DOCSLIB.ORG

(Emmanuel Morgan), Pins for Wings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(Emmanuel Morgan), Pins for Wings INS forWINGs. BY mamvel m^rcant TheSvnvjiseIvrnInc. NEW YORK. Ife PINS FOR WINGS by EMANUEL MORGAN ,,.. ..<.\ —i BOOKS BY EMANUELMORGAN Spectra (with Anne Knish) The Beloved Stran- ger (with Witter Bynner) Of this edition 2,000 copies printed in October, 1920. Also fifty copies on hand-made paper. TO WILLIAM MARION REEDY 1862—1920 A mirror breathed upon by Death but undimmed PINS FOR WINGS BY EMANTUEL MORGAN. ^ THE SUNWISE TURN ^ Copyright 1910 by the Sunwise Turn Caricatures by IVAN OPFFER and WILLIAM SAPHIER -iOV -5 1320 (e)Ci,AG045lO TABLE OF ILLUSTRATIONS Title Page—Emanuel Morgan Pinning Copyright Page—Saphier by Opffer (after which Opffer dared not sit for Saphier) Page 2—Marsden Hartley (slightly bored) Page 8—Edgar Lee Masters 1 Page 1 —Maxwell Bodenheim Page IX—Emanuel Carnevali Page 14—John Gould Fletcher 5 Page 1 —Robert Frost 7 Page 1 —Siegfried Sassoon Page 18—Alfred Kreymborg (before he toured America) Page 19—Vachel Lindsay Page 20—Spoon River Page 21 —Edgar Lee Masters Page 22—Harriet Monroe and her hobby Page 24—Ezra Pound Page 25—Lola Ridge Page 26—Carl Sandburg Page 27—Sandburg Considering the Ingredients Page 28—Siegfried Sassoon Page 29—Tagore Page 30—Louis Untermeyer Page 31 —William Carlos Williams Page 32—Williams again PINS FOR WINGS By EMANUEL MORGAN LASCELLES ABERCROMBIE an iron wheel with a navel of gold FRANKLIN P. ADAMS Greek masks in ink on comic finger-nails A E liquid air somewhere CONRAD AIKEN phosphorescent plumbing ZOE AKINS brandied lotus RICHARD ALDINGTON an Attic vase full of tea MARY ALDIS a street-car shying PINS FOR WINGS WALTER CONRAD ARENSBERG water-pretzels KARLE WILSON BAKER a window in the wash WILTON AGNEW BARRETT night-thoughts of a dragon-fly KATHERINE LEE BATES four-and-twenty blackbirds half-baked in a pie STEPHEN VINCENT BENET a pistol of crystal WILLIAM ROSE BENET a river of rockets in daylight STELLA BENSON Cinderella's riding-breeches 10 By EMANUEL MORGAN MAXWELL BODENHEIM a tooth toe-dancing GORDON BOTTOMLEY by two nymphs out of old England WILLIAM ASPENWALL BRADLEY a bearded wheel- barrow BERTON BRALEY fonts of type in a tambourine ANNA HEMPSTEAD BRANCH ROBERT BRIDGES nectar a violet drunk from a sainted shoe 'neath the Kohinoor GELETT BURGESS DANA BURNETT sculptured chewing-gum a young policeman on a trolley with a flute in his pocket AMELIA JOSEPHINE BURR ELSA BARKER a tortoise-shell comb Jacob's ladder as a lyre for a mattress 11 PINS FOR WINGS RICHARD BURTON a quill in a button-hole WITTER BYNNER God y in the sugar-bowl EMILE CAMMAERTS sticky little hands in yours BLISS CARMAN little hills tipping their hats EMANUEL CARNEVALI EDWARD CARPENTER a fire-escape Calamus in travail unbound WILLIAM H. CARRUTH JOHN JAY CHAPMAN Alpha and Omega oil Jove for soul-sprains in a pew GILBERT K. CHESTERTON a Cardinal on a merry-go-round 12 By EMANUEL MORGAN FREDERICK MORTIMER SARAH N. CLEGHORN CLAPP the rosy half a collector of an old apple of emotional bricks GRACE HAZARD PADRAIC COLUM CONKLING the whistle of a kettle a goblet of mist to the petal of a thistle for each place EDMUND VANCE COOKE ALICE CORBIN wit a quiver zithering in a derby full of rulers E. E. CUMMINGS T. A. DALY much ado curbstone about the alphabet carolling to curbstone GABRIELE D'ANNUNZIO a passion-flower OLIVE TILFORD DARGAN dipped in ammonia she wears her heart on your other sleeve MARY CAROLYN DAVIES a flutter of skirts WILLIAM M. DAVIES between life and death jewelled buns FANNIE STEARNS DAVIS WALTER DE LA MARE sun-bonnets a door-knob for Minerva in the mist 13 PINS FOR WINGS BABETTE DEUTSCH JOHN DRINKWATER the phoenix dust lays a purple bomb in a mug of ale LORD DUNSANY MAX EASTMAN the beautiful thump Aphrodite of the gods tattooed on a muscle T. S. ELIOT JOHN ERSKINE the wedding cake marbles of two tired cultures in a muff DONALD EVANS the necktie of Lucifer ARTHUR DAVISON FICKE St. Sebastian in gloves trimming his arrow-tips MAHLON LEONARD FISHER fourteen feet in a feather-bed JOHN GOULD FLETCHER two halves of a typewriter SflPHlCR still moving 14 By EMANUEL MORGAN F. S. FLINT the halo of a street-lamp ROBERT FROST paintings by the family in birch-bark frames NORMAN GALE a knickerbockered bobolink THEODOSIA GARRISON a peasant singing in French heels KAHLIL GIBRAN WILFRID WILSON GIBSON repartee there's heart from all three crosses behind the heavy breathing ARTURO GIOVANITTI ROBERT GRAVES a crow-bar a khaki bib loosening heaven WILLIAM GRIFFITH EDGAR GUEST a little finger communion-bread in the dusk with slices of bologna 15 PINS FOR WINGS LOUISE IMOGEN GUINEY ARTHUR GUITERMAN digging with palm-leaves a banjo she buries a trumpet bumps a rose in Oxford THOMAS HARDY HERMANN HAGEDORN a strong man the silver lining tripping oftheY. M. C.A. on the shadow of a god ELIJAH HAY H. D. lather the Winged Victory but no beard hopping OLIVER HERFORD RALPH HODGSON a syrinx bottled kittens played by a gentleman BRIAN HOOKER A. E. HOUSMAN angles a dead lad laughing LAURENCE HOUSMAN HELEN HOYT Jack ice-patterns out of the box melting on the side-walk FORD MADOX HEUFFER NELSON LESLIE JENNINGS a grey-hound a sack-suit loping with pugs of cinnabar 16 By EMANUEL MORGAN 17 PINS FOR WINGS ORRICK JOHNS THOMAS S. JONES, JR. the Rubaiyat one holly-berry carved on a carrot on an altar HARRY KEMP RUDYARD KIPLING seven-league boots Pan on a linnet stoking an empire ANNE KNISH a gargoyle remembering ALFRED KREYMBORG Pierrot with the hiccoughs D. H. LAWRENCE lovers eating thistle-pie LOUIS LEDOUX Hellas delivered RICHARD LE GALLIENNE talcum-powder on the tail of a wayward nightingale 18 . By EMANUEL MORGAN WILLIAM ELLERY LEONARD veils on an anvil VACHEL LINDSAY a street-cry in heaven HAN I EL LONG Harlequin one leg woollen the other illicit AMY LOWELL a rhinestone chip on a blood-red shoulder ALLAN ROSS MACDOUGALL a Falstaffian Christ-child MAURICE PERCY MACKAYE MAETERLINCK laurel a dreamy fat man on a carpet-sweeper dancing in blue gauze EDWIN MARKHAM he has learned the art DON MARQUIS of leaning on a hoe a walnut bureau without soiling his beard with crickets for handles 19 JOHN MASEFIELD fishing for the sunrise he catches fish WALT MASON overalls rhyming EDGAR LEE MASTERS a graphophone in the morgUe ALICE MEYNELL candles burning for one another SCUDDER MIDDLETON a liberty-cap shaving EDNA ST. VINCENT MILLAY a hamadryad in the tree of knowledge RUTH COMFORT MITCHELL a heart-line running off the hand 3A?Hltfv. into print 20 PINS FOR WINGS 21 PINS FOR WINGS HAROLD MONRO ANGELA MORGAN clay-flecks Jeanne d'Arc on a thigh seizes a trombone EMANUEL MORGAN a bat and a butterfly mating CHRISTOPHER MORLEY an affectionate scorpion DAVID MORTON DHAN GOPAL MUKERJI lightning as a baton HARRIET MONROE GILBERT MURRAY the Mother Superior a discus-thrower considers lingerie perfumed STURGE MOORE JOHN G. NEIHARDT a proud procession muscle-bound of pudding-stone but Marathon 22 By EMANUEL MORGAN HENRY NEWBOLT ROBERT NICHOLS the Jolly Union Mars Roger Jack a la mode YONE NOGUCHI GRACE FALLOW NORTON incense swan's-down for breakfast in an eddy ALFRED NOYES JOHN MYERS O'HARA Robin Hood robes singing of old yeast the Doxology DAVID O NEIL GEORGE O NEIL jackstraws petals and a hook of silk in a glass of milk MOIRAONEILL ROSE O NEILL the hands of the harpist flowers blown homespun along a sphynx fingers of gauze JAMES OPPENHEIM SHAEMAS O'SHEEL vats a dream of star-soup arguing JOHN JOSEPHINE OXENHAM PRESTON the adoring PEABODY eye bleeding of God s dog lilies 23 PINS FOR WINGS EZRA POUND WILLIAM ALEXANDER PERCY a book-worm a faun in tights reciting EDWIN FORD PIPER LIZETTE WOODWORTH REESE a heart-beat a singing hinge in a hen-house of home CALE YOUNG RICE JESSIE B. RITTENHOUSE a coloured post-card dew as Hamlet purring CORINNE ROOSEVELT ROBINSON a big stick of maple caressing a motor 24 By EMANUEL MORGAN i^ ^^^1 PINS FOR WINGS CLINTON SCOLLARD a mouse in the piano EVELYN SCOTT candied colon MARJORIE ALLEN SEIFFERT in a bath-tub filled with Pierian springs she washes off her inhibitions with a gurgling elbow ROBERT W. SERVICE the red corpuscle courts the white with a cornet CARL SANDBURG GERTRUDE STEIN a snow-pudding wings rotting of fists under water 26 jHfOf^ 27 CUttn.^ PINS FOR WINGS EDWARD SHANKS a teaspoon lost in rose-leaves ODELL SHEPARD spring-wind up the trouser-leg LEONORA SPEYER a velvet train in a brook CHARLES WHARTON STORK stilts clasping ARTHUR SYMONS SIEGFRIED SASSOON enchanted Puck Roquefort at an autopsy SARA TEASDALE EDITH M. THOMAS one hand throws away a pearl stairs whispering rounded by an oyster in a steeple the other clings to a bit of shell rounded by the waves 28 By EMANUEL MORGAN RABINDRANATH TAGORE a bearded child by the world-old sea making a temple of pebbles and a phallus EUNICE TIETJENS she exclaims through a magnifying glass into a mirror RIDGELY TORRENCE a long black cloak circling a lake CHARLES HANSON TOWNE church-bells on a bicycle HENRY VAN DYKE a pulpit slowly waltzing LEONARD VAN NOPPEN the great i amb PINS FOR WINGS LOUIS UNTERMEYER Paris awarding the apple to Vulcan GEORGE SYLVESTER VIERECK a palanquin on a dachshund CHARLES VILDRAC Judgment-day and the footstool carved in jade ARTHUR WALEY THOMAS WALSH woollen gloves top-sails assorting feathers of lace EDA LOU WALTON WILLIAM WATSON the wandered wisp a gray-maned lion of a tepee heart-ache and tooth-ache but royal WILLARD WATTLES CAROLYN WELLS the alarm-clock English sparrows of Christ in vaudeville JOHN HALL WHEELOCK MARGARET WIDDEMER a floral display a darting umbrella in an ice-cream parlor 30 By EMANUEL MORGAN WILLIAM CARLOS WILLIAMS carbolic acid in love 31 By EMANUEL MORGAN FLORENCE W I LK I NSON MARGUERITEWILKINSON Gothic carvings arms left in a cloak-room thrown around outdoors CLEMENT WOOD the west wind in rebellion against a wall CHARLES ERSKINE SCOTT WOOD he finds in the desert a Rogers group of the kingdom of heaven GEORGE EDWARD WOODBERRY grape-juice in the Holy Grail EDITH WYATT a cornstalk held up with a hairpin WILLIAM BUTLER YEATS a pot of mould at the foot of the rainbow 32 '^^: •<:;- .
Load more

Recommended publications
  • Small Magazines
    The ENGLISH JOURNAL Vol. XIX NOVEMBER 1930 No. 9 SMALL MAGAZINES EZRA POUND I The earlier history—I might almost call it the pre-history of the small magazines in America—has been ably and conscientiously presented by Dr. Rene Taupin in his L'lnfluence du Symbolisme Francais sur la Poesie Americaine (Paris: Champion, 1930); and I may there leave it for specialists. The active phase of the small magazine in America begins with the founding of Miss Monroe's magazine, Poetry, in Chicago in 1911. The significance of the small magazine has, obviously, noth­ ing to do with format. The significance of any work of art or litera­ ture is a root significance that goes down into its original motivation. When this motivation is merely a desire for money or publicity, or when this motivation is in great part such a desire for money direct­ ly or for publicity as a means indirectly of getting money, there oc­ curs a pervasive monotony in the product corresponding to the un­ derlying monotony in the motivation. The public runs hither and thither with transitory pleasures and underlying dissatisfactions; the specialists say: "This isn't litera­ ture." And a deal of vain discussion ensues. The monotony in the product arises from the monotony in the motivation. During the ten or twenty years preceding 1912 the then-called "better magazines" had failed lamentably and even offensively to maintain intellectual life. They are supposed to have been "good" 689 690 THE ENGLISH JOURNAL during some anterior period. Henry Adams and Henry James were not, at the starts of their respective careers, excluded; but when we reach our own day, we find that Adams and James had a contempt for American editorial opinion in no way less scalding than—let us say—Mr.
    [Show full text]
  • Red Or Dead: States of Poetry in Depression America
    Red or Dead: States of Poetry in Depression America by Sarah Elizabeth Ehlers A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2012 Doctoral Committee: Professor Alan M. Wald, Chair Professor Howard Brick Professor June M. Howard Professor Yopie Prins Associate Professor Joshua L. Miller ACKNOWLEDGMENTS The same year I began my Ph.D. work at the University of Michigan, my father lost the coal-mining job he had worked for over twenty years. That particular confluence of events had a profound effect on me, and I would be remiss if I didn’t acknowledge the ways in which my personal feelings of anger and frustration—my sense of being somehow out-of-place—influenced my thinking and this project. Certainly, it was one of the catalysts for my deep interest in the U.S. literary Left. Like so many others, I am indebted to Alan Wald for my understanding of Left literature and culture. Alan has been, probably more than he knows, an example of the kind of scholar I hope to be—even, I admit, an ideal ego of sorts. I continue to be as awed by his deep knowledge as I am by his humility and generosity. Yopie Prins taught me how to read poetry when I already thought I knew how, and my conversations with her over the past five years have shaped my thinking in remarkable ways. From my first days in Ann Arbor, June Howard has been a source of intellectual guidance, and her insights on my work and the profession have been a sustaining influence.
    [Show full text]
  • Guide to the Jack B. Moore Papers, 1922-1993 Descriptive Summary
    Guide to the Jack B. Moore papers, 1922-1993 Descriptive Summary Title : Jack B. Moore papers Creator: Moore, Jack B. (1922-1993) Dates : 1922-1993 ID Number : M23 Size: 16.00 boxes Language(s): English Russian Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Moore, Jack B., 1922-1993 Acquisition Donation Information: Access Conditions: None. The material was originally designated to be used only with the permission of Jack Moore, but Dr. Moore passed away in 2003. Use Conditions: The contents of this collection may be subject to copyright. Visit the United States Copyright Office's Website at http://www.copyright.gov/ for more information. Processing Complete History: Preferred Citation: Jack B. Moore papers, Special Collections Department, University of South Florida Library Biographical Note University of South Florida professor Jack Moore's four-decade career in academia covered a number of disciplines, including: American literature, African-American studies, pop culture, photography, and baseball. After graduating with a Ph.d. in American literature from the University of North Carolina, Moore established USF's American Studies department in 1962. Moore wrote scholarly articles and books on historian W.E.B. DuBois, baseball great Joe DiMaggio, poet Maxwell Bodenheim,Tampa-area photographers, the Burgert Brothers, and the cultural history of skinheads titled Skinheads Shaved for Battle. Moore was director of the local chapter of the American Civil Liberties Union for five years and served on the board of directors for the Hillsborough County Friends of the Library.
    [Show full text]
  • On Pilgrimage - Our Spring Appeal
    On Pilgrimage - Our Spring Appeal Dorothy Day The Catholic Worker, May 1970, 1, 2, 11. Summary: Appeals for help and answers the question “What is it all about, this Catholic Worker movement?” Describes the Catholic Worker as a school, a family, and a community of need. Says they are anarchist-pacifist, which is distinguished from nihilism. Asserts the primacy of conscience and “The most effective action we can take is to try to conform our lives to the folly of the Cross, as St. Paul called it.” Keywords: Catholic Worker philosophy, non-violence (DDLW #500). “Now delights the virgin in dance/and young men and old together./I turn their mourning into joy, I console and gladden their woe/I refresh the souls of the priests with delight/and my people are filled with my good things.” Who would know that the above is Jeremiah speaking, the prophet who advocated nonviolence, indeed appeasement, and was thrown into a noisome prison for his plans? I am writing this on a brilliant spring day, with the sun shining gloriously and three little children playing on the lawn in front of the old house at Tivoli. As I look out of the window I see Dan wandering up the road to the house. Dan was brought up here as a child when this place was an extension of an orphanage in Yonkers, a camp in summer and an agricultural school. He loves the place so much, his roots are here, so he has taken over an unused corner of the old mansion, where he sleeps.
    [Show full text]
  • Commerce, Little Magazines and Modernity: New York, 1915-1922
    Commerce, Little Magazines and Modernity: New York, 1915-1922 Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy, to be awarded by the University of De Montfort, Leicester Victoria Kingham University of De Montfort December 2009 Acknowledgements This PhD would have been impossible without the help of all the following people and organisations, and I would like to express heartfelt thanks to everyone here for their support for this work and for their continued belief in my work, and to all the institutions which have generously supported me financially. Birkbeck College, University of London Dr. Rebecca Beasley, Dr. Robert Inglesfield, Dr. Carol White. University of Cambridge Dr. Sarah Cain, Dr. Jean Chothia, Prof. Sarah Annes Brown, Dr. Eric White. De Montfort University, Leicester Prof. Andrew Thacker, Prof. Heidi MacPherson, Prof. Peter Brooker, Dr. Deborah Cartmell, Federico Meschini. Funding Institutions Birkbeck College, University of London; The Arts and Humanities Research Council; The British Association for American Studies; The Centre for Textual Studies, Modernist Magazines Project, and Research fund, De Montfort University. Friends and Family Richard Bell, John Allum, Peter Winnick, John Lynch, Rachel Holland, Philippa Holland, Adam Holland, Lucille and Lionel Holdsworth. 2 Abstract This thesis examines the theme of commerce in four magazines of literature and the arts, all published in New York between 1915 and 1922. The magazines are The Seven Arts (1916-1917), 291 (1915-1916), The Soil (1916-1917), and The Pagan (1916-1922). The division between art and commerce is addressed in the text of all four, in a variety of different ways, and the results of that supposed division are explored for each magazine.
    [Show full text]
  • Rare Book Week 9-10 March 2019
    Pryor-Johnson Rare Books New York Rare Book Week 9-10 March 2019 Hand-list. Askha[m], Anthony. A litle Herball of the properties of Herbes. newly amended & corrected, wyth certayn Additions at the end of the boke, declaring what Herbes hath influence of certain Sterres and constellations, wherby maye be chosen the best and most lucky tymes and dayes of their ministracion, according to the Moone beyng in the signes of heaue[n] the which is daily appointed in the Almanacke. London: Ihon Kynge, 1550 (M. D. L. the.xii.daye of February) [i.e., 1561?]. Octavo (5 5/16” x 3 7/16”, 136mm x 87mm): 2 binder’s blanks, A-K8, 2 binder’s blanks [$5; –A.i., B.ii., K.iiii.; E.iii. mis-signed “E.iiii.”]. 80 leaves, pp. [1] title, blank, [155], blank, 2 blanks. Bound in crushed brown morocco by Zaehnsdorf (gilt-stamped to lower edge of front turn-down). With gilt fillet along edges of boards. Seven gilt strokes to head- and tail-piece. Double gilt fillet on turn-downs. On the spine, two raised bands, author, title and printer gilt (ASKHAM’S HERBALL – KYNGE). Boards bowed slightly. First and last free end-papers toned at edges. A1 is a modern facsimile; A1-8 mounted on modern paper, with some damage to the edges of the pages, seldom affecting text. F.v. with a modern paper support along bottom edge. A.i.-iiii., C.i. and K.i. reinserted on stubs. Quires C-E, F.i. and F.iii. with small (ca.
    [Show full text]
  • News, Notes, & Correspondence a New Edition of a Miscellany
    News, Notes, & Correspondence A New Edition of A Miscellany Revised Long out of print, E. E. Cummings: A Miscellany Revised (October House, 1965) has been republished by Liveright as E. E. Cummings: A Miscellany. Apart from being redesigned and reset in a new typeface, little has changed from the 1965 edition. As before, the book lacks a sorely-needed index, and has no new notes and no new introduction. (The publishers have retained Firmage’s cursory 1965 introduction and Cummings’ very short foreword to the first 1958 edition.) One welcomes the republication of the volume while regretting the lack of updated scholarly content. And curiously, the back cover of the new edition classifies this collection of essays and hu- morous squibs as “Poetry.” A Norton Critical Edition, E. E. Cummings: Selected Poetry Milton Cohen has edited a new volume in the Norton Critical Editions se- ries, called E. E. Cummings: Selected Works, with a publication date in 2019, the 125th anniversary of Cummings’ birth. The volume features an introduction, an annotated selection of poems from every collection of Cummings’ poems (with the exception of the posthumous Etcetera), and critical responses and articles, as well as excerpts from Him, The Enormous Room, and i: six nonlectures. The volume also features eight black and white reproductions of Cummings’ artwork, as well as a small group of letters, two pages of the aphorisms he called “Jottings,” and a selection of critical essays, a chronology, and a bibliography. The reproductions of Cummings’ art are prefaced by an “Overview” by Cohen, while the critical essays are fronted by a preface by Michael Webster.
    [Show full text]
  • November 1922 Prize-Award Number
    Vol. XXI No. II A Magazine of Verse Edited by Harriet Monroe November 1922 Prize-award Number The Evening Land by D. H. Lawrence "Picture Ahead" by John V. A. Weaver Women by Florence Kiper Frank Announcement of Awards 252 East Erie Street, Chicago $3. 00 per Year Single Numbers 25c I have been Chairman of the Committee on Poetry for the New York State Federation, and have been giving a good many talks on poetry. I have found your magazine more real help than any other source of information—I refer con­ stantly to my files for both poems and reviews. Louise Driscoll Vol. XXI No. II POETRY for NOVEMBER, 1922 PAGE The Evening Land—Turkey-cock. D. H. Lawrence 59 Three Poems Muriel Stuart 68 In Their Image—The Seed-shop—In the Orchard Sixteen Edward Pickerill 72 Father, Where do the Wild Swans Go? . Charles Wharton Stork 73 from the Danish of Ludwig Holstein Bus-ride in a Fog V. H. Friedlaender 74 Black London I-III Samuel Roth 76 North Ohio Village Frederick Shea Jesson 77 Two Poems Mildred Plew Merryman 78 The Housewife—Old Folk Autumn Francesco Rios 79 " Picture Ahead "—Dilemma ... John V. A. Weaver 80 Women Florence Kiper Frank 83 Dialogue—Married—Interior—Baby Interplanes Robert J. Roe 86 Symphonie Pathétique—Portrait of a Man—Apprentice— Cortège—Death Flamboyance H. M. 89 A Texas Prize Contest H. M. 91 Reviews: Ezra Pound Today Virgil Geddes 95 Maxwell Bodenheim: Mathematician. Louis Grudin 100 A Type Pearl Andelson 104 Announcement of Awards 106 Notes and Books Received 113 , 11 5 Manuscripts must be accompanied by a stamped and self-addressed envelope.
    [Show full text]
  • Others Vol. 2, No. 4 (April, 1916)
    OTHERS A Magazine of the New Verse Edited by Alfred Kreymborg APRIL 1916 Vol. 2 No. 4 HELEN HOYT MARJORIE ALLEN SEIFFERT MARY CAROLYN DAVIES PITTS SANBORN MAXWELL BODENHEIM Published by John Marshall, 331 Fourth Avenue NEW YORK 15 cents a Copy $1.50 a Year The Subscription to OTHERS for one year is $1.50. OTHERS is published monthly at 331 Fourth Avenue, New York. OTHERS makes its appeal to every person who is interested in poetry, and especially in the work of young Americans. Send in your subscription now. ANTON HELLMANN DESIGNER and FURNISHER of INTERIORS 80 Washington Square East Telephone Spring 6340 INTERIORS FURNISHED AS DIFFERENTLY FROM OTHERS AS THE POETRY IN "OTHERS" IS DIFFERENT FROM THAT IN OTHER MAGAZINES. MY CLASSES IN INTERIOR DECORATION AT THE MODERN ART SCHOOL ARE AB­ SOLUTELY DIRECT IN THEIR AIM. Register Now For The Summer Session. 72 Washington Square HELEN HOYT 191 DESIRE Once you were always calling me, Calling me when I could not answer, Urging me where I could not follow— So that I wished I had been born without desire, As a stone. But now many days you have left me, And in the silence I have learned your meaning. For a part of me is gone when you are gone; I am less And the world is less. O let me have my longing back again! Now gladly I will bear it; Gladly I will hold it to me, Though without release; Always. For what would be the pride of the sun itself With its light gone? O kindle me again, desire.
    [Show full text]
  • Designs in Chinese Color: China in the Galleries Of
    DESIGNS IN CHINESE COLOR: CHINA IN THE GALLERIES OF MODERNIST LITTLE MAGAZINES, 1912-1935 by GABRIEL ALEXANDER BOWLES (Under the Direction of Jed Rasula) ABSTRACT From the outset, the Modernist preoccupation with China is a fantasy that curates a specifically aesthetic vision of Chinese culture entirely disengaged from the realities of the modern state. This study considers how the modern museum informs modern literature’s composition of an aestheticized China, constituting a communal viewing space in which Chinese objets d’art are collected in galleries, cultivating narratives of passivity and compliance that are mired in fantasies of Imperial China INDEX WORDS: China, Modernism, Poetry, Little Magazines, Museums DESIGNS IN CHINESE COLOR: China in the galleries of modernist little magazines, 1912-1935 by GABRIEL ALEXANDER BOWLES B.A., The University of Colorado, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Gabriel Alexander Bowles All Rights Reserved DESIGNS IN CHINESE COLOR: CHINA IN THE GALLERIES OF MODERNIST LITTLE MAGAZINES, 1912-1935 by GABRIEL ALEXANDER BOWLES Major Professor: Jed Rasula Committee: Andrew Cole Susan Rosenbaum Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2007 iv TABLE OF CONTENTS Page PREFACE: PROCEDURAL INFORMATION DESK................................................................1 COLLECTION IN CONTEXT Modernist Little
    [Show full text]
  • A Magazine of Verse Edited by Harriet Monroe September 1921
    Vol. XVIII No. VI A Magazine of Verse Edited by Harriet Monroe September 1921 Poems by Paul Fort Tr'd by John Strong Newberry Spinners By Marya Zaturensky Still-hunt, by Glenway Wescott Charles the Twelfth, by Rilke Tr'd by Jessie Lemont 543 Cass Street Chicago $3.00 per Year Single Numbers 25c POETRY A MAGAZINE OF VERSE VOLUME XVI11 VOLUME XVIII April-September, 1921 Edited by Harriet Monroe 543 CASS STREET CHICAGO Copyright, 1921, by Harriet Monroe Editor HARRIET MONROE Associate Editors ALICE CORBIN HENDERSON MARION STROBEL Business Manager MILA STRAUB Advisory Committee HENRY B. FULLER EUNICE TIETJENS Administrative Committee WILLIAM T. ABBOTT CHARLES H. HAMILL TO HAVE GREAT POETS THERE MUST BE GREAT AUDIENCES TOO Whitman SUBSCRIBERS TO THE FUND Mr. Howard Shaw Mrs. Bryan Lathrop Mr. Arthur T. Aldis Mr. Martin A. Ryerson Mr. Edwin S. Fetcher Mrs. Charles H. Hamill Hon. John Barton Payne Mrs. Emmons Blaine (4) Mr. Thomas D. Jones Mr. Wm. S. Monroe Mr. Charles Deering Mr. E. A. Bancroft Mrs. W. F. Dummer Mr. C. L. Hutchinson Mrs. Wm. J. Calhoun Mr. Arthur Heun Mrs. P. A. Valentine Mr. Edward F. Carry Mr. Cyrus H. McCormick (2) [iMr] . F. Stuyvesant Peabody Mr. Horace S. Oakley Miss Dorothy North Mr. Eames MacVeagh Mrs. F. Louis Slade Mr. Charles G. Dawes Mrs. Julius Rosenwald Mr. Owen F. Aldis Mrs. Andrea Hofer Proudfoot Mr. Albert H. Loeb (2) Mrs. Arthur T. Aldis The Misses Skinner Mrs. George W. Mixter Misses Alice E. and Margaret D. Mrs. Walter S. Brewster Moran Mrs. Joseph N. Eisendrath Miss Mary Rozet Smith Mr.
    [Show full text]
  • Transatlantica, 1 | 2016 “Radical”: Marianne Moore and the Revision of Modernism 2
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2016 Modernist Revolutions: American Poetry and the Paradigm of the New “Radical”: Marianne Moore and the Revision of Modernism Aurore Clavier Electronic version URL: http://journals.openedition.org/transatlantica/8081 DOI: 10.4000/transatlantica.8081 ISSN: 1765-2766 Publisher AFEA Electronic reference Aurore Clavier, ““Radical”: Marianne Moore and the Revision of Modernism”, Transatlantica [Online], 1 | 2016, Online since 16 January 2017, connection on 29 April 2021. URL: http:// journals.openedition.org/transatlantica/8081 ; DOI: https://doi.org/10.4000/transatlantica.8081 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “Radical”: Marianne Moore and the Revision of Modernism 1 “Radical”: Marianne Moore and the Revision of Modernism1 Aurore Clavier 1 “Omissions are not accidents.” Few epigraphs have tantalized readers as consistently as Marianne Moore’s defying opening to her 1967 Complete Poems. Originally sent as a reply to her editor’s concerns about the spectacular cuts she had imposed on her last collection, the quip has come to crystallize, in its placement as well as its form, the ironical contradictions at work in the author’s “final” opus. As a lapidary comment on the art of writing, it appears to condense, in one short formula, the language of rupture and compression defended by the first modernist manifestoes more than half a century earlier. Yet, as a threshold partially barring access to what it opens onto, the sentence also seems to undermine, through its terseness and negative construction, the artistic achievement seemingly claimed by the title, if not the very inscription of the poet’s oeuvre into the “tradition of the new” (Harold Rosenberg, 1960).
    [Show full text]