DOCSLIB.ORG

V. 65, No. 10, November 14, 1996

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
V. 65, No. 10, November 14, 1996 Bryant College Thursday, November 14, 1996 Volume 65 Number 10 BY PAUL TOLME ASSOCIATED During nearly four w ek oftes­ HI URI FOOTBALL PLAY­ PRESS WRITER timony, Mann ne....er denied that ERSARRAlGNEDONASSAULT BarrettkilledSilvia, butsaidhe was CHARGES PROVIDENCE R.I. (AP)_ Re­ insane at the time and fired in self­ Two suspended University of jecting claims Dr. David Barren defense. Submitted by The Office of matchsince their most likely chance Rhode Island ~ otball players were was insane when he hot to death Psychiatrist testified Barren bad Student Activities. of finding a match i from someone arraigned Tuesday on a ault Joseph Silvia, a jury W dne day een iagnosed wilh manic depres~ • of a similar ethnic background. charges stemming from an attack convicted the former Brown Uni­ sian, and witnesse from Barrell Imagine for a moment that you Becoming a donor is easy. Th on a fraternity house. versity psychiatry re .dent f sec­ father to his colleagues at Brown could be the 1 in 20 000 match to fir t tep is to have a smaU amount William Edwards and Frank ond-degree murder. recalled episodes in which Barrett save the life ofyoung child. Tolllat of blood taken which is typed for Rom nolr., both 20 pleadedinno­ JUT rs deliberated 11 hours be­ acted "grandjo'e' and ·'manic." cbild you would be ahero and to the marker called HLA antigen .. Thjs cent to one count each of simple fore Iling mto the courtroom and Bello argued Barrell was using rest of us a life aver. information is entered in theNMDP assault and conspiracy to commit delivering the verdict. Several ap­ his emotional troubles as an excuse Memb rs ofthe Bryant Comrnu- computerized registry. While listed simple assault. peared shaken. to avoid responsibility for shooting nily will have Lhe opportunity to on the registry, ifa donor's antigens District CowtJudge Gilbert Indeglia Barrett, in a blu nit and with hi Silvia on July 1 , ]995, after an regi ter La become a hero. No burn- match a patient in need, the donoris releasedeach on$2.<XXlpersonaJ recog­ tie loosened, closed his eye when argument at an East Pr vidence gas ing buildin arc in 01 ed jU 'l a c nta ted and un 'eled a utlhe nizance and ordered them ~ ha\ no the erdicl read. Hi' parent statJ n i pI . Bluv\J",J,U ntact with the vi ·m.A !rial 'd n I d an lh r­ I murd r B n • nnd ulcd - [ 10 hin uhi' I lighl' 1 M' December 2 nd in Janiki '5 A u it ­ Mo il convenience store, and bad rium. poruored hy the Orfice of exchange with a clerk he R I I urn I hi ilh da r re B r-ell inn ti ili . ha n d d r r J d n' u ri n i ju­ thr I: li e nizan . h there are more than 2 federal matching grant recei v d by or ' did "a magni Icentj b." when II ia Lhe lore erk' friend, Acco. 'ngto ,m ~ than Jl1j Ii n don regi ler d n ti D­ the Office of Student Activities. '1 can Ii e with it, .. aid Manny u ed hi van to pin Barrett against 30 URI football pJaye went to the aily ther are till alien who 0 Fundr3lSiog is currently underway Silvia. 72, of the second-degree his Saab. n 1 find matehe . There is still a which wil1allow tudents who wish 'ThelaDeltaChihouseonOct7.S vernl murder C 'Tlvi tion. "We can put it "1 think the system worked," At­ entered ilandbeattbreefratem.ity mem­ sen us n~ed formoredonor ,espe­ to regi ter, can do so for free. to rest" torney General JeffPine said. "He s cially from mm rity p pu­ Please join us at the Blood and bers, who were hospitalized but have donor Valerie Glass Silvia's si ter, facing a very evere sentence. ' lation. Of the 2,453.678 volun­ Bone Marrow Drive on Dec m­ recovered. fought lears while speaking ut­ If Judge Robert Krause gives teeIS Ii ted with the National Mar­ ber 2nd and learn more aboul the Theattack apparently was relaliarion ide. She and Manny Silvia aid Barrett a life sentence, he will be row Donor Program, only 526,076 National Marrow Donor Program fOT lhe fraternity's refusal to allow a they would pray for Barrett par­ eligible for parole in 20 year . are from minority ethni ' gr ups," or call the R.L Bio C oter Mar­ player into an Oct 4 party. enIS, who sat alone in the courtr m Barrett also faces up to 20 years for Valerio and Carl Zschuschen we aid Laura McDonald ofthe Rhode r w Donor Program al 1- 2 3­ I ng aile the verdict was read. gun . n c nvictions and tIp to kicked offthe team. Buller, a star wide Island Marrow Donor Program. 3 5 or Tim Lloyd. AL I tant Di­ Pr e had hoped to c nviet ulors fi marijuana possession. receiverwhohad been scouted by NFL Thi makes it difficult for min rily rector of Student Aclivitie at 232­ Barrett of fir'l-degree murder but 3ld the mosl nvincing teams. and the three other players were patients who are earching for a 6160. said they were pJeased with the ver­ evidence was the ag of marijuana suspended indefinitely and have n t dict. police aid Barrett told a friend to played ince the incid n , Je knew what he was doing throwaway. URIPresident Robert Carothers also that night. ' said Pr eculor Su an "Howcan y u nOl know sho li ng forfeited a game against Connecticut Bello. "He knew it wa wr ng." someon ~ i wrong, butminUle laler Defen e lawyer Robert Mann said think 'I've g l t get rid of this lO-YEAR-OLD ARRESTED a hearing would be held Nov. 15 on hecau'e it's a cnme?'" Bello as ed FOR DEALI G CRACK his request for a new trial. inherclo ingargumems.· Hedidn t PROVIDENCE, RI. CAP) _ A 'Tm very disappOinted," Mann have an excuse for lhi 0 he got rid IO-year-old b y caughl trying to said. "We're tin aU recovering." ofil" sell crack cocaine in South Provi­ dence is one of th younge t in the city ever arrested for dealing drugs policesrud The boy had two bags with a • rock ' ofcrackin eachand was selling the drug totwomaleswhen anofficerim.eoupred the deal Tuesday, said LL John Ryan. The two buyers ran, but the boy was caught ''Initiallv. he didn't think be was that YOWlg,~ittumedouttobealO-year­ old." Ryan said Co 1beboywascarrying no money or weapons when ~ was arrested, Ryan said. He was referred toFamily Court as a juvenile delinquent and was released to his mother. No un date was set by Thursday. Theneighborhocxlwas beingwatchxt for drug activity after neighbors c0m­ plained ro police. Ryan said An inves­ tigation into the arrest continues. HOb 'ously the crime lies in who gave him ~ crack and put him out there," Ryan said. Page 2 THE ARCHWAY Thur: y , November 14 , 1996 T/DfT01(f.9tCIOPfWO!!\[ Babyheadto Ointondeem~-­ grow up? blasp Thanks to a very resourceful man I learned To the editor: early this morning that Club Babyh ad will be officially closing its doors this December, This writer is a oman Catholic and a former with its last live show being on November 30 seminarian. Let it be known that those Chri stian (The S uic ide M achines, A pocalypse who voted for pro-abortion politicians, such as DANIELLE PORfER Hoboken, One Ton Shotgun, and Cretin - $6). William C1inton becam direct a omplices in the Editor-in-Chief After a final dan e party on December 1, it bestial abortion holocaust. As accomplices to m ur­ will cease to exist as a live circuit, and will der. these pseudo-Christian voters committed mor­ MELI SA CRISCUOLO reopen sometime in January or February as a tal sin and defacto excommunicated themselves, Managing Editor "gJitzy dance club called Velvet. Ahh, so Long ago, Catholic preists and especially bishops, that's what the pia ement of the outside such as Pope John Paut should have provided these paneli ng was all about. specific instructions of moral theology .. .long ago! LETIEN In 1948, saintly Pope Pius XII declared the Sports Editor Just what Providence needs, another dance club. And with Desperado's/Slick Willy' sl excommnication ofall Catholics in italy who voted Algier' slPoly ta's just around the comer, for Communist political candidates. PopeJohnPaul, NIGEL FUBARA who was a student at Rome in 1948, has the similar Entertainment Editor Velvet just might not attract 11 th t many people. However, unlike the usual straight­ obligation to employ the remedy of excommunica­ EILEEN DEMJEN edge crowd which frequents Babyhead, the ti on in the matter of Catholic pro-abortion voters A dvertising ales Manager dance crowd is more likely to drink. Hence­ and legislators. Millions of unborn children would forth, money-the initial reason for owner not have been aborted ifthe Polish Pontiff had acted ANNE BRADNICK Bart Scorbo's decision to renovate-should decisively by utilizing the Christ empowered pre­ Production Manager coming in hand over fist. And, of course, rogative of excommunivcation. Pope John Paul the r wd will be a lot less violent. failedto fulfill his responsibility as defender of fai th JONATHAN MATllNAS and morals. The Pope bears guilt in the slaughter of Production t's incredibly d; Providence's one pri­ mariIy hard-core headquarters will lea ve with the unborn innocents.
Load more

Recommended publications
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact eprints@nottingham.ac.uk MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Experts Predict Move to Communist Russia Analysts Approve Clinton's
    R&R's Last Minute Edition Featuring reviews of Casino, Red Hot THE CHRONICLE Chili Peppers, and the GZA. See R&R. THURSDAY, NOVEMBER 30, 1995 IE ONE COPY FREE DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15.000 VOL. 91, NO. 64 Analysts approve Clinton's plan Professors cite America's unique responsibility By MISTY ALLEN Clinton's reasons for interven­ we're'going to have to send In the wake of President tion, citing America's unique re­ troops—as much as we find that Clinton's Monday night address sponsibility as the world's sole distasteful," he said. to the American public concern­ remaining superpower. Herbert Kitschelt, professor ing the dispatch of 20,0U0 Amer­ "I think he's making a rhetor­ of political science, underscored ican troops to Bosnia, University ical nod to the public's sentiment Eldridge's statement by saying students and professors have ex­ about not wanting to be the that the United States has a pressed opinions ranging from world's policeman, but at the strategic interest in the Balkan tactful criticism to tempered ap­ same time saying that if we war because of its vested inter­ proval. don't do it, then who will?" said est in the stability of Eastern By all accounts, the speech Peter Feaver, assistant professor Europe. "I think that this is the was a crucial one for Clinton, of political science. He was only way to attain peace in the whose administration promised speaking to the distinction be­ region. The United States' [pres­ military support to the warring tween unilateral and multilater­ ence] is an essential element," Balkan factions in the sweeping al military action, a longstand­ he said.
    [Show full text]
  • Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A
    Williams, J. A. (2014). Theoretical Approaches to Quotation in Hip- Hop Recordings. Contemporary Music Review, 33(2), 188-209. https://doi.org/10.1080/07494467.2014.959276 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1080/07494467.2014.959276 Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ This article was downloaded by: [University of Bristol] On: 26 March 2015, At: 13:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Contemporary Music Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gcmr20 Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A. Williams Published online: 28 Oct 2014. Click for updates To cite this article: Justin A. Williams (2014) Theoretical Approaches to Quotation in Hip-Hop Recordings, Contemporary Music Review, 33:2, 188-209, DOI: 10.1080/07494467.2014.959276 To link to this article: http://dx.doi.org/10.1080/07494467.2014.959276 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • An Interview with the Pharcyde, Page 4A. Plus, the Finest in Incredibly Strange Music, Page 5A
    AN INTERVIEW WITH THE PHARCYDE, PAGE 4A. PLUS, THE FINEST IN INCREDIBLY STRANGE MUSIC, PAGE 5A. 2A Thursday, November 10,1994 Daily Nexus TREE ClOTMNfi with Coupon ▼ 'THE WINTER Buy 1 Get 1 Free THAT NEVER ENDS'* of equal or lesser value Various Artists take out a second mort­ A- •Jeans • Blouses The Best of Kansas City gage on the wide-screen •Pants «Vintage K-TEL TV? The answer is A, none •Collectibles »Clothing of the above. You won’t Imagine if you could pay $500 for this invest­ THURSDAY New Arrivals Daily hear all your favorites ment — you won’t even singing “Kansas City” on pay $2501 Nov. 10 8 & 10PM THRIFT $5 Gen, $4 Student one single album. Well, If you order now, we’ll Sponsored by UCSB Sid Club friends, have I got a deal throw in “Kansas City” by CENTER for you! the luscious Peggy Lee and 5718 Hollister Ave. This hot little number is yet another version by the Downtown Goleta ironically called The Best tender (although once in a Next to Wendy’s Of Kansas City. Now, you while salty and over­ get “Kansas City” per­ cooked) Wilbert Harrison. formed by the great Little If you order sooner, we’ll H 5 SEASON Willie Littlefield. If that even throw in this won­ wasn’t enough, you also derful canying case made get this song called “Kan­ of real plastic. Notice how sas City” by the mighty Joe the cover is clear, so you Williams! But wait, there’s can see right through it! If morel You also get the you are nice, we’ll let you blissfully talented Everly have the two-page story of Brothers doing a song Kansas City, absolutely better! Order this very in­ ceive this handsome called “Kansas City.” How free.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • Korn All Albums Download Korn – Discography (1994 – 2014) UPDATE
    korn all albums download Korn – Discography (1994 – 2014) UPDATE. Korn – Discography (1994 – 2014) EAC Rip | 19xCD + 4xDVD | FLAC Image & Tracks + Cue + Log | Full Scans included Total Size: 11.2 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUMS | COMPILATION | EP Label: Various | Genre: Alternative Rock, Nu Metal. Korn’s cathartic alternative metal sound positioned the group among the most popular and provocative to emerge during the post-grunge era. Korn began their existence as the Bakersfield, California-based metal band LAPD, which included guitarists James “Munky” Shaffer and Brian “Head” Welch, bassist Reginald “Fieldy Snuts” Arvizu, and drummer David Silveria. After issuing an LP in 1993, the members of LAPD crossed paths with Jonathan Davis, a mortuary science student moonlighting as the lead vocalist for the local group Sexart. They soon asked Davis to join the band, and upon his arrival the quintet rechristened itself Korn. After signing to Epic’s Immortal imprint, they issued their debut album in late 1994; thanks to a relentless tour schedule that included stints opening for Ozzy Osbourne, Megadeth, Marilyn Manson, and 311, the record slowly but steadily rose in the charts, eventually going gold. Its 1996 follow- up, Life Is Peachy, was a more immediate smash, reaching the number three spot on the pop album charts. The following summer, they headlined Lollapalooza, but were forced to drop off the tour when Shaffer was diagnosed with viral meningitis. While recording their best-selling 1998 LP Follow the Leader, Korn made national headlines when a student in Zeeland, Michigan, was suspended for wearing a T-shirt emblazoned with the group’s logo (the school’s principal later declared their music “indecent, vulgar, and obscene,” prompting the band to issue a cease-and-desist order).
    [Show full text]
  • PDF Examples
    MTO 26.2 Examples: Adams, Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (Note: audio, video, and other interactive examples are only available online) https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.adams.html Example 1a. Kurtis Blow, “Basketball” (1984), verse 1, 0:25–0:35 (borrowed from Adams 2009) Example 1b. Eric B. and Rakim, “Paid in Full” (1987), 0:46–1:10 Example 3. Danger Doom, “Sofa King” (from The Mouse and the Mask, 2005), 1:12–1:48 (produced by Danger Mouse [Brian Burton]) Example 4. Repetitive beat: De La Soul, “The Grind Date” (from The Grind Date, 2005), 0:28–0:49 (produced by Dave West) Example 5a. Oscillating beat, alternating by second: A Tribe Called Quest, “Excursions“ (from The Low End Theory, 1990), 0:28–0:52 (produced by Ali Shaheed Muhammad) Example 5b. Oscillating beat, alternating by third: Aesop Rock (Ian Bavitz), “None Shall Pass” (from None Shall Pass, 2007), 0:15–0:34 (produced by Blockhead [Tony Simon]) Example 5c. Oscillating beat, alternating by fourth: People under the Stairs, “Montego Slay” (from O.S.T., 2002), 0:20–0:44 (produced by Thes One [Christopher Portugal]) Example 5d. Oscillating beat, sequential: Cunninlynguists, “Lynguistics” (from Will Rap for Food, 2001), 0:18–0:46 (produced by Kno [Ryan Wisler]) Example 5e. Oscillating beat, uneven: Migos, “Bad and Boujee,” (from Culture, 2017), 0:15–0:30 (produced by DY and Tre Pounds [Dwan Avery and Jeffrey LaCroix]) Example 6a. Expansional beat, I → iv: Atmosphere, “The Best Day” (from To All My Friends, Blood Makes the Blade Holy: The Atmosphere EP’s [sic], 2010), 2:17–2:41 (produced by Ant [Anthony Davis]) Example 6b.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs. Chill, grooving instrumentals. 00:00:05 Oliver Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Like the rest of you, we are all in our social distancing mode, and this of course is an unprecedented time of isolation and anxiety. And I know many of us, myself included, are turning to art and culture as a way to stay sane and connected and inspired. As such, we wanted to create a few episodes around the idea of comfort music, and we’ve already been engaging with all of you in our audience about it. 00:00:31 Oliver Host To tackle this, we will be using a format that Morgan helped to inspire, the Starting Five, which is both a reference to basketball as well as a nod to those five-CD changers that used to be all the range back in the 1990s. And so both Morgan and I chose five albums, and the last episode you heard her starting five. And today, it’s gonna be my five in terms fo what constitutes my idea of comfort music. 00:00:56 Morgan Host In the third installment, that airs next week, we’ll be choosing a starting five from suggestions that you, our audience, has made via our various social media accounts. So, you asked me and now I’m asking you, what is your definition of comfort music, or what does comfort music really mean to you, especially now? 00:01:15 Oliver Host I really enjoyed hearing what you had to say last week in terms of the albums or the music that reminded you of falling in love wit music, or just falling in love in general.
    [Show full text]
  • The Revive Big Band Resource Guide
    THE REVIVE BIG BAND RESOURCE GUIDE ABOUT REVIVE MUSIC GROUP Revive Music launched in 2006 as a boutique live music agency that specializes in producing genre-bending, creative-concept live music shows that tour worldwide with the purpose of educating and inspiring audiences about artistic and authentic forms of music. In effort further provide an advocacy platform for musicians, Revive launched the leading online journal, www.revive-music.com, for the burgeoning jazz community dedicated to their musicianship, artistry and creative expression as a part of www.okayplayer.com and a label imprint with the legendary Blue Note Records. ABOUT THE REVIVE BIG BAND “We’re carrying on within the tradition of big bands, what would be relevant today – modifying the message and making it translatable and accessible to the people, so that they have something to connect to. We represent that bridge” -Igmar Thomas Heralded by the Village Voice for having New York City’s “most electrifying young lions in jazz, Revive Big Band has a finger on the pulse of today’s emerging progressive sound while pointing to things yet to come for a new era of music. Formed in 2010 by trumpeter, composer and arranger Igmar Thomas, this multi-generational ensemble knows no limits while seeking to advance, celebrate and re-imagine sonic freedom in big band form. The Revive Big Band’s well-honed musical sensibilities powerfully synthesize the art of the beat, treatment of melody, reverence of the standard, and nuances of time. Expanding the contemporary canon of composition as it dwells at the intersection of jazz, hip hop, soul and beyond, the band's repertoire features original compositions and inventive orchestrations of jazz standards and contemporary classics by artists ranging from Oliver Nelson, Wayne Shorter and Freddie Hubbard to A Tribe Called Quest, J Dilla, Gangstarr, Bilal and more, in rare live performances.
    [Show full text]