Jordan Peele and 'Get Out'

Total Page:16

File Type:pdf, Size:1020Kb

Jordan Peele and 'Get Out' Alicia Boler Davis Honored with 2018 Black Engineer of the Year Jordan Peele and ‘Get Out’ make Award (See page A-4) history at Oscars (See page C-3) VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXV NO 10 $1.00 +CA. Sales Tax“For Over “For Eighty Over EightyYears TheYears Voice The ofVoice Our of Community Our Community Speaking Speaking for Itselffor Itself” THURSDAY, MARCH 8, 2018 of African Americans in the city,” said Harris-Daw- son. “Prices are far outpac- ing incomes and we still have a painfully high un- employment rate, we need to act now.” The politicians repre- sent the eighth (Harris- Dawson), ninth (Price) and tenth (Wesson) council dis- tricts of Los Angeles, areas where a large number of their constituents face a lot of the same challenges. Housing insecurity, unem- ployment and lack of in- clusion in the city’s growth and development are what the councilmen are trying mitigate, they said. But rather than compete for re- sources, they have decided that working together for a more common cause is (l-r): Councilman Curren Price, Council President Herb Wesson Jr. and Councilman Marqueece Harris-Dawson PHOTO BY BRANDON I. BROOKS a better way to help those they represent. BY BRANDON I. BROOKS about his relationship with services to the people we the displacement of poor Black residents as signifi- “Common sense will Managing Editor fellow African American represent, the things they and working families and cant threats to the stabil- tell you, [that it’s better] City Council members, Cur- want, need and expect.” small businesses in South ity of South Los Angeles if the three of us collabo- “The three of us have ren Price and Marqueece Recently, the trio in- Los Angeles. The motion neighborhoods. rate,” Wesson said. one major goal,” Los Ange- Harris-Dawson and their troduced a motion to cites a recent development “South Los Angeles is “And so, we all get to- les City Council President collective effort to help un- study the feasibility of a boom and the dispropor- one of the last affordable gether and collaborate. We Herb Wesson told the Sen- derserved constituents. Neighborhood Stabiliza- tionate impact of the af- communities in LA, with See COUNCILMEN A 9 tinel in a recent interview “That goal is to deliver tion Program to address fordable housing crisis on the largest concentrations { - } Veteran journalist discusses career, new show, and past interviews SENTINEL NEWS SERVICE BY CORA JACKSON-FOSSETT Compton Mayor Staff Writer Aja Brown announced Thursday that she is a Surviving can be tough Democratic candidate for for a Black man in Amer- Congress in California’s ica and to thrive in broad- 44th District. Brown, casting is even more rare. made history in 2013 at But, veteran newsman Ed the age of 31 when she Gordon has defied the odds was elected the youngest and is now entering his mayor ever in the city of 30th year as a successful Compton. A local and na- journalist, who happens to tional trailblazer, Mayor be African American. Brown’s ‘New Vision for Summing up his mile- Compton’ revitalization stone, Gordon simply strategy has guided im- states: “I’ve been very provements in quality of blessed to have three de- life, economic develop- cades of work. Not many COURTESY PHOTO ment and infrastructural Compton Mayor Aja Brown COURTESY PHOTO African Americans, and Ed Gordon growth, policy reform, Hurricane Irma hits Florida especially Black men, stay innovation and strategic be represented by some- Brown. “I am running for in this business this long, at the local public broad- grams at BET and becoming partnerships since taking one who lives, serves and Congress to be the voice so I’ve been very blessed casting affiliate in Detroita national correspondent for office. exhibits genuine love for and vote for the people that I’m still doing it.” and from there, he went na- NBC, CBS and National “The people of the our community, families who are striving everyday Gordon’s career began tional, anchoring news pro- 44th District deserve to and children,” said Mayor {See GORDON A-8} {See BROWN A-9} SENTINEL NEWS SERVICE BY MADLEN GRGODJAIAN sioner has held every rank California Black Media in the department includ- U.S. Senator Kamala ing field training officer, D. Harris delivered re- Day’s before the close lieutenant of the Border of Black History month, a Division Investigative Ser- bit of Black history was vices Unit, commander of made atop the ranks of the CHP Academy, and the California Highway deputy commissioner. Patrol. Employed by the CHP Governor Jerry Brown since 1982, Stanley now swore in Warren Stanley, leads the largest state law a CHP officer of over enforcement agency in the three decades, as the Cali- nation composed of over fornia law enforcement 11,000 employees. Stanley COURTESY PHOTO agency’s commissioner FILE PHOTO will earn nearly $260,000 a Senator Kamala Harris with U.S. during a Feb. 26 ceremo- Warren Stanley year in his new role. Representative John Lewis at the Edmund Pettus Bridge ny at the State Capitol in Raised in Central Val- Sacramento. “I’m going to do ev- ley’s Merced County Dos marks at the Martin and of the Selma-to-Montgom- Stanley is the first erything I can everyday to Palos, the commissioner Coretta King Unity Break- ery March, and this year African-American ever to make the state of Califor- always knew he wanted fast in Selma, Alabama, as a also marks the 50th anni- lead the CHP. The man of nia a little bit safer and a to be in law enforcement. part of the 25th Annual Sel- versary of the assassina- law said he is very hum- great place to live,” Stan- Stanley graduated from the www.lasentinel.net ma Bridge Crossing Jubilee. bled to be appointed to his ley said. This is the 53rdAnniversary {See SELMA A-8} new post by Brown. The new CHP commis- {See CHP’S A-9} A-6 A-2 LASENTINEL.NETLOS ANGELES SENTINEL NEWSNEWS THURSDAY,JANUARYTHURSDAY, MARCH 8, 9, 2018 2014 Robertson COURTESY OF HYUNDAI BY KIMBERLEE BUCK vey School where Sister cluded: Danny Bakewell,nity to work with the -chilcame out and for Principal Staff Writer Saunders is the director. Sr., Aline Bakewell,dren of our community Karen Ward, her staff and The event was created Danny Bakewell, Jr., - Paabout the importance ofMothers In Action,” said On Friday, March 2, to provide local leaders, mela Bakewell, Taelorreading and supporting theDanny J. Bakewell, Jr. Mothers In Action fa- organizations, and politi- Bakewell, Councilmember school’s efforts of helping The guest readers at cilitated their 2nd annual cians with the opportunity Marqueece Harris-Dawson provide the best educationthe Marcus Garvey School “Read Across America” to stress the importance of (CD 8), Dr. George - McKis always a positive experi- included: Senator Holly (RAA) event in honor of reading. Additionally, the enna III, School Board ence for me and my family. Mitchell, Ofc. Hines and Dr. Seuss’ birthday. The event allowed participants member of District #1, To have the opportunity to Ofc. Servio of California fun-filled event took placeto give back to tomorrow’s Carolyn Fowler, Albi Deldo it at the school named in Highway Patrol, Jamarah PHOTOS BY E. MESIYAH MCGINNIS at Danny J. Bakewell Sr.leaders…the children. Valle, Sgt. Fountain and honor of my Dad, Danny J. Hayner of JKH Consult- AND Primary Center where The guest readers at Ofc. Hines of California Bakewell Sr. is an abso- ing; Eulanda L. Matthews KRISTINA DIXON Karen Ward is the acting the Danny J. BakewellHighway Patrol. lute blessing. We are very of Ivie McNeill & Wyatt; principal and Marcus Gar- Sr. Primary Center in- “Having the opportu- thankful for everyone who Los Angeles Sentinel and {See RAA B-2} THURSDAY, MARCH 8, 2018 NEWS LASENTINEL.NET A-3 they continue to strive and Oscar, Golden Globe to really change barriers and Emmy winner Re- and change their lives,” ese Witherspoon as Mrs. she said. Whatsit; Emmy nominee “Hopefully one area Mindy Kaling as Mrs. of limitation or invisible Who; Storm Reid as Meg ceiling or barrier that they Murry; Levi Miller as once had will be shattered Calvin; Deric McCabe as and that they will be chal- Charles Wallace; Gugu lenged to be courageous Mbatha-Raw as Mrs. Mur- to think outside the box, ry; Michael Peña as Red; take chances and make with two-time Emmy win- choices that they other- ner Zach Galifianakis as wise wouldn’t do.” the Happy Medium and “A Wrinkle in Time,” Emmy nominee Chris Pine stars two-time Academy as Mr. Murry. The film hits Award nominee Oprah theatres everywhere on Winfrey as Mrs. Which; March 9. PHOTO COURTESY OF MAYOR AJA BROWN Over 300 students gathered at “A Wrinkle in Time” private screening event. BY KIMBERLEE BUCK often we see images whereto see amazing images and from Dickey’s BBQ. All Staff Writer we are in turmoil or thereto recognize that someone of the food and beverages is trauma around our -chilthat has come from these were donated. Magic, adventure, and dren and this one is reallysame communities has been Following the students excitement filled the air lastabout joy and Black girl andable to break records and be red carpet treatment, Miss week at Dollarhide Com- Black boy magic,” said - Dua glass ceiling breaker and Compton 2017 title holder munity Center where overVernay a Compton native. Ava DuVernay being the Maliyah Mason, moderated PHOTO COURTESY OF MAYOR AJA BROWN 300 local middle school “In this film, a little firstgirl woman of color to have a special discussion be- Compton Mayor Aja Brown and award-winning di- students arrived to watch flies,a she hops planets, shea one-hundred-million- tween the mayor and direc- rector Ava DuVernay hold a private screening of the Dis- private screening of the newsaves the universe and dollarI budget to create the tor DuVernay, in which the ney film “A Wrinkle in Time.” Disney film, “A Wrinkle reallyin wanted to make thefilm and then for them to two discussed the inspira- Time.” The event, whichfilm because I think thosehave the experience,” said tion behind the film and the was held in Compton, wasimages are important.” Brown.
Recommended publications
  • Virginia Commonwealth University Commencement Program, MCV Campus Virginia Commonwealth University
    Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 1969 Virginia Commonwealth University Commencement Program, MCV Campus Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from http://scholarscompass.vcu.edu/vcucommence/2 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Commencement Program MEDICAL COLLEGE OF VIRGINIA HEALTH SCIENCES DIVISION OF VIRGINIA COMMONWEALTH UNIVERSITY THE MOSQUE Saturday Afternoon, June Seventh Nineteen Hundred and Sixty-Nine Four O'Clock PROGRAM ORGAN MUSIC GRAY M. BROADDUS ACADEMIC PROCESSION (The audience will rise as the academic procession enters the auditorium and will remain standing until after the invocation.) INVOCATION THE REVEREND DR. GLENN R. PRATI' Director of Religious Activities COMMENCEMENT ADDRESS Dickens Revisited DR. w ARREN w. BRANDT President, f/irginia Commonwealth University CONFERRING DEGREES BENEDICTION THE REVEREND A. PATRICK L. PREST, JUNIOR Chaplain of the College Hospitals RECESSIONAL (Following the benediction, the audience will remain standing whiie the academic procession leaves the auditorium.) VIRGINIA COMMONWEALTH UNIVERSITY BOARD OF VISITORS ANDREW J. BRENT, LL.B. _______ _______ ____ _____ __________ ______ _____ __ Richmond Attorney-at-Law MRS. JAMES B. BULLARD, B.F.A, ______________________________________ Richmond VIRG!NIUS DABNEY, A.B., A.M., D.LITT., LL.D,------------------------Richmond Retired Editor, Richmond Times-Dispatch EPPA HUNTON IV, B.A., LL.B, ____ ____ __ ___ ____ __ ___ ___ __ ___ _____ _____ Richmond Attorney-at-Law C.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media The George-Anne March 28, 1996 Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation "The George-Anne" (1996). The George-Anne. 1413. https://digitalcommons.georgiasouthern.edu/george-anne/1413 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. GOLD EDITION Thursday, March 28,1996 The Vol. 69, No. 01 New coach named bllowing Drema Greer's esignation last quarter |s head women's jbasketball coach, r's Official Student Newspaper lissistant Rusty Cram is hamed as her replacement. Please see story, page 6 Column protesters want Henry stays at GSU BRIEFLY... By Christopher Cole man for the Idaho board, said their voices to be heard Editor Henry was nominated as one (New bulldog mascot stands By Ashley Hunt GSU President Nicholas of 106 original candidates, News Editor Henry will continue making and that a25-tnember screen- alongside the old at UGA Students who protested last Statesboro his home after not ing committee selected 10 fi- quarter over an opinion col- nalists. By Karen Hill being selected presidentof the I The Associated Press umn in The George-Anne plan University of Idaho at Mos- Later, the board inter- to meet with GSU President cow. viewed five of them and se- ATLANTA —-Anew drawing of the Nicholas Henry Friday to dis- Henry interviewed for the lected Hoover to head the University of Georgiamascot isdesigned cuss an agenda that deals with position in Idaho earlier this 12,000-enrolhnent research | to attract younger buyers of licensed critical issues of concern to month and was one of four institution focusing on agri- products, its designers say.
    [Show full text]
  • Camille Billops and James V. Hatch Archives at Emory University
    Camille Billops and James V. Hatch archives at Emory University Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Title: Camille Billops and James V. Hatch archives at Emory University Call Number: Manuscript Collection No. 927 Extent: 47.25 linear feet (95 boxes), 12 oversized papers boxes and 16 oversized papers folders (OP), 6 extra oversized papers (XOP), AV Masters: 9.25 linear feet (9 boxes and LP1-4), and 10 GB born digital material (231 files) Abstract: The Camille Billops and James Hatch Archives at Emory University consists of a variety of materials relating to African American culture and art. Language: Materials entirely in English. Administrative Information Restrictions on Access Special Restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library in advance for access to this material. Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Please note that some of the items in this collection are copies of materials held in other archival repositories. The Library will not provide researchers with copies of those items. Researchers wishing to obtain copies of these materials should contact the repository that owns the originals. Related Materials in Other Repositories Hatch-Billops Oral History at the City College of New York Emory Libraries provides copies of its finding aids for use only in research and private study.
    [Show full text]
  • From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
    RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear.
    [Show full text]
  • In the Cinematic Hood:“Who You Callin'a Hoe?”
    European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex Electronic version URL: http://journals.openedition.org/ejas/12080 DOI: 10.4000/ejas.12080 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Emma Horrex, « (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” », European journal of American studies [Online], 12-2 | 2017, document 11, Online since 01 August 2017, connection on 19 April 2019. URL : http://journals.openedition.org/ejas/12080 ; DOI : 10.4000/ ejas.12080 This text was automatically generated on 19 April 2019. Creative Commons License (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a ... 1 (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex 1. Introducing the Black Women and Girls in the Hood via Boyz 1 Amidst an ongoing debate regarding the lack of racial diversity in last year’s Oscar nominations (2016), Boyz N the Hood (Boyz, 1991) was honoured by the African American Film Critics Association during a “Celebration of Hip Hop Cinema” in February 2016, twenty-five years since capturing the public imagination and academic attention. Directed by John Singleton, the film emerged during and reflected an important moment of the post-Reagan political and cinematic landscape. President Bush’s inaugural address in 1989 claimed that America was “in a peaceful, prosperous time” but despite increasing the minimum wage, the economic recession in July 1990 undercut this notion as widespread poverty penetrated the ghettos.i Economic pressures in the late 1980s and early 1990s (largely due to Reagan’s exacerbation of unemployment rates amongst minority groups and dismantling of the welfare system) contributed to the proliferation of street gangs and the underground drugs economy in local urban environments.
    [Show full text]
  • ORANGE IS the NEW BLACK Casting Nomination Scene Selections Episode 3
    ORANGE IS THE NEW BLACK Casting Nomination Scene Selections Episode 3 - Hugs Can Be Deceiving Clip 1: • Start: 16:09 Vee and Red see each other, walk toward each other • Finish: 14:10 two shot of Vee and Red standing next to each other after Red's line, "ambitious and bullshit but nice" • Synopsis: Red and Vee see each other from opposite ends of the hall—it is clear these two have history. They walk toward each other, staring the other down the whole time. They finally come together and embrace. They catch up and we learn that Vee and Red have been here together before, but they feel much older now. • Characters: RED (Kate Mulgrew), VEE (Lorraine Toussaint) Clip 2 • Start: 14:05 shot of Crazy Eyes graduation • Finish: 9:42 ends on Piper turning around to see Vee has influence over Crazy Eyes • Synopsis: We see Suzanne’s (Crazy Eyes) parents and sister giving her a pep-talk before she is supposed to sing at her high school graduation. She freezes onstage and begins to hit herself. We cut to the Christmas pageant, where Suzanne also freezes onstage, and is rescued by Norma and the rest of the ladies. We see her leave the auditorium, high on the Christmas spirit, but she runs into Maritza and Flaca who then make fun of the way she hit herself when she froze onstage, which triggers the memories of her mother pushing her to do things when she was younger. She snaps and runs outside and in a daze attacks Piper (who is in the midst of attacking Pennsatucky), taking out her anger towards her mother.
    [Show full text]
  • Saving Lives: Why the Media's Portrayal of Nursing Puts Us All At
    SAVING LIVES SAVING LIVES Why the Media’s Portrayal of Nursing Puts Us All at Risk Sandy Summers, RN, MSN, MPH Harry Jacobs Summers UPDATED SECOND EDITION 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Sandy Summers and Harry Jacobs Summers, 2015 Lyrics from Aimee Mann’s “Invisible Ink” used by permission of Aimee Mann/SuperEgo Records All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Summers, Sandy, author.
    [Show full text]
  • Nominations Announced for the 21St Annual Screen Actors Guild Awards® ------Ceremony Will Be Simulcast Live on Sunday, January 25, 2015 on TNT and TBS at 8 P.M
    Nominations Announced for the 21st Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, January 25, 2015 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) Nominees for the 21st Annual Screen Actors Guild Awards® for outstanding performances in 2014 in five film and eight television categories, as well as the SAG Awards® honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA President Ken Howard introduced Ansel Elgort ("The Fault in Our Stars," "Divergent") and actress/director/producer and SAG Award® recipient Eva Longoria, who announced the nominees for this year’s Actors®. SAG Awards® Committee Chair JoBeth Williams and Vice Chair Daryl Anderson announced the stunt ensemble nominees. The 21st Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 25, 2015 at 8 p.m. (ET) / 5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT. The SAG Awards® can also be viewed live on the TNT and TBS websites, and also the Watch TNT and Watch TBS apps for iOS or Android (viewers must sign in using their TV service provider user name and password). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the sagawards.tntdrama.com and People.com live Red Carpet Pre-Show webcasts, which begin at 6 p.m. (ET) / 3 p.m.
    [Show full text]
  • Dianne Houston Is Known for Her Unique Skills As a Storyteller, Director and As a Builder of Memorable Characters
    Dianne Houston is known for her unique skills as a storyteller, director and as a builder of memorable characters. DIANNE HOUSTON an Academy Award nominated writer and director. In 1996 Dianne Houston transformed a forgotten Harlem Renaissance short Dianne Houston is known for her unique skills as a storyteller, director, and as a story into the Academy Award nominated short film TUESDAY MORNING RIDE, builder of memorable characters. She has developed film and television projects which she both wrote and directed. This nomination made Houston the first for SHOWTIME NBC, HBO, ABC, CBS, FOX, A&E, TRIBECA FILMS, PARTICIPANT African American woman to be nominated for an Oscar in the Live Action FILMS, UNIVERSAL, SONY, PARAMOUNT, and HARPO Productions. Shorts category. Houston recently directed the cable pic MICHAEL JACKSON: SEARCHING Houston was nominated for the 2017 Writer’s Guild Award for her script: FOR NEVERLAND, wrote an episode of ABC’S miniseries WHEN WE RISE with SURVIVING COMPTON. SURVIVING COMPTON also won the 2017 GRACIE Dustin Lance Black, and has written, directed, and produced for Season Four of AWARD and won the premiere night for Lifetime, reaching #1 for adult viewers. the prime time series: EMPIRE. Houston’s script for New Line’s TAKE THE LEAD (starring Antonio Banderas, Alfre Other TV writing/directing credits include: THE EDUCATION OF MAX Woodard, and Yaya DeCosta) earned her an NAACP Image Award nomination. BREWSTER; CITY OF ANGELS; BREWSTER PLACE; RUNAWAY ISLAND; CROSSING JORDAN; NYPD BLUE; PRESIDIO MED; SOUL FOOD; CITY OF Born and raised in Washington DC, Houston left home at age 16 to work in ANGELS; and STRONG MEDICINE.
    [Show full text]
  • European Journal of American Studies, 12-2 | 2017 (Re)Visiting Black Women and Girls in the Cinematic Hood: “Who You Callin’ a
    European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex Electronic version URL: https://journals.openedition.org/ejas/12080 DOI: 10.4000/ejas.12080 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Emma Horrex, “(Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?””, European journal of American studies [Online], 12-2 | 2017, document 11, Online since 01 August 2017, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/12080 ; DOI: https://doi.org/ 10.4000/ejas.12080 This text was automatically generated on 8 July 2021. Creative Commons License (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a ... 1 (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex 1. Introducing the Black Women and Girls in the Hood via Boyz 1 Amidst an ongoing debate regarding the lack of racial diversity in last year’s Oscar nominations (2016), Boyz N the Hood (Boyz, 1991) was honoured by the African American Film Critics Association during a “Celebration of Hip Hop Cinema” in February 2016, twenty-five years since capturing the public imagination and academic attention. Directed by John Singleton, the film emerged during and reflected an important moment of the post-Reagan political and cinematic landscape. President Bush’s inaugural address in 1989 claimed that America was “in a peaceful, prosperous time” but despite increasing the minimum wage, the economic recession in July 1990 undercut this notion as widespread poverty penetrated the ghettos.i Economic pressures in the late 1980s and early 1990s (largely due to Reagan’s exacerbation of unemployment rates amongst minority groups and dismantling of the welfare system) contributed to the proliferation of street gangs and the underground drugs economy in local urban environments.
    [Show full text]
  • Anthony Edwards Will Be Rev
    Anthony Edwards will be reviving his 'ER' role - USATODAY.com http://usatoday.printthis.clickability.com/pt/cpt?action=cpt&title=Anthon... Powered by SAVE THIS | EMAIL THIS | Close Anthony Edwards will be reviving his 'ER' role By Bill Keveney, USA TODAY ER 's valedictory bows kick into high gear tonight with the return of Anthony Edwards, an original cast member who is likely to lead a wave of high-profile alumni visits during the NBC hospital drama's final season. "It was very nostalgic. A lot of the biggest things in my life happened to me while I was on that set," says Edwards, who reprises his role as Dr. Mark Greene in the episode, "Heal Thyself" (10 ET/PT). Greene's return comes via flashback; the character died of a brain tumor in the series' eighth season. In the episode, the current ER attending physician, Cate Banfield (Angela Bassett), remembers her son's treatment there a few years earlier by Greene, when he was in the advanced stages of his illness. "I thought, 'How can we tie her into the origins of the show (and) make it feel like we've come full circle?' " says executive producer David Zabel, who wrote and directed the episode. He says Greene was "the heart and soul of the show." John Wells, an executive producer since ER 's beginning, approached Edwards about returning. The actor liked the idea even more when ER 's studio, Warner Bros., agreed to donate $125,000 to Shoe4Africa (shoe4africa.org), a charity that is building a children's hospital in Kenya.
    [Show full text]
  • Observing the Success of the Co-Pilot Initiative of Vaccination Distribution
    VOL. LXXXVII NO. 7, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, FEBRUARY 18, 2021 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 A knowledge of the community, a passion for service and no-nonsense approach to making it happen is what makes her one of the most powerful women in Los Angeles politics. BY DANNY J. BAKEWELL JR. resources the county can Executive Editor provide to combat this pan- demic,” said Mitchell. She Holly Mitchell was sworn says that equity in resourc- in to the Los Angeles es is her main focus. She County Board of Supervi- points out that the residents sors Sunday, December 6, of her district have been 2020. However, she says disproportionately affected that between moving out of by Covid. She says her her Senate office, moving constituents are the people into her new Supervisors on the front lines. office, hiring a full staff, “We are the health care getting brought up to speed providers, the grocery store on exactly what’s going on workers, the service pro- in the 2nd Supervisorial viders the people who most District, thanking voters often are affected by this and supporters and the hol- pandemic,” said Mitchell. idays, all while remaining “But, we are not getting our socially distant, she really proportionate share of the didn’t get down to business resources. We need more until January 1, 2021. testing, more vaccines be- With Mitchell’s “let’s get cause unfortunately we are down to business” person- also the ones most often ality the newest member dying from this disease.” of Los Angeles County’s Mitchell succeeds Mark all-female Board of Super- Ridley-Thomas in repre- visors didn’t waste much senting the Second District, time doing the people’s which runs from Wilshire business.
    [Show full text]