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The Poetry of Alice Meynell and Its Literary Contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hromadka, Jared, "The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923" (2013). LSU Doctoral Dissertations. 1246. https://digitalcommons.lsu.edu/gradschool_dissertations/1246 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE LAWS OF VERSE: THE POETRY OF ALICE MEYNELL AND ITS LITERARY CONTEXTS, 1875-1923 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jared Hromadka B.A., Louisiana State University, 2004 M.A., Auburn University, 2006 August 2013 for S. M. and T. ii ACKNOWLEDGMENTS Special thanks is due to Dr. Elsie Michie, without whose encouragement and guidance this project would have been impossible. iii TABLE OF CONTENTS ACKNOWLEDGMENTS..............................................................................................................iii -
THE Iffilville REVIVAL a Study of Twentieth Century Criticism
THE iffiLVILLE REVIVAL A Study of Twentieth Century Criticism Through its Treatment of Herman Melville DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By BERNARD MICHAEL WOLPERT, B.S. in Ed., M.A. The Ohio State University 1951 Approved by; Adviser CONTENTS Chapter Page I. Backgrounds of Twentieth Century Criticism .......... 1 II. British Origins of the Melville R e v i v a l ............ 22 III. Melville and the Methods of Literary History......... 41 IV. Melville and Sociological Criticism.......... 69 V. Melville and Psychological Criticism.......... 114- VI, Melville and Philosophical Criticism ............. 160 VII. Melville and the New Criticism . ................ IS? VIII. Melville and the Development of Pluralistic Criticism 24-0 CHAPTER I Backgrounds of Twentieth Century Criticism At the time of Melville's death in I89I, the condition of literary criticism in America was amorphous. So dominant had become the demands of a journalism that catered to a flourishing middle-class public de termined to achieve an easy method to "culture," that the literary critic of this period, the eighties and nineties, devised an artificial tradition by which he could protect himself against the democratic so ciety with which he was acutely dissatisfied. This tradition was, therefore, conservative in nature. Its values, based on customary taste and training, were selected primarily as a refuge against both the con temporary American society -
About Natstand Family Documents
natstand: last updated 24/02/2018 URL: www.natstand.org.uk/pdf/MennellHT000.pdf Root person: Mennell, Henry Tuke (1835 - 1923) Description: Family document Creation date: 2018 January 26 Prepared by: Richard Middleton Notes: Press items reproduced with kind permission of The British Newspaper Archive (www.britishnewspaperarchive.co.uk) About Natstand family documents: A Natstand family document is intended to provide background information concerning the family of a deceased naturalist. It is hoped that such information will form a framework which will help interpret their surviving correspondence, specimens and records. In some cases it will also give an insight into the influences on their early lives and the family constraints within which they worked and collected. We have found that published family data concerning individuals rarely contain justification for dates and relationships and not infrequently contain errors which are then perpetuated. The emphasis in Natstand family documents will be on providing references to primary sources, whenever possible, which will be backed-up with transcriptions. Although a Natstand biography page will always carry a link to a family document, in many cases these documents will be presented without any further biographical material. We anticipate that this will occur if the person is particularly well known or is someone we are actively researching or have only a peripheral interest in. The following conventions are used: Any persons in the family tree with known natural history associations will be indicated in red type. Any relationships will be to the root naturalist unless otherwise stated. Dates are presented Year – Month – Day e.g. 1820 March 9 or 1820.3.9 1820 March or 1820.3 Dates will be shown in bold type if a reliable reference is presented in the document. -
Small Magazines
The ENGLISH JOURNAL Vol. XIX NOVEMBER 1930 No. 9 SMALL MAGAZINES EZRA POUND I The earlier history—I might almost call it the pre-history of the small magazines in America—has been ably and conscientiously presented by Dr. Rene Taupin in his L'lnfluence du Symbolisme Francais sur la Poesie Americaine (Paris: Champion, 1930); and I may there leave it for specialists. The active phase of the small magazine in America begins with the founding of Miss Monroe's magazine, Poetry, in Chicago in 1911. The significance of the small magazine has, obviously, noth ing to do with format. The significance of any work of art or litera ture is a root significance that goes down into its original motivation. When this motivation is merely a desire for money or publicity, or when this motivation is in great part such a desire for money direct ly or for publicity as a means indirectly of getting money, there oc curs a pervasive monotony in the product corresponding to the un derlying monotony in the motivation. The public runs hither and thither with transitory pleasures and underlying dissatisfactions; the specialists say: "This isn't litera ture." And a deal of vain discussion ensues. The monotony in the product arises from the monotony in the motivation. During the ten or twenty years preceding 1912 the then-called "better magazines" had failed lamentably and even offensively to maintain intellectual life. They are supposed to have been "good" 689 690 THE ENGLISH JOURNAL during some anterior period. Henry Adams and Henry James were not, at the starts of their respective careers, excluded; but when we reach our own day, we find that Adams and James had a contempt for American editorial opinion in no way less scalding than—let us say—Mr. -
An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature Gertrude Agnes Carter Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Carter, Gertrude Agnes, "An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature" (1949). Master's Theses. 744. https://ecommons.luc.edu/luc_theses/744 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Gertrude Agnes Carter AN ANALYSIS OF THE POETRY OF ALICE MEYNELL ON THE BASIS OF HER PERSOIlAL PRIBCIl'LES OF LlTERAl'URE BY' Sister Gertrude Agnes Carter A THESIS SUBMITTED IN .t'AH.1'!AL FtJLFlLUlENT OF THE REQUIRl!:MENTS FOR THE DEGREE OF MASTER OF AR'rS IN LOYOLA UNIVERSITY June 1949 VITA Sister Gertrude Agnes was born in Chelsea, Massachusetts, August 31, 1898. She attended St. Rose Ch'ammar and High Schools in Chelsea. The Bachelor of Arts degree with a major in English was con£erred on her by St. Mary-of-the-Woods College, Indiana, June, 1932. In 1942 she received .t'rom the Indiana State Board of Education a lire license to teach Social Studies in the accredited high schools of Indiana The writer has taught in St. -
Red Or Dead: States of Poetry in Depression America
Red or Dead: States of Poetry in Depression America by Sarah Elizabeth Ehlers A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2012 Doctoral Committee: Professor Alan M. Wald, Chair Professor Howard Brick Professor June M. Howard Professor Yopie Prins Associate Professor Joshua L. Miller ACKNOWLEDGMENTS The same year I began my Ph.D. work at the University of Michigan, my father lost the coal-mining job he had worked for over twenty years. That particular confluence of events had a profound effect on me, and I would be remiss if I didn’t acknowledge the ways in which my personal feelings of anger and frustration—my sense of being somehow out-of-place—influenced my thinking and this project. Certainly, it was one of the catalysts for my deep interest in the U.S. literary Left. Like so many others, I am indebted to Alan Wald for my understanding of Left literature and culture. Alan has been, probably more than he knows, an example of the kind of scholar I hope to be—even, I admit, an ideal ego of sorts. I continue to be as awed by his deep knowledge as I am by his humility and generosity. Yopie Prins taught me how to read poetry when I already thought I knew how, and my conversations with her over the past five years have shaped my thinking in remarkable ways. From my first days in Ann Arbor, June Howard has been a source of intellectual guidance, and her insights on my work and the profession have been a sustaining influence. -
Guide to the Jack B. Moore Papers, 1922-1993 Descriptive Summary
Guide to the Jack B. Moore papers, 1922-1993 Descriptive Summary Title : Jack B. Moore papers Creator: Moore, Jack B. (1922-1993) Dates : 1922-1993 ID Number : M23 Size: 16.00 boxes Language(s): English Russian Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Moore, Jack B., 1922-1993 Acquisition Donation Information: Access Conditions: None. The material was originally designated to be used only with the permission of Jack Moore, but Dr. Moore passed away in 2003. Use Conditions: The contents of this collection may be subject to copyright. Visit the United States Copyright Office's Website at http://www.copyright.gov/ for more information. Processing Complete History: Preferred Citation: Jack B. Moore papers, Special Collections Department, University of South Florida Library Biographical Note University of South Florida professor Jack Moore's four-decade career in academia covered a number of disciplines, including: American literature, African-American studies, pop culture, photography, and baseball. After graduating with a Ph.d. in American literature from the University of North Carolina, Moore established USF's American Studies department in 1962. Moore wrote scholarly articles and books on historian W.E.B. DuBois, baseball great Joe DiMaggio, poet Maxwell Bodenheim,Tampa-area photographers, the Burgert Brothers, and the cultural history of skinheads titled Skinheads Shaved for Battle. Moore was director of the local chapter of the American Civil Liberties Union for five years and served on the board of directors for the Hillsborough County Friends of the Library. -
On Pilgrimage - Our Spring Appeal
On Pilgrimage - Our Spring Appeal Dorothy Day The Catholic Worker, May 1970, 1, 2, 11. Summary: Appeals for help and answers the question “What is it all about, this Catholic Worker movement?” Describes the Catholic Worker as a school, a family, and a community of need. Says they are anarchist-pacifist, which is distinguished from nihilism. Asserts the primacy of conscience and “The most effective action we can take is to try to conform our lives to the folly of the Cross, as St. Paul called it.” Keywords: Catholic Worker philosophy, non-violence (DDLW #500). “Now delights the virgin in dance/and young men and old together./I turn their mourning into joy, I console and gladden their woe/I refresh the souls of the priests with delight/and my people are filled with my good things.” Who would know that the above is Jeremiah speaking, the prophet who advocated nonviolence, indeed appeasement, and was thrown into a noisome prison for his plans? I am writing this on a brilliant spring day, with the sun shining gloriously and three little children playing on the lawn in front of the old house at Tivoli. As I look out of the window I see Dan wandering up the road to the house. Dan was brought up here as a child when this place was an extension of an orphanage in Yonkers, a camp in summer and an agricultural school. He loves the place so much, his roots are here, so he has taken over an unused corner of the old mansion, where he sleeps. -
(Emmanuel Morgan), Pins for Wings
INS forWINGs. BY mamvel m^rcant TheSvnvjiseIvrnInc. NEW YORK. Ife PINS FOR WINGS by EMANUEL MORGAN ,,.. ..<.\ —i BOOKS BY EMANUELMORGAN Spectra (with Anne Knish) The Beloved Stran- ger (with Witter Bynner) Of this edition 2,000 copies printed in October, 1920. Also fifty copies on hand-made paper. TO WILLIAM MARION REEDY 1862—1920 A mirror breathed upon by Death but undimmed PINS FOR WINGS BY EMANTUEL MORGAN. ^ THE SUNWISE TURN ^ Copyright 1910 by the Sunwise Turn Caricatures by IVAN OPFFER and WILLIAM SAPHIER -iOV -5 1320 (e)Ci,AG045lO TABLE OF ILLUSTRATIONS Title Page—Emanuel Morgan Pinning Copyright Page—Saphier by Opffer (after which Opffer dared not sit for Saphier) Page 2—Marsden Hartley (slightly bored) Page 8—Edgar Lee Masters 1 Page 1 —Maxwell Bodenheim Page IX—Emanuel Carnevali Page 14—John Gould Fletcher 5 Page 1 —Robert Frost 7 Page 1 —Siegfried Sassoon Page 18—Alfred Kreymborg (before he toured America) Page 19—Vachel Lindsay Page 20—Spoon River Page 21 —Edgar Lee Masters Page 22—Harriet Monroe and her hobby Page 24—Ezra Pound Page 25—Lola Ridge Page 26—Carl Sandburg Page 27—Sandburg Considering the Ingredients Page 28—Siegfried Sassoon Page 29—Tagore Page 30—Louis Untermeyer Page 31 —William Carlos Williams Page 32—Williams again PINS FOR WINGS By EMANUEL MORGAN LASCELLES ABERCROMBIE an iron wheel with a navel of gold FRANKLIN P. ADAMS Greek masks in ink on comic finger-nails A E liquid air somewhere CONRAD AIKEN phosphorescent plumbing ZOE AKINS brandied lotus RICHARD ALDINGTON an Attic vase full of tea MARY ALDIS a street-car -
Guide to the Alice Meynell Collection 1870S
University of Chicago Library Guide to the Alice Meynell Collection 1870s © 2016 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 3 Scope Note 4 Related Resources 4 Subject Headings 4 INVENTORY 4 Descriptive Summary Identifier ICU.SPCL.MEYNELLA Title Meynell, Alice. Collection Date 1870s Size 0.25 linear feet (1 box) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Alice Christiana Gertrude Meynell (1847-1922) English writer, editor, critic, suffragist and poet. The collection contains ten letters sent by Meynell to a Mrs. Burchett. The letters are believed to have been written before 1877. Information on Use Access The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Meynell, Alice. Correspondence, [Box #, Folder #], Special Collections Research Center, University of Chicago Library. Biographical Note Alice Christiana Gertrude Meynell was born in October 11, 1847, in Barnes, London, to Thomas James and Christiana Thompson. As a child, she and her family moved around England, Switzerland, and France, though Meynell spent most of her youth in Italy. Meynell published her first collection of poetry, Preludes, in 1875. Though it received little public attention, the famed English art critic John Ruskin praised her work. Meynell converted to the Catholic Church at some point prior to 1868 and her family followed suit. Her conversion focused her writing in religious matters. This new focus led her to meet a Catholic newspaper editor, Wilfrid Meynell (1852-1948) in 1876. -
Commerce, Little Magazines and Modernity: New York, 1915-1922
Commerce, Little Magazines and Modernity: New York, 1915-1922 Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy, to be awarded by the University of De Montfort, Leicester Victoria Kingham University of De Montfort December 2009 Acknowledgements This PhD would have been impossible without the help of all the following people and organisations, and I would like to express heartfelt thanks to everyone here for their support for this work and for their continued belief in my work, and to all the institutions which have generously supported me financially. Birkbeck College, University of London Dr. Rebecca Beasley, Dr. Robert Inglesfield, Dr. Carol White. University of Cambridge Dr. Sarah Cain, Dr. Jean Chothia, Prof. Sarah Annes Brown, Dr. Eric White. De Montfort University, Leicester Prof. Andrew Thacker, Prof. Heidi MacPherson, Prof. Peter Brooker, Dr. Deborah Cartmell, Federico Meschini. Funding Institutions Birkbeck College, University of London; The Arts and Humanities Research Council; The British Association for American Studies; The Centre for Textual Studies, Modernist Magazines Project, and Research fund, De Montfort University. Friends and Family Richard Bell, John Allum, Peter Winnick, John Lynch, Rachel Holland, Philippa Holland, Adam Holland, Lucille and Lionel Holdsworth. 2 Abstract This thesis examines the theme of commerce in four magazines of literature and the arts, all published in New York between 1915 and 1922. The magazines are The Seven Arts (1916-1917), 291 (1915-1916), The Soil (1916-1917), and The Pagan (1916-1922). The division between art and commerce is addressed in the text of all four, in a variety of different ways, and the results of that supposed division are explored for each magazine. -
Boston College Collection of Francis Thompson 1876-1966 (Bulk 1896-1962) MS.2006.023
Boston College Collection of Francis Thompson 1876-1966 (bulk 1896-1962) MS.2006.023 http://hdl.handle.net/2345/2815 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 9 I: Created or collected by Thompson ......................................................................................................... 9