and it is suggested that an El Niño can be said to occur if 5-month running means of sea surface temperature (SST) anomalies in the Niño 3.4 region (5°N–5°S, 120°–170°W) exceed 0.4°C for 6 months or more. With this definition, El Niños occur 31% of the time and La Niñas (with an equivalent definition) occur 23% of the time. The histogram of Niño 3.4 SST anomalies reveals a bimodal char- acter. An advantage of such a definition is that it allows the beginning, end, duration, and magnitude of each event to be quantified. Most El Niños begin in the northern spring or perhaps summer and peak from November to January in sea surface temperatures. 1. Introduction received into account. A brief review is given of the various uses of the term and attempts to define it. It is The term “El Niño” has evolved in its meaning even more difficult to come up with a satisfactory over the years, leading to confusion in its use. -
That We May Know the Heart and What It Feels:Love in James Joyce's Ulysses Brad Christopher Perri Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1996 That we may know the heart and what it feels:love in James Joyce's Ulysses Brad Christopher Perri Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Perri, Brad Christopher, "That we may know the heart and what it feels:love in James Joyce's Ulysses" (1996). Retrospective Theses and Dissertations. 14374. https://lib.dr.iastate.edu/rtd/14374 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. i. -l -• V • -:*• pj Tli it we may know the heart and what itfeels: Love inJames Joyce's Ulvsses . < by 1:^ -1 M ..i- -1-. Brad Christopher Perri •:;s 1; i Jj;:. ^ r • 1 - A thesis submitted to the graduate faculty i;. 1 • m t '• i- i: MASTER OF ARTS • V: -V-'M -;X:v>l1.'. i jV *• v^'- -'V Department: English •i.; -4 li Major: English (Literature) II il Major Professor: Douglas M. Catron Iowa State University Ames, Iowa 1996 Pern, Brad Christopher Literature I 1996 u Graduate College Iowa State University This is to certify that the Master's thesis of Brad Christopher Perri has met thethesis requirements ofIowa State University Signatures have been redacted for privacy Ill TABLE OF CONTENTS CHAPTER 1. -
On Probation
www.InsideVandy.com HUSTLER THETHURSDAY, NOVEMBER VANDERBIL 3, 2011 ★ 123RD YEAR, NO. 61 ★ THE VOICE OF VANDERBILT SINCE 1888 T VSG takes a stand On probation on sustainability KATIE KROG MORE FROM VSG STAFF REPORTER Inside the IFC judicial process BUDGET UPDATE Vanderbilt Student Govern- Rohan Batra, Vanderbilt ment Wednesday passed a Student Government treasurer, resolution to “actively support presented a monthly budget the highest level of sustainable update to VSG Wednesday building practices in all future night. building and renovation proj- According to Batra, VSG has ects it (VSG) has a voice in.” spent about $18,000 so far The resolution, presented by this fiscal year. VSG Environmental Affairs “This is in line with what Committee Chair Matt Bren- we’ve done in the past,” Batra nan, calls for a commitment to said. Silver LEED certification for all building projects costing over ANGEL TREE GIVES $5 million and to the highest BACK VSG announced Wednesday possible level of certification for that if you buy a present for all other projects. the VSG Angel Tree this De- In the Senate, the resolution cember, VUPD will forgive one passed unanimously without (and only one) of your campus debate. parking tickets. In the House, the resolution passed with an overwhelm- ing majority, with only three representatives voting against the resolution. Those opposed they have the highest possible to the resolution were Alumni level of certification. Area Representative David Di- According to Student Body panfilo, West House President President Adam Meyer, the Evan Werner and the proxy for Environmental Affairs Com- Alumni Lawn Area Represen- mittee consulted with several tative Kenny Tan. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists. -
Uficaming Events for Llglitcr/'Bilcr Mike Tyson
Staff "^A&L Editor Dan Alverez John Strock & John Morgan 31 October 1997 Calret Page 8 A&L Briefs n ----------------------------------------------- Night Owl Music Review I 1 SMASII-UP: More problems Uficaming Events for llglitcr/'bilcr Mike Tyson. The ex- dianip was fmed $76 Thursday (or |iipcrating a motorcycle without a jvalid license. This, adding insult to Goldfinger Releases "Hang Ups" jXyson’s injuries—broken ribs—af- In this case, the Night Owl disc for a total running time of 71:34. Friday, Oct. 31- carbon Leaf |tcr a motorcycle crash near his es Ben Rowe Music store of Lexington furnished The Unfortunately, the song I liked the tate Wednesday night in Connecti- Arts & Leisure Writer Cadet staff with a randomly selected most was literally only a minute Ic'ut. Compact Disc, the group’s name being long. In any event, the band wasn’t and Fighliiig liravily As far as music is concerned, Goldfinger, with their album entitled bad listening all the way through, INSTITCIlI'S:Atrio ofdoc- 1 think there is something to be en Hang-ups. Goldfinger is a California and they can definitely play. It was at the Flood Zone jtors has diagnosed the first known joyed about all the different based band with their rccord company indeed an interesting change of tunes [(iise of'Seinfeld Syncope”— faint- types. Most people usually iden- to listen to opposed with svhat - ^Maciba Seth at Trax |iiig spells induced by punchlines on tify with one particular style I prefer, but all things consid |t(ie top-rated sitcom. The 62-year- though, and because music is ered, I wouldn’t recommend it. -
Centro De Investigaciones Y Estudios Superiores En Antropología Social
Centro de Investigaciones y Estudios Superiores en Antropología Social El movimiento oscuro en la ciudad de México: Una aproximación a los Colectivos Culturales como Comunidades de Estilo. T E S I S Que para obtener el grado de MAESTRO EN ANTROPOLOGÍA SOCIAL P r e s e n t a ULISES MARTÍNEZ CHIPRES. Directora de tesis: Dra. Minerva Villanueva Olmedo. Febrero de 2014. Centro de Investigaciones y Estudios Superiores en Antropología Social - Unidad Golfo. Maestría en Antropología Social. (MAS) El movimiento oscuro en la ciudad de México: una aproximación a los colectivos culturales como comunidades de estilo. Alumno: Ulises Martínez Chipres. Comité de tesis Dra. Ma. Ángela Rodríguez Nicholls. Dr. Homero Ávila Landa. Dr. Felipe Vásquez Palacios. Febrero de 2014 Xalapa, Ver. 2 Agradecimientos Esta investigación se realizo gracias al apoyo del Consejo Nacional de Ciencia y Tecnología (CONACYT), mediante el programa de becas de posgrado promoción 2011-2013. Agradezco también al Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS) Unidad gofo, por haberme permitido cursar los estudios maestría en Antropología Social, en sus instalaciones. Agradezco a la Dra. Minerva Villanueva Olmedo, por haber confiado en mi persona, por su paciencia y por la dirección de este trabajo. Al Dr. Felipe Vázquez Palacios, por sus acertados cometarios en clase y durante los coloquios de investigación. Al Dr. Homero Ávila Landa, por su tiempo y dedicación a la lectura del proyecto y por su participación como lector en los coloquios internos del CIESAS. Agradezco también a la Dra. María Ángela Rodríguez, por su atenta lectura de mi trabajo y sus importantes comentarios que me facilitaron estructurar el contenido final de tesis; agradezco a todos ellos, su amabilidad de formar parte del Comité de Tesis.