Jordan Peele and 'Get Out'
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Virginia Commonwealth University Commencement Program, MCV Campus Virginia Commonwealth University
Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 1969 Virginia Commonwealth University Commencement Program, MCV Campus Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from http://scholarscompass.vcu.edu/vcucommence/2 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Commencement Program MEDICAL COLLEGE OF VIRGINIA HEALTH SCIENCES DIVISION OF VIRGINIA COMMONWEALTH UNIVERSITY THE MOSQUE Saturday Afternoon, June Seventh Nineteen Hundred and Sixty-Nine Four O'Clock PROGRAM ORGAN MUSIC GRAY M. BROADDUS ACADEMIC PROCESSION (The audience will rise as the academic procession enters the auditorium and will remain standing until after the invocation.) INVOCATION THE REVEREND DR. GLENN R. PRATI' Director of Religious Activities COMMENCEMENT ADDRESS Dickens Revisited DR. w ARREN w. BRANDT President, f/irginia Commonwealth University CONFERRING DEGREES BENEDICTION THE REVEREND A. PATRICK L. PREST, JUNIOR Chaplain of the College Hospitals RECESSIONAL (Following the benediction, the audience will remain standing whiie the academic procession leaves the auditorium.) VIRGINIA COMMONWEALTH UNIVERSITY BOARD OF VISITORS ANDREW J. BRENT, LL.B. _______ _______ ____ _____ __________ ______ _____ __ Richmond Attorney-at-Law MRS. JAMES B. BULLARD, B.F.A, ______________________________________ Richmond VIRG!NIUS DABNEY, A.B., A.M., D.LITT., LL.D,------------------------Richmond Retired Editor, Richmond Times-Dispatch EPPA HUNTON IV, B.A., LL.B, ____ ____ __ ___ ____ __ ___ ___ __ ___ _____ _____ Richmond Attorney-at-Law C. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media The George-Anne March 28, 1996 Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation "The George-Anne" (1996). The George-Anne. 1413. https://digitalcommons.georgiasouthern.edu/george-anne/1413 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. GOLD EDITION Thursday, March 28,1996 The Vol. 69, No. 01 New coach named bllowing Drema Greer's esignation last quarter |s head women's jbasketball coach, r's Official Student Newspaper lissistant Rusty Cram is hamed as her replacement. Please see story, page 6 Column protesters want Henry stays at GSU BRIEFLY... By Christopher Cole man for the Idaho board, said their voices to be heard Editor Henry was nominated as one (New bulldog mascot stands By Ashley Hunt GSU President Nicholas of 106 original candidates, News Editor Henry will continue making and that a25-tnember screen- alongside the old at UGA Students who protested last Statesboro his home after not ing committee selected 10 fi- quarter over an opinion col- nalists. By Karen Hill being selected presidentof the I The Associated Press umn in The George-Anne plan University of Idaho at Mos- Later, the board inter- to meet with GSU President cow. viewed five of them and se- ATLANTA —-Anew drawing of the Nicholas Henry Friday to dis- Henry interviewed for the lected Hoover to head the University of Georgiamascot isdesigned cuss an agenda that deals with position in Idaho earlier this 12,000-enrolhnent research | to attract younger buyers of licensed critical issues of concern to month and was one of four institution focusing on agri- products, its designers say. -
Camille Billops and James V. Hatch Archives at Emory University
Camille Billops and James V. Hatch archives at Emory University Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Title: Camille Billops and James V. Hatch archives at Emory University Call Number: Manuscript Collection No. 927 Extent: 47.25 linear feet (95 boxes), 12 oversized papers boxes and 16 oversized papers folders (OP), 6 extra oversized papers (XOP), AV Masters: 9.25 linear feet (9 boxes and LP1-4), and 10 GB born digital material (231 files) Abstract: The Camille Billops and James Hatch Archives at Emory University consists of a variety of materials relating to African American culture and art. Language: Materials entirely in English. Administrative Information Restrictions on Access Special Restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library in advance for access to this material. Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Please note that some of the items in this collection are copies of materials held in other archival repositories. The Library will not provide researchers with copies of those items. Researchers wishing to obtain copies of these materials should contact the repository that owns the originals. Related Materials in Other Repositories Hatch-Billops Oral History at the City College of New York Emory Libraries provides copies of its finding aids for use only in research and private study. -
From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear. -
In the Cinematic Hood:“Who You Callin'a Hoe?”
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex Electronic version URL: http://journals.openedition.org/ejas/12080 DOI: 10.4000/ejas.12080 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Emma Horrex, « (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” », European journal of American studies [Online], 12-2 | 2017, document 11, Online since 01 August 2017, connection on 19 April 2019. URL : http://journals.openedition.org/ejas/12080 ; DOI : 10.4000/ ejas.12080 This text was automatically generated on 19 April 2019. Creative Commons License (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a ... 1 (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex 1. Introducing the Black Women and Girls in the Hood via Boyz 1 Amidst an ongoing debate regarding the lack of racial diversity in last year’s Oscar nominations (2016), Boyz N the Hood (Boyz, 1991) was honoured by the African American Film Critics Association during a “Celebration of Hip Hop Cinema” in February 2016, twenty-five years since capturing the public imagination and academic attention. Directed by John Singleton, the film emerged during and reflected an important moment of the post-Reagan political and cinematic landscape. President Bush’s inaugural address in 1989 claimed that America was “in a peaceful, prosperous time” but despite increasing the minimum wage, the economic recession in July 1990 undercut this notion as widespread poverty penetrated the ghettos.i Economic pressures in the late 1980s and early 1990s (largely due to Reagan’s exacerbation of unemployment rates amongst minority groups and dismantling of the welfare system) contributed to the proliferation of street gangs and the underground drugs economy in local urban environments. -
ORANGE IS the NEW BLACK Casting Nomination Scene Selections Episode 3
ORANGE IS THE NEW BLACK Casting Nomination Scene Selections Episode 3 - Hugs Can Be Deceiving Clip 1: • Start: 16:09 Vee and Red see each other, walk toward each other • Finish: 14:10 two shot of Vee and Red standing next to each other after Red's line, "ambitious and bullshit but nice" • Synopsis: Red and Vee see each other from opposite ends of the hall—it is clear these two have history. They walk toward each other, staring the other down the whole time. They finally come together and embrace. They catch up and we learn that Vee and Red have been here together before, but they feel much older now. • Characters: RED (Kate Mulgrew), VEE (Lorraine Toussaint) Clip 2 • Start: 14:05 shot of Crazy Eyes graduation • Finish: 9:42 ends on Piper turning around to see Vee has influence over Crazy Eyes • Synopsis: We see Suzanne’s (Crazy Eyes) parents and sister giving her a pep-talk before she is supposed to sing at her high school graduation. She freezes onstage and begins to hit herself. We cut to the Christmas pageant, where Suzanne also freezes onstage, and is rescued by Norma and the rest of the ladies. We see her leave the auditorium, high on the Christmas spirit, but she runs into Maritza and Flaca who then make fun of the way she hit herself when she froze onstage, which triggers the memories of her mother pushing her to do things when she was younger. She snaps and runs outside and in a daze attacks Piper (who is in the midst of attacking Pennsatucky), taking out her anger towards her mother. -
Saving Lives: Why the Media's Portrayal of Nursing Puts Us All At
SAVING LIVES SAVING LIVES Why the Media’s Portrayal of Nursing Puts Us All at Risk Sandy Summers, RN, MSN, MPH Harry Jacobs Summers UPDATED SECOND EDITION 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Sandy Summers and Harry Jacobs Summers, 2015 Lyrics from Aimee Mann’s “Invisible Ink” used by permission of Aimee Mann/SuperEgo Records All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Summers, Sandy, author. -
Nominations Announced for the 21St Annual Screen Actors Guild Awards® ------Ceremony Will Be Simulcast Live on Sunday, January 25, 2015 on TNT and TBS at 8 P.M
Nominations Announced for the 21st Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, January 25, 2015 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) Nominees for the 21st Annual Screen Actors Guild Awards® for outstanding performances in 2014 in five film and eight television categories, as well as the SAG Awards® honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA President Ken Howard introduced Ansel Elgort ("The Fault in Our Stars," "Divergent") and actress/director/producer and SAG Award® recipient Eva Longoria, who announced the nominees for this year’s Actors®. SAG Awards® Committee Chair JoBeth Williams and Vice Chair Daryl Anderson announced the stunt ensemble nominees. The 21st Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 25, 2015 at 8 p.m. (ET) / 5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT. The SAG Awards® can also be viewed live on the TNT and TBS websites, and also the Watch TNT and Watch TBS apps for iOS or Android (viewers must sign in using their TV service provider user name and password). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the sagawards.tntdrama.com and People.com live Red Carpet Pre-Show webcasts, which begin at 6 p.m. (ET) / 3 p.m. -
Dianne Houston Is Known for Her Unique Skills As a Storyteller, Director and As a Builder of Memorable Characters
Dianne Houston is known for her unique skills as a storyteller, director and as a builder of memorable characters. DIANNE HOUSTON an Academy Award nominated writer and director. In 1996 Dianne Houston transformed a forgotten Harlem Renaissance short Dianne Houston is known for her unique skills as a storyteller, director, and as a story into the Academy Award nominated short film TUESDAY MORNING RIDE, builder of memorable characters. She has developed film and television projects which she both wrote and directed. This nomination made Houston the first for SHOWTIME NBC, HBO, ABC, CBS, FOX, A&E, TRIBECA FILMS, PARTICIPANT African American woman to be nominated for an Oscar in the Live Action FILMS, UNIVERSAL, SONY, PARAMOUNT, and HARPO Productions. Shorts category. Houston recently directed the cable pic MICHAEL JACKSON: SEARCHING Houston was nominated for the 2017 Writer’s Guild Award for her script: FOR NEVERLAND, wrote an episode of ABC’S miniseries WHEN WE RISE with SURVIVING COMPTON. SURVIVING COMPTON also won the 2017 GRACIE Dustin Lance Black, and has written, directed, and produced for Season Four of AWARD and won the premiere night for Lifetime, reaching #1 for adult viewers. the prime time series: EMPIRE. Houston’s script for New Line’s TAKE THE LEAD (starring Antonio Banderas, Alfre Other TV writing/directing credits include: THE EDUCATION OF MAX Woodard, and Yaya DeCosta) earned her an NAACP Image Award nomination. BREWSTER; CITY OF ANGELS; BREWSTER PLACE; RUNAWAY ISLAND; CROSSING JORDAN; NYPD BLUE; PRESIDIO MED; SOUL FOOD; CITY OF Born and raised in Washington DC, Houston left home at age 16 to work in ANGELS; and STRONG MEDICINE. -
European Journal of American Studies, 12-2 | 2017 (Re)Visiting Black Women and Girls in the Cinematic Hood: “Who You Callin’ a
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex Electronic version URL: https://journals.openedition.org/ejas/12080 DOI: 10.4000/ejas.12080 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Emma Horrex, “(Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?””, European journal of American studies [Online], 12-2 | 2017, document 11, Online since 01 August 2017, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/12080 ; DOI: https://doi.org/ 10.4000/ejas.12080 This text was automatically generated on 8 July 2021. Creative Commons License (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a ... 1 (Re)visiting Black Women and Girls in the Cinematic Hood: “Who you callin’ a hoe?” Emma Horrex 1. Introducing the Black Women and Girls in the Hood via Boyz 1 Amidst an ongoing debate regarding the lack of racial diversity in last year’s Oscar nominations (2016), Boyz N the Hood (Boyz, 1991) was honoured by the African American Film Critics Association during a “Celebration of Hip Hop Cinema” in February 2016, twenty-five years since capturing the public imagination and academic attention. Directed by John Singleton, the film emerged during and reflected an important moment of the post-Reagan political and cinematic landscape. President Bush’s inaugural address in 1989 claimed that America was “in a peaceful, prosperous time” but despite increasing the minimum wage, the economic recession in July 1990 undercut this notion as widespread poverty penetrated the ghettos.i Economic pressures in the late 1980s and early 1990s (largely due to Reagan’s exacerbation of unemployment rates amongst minority groups and dismantling of the welfare system) contributed to the proliferation of street gangs and the underground drugs economy in local urban environments. -
Anthony Edwards Will Be Rev
Anthony Edwards will be reviving his 'ER' role - USATODAY.com http://usatoday.printthis.clickability.com/pt/cpt?action=cpt&title=Anthon... Powered by SAVE THIS | EMAIL THIS | Close Anthony Edwards will be reviving his 'ER' role By Bill Keveney, USA TODAY ER 's valedictory bows kick into high gear tonight with the return of Anthony Edwards, an original cast member who is likely to lead a wave of high-profile alumni visits during the NBC hospital drama's final season. "It was very nostalgic. A lot of the biggest things in my life happened to me while I was on that set," says Edwards, who reprises his role as Dr. Mark Greene in the episode, "Heal Thyself" (10 ET/PT). Greene's return comes via flashback; the character died of a brain tumor in the series' eighth season. In the episode, the current ER attending physician, Cate Banfield (Angela Bassett), remembers her son's treatment there a few years earlier by Greene, when he was in the advanced stages of his illness. "I thought, 'How can we tie her into the origins of the show (and) make it feel like we've come full circle?' " says executive producer David Zabel, who wrote and directed the episode. He says Greene was "the heart and soul of the show." John Wells, an executive producer since ER 's beginning, approached Edwards about returning. The actor liked the idea even more when ER 's studio, Warner Bros., agreed to donate $125,000 to Shoe4Africa (shoe4africa.org), a charity that is building a children's hospital in Kenya. -
Observing the Success of the Co-Pilot Initiative of Vaccination Distribution
VOL. LXXXVII NO. 7, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, FEBRUARY 18, 2021 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 A knowledge of the community, a passion for service and no-nonsense approach to making it happen is what makes her one of the most powerful women in Los Angeles politics. BY DANNY J. BAKEWELL JR. resources the county can Executive Editor provide to combat this pan- demic,” said Mitchell. She Holly Mitchell was sworn says that equity in resourc- in to the Los Angeles es is her main focus. She County Board of Supervi- points out that the residents sors Sunday, December 6, of her district have been 2020. However, she says disproportionately affected that between moving out of by Covid. She says her her Senate office, moving constituents are the people into her new Supervisors on the front lines. office, hiring a full staff, “We are the health care getting brought up to speed providers, the grocery store on exactly what’s going on workers, the service pro- in the 2nd Supervisorial viders the people who most District, thanking voters often are affected by this and supporters and the hol- pandemic,” said Mitchell. idays, all while remaining “But, we are not getting our socially distant, she really proportionate share of the didn’t get down to business resources. We need more until January 1, 2021. testing, more vaccines be- With Mitchell’s “let’s get cause unfortunately we are down to business” person- also the ones most often ality the newest member dying from this disease.” of Los Angeles County’s Mitchell succeeds Mark all-female Board of Super- Ridley-Thomas in repre- visors didn’t waste much senting the Second District, time doing the people’s which runs from Wilshire business.