Boston College Collection of Francis Thompson 1876-1966 (Bulk 1896-1962) MS.2006.023

Total Page:16

File Type:pdf, Size:1020Kb

Boston College Collection of Francis Thompson 1876-1966 (Bulk 1896-1962) MS.2006.023 Boston College Collection of Francis Thompson 1876-1966 (bulk 1896-1962) MS.2006.023 http://hdl.handle.net/2345/2815 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 9 I: Created or collected by Thompson ......................................................................................................... 9 II: About Thompson .................................................................................................................................. 30 Boston College Collection of Francis Thompson MS.2006.023 - Page 2 - Summary Information Creator: Thompson, Francis, 1859-1907 Title: Boston College collection of Francis Thompson Collection Identifier: MS.2006.023 Date [inclusive]: 1876-1967 Date [bulk]: 1896-1962 Physical Description 24 Linear Feet (34 containers) Physical Description 6 Gigabytes (11 files with 3 hours and 43 minutes of audio) Language of the English Material: Abstract: Collection documenting the literary career of British Catholic author Francis Thompson through his correspondence, financial records, and manuscripts of book reviews, essays, plays, and poetry. Of note are notebooks spanning his career, in which he recorded daily thoughts and formulated the ideas and structures for what would become his published works. In addition to Thompson's own papers, the collection documents his impact on other scholars and artists via their biographical works, criticism, translations, and performing and visual arts inspired by his poetry. Preferred Citation Identification of item, Box number, Folder number, Boston College collection of Francis Thompson, MS.2006.023, John J. Burns Library, Boston College. Boston College Collection of Francis Thompson MS.2006.023 - Page 3 - Administrative Information Publication Information Processed by Lynn Moulton in 2019. This finding aid was produced using ArchivesSpace. Conditions Governing Access Collection is open for research. Recordings on audio cassette and phonograph disc have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room. Recordings on audio reel and motion picture film are not available for playback due to format impermanence and can not be reformatted by Burns Library at this time. Please let Burns Library Public Services know of your specific interest; when it becomes possible we will schedule reformatting. Provenance Most of this collection was acquired prior to the establishment of the current accessioning system in January 1986. However, library files show that the bulk of materials were gifts of or purchases from Wilfrid Meynell in the 1930s and 1940s. Another portion of the collection was purchased from the collector Seymor Adelman in the late 1930s, subsequent to its exhibition at Boston College. Many translations of the "Hound of Heaven" were listed as a gift of Mary O'Connor, who may have been a relative of their collector, Daniel O'Connor. Many benefactors of Boston College donated dedicated funds to purchase individual items over time. Processing Information Prior to 2019 the Boston College collection of Francis Thompson was available for research as multiple collections: Francis Thompson collection, MS.1986.101; Francis Thompson papers, MS.2006.027; Meynell family-Francis Thompson collection, MS.2006.028; and the Seymor Adelman collection of Thompsoniana, MS.2006.058. This finding aid represents reprocessing all those collections into this single one for ease of use. At the time of reprocessing, papers belonging to Wilfrid Meynell and former Boston College Librarian Terence Connolly, SJ, regarding Thompson were separated for reintegration with their papers also held by Burns Library, Boston College. Materials remain in the collection which could not conclusively be determined to be Meynell or Connolly's transcriptions rather than Thompson's typescriptions. Connolly's indices to Thompson's notebooks have also been left in the collection for context. Boston College Collection of Francis Thompson MS.2006.023 - Page 4 - Conditions Governing Use These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. The original authors may retain copyright to the materials. Related Materials Related Materials Boston College collection of Alice Meynell, MS.1986.061, John J. Burns Library, Boston College. Coventry Patmore collection, MS.1986.062, John J. Burns Library, Boston College. Viola Meynell letters, MS.1986.035, John J. Burns Library, Boston College. Wilfrid Meynell collection, MS.1986.042, John J. Burns Library, Boston College. Separated Materials Published works associated with this collection have been transferred within the Burns Library and can be found in the Boston College Library catalog. Boston College Collection of Francis Thompson MS.2006.023 - Page 5 - Biographical note Francis Joseph Thompson was born on 1859 December 18 in Lancashire, England, to Charles and Mary Turner Morton Thompson. Thompson's sisters Mary (later Sister Mary Austin) and Margaret were born in 1861 and 1863 respectively. After Mary Turner's death, Charles Thompson married Anne Richardson and had one more son, Norbert. Both of Francis Thompson's parents were converts to Roman Catholicism, joining the faith in support of Cardinal Newman as a result of the Oxford Movement. Beginning in 1870, Thompson attended St. Cuthbert's College and then Ushaw College in order to pursue an education that would lead to the priesthood. While at St. Cuthbert's Thompson began his life-long habit of keeping notebooks documenting his daily activities and his literary efforts. These notebooks would total over a hundred by the end of his life. Thompson decided against pursuing a religious life and left Ushaw College in 1877 to follow in his father's footsteps as a doctor. He began medical school at Owens College, University of Manchester but struggled with his studies. After a long illness, followed by the death of his mother in 1880, Thompson became addicted to opium and ultimately left medical school. In 1885 Thompson moved to London where he was unable to obtain work and began to live on the streets. In 1887 Thompson sent manuscripts of several poems to Wilfrid Meynell, editor of Merry England, a Catholic literary journal. Meynell published the poem "The Passion of Mary," which began a lifelong friendship between the two. In 1888, due in large part to the support of Meynell and his wife Alice, a poet and critic, Thompson went into a rehabilitation center in order to overcome his opium addiction. During this time, Thompson wrote two of his best-known poems, "Ode to the Setting Sun" and "The Hound of Heaven," both of which explore the theme of Christian rebirth and a rediscovery of God's goodness. Throughout the 1890s Thompson worked closely with the Meynells, writing poetry, book reviews, and essays for Merry England as well as other London literary journals. He also spent time at the Guildhall Library and the National Gallery researching ancient belief systems and their symbolism. By 1892 Thompson was again taking opium, and the Meynells suggested that he spend time at a Franciscan friary in north Wales in order to recover. Thompson spent the next four years there, where he was greatly inspired by the scenery and was immensely productive. Thompson's first volume of poetry, Poems, was published in 1893 to mixed critical reaction. Sister Songs followed in 1895 and New Poems was published in 1897. Both volumes received somewhat poor critical reception. In 1898 Thompson joined the staff of The Academy, and he began contributing to Athenaeum around the same time. His publications after 1897 shifted from a mixture including poetry to become predominantly literary criticism and scholarly essays, including on St. Ignatius of Loyola, St. John Baptist de La Salle, and Percy Bysshe Shelley. During the late 1890s Thompson developed a close friendship with Katharine "Katie" Douglas King. Thompson shared King's concern for the London poor and her
Recommended publications
  • The Poetry of Alice Meynell and Its Literary Contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hromadka, Jared, "The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923" (2013). LSU Doctoral Dissertations. 1246. https://digitalcommons.lsu.edu/gradschool_dissertations/1246 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE LAWS OF VERSE: THE POETRY OF ALICE MEYNELL AND ITS LITERARY CONTEXTS, 1875-1923 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jared Hromadka B.A., Louisiana State University, 2004 M.A., Auburn University, 2006 August 2013 for S. M. and T. ii ACKNOWLEDGMENTS Special thanks is due to Dr. Elsie Michie, without whose encouragement and guidance this project would have been impossible. iii TABLE OF CONTENTS ACKNOWLEDGMENTS..............................................................................................................iii
    [Show full text]
  • THE Iffilville REVIVAL a Study of Twentieth Century Criticism
    THE iffiLVILLE REVIVAL A Study of Twentieth Century Criticism Through its Treatment of Herman Melville DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By BERNARD MICHAEL WOLPERT, B.S. in Ed., M.A. The Ohio State University 1951 Approved by; Adviser CONTENTS Chapter Page I. Backgrounds of Twentieth Century Criticism .......... 1 II. British Origins of the Melville R e v i v a l ............ 22 III. Melville and the Methods of Literary History......... 41 IV. Melville and Sociological Criticism.......... 69 V. Melville and Psychological Criticism.......... 114- VI, Melville and Philosophical Criticism ............. 160 VII. Melville and the New Criticism . ................ IS? VIII. Melville and the Development of Pluralistic Criticism 24-0 CHAPTER I Backgrounds of Twentieth Century Criticism At the time of Melville's death in I89I, the condition of literary criticism in America was amorphous. So dominant had become the demands of a journalism that catered to a flourishing middle-class public de­ termined to achieve an easy method to "culture," that the literary critic of this period, the eighties and nineties, devised an artificial tradition by which he could protect himself against the democratic so­ ciety with which he was acutely dissatisfied. This tradition was, therefore, conservative in nature. Its values, based on customary taste and training, were selected primarily as a refuge against both the con­ temporary American society
    [Show full text]
  • Suffering: Key to Francis Thompson
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 Suffering: Key to Francis Thompson Vincent J. Forde Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Forde, Vincent J., "Suffering: Key to Francis Thompson" (1949). Master's Theses. 759. https://ecommons.luc.edu/luc_theses/759 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Vincent J. Forde SUFFERING: KEY TO FRANCIS THOMPSON BY VINCENT J. FORDE, S.J. A THESIS SUBMITTED IN PARTIAL F'ULl<'ILMENT OF THE REQUIREMENTS FOR THE DEGREE OF I, MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY 1949 VI TA AUC TORI S Vincent J. Forde, S.J. was born at Dorchester, Mass., May 6, 1925. He graduated from Holy Name Grade School, Birm­ ingham, Michigan, in 1938 and entered the University of Detroit High School, Detroit, Michigan, in the same year. Upon grad­ uation in 1942 he entered the Novitiate of the Society of Jesus at Milford, Ohio. Here he was enrolled in the College of Arts of Xavier University, Cincinnati, Ohio. In September of 1946 he transferred to West Baden College of Loyola University, from which he received the Bachelor of Arts degree in the following June.
    [Show full text]
  • John Buchan's Uncollected Journalism a Critical and Bibliographic Investigation
    JOHN BUCHAN’S UNCOLLECTED JOURNALISM A CRITICAL AND BIBLIOGRAPHIC INVESTIGATION PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM Volume One INTRODUCTION............................................................................................. 1 A: LITERATURE AND BOOKS…………………………………………………………………….. 11 B: POETRY AND VERSE…………………………………………………………………………….. 30 C: BIOGRAPHY, MEMOIRS, AND LETTERS………………………………………………… 62 D: HISTORY………………………………………………………………………………………………. 99 E: RELIGION……………………………………………………………………………………………. 126 F: PHILOSOPHY AND SCIENCE………………………………………………………………… 130 G: POLITICS AND SOCIETY……………………………………………………………………… 146 Volume Two H: IMPERIAL AND FOREIGN AFFAIRS……………………………………………………… 178 I: WAR, MILITARY, AND NAVAL AFFAIRS……………………………………………….. 229 J: ECONOMICS, BUSINESS, AND TRADE UNIONS…………………………………… 262 K: EDUCATION……………………………………………………………………………………….. 272 L: THE LAW AND LEGAL CASES………………………………………………………………. 278 M: TRAVEL AND EXPLORATION……………………………………………………………… 283 N: FISHING, HUNTING, MOUNTAINEERING, AND OTHER SPORTS………….. 304 PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM INTRODUCTION This catalogue has been prepared to assist Buchan specialists and other scholars of all levels and interests who are seeking to research his uncollected journalism. It is based on the standard reference work for Buchan scholars, Robert G Blanchard’s The First Editions of John Buchan: A Collector’s Bibliography (1981), which is generally referred to as Blanchard. The catalogue builds on this work
    [Show full text]
  • About Natstand Family Documents
    natstand: last updated 24/02/2018 URL: www.natstand.org.uk/pdf/MennellHT000.pdf Root person: Mennell, Henry Tuke (1835 - 1923) Description: Family document Creation date: 2018 January 26 Prepared by: Richard Middleton Notes: Press items reproduced with kind permission of The British Newspaper Archive (www.britishnewspaperarchive.co.uk) About Natstand family documents: A Natstand family document is intended to provide background information concerning the family of a deceased naturalist. It is hoped that such information will form a framework which will help interpret their surviving correspondence, specimens and records. In some cases it will also give an insight into the influences on their early lives and the family constraints within which they worked and collected. We have found that published family data concerning individuals rarely contain justification for dates and relationships and not infrequently contain errors which are then perpetuated. The emphasis in Natstand family documents will be on providing references to primary sources, whenever possible, which will be backed-up with transcriptions. Although a Natstand biography page will always carry a link to a family document, in many cases these documents will be presented without any further biographical material. We anticipate that this will occur if the person is particularly well known or is someone we are actively researching or have only a peripheral interest in. The following conventions are used: Any persons in the family tree with known natural history associations will be indicated in red type. Any relationships will be to the root naturalist unless otherwise stated. Dates are presented Year – Month – Day e.g. 1820 March 9 or 1820.3.9 1820 March or 1820.3 Dates will be shown in bold type if a reliable reference is presented in the document.
    [Show full text]
  • An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature Gertrude Agnes Carter Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Carter, Gertrude Agnes, "An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature" (1949). Master's Theses. 744. https://ecommons.luc.edu/luc_theses/744 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Gertrude Agnes Carter AN ANALYSIS OF THE POETRY OF ALICE MEYNELL ON THE BASIS OF HER PERSOIlAL PRIBCIl'LES OF LlTERAl'URE BY' Sister Gertrude Agnes Carter A THESIS SUBMITTED IN .t'AH.1'!AL FtJLFlLUlENT OF THE REQUIRl!:MENTS FOR THE DEGREE OF MASTER OF AR'rS IN LOYOLA UNIVERSITY June 1949 VITA Sister Gertrude Agnes was born in Chelsea, Massachusetts, August 31, 1898. She attended St. Rose Ch'ammar and High Schools in Chelsea. The Bachelor of Arts degree with a major in English was con£erred on her by St. Mary-of-the-Woods College, Indiana, June, 1932. In 1942 she received .t'rom the Indiana State Board of Education a lire license to teach Social Studies in the accredited high schools of Indiana The writer has taught in St.
    [Show full text]
  • Francis Thompson and His Relationship to the 1890'S
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 Francis Thompson and His Relationship to the 1890's Mary J. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kearney, Mary J., "Francis Thompson and His Relationship to the 1890's" (1947). Master's Theses. 637. https://ecommons.luc.edu/luc_theses/637 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Mary J. Kearney ii'RJu\fCIS THOi.IPSOH A1fD HIS HELATI01,JSIUP TO Tim 1890'S By Mary J. Kearney A THESIS SUB::iiTTED IN P AHTI.AL FULFILLEENT OF 'riiE HEQUITKii~NTS FOB THE DEGREE OF liil.STEH 01!" ARTS AT LOYOLA UUIV:CflSITY CHICAGO, ILLINOIS June 1947 ------ TABLE OF CO:!TEdT8 CHAPTER PAGE I. Introduction. 1 The heritage of the 1890's--Victorian Liberalis~ Scientific ~laturalism--Intellectual Homanticism Spiritual Inertia--Contrast of the precedi~g to the influence of The Oxford :iJioveo.ent II. Francis Thompson's Iielationsh.in to the "; d <::: • ' 1 ... t ~ _.l:nF ___g_ uleC e \'!rl ers. • •• • • ••••••••• • 17 Characteristics of the period--The decadence of the times--Its perversity, artificiality, egoism and curiosity--Ernest Dawson, the mor­ bid spirit--Oscar Wilde, the individualist-­ the Beardsley vision of evil--Thompson's negative revolt--His convictions--The death of the Decadent movement.
    [Show full text]
  • Genius and Tuberculosis. by Arthur C
    GENIUS AND TUBERCULOSIS I6 3 adequate education being enforced, in justice to our profession, which has to compete with so many now open to women offering greater educational and financial advantages; also in justice to the public, which has every right to the best nursing skill available. GENIUS AND TUBERCULOSIS. BY ARTHUR C. JACOBSON, M.D. IN a paper written some six years since I discussed the influence of the toxins of tuberculosis upon temperament and genius, citing examples. 1 Dr. John Bessner Huber, in his well-known work, has dealt with the same subject3 He has shown the influence which tuber- culosis has exerted upon literature and the arts, as indicated specially by Robert Louis Stevenson, Chopin, Keats, and Marie Bashkirtseff. The spurring influence of the @es ~hthisica and related psychological phenomena upon the creative mind has, of course, often been noted. Regarding Schiller, Nevinson wrote that "it is possible that the disease served in some way to increase his eager activity, and fan his intellect into keener flame." Certain phrases of Keats would seem to show that he apprehended the same influence, and Lanier gave himself up quite understandingly to the intoxication. Stevenson is probably the most familiar example of the genius whose powers are quickened by reason of the general psychic excitation resulting from the action of tuberculous by-products. The natural optimism of such a mind is intensified by the characteristic effect of the toxins, until (strange paradox) evil is seen to incite good--pathology to warm and colour delightful qualities of temperament. We see a very similar instance in Emerson, likewise an intense optimist.
    [Show full text]
  • Turn of the Century Women's Poetry the Context It Needs to Be Appreciated, Understood, and Valued
    NINETEENTH-CENTURY GENDER STUDIES ISSUE 13.3 (WINTER 2017) Turn of the Century Women’s Poetry: Skirting the Problems of Periodization By LeeAnne M. Richardson, Georgia State University <1>This essay proposes a paradigm shift in the way we analyze late-nineteenth century women’s poetry. The ongoing recovery of late-Victorian women poets has both enabled and invigorated the study of women’s poetry, and to accommodate and understand these new voices, scholars have offered two major conceptual categories: “female aesthetes” and “new woman poets.” These models have proved useful but the more scholars have worked with them, the more they have seen the need for additional or alternate descriptive categories. Addressing periodization and arguing that it is especially problematic in regard to late-century women poets, this essay proposes a new period category—turn of the century women’s poetry—wedded to a new formalist approach. This reconceptualization has multiple benefits: an alternative for theorizing women’s poetry that does not depend on the domestic/poetess model; a non-deterministic period category that does not smooth over contradictions and oppositions; a frame for the recovered voices of women poets that accommodates their differences while accounting for their coherence; and a vision that looks both to the past and toward the future for a clearer picture of women’s poetic production.(1) In order to establish the value of looking toward the Edwardian era when interpreting the social and institutional forms represented in turn of the century women’s poetry, the essay outlines some post-1900 forms and contexts that both emerge from and provide critical frames of reference for poems of the earlier period.
    [Show full text]
  • Guide to the Alice Meynell Collection 1870S
    University of Chicago Library Guide to the Alice Meynell Collection 1870s © 2016 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 3 Scope Note 4 Related Resources 4 Subject Headings 4 INVENTORY 4 Descriptive Summary Identifier ICU.SPCL.MEYNELLA Title Meynell, Alice. Collection Date 1870s Size 0.25 linear feet (1 box) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Alice Christiana Gertrude Meynell (1847-1922) English writer, editor, critic, suffragist and poet. The collection contains ten letters sent by Meynell to a Mrs. Burchett. The letters are believed to have been written before 1877. Information on Use Access The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Meynell, Alice. Correspondence, [Box #, Folder #], Special Collections Research Center, University of Chicago Library. Biographical Note Alice Christiana Gertrude Meynell was born in October 11, 1847, in Barnes, London, to Thomas James and Christiana Thompson. As a child, she and her family moved around England, Switzerland, and France, though Meynell spent most of her youth in Italy. Meynell published her first collection of poetry, Preludes, in 1875. Though it received little public attention, the famed English art critic John Ruskin praised her work. Meynell converted to the Catholic Church at some point prior to 1868 and her family followed suit. Her conversion focused her writing in religious matters. This new focus led her to meet a Catholic newspaper editor, Wilfrid Meynell (1852-1948) in 1876.
    [Show full text]
  • Francis Thompson: the Am N and the Poet in Sister Songs Paul Lynch O'connor Loyola University Chicago
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1938 Francis Thompson: The aM n and the Poet in Sister Songs Paul Lynch O'Connor Loyola University Chicago Recommended Citation O'Connor, Paul Lynch, "Francis Thompson: The aM n and the Poet in Sister Songs" (1938). Master's Theses. Paper 677. http://ecommons.luc.edu/luc_theses/677 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1938 Paul Lynch O'Connor FRANCIS THOMPSON THE MAN AND THE POET IN SISTER SONGS PAUL LYNCH 0 'CONNOR, S. J. August 1938 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Loyola University. VITA AUCTORIS Paul Lynch O'Connor, S.J. was born in Joliet, Illinois, August 10, 1909. He moved to Chicago where he attended St. Jerome's Grammar School, graduating in 1923. The following year he attended De Paul Academy. From 1924 until 1927 he attended Loyola Academy, and from 1927 until 1929 he attend­ ed Loyola University. In 1929 he entered Milford Novitiate of the Society of Jesus, and received the degree of Bachelor of Literature from Xavier University, Cincinnati, in 1932. He attended the Graduate School of Xavier University from 1932-1933; taught at St. John's High School, Toledo, from 1933 to 1934.
    [Show full text]
  • Rubáiyát of Omar Khayyám : a Paraphrase from Several Literal
    FcVBAlY^T KHAYYi^ ArKICHARJ) UGALUENNE GIFT OF Mrs, I. V:. Aiken University of California • Berkeley RUBAIYAT OF OMAR KHAYYAM By Richard Le Gallienne REVISED Purple Cloth. Price, ^i . 25 net Forthcoming Price, ;^i.25 net RUBAIYAT OF OMAR KHAYYAM A PARAPHRASE FROM SEVERAL LITERAL TRANSLATIONS BT RICHARD LE GALLIENNE A NEW EDITION WITH FIFTY ADDED QUATRAINS JOHN LANE THE BODLEY HEAD MCMII Copyright, l8g'/, igoi, by John Lane NEW EDITION €o SFxdie i^onregarft FAN^, DENMARK AUGUST 24, 1897 Co tl^e MtaUt I am told that an apology will be expected of me for this humhlt attempt to add to the poetry of nations. For my party I believe be its and that in so as the that poetry should own apology ^ far is it will need no following paraphrase poetry ^ further justification. as there is another name the besides Howevery upon title-page my own^ perhaps I owe it to my reverence for Omar Khayyam and Edward FitzGerald to make a few minor explanations. "To plead that the idea of a new verse rendering of Omar Khay- yam was not my own unassisted impertinence^ is but to hint at the the without the burden originality of English publisher^ easing of my responsibility. that matter would it to As for very minor ^ my Persian^ I put my friends of the Omar Khayyam Club—whether Persian be any ^necessary adjunct or true ornament* ofyour true Omarian, In'- II ' 1 V JA0 2y AiS ii;iiAIM u deed^ I have a notion^—whichy of course, may be quite erroneous— that a knowledge of Persian disqualifies one for membership in that genial society.
    [Show full text]