DOCSLIB.ORG

PRESS 1994 Adrian Searle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PRESS 1994 Adrian Searle PRESS 1994 Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994 Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994 Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994 Dan Conaghan, 'Artists bend over backwards to keep prize controversial', The Daily Telegraph, London, England, 2 November 1994 Robin Stringer, 'An about-Turner?', Evening Standard, London, England, 1 November 1994 Acta Orthopaedica Scandinavica vol.65 no.5 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, October 1994 D. Vidovic, 'Krik za savjest covjecalistva', Oslobocyeiye, Sarajevo, Bosnia, 27 September 1994 Author Unknown, 'En havmann til glede', Rana Blad, Mo i Rana, Norway, 23 September 1994 Geir Pedersen, 'Havmannen setters pa plass', Rana Blad, Mo i Rana, Norway, 22 September 1994 Jane Rankin-Reid, 'Air and Angels', Art and Text no.49, Melbourne, Australia, Autumn 1994 David Whetstone, 'A little bit of heaven in Gateshead', Northern Review, Autumn 1994 P. Szues Julianna, 'Valodi diszletek a Varban', Nepszabadsag, Budapest, Hungary, 27 August 1994 Horanyi Attila, 'Harmincotezer agyagfigura', Magyar Narancs, Budapest, Hungary, 18 August 1994 Zsofia Horvath, 'Silent figures speak', The Budapest Sun, Budapest, Hungary, 11-17 August 1994 Author Unknown, 'An exhibit for the world', Budapest Week, Budapest, Hungary, 4 August 1994 Marianne Schei Aagdal, 'Havmann i granitt' Harstad Tidende, Harstad, Norway, 30 July 1994 David Mills, 'The glare of publicity coming to the four', The Sunday Times, London, England, 24 July 1994 Jonathan Cooper, 'Feat of clay leads the way', The Daily Express, London, England, 22 July 1994 Siposs, 'Agyagcivilek', Respublika, Budapest, Hungary, 22-28 July 1994 Victoria White, 'Derry artist on Turner shortlist', The Irish Times, Dublin, Ireland, 21 July 1994 Susannah Herbert, ''Real' art is back in fashion as Turner Prize jury makes a break with oddball tradition', The Daily Telegraph, London, England, 20 July 1994 James Cusick, 'L20,000 Turner Prize attracts shortlist', The Independent, London, England, 20 July 1994 Louise Jury, 'Body moulder builds big lead in Turner Prize line-up', The Guardian, London, England, 20 July 1994 Robin Young, 'Tate selects mixed bag for Turner shortlist', The Times, London, England, 20 July 1994 Author Unknown, 'Csirkekelteto a galeriaban', Nepszabadsag, Budapest, Hungary, 8 July 1994 Author Unknown, Magyar Hirlap, Budapest, Hungary, 6 July 1994 Author Unknown, 'Anyaga az agyag', Esti Hirlap, Budapest, Hungary, 6 July 1994 Nakamura, Revue de la pensee d'aujourd'hui vol. 22-14, Tokyo, Japan, July 1994 Toomas H. Liiv, 'Antony Gormley teab vastust', Puhapaevaleht, Tallinn, Estonia, 25 June 1994 Luke Clancy, 'Avoiding the post-modern trap', The Irish Times, Dublin, Ireland, 9 June 1994 Geir Pedersen, 'Havmannen hugges av grunnfjell', Rana Blad, Mo i Rana, Norway, 4 June 1994 Paul O'Brien, 'Antony Gormley: Irish Museum of Modern Art, Dublin', Circa, Dublin, Ireland, Summer 1994 Dalibor Blazevic, 'Ozivljavavje otudenih bica', Gradski Vodic, Croatia, June 1994 Sandra Krizic Roban, 'Nova Kolektivnost', Danas, Croatia, 31 May 1994 Vesna Kusin, 'Oci u oci', Vjesnik, Croatia, 31 May 1994 Zeljko Kipke, 'Prica o voajeru', Vijenac, Croatia, 26 May 1994 Author Unknown, 'Toliko ljudi - a nigdje covjeka', Vjesnik, Nedjelja, Croatia, 22 May 1994 Gerard Pernon, 'Antony Gormley: l'art invite a jouer', Ouest-France, Rennes, France, 20 May 1994 Author Unknown, 'Skulptura Iznutra', EM no.3, Croatia, 15 May 1994 Darko Glavan, 'Mi mozemo biti biljka ili oblak", Nedjeljna Dalmacija, Croatia, 11 May 1994 Vesna Kusin, 'Europsko polje savjesti', Vjesnik, Zagreb, Croatia, 5 May 1994 Iain Gale, 'A voyage to Lilliput', The Independent, London, England, 3 May 1994 Erik van der Heeg, 'Reviews: Antony Gormley: Nordenhake, Stockholm', Flash Art, Milan, Italy, May/June 1994 Tihomir Milovac, 'Antony Gormley', Kontura no.27, Zagreb, Croatia, May/June 1994 M. Havlicek, 'Gledaju vas oci covjecanstva', Koncarevac, Croatia, May 1994 Keith Ball, 'Intimate architecture - Antony Gormley', Everything no.13, London, England, April/May 1994 Mary Sara, 'Communion and Community', Contemporary Art, Bath, Spring 1994 Luke Clancy, 'Power of a lapsed optimist', The Irish Times, Dublin, Ireland, 30 April 1994 Patrick Gallagher, '35,000 little craythurs', The Sunday Independent, Dublin, Ireland, 24 April 1994 John Farrell, 'Gormley show has to be seen', The Sunday Press, Dublin, Ireland, 24 April 1994 Emer McNamara, 'Antony Gormley', The Sunday Times, Dublin, Ireland, 24 April 1994 Rose Jennings, 'Antony Gormley: White Cube', Time Out, London, England, 20 April 1994 Hilary Pyle, 'Point of contact with material world', Cork Examiner, Cork, Ireland, 20 April 1994 Geraldine Norman, 'Sculptor casts himself in star role', The Independent, London, England, 18 April 1994 Aidan Dunne, 'Cast in his own image', The Sunday Tribune, Dublin, Ireland, 17 April 1994 Author Unknown, 'Witnesses to war', The West Australian, Perth, Australia, 16 April 1994 Richard Balls, '40,000 faces stare back at the critics', The Evening Press, Dublin, Ireland, 14 April 1994 Richard Dorment, 'Appearances can be deceptive...', The Daily Telegraph, London, England, 6 April 1994 Author Unknown, 'La place Jean-Monnet receptionnee', Ouest-France, Rennes, France, 31 March 1994 Ewa Ayton, 'I am fighting a deconstrutive world view', Art and business, Warsaw, Poland, March/April 1994 Author Unknown, 'Antony Gormley: Lecture', M'ARS, Moderna Galerija, Ljubljana, Slovenia, March/April 1994 Author Unknown, 'GormleyGormley', Yo!, Centrum Sztuki Wspolczesnej, Warsaw, Poland, 18 February 1994 Acta Orthopaedica Scandinavica vol.65 no.1 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, February 1994 Miro Prochazka, 'Antony Gormley', Atelier, Prague, Czech Republic, 27 January 1994 Richard Cork, 'Ways to figure it all out', The Times, London, England, 11 January 1994 Ewa Ayton, 'Antony Gormley - Pole i inne rzezby', Plastyka i Wychowanie, Warsaw, Poland, July 1994 Jeffrey Side. "'The Field' as metaphor" and Marjeta Potrc. "Interview", Off the cuff, University of Liverpool English Society, Lent 1994 Author Unknown, 'La claque di terracotta', Il Giornale dell'Arte no.118, Turin, Italy, January 1994 Marika Wachtmeister, 'Mannen bakon blyholjena', Femina, Stockholm, Sweden, January 1994 Michael Carson, 'Teaching all nations - how?', The Catholic Times, London, England, January 1994 1993 Jerzy Brukwicki, 'Plastyka', Warszawski Informator Kulturalny no.22/93, Warsaw, Poland, 29 December 1993 Malene Vest Hansen, 'Kunsten og kroppen', Politiken, Denmark, 22 September 1993 William Feaver, 'Field full of folk and banana skins', The Observer, London, England, 12 December 1993 Daniel Birnbaum, 'Kroppen ger rymd', Dagens Nyheter, Stockholm, Sweden, 10 December 1993 Tom Lubbock, 'Fine figures of a man', The Independent, London, England, 7 December 1993 Simon Brett, 'Prints from wood', Printmaking Today, London, England, Winter 1993 Robert Clark, 'A feat of clay', The Guardian, London, England, 1 December 1993 Roger Bevan, 'Issues of identity', The Royal Academy Magazine no.41, London, England, Winter 1993 Author Unknown, 'All eyes on sculptor Antony', West Derby and Duebrook Merseymart, Liverpool, 30 November 1993 Author Unknown, 'Pole dla wszystkich', Express Wieczorny, Warsaw, Poland, 23 November 1993 Philip Key, 'Work of a sculptor who's thinking big', The Daily Post, Liverpool, England, 20 November 1993 Author Unknown, 'Cast of Thousands', The Guardian, London, England, 19 November 1993 Philip Key, 'Gallery goes to pot for new art spectacular', The Daily Post, Liverpool, England, 19 November 1993 Magdalena Stopa, '30 tysiecy sentymentalnych figurek', Rzeczpospolita, Warsaw, Poland, 12 November 1993 L. Schmidt-Muehlisch, 'In der Masse wird der Einzelmensch gesichtslos', Die Welt, Germany, 6 November 1993 Stephen Bann, 'Wskrzeszenie Lazarza', Obieg no.55, Warsaw, Poland, November/December 1993 Author Unknown, 'Antony Gormley', Intercity magazine, London, November 1993 Pepe Vinoles, 'Los hombres...', Liberacion, Malmo, Sweden, 26 October 1993 Author Unknown, 'Aufmarsch der Tonfiguren: Ungewoehnliche Schau in Dresden', Hallesche Tageblatt/Dresdner Neuste Nachrichten/Leipziger Volkszeitung, Germany, 22 October 1993 Brita Orstadius, 'Fenomenet Antony Gormley', Sweden, 20 October 1993 Tomas Petzold, 'Arte Amazonas - Welt aus Rot und Gruen', Dresdner Neueste Nachrichten, Dresden, Germany, 16 October 1993 Jorgen Klinthage, 'Antony Gormley varnar om humanismen', Hallandsposten, Halmstad, Sweden, 15 October 1993 Lars O. Ericsson, 'Kroppen som fodral for manniskans ide', Dagens Nyheter, Stockholm, Sweden, 15 October 1993 Ola Torncrantz, 'Bland jattar och puttefnaskar', Sydsvenska Dagbladet, Malmo, Sweden, 15 October 1993 Lilli Vostry, 'Gegen Zerstroerung von Natur und Leben', Saechsische Zeitung, Dresden, Germany, 11 October 1993 Hakan Zeylon, 'Konsten angar oss alla', Skanska Dagbladet, Malmo, Sweden, 8 October 1993 Jutta Tronicke, 'Leben kann man nicht kaufen', Saechsische Zeitung, Dresden Germany, 7 October 1993 Leif Andersson, 'Sista branningen pa Barabruket', Sydssvenskan Dagbladet, Malmo, Sweden, 6 October 1993 Dan Jonsson, 'Gravitation som andlig kraft', I Dag Gt/Kvallsposten, Goteborg, Sweden, 5 October 1993 Author Unknown, 'Arme Kinder brannten 25 000 Tonfiguren', Dresdener Morganpost, Dresden, Germany, 5 October 1993 Marianne Nanne-Brahammar, 'Skapelsens
Load more

Recommended publications
  • Norwegian Eat Your Way Through Any Holiday with This Cookbook American Story on Page 12-13 Volume 127, #30 • November 4, 2016 Est
    the Inside this issue: NORWEGIAN Eat your way through any holiday with this cookbook american story on page 12-13 Volume 127, #30 • November 4, 2016 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD Discovering Helgeland It’s never too late to uncover a new favorite part of Norway PATRICIA BARRY Hopewell Junction, N.Y. “What is your favorite place in Norway?” I world-famous Lofoten Islands, Helgeland— was asked during our trip there in June. Norway’s hidden gem—quietly displays its own I hesitated. Our family has covered lots of unique beauty. territory in Norway. We’ve been to every fylke Helgeland’s partially submerged lowlands (county) and seen more of Norway than most form thousands of skerries that dot the coast- Norwegians, we’ve been told. How could I pick line. Sharp, angular mountains (3,500 ft.) pop WHAT’S INSIDE? one favorite place? up along the coast. Add to this the white sandy And would my answer change? Every trip beaches, glaciers, fjords, inland forests and Nyheter / News 2-3 Du må tørre å ta modige to Norway we seek out new places. On this trip mountains, and the Arctic Circle and you have a « Business og krevende valg. Det finnes 4-5 Helgeland would be our new adventure. combination of features that makes Helgeland a Our entourage included my husband, our unique and stunning part of Norway. ikke noen snarvei. » Opinion 6-7 Sports 8-9 son, our former exchange student, her husband Easily accessible but not as crowded as – Celina Midelfart (our personal tour guide born and raised in Helge- more popular destinations, Helgeland beckons.
    [Show full text]
  • PRESS 1994 Adrian Searle
    PRESS 1994 Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994 Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994 Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994 Dan Conaghan, 'Artists bend over backwards to keep prize controversial', The Daily Telegraph, London, England, 2 November 1994 Robin Stringer, 'An about-Turner?', Evening Standard, London, England, 1 November 1994 Acta Orthopaedica Scandinavica vol.65 no.5 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, October 1994 D. Vidovic, 'Krik za savjest covjecalistva', Oslobocyeiye, Sarajevo, Bosnia, 27 September 1994 Author Unknown, 'En havmann til glede', Rana Blad, Mo i Rana, Norway, 23 September 1994 Geir Pedersen, 'Havmannen setters pa plass', Rana Blad, Mo i Rana, Norway, 22 September 1994 Jane Rankin-Reid, 'Air and Angels', Art and Text no.49, Melbourne, Australia, Autumn 1994 David Whetstone, 'A little bit of heaven in Gateshead', Northern Review, Autumn 1994 P. Szues Julianna, 'Valodi diszletek a Varban', Nepszabadsag, Budapest, Hungary, 27 August 1994 Horanyi Attila, 'Harmincotezer agyagfigura', Magyar Narancs, Budapest, Hungary, 18 August 1994 Zsofia Horvath, 'Silent figures speak', The Budapest Sun, Budapest, Hungary, 11-17 August 1994 Author Unknown, 'An exhibit for the world', Budapest Week, Budapest, Hungary, 4 August 1994 Marianne Schei Aagdal, 'Havmann i granitt' Harstad Tidende, Harstad, Norway, 30 July 1994 David
    [Show full text]
  • Bill Hueg Figure, Helmets and Boots While Elliot Summons Created the Male Fig- Sculptor Profile Ure and Rifle
    WINTER 2012-2013 On display at Brookgreen Carving Out Your Own Destiny— Gardens, SC A Provocative Idea, Copied One of our members who was vacationing in Florida last winter told me about an inter- esting museum in Winter park—the Albin Polasek Museum & Sculpture Gardens. The museum’s art collection focuses primarily on American representational sculpture and has over 200 works by Czech-born American sculptor Albin Polasek, N.A. The museum itself was his retirement home on scenic Lake Osceola. The Idea Remains The first sculpture you see upon entering the museum grounds isMan Carving His Own Destiny. It is Polasek’s iconic work, and he made several copies of it, including the one at Brookgreen Gardens (top left). And its concept has been copied many times and given various titles by various sculptors. But the idea remains the same. You can see a bronze adaptation of Destiny in front of Chipoltle’s on Excelsior Boulevard near the intersec- tion with Lake Street in Minneapolis. This version, called Self Made Man is by Bobbie Carlyle. It is much more realistic than Polasek’s, which was carved in a Art Deco style in 1908 when he was a student. Polasek’s Impressive Career Born in the Czech Republic, Albin Polasek apprenticed as a wood carver before immi- grating to the U.S. in 1901. He later attended the Pennsylvania Academy of the Fine Arts in Philadelphia and the American Academy of Art in Rome. During his influential artistic See this bronze at Excelsor and Lake and educational career, Polasek won many awards for his works and was commissioned in Minneapolis.
    [Show full text]
  • Stedsspesifikk Kunst?
    Skulpturlandskap Nordland – Stedsspesifikk Kunst? - en analyse av utvalgte skulpturer Masteroppgave i kunsthistorie av Mari Indregard Institutt for filosofi, idéhistorie, kunsthistorie og klassiske språk Seksjon for kunsthistorie, vår 2006 Innhold: Innledning…………………………………………………………………….s. 1 Kapittel 1: Presentasjon av Skulpturlandskap Nordland…………………s. 3 1. 1 Bakgrunn for prosjektet………………………………………………………………s. 3 1. 2 Noen av prosjektets målsettinger……………………………………………………..s.3 1. 3 Arbeidsprosessen……………………………………………………………………....s. 4 Kapittel 2: Stedsspesifikk kunst (”site – speific art”)……………………...s. 5 2. 1. Røtter: Minimalisme og Land Art………………………………………………...…s. 5 2. 1. 1 Minimalisme……………………………………………………………………s. 5 2. 1. 2 Land Art……………………………………………………………….............s. 10 2. 1. 3 Robert Smithson……………………………………………………………….s. 11 2. 1. 4 Rosalind Krauss: Skulptren i det utvidede felt………….……………………...s. 15 2. 1. 5 Minimalisme og Land Art – oppsummering………………………………….s. 16 2. 2 Stedsspesifikk kunst………………………………………………………………….s. 18 2. 2. 1 Stedet og kunsten……………………………………………………………...s. 18 2. 2. 2 Etter minimalisme og Land Art ………………………………………………s. 19 a) Stedet som kulturell ramme………………………………………………..s. 20 b) Stedet som samfunnsengasjement eller debattforum……………………...s. 22 c) Den fenomenologiske retning……………………...……………………...s. 24 Kapittel 3: Skulpturlandskap Nordland………………………………..…s. 29 3.1 Nordland fylke………………………………………………………………… ...…...s. 29 3.2 Bakgrunn……………………………………………………………............................s. 29 3.3 Målsetting…………………………………………………………………………..….s. 30 3.4 Prosessen………………………………………………………………………………s. 32 3.5 Det stedsspesifikke…………………………………………………………….………s. 35 3.6 Oppsummering………………………………………………………………….…….s. 36 Kapittel 4: Utvalgte skulpturer…………………………………………….s. 38 4.1 Il Nido / Reiret og I dag, i morgen, alltid – to forskjellige tilnærmelser…………...s. 38 4. 1. 1 Il Nido / Reiret – Luciano Fabro – Røst………………………………………s. 39 4. 1. 2. I dag, i morgen, alltid – Kari Cavèn – Beiarn………………………………..s. 45 4. 1. 3 Il Nido og I dag, i morgen, alltid – stedsspesifikk kunst……………………...s.
    [Show full text]
  • Norwegian Chef Gabriel Hedlund’S N’Eat New Place to Eat American Story on Page 13 Volume 128, #1 • January 13, 2017 Est
    the Inside this issue: NORWEGIAN Chef Gabriel Hedlund’s n’eat new place to eat american story on page 13 Volume 128, #1 • January 13, 2017 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD Above it all in Rjukan This little industrial town has a lot to offer tourists story on page 17 WHAT’S INSIDE? Nyheter / News 2-3 Vi må akseptere den « Business endelige skuffelsen, men aldri 4-5 miste det uendelige håpet. » Opinion 6-7 Found in translation Sports 8-9 – Martin Luther King Jr. Eriksen Translations Inc. celebrates 30 years of language Arts & Entertainment 10 Research & Science 11 Taste of Norway 12-13 VICTORIA HOFMO Brooklyn, N.Y. Norway near you 14-15 Travel 16-17 Human communication is something we spend al- the Tower of Babel! Norwegian Heritage 18-19 most all of our waking hours doing, or at least trying to Who would dare to try mastering verbal intelligi- Norsk Språk 20-21 do. Even between those who speak the same language, bility in a variety of fields, such as technical, creative, our communication skills often fail. How many times and financial? Vigdis Eriksen of Eriksen Translations Roots & Connections 22 have you had an argument with someone, when you lat- Inc. dares! Thirty years ago she took on the brave task Obituaries 23 er realize you were on the same page? Or perhaps you of making words into links, rather than barriers. Bulletin Board 24 didn’t understand a subtle variation in meaning between two words that led you to feel unjustifiably miffed.
    [Show full text]
  • PRESS 1997 David Whetstone, 'Sculptor Unveils
    PRESS 1997 David Whetstone, 'Sculptor unveils a virtual reality model', The Journal, Newcastle, 4 December 1997 Ilse Cordes, 'Figur oder Dokumentation?', Cuxhavener Nachrichten, Cuxhaven, Germany, 7 November 1997 Boris Hohmeyer, 'Der Blick geht hin ueber nach England', Art, Hamburg, Germany, November 1997 Matthew Higgs, 'Follow Me', Art Monthly, London, England, November 1997 Mairi Ben Brahim/Helen Gibson/Barry Hilenbrand/Philip Skelding, 'Britain renewed', Time Magazine, New York, USA, 27 October 1997 Dora Hartmann, 'Die Meditation der Kurgaste', Die Tageszeitung Abkurzung taz, Bremen, 18 - 19 October 1997 Author Unknown, 'Antony Gormley - Wattenmeerprojekt - Cuxhaven', Art, Hamburg, Germany, October 1997 Author Unknown, 'Angel of the North wings in', The Financial Times, London, England, 22 September 1997 Jessica Kempe, 'Ogon spanda I trad', Dagens Nyheter, Stockholm, Sweden, 19 September 1997 Katja Blomberg, 'Eisenmaenner auf ihrem Weg ins Meer', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, 18 September 1997 Hagen Haastert, 'Tagein, tagaus regungslos in den Fluten stehen', Main-Echo, Aschaffenburg/ '100 Maenner nackt im Watt', Darmstaedter Echo, Darmstadt, Germany, 6 September 1997 Eva Runefelt, 'Behallare som skyddar det levande', Svenska Dagbladet, Stockholm, Sweden, 6 September 1997 Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, July/August/September 1997 Ian Tromp, 'Inside outlines', Dharma Life, London, England, Summer 1997 Jens Ronnau, 'Antony Gormley: Our House: Kunsthalle zu Kiel',
    [Show full text]
  • Havmannen - Et Estetisk Møte
    Universitetet i Bergen Institutt for lingvistiske, litterære og estetiske studier KUN 350 Mastergradsoppgave i kunsthistorie Vårsemester 2013 Havmannen - et estetisk møte Annett Theim Brandanger 1 Havmannen - et estetisk møte 2 Abstract The politics of spectatorship and the aesthetic writings of the French-Algerian philosopher Jaques Rancière (1940) are the main focal points in this thesis. The aesthetic writings of Rancière have received increased attention in the last few years. A recurrent motif in his work is capturing the relation between politics and aesthetics, and their various meanings in different contexts. Rancière sees the aesthetic as a historically determined concept which designates a specific regime of visibility and intelligibility of art, which is inscribed in a reconfiguration of the categories of sensible experience and its interpretation. For him, the aesthetic as that which has been denied, when reconsidered on equal terms, is a potential site of emancipation. This leads into a discussion of what art does, and how it might have a political impact. Among others, political emancipation is to be seen in the literature of the “oppressed” – unrecognized voices in society. For Rancière, such works constitutes an event. This thesis examines such an event - around 100 poems spontaneously written by ordinary women and men. They were inspired by a work of art, the sculpture Havmannen1 (1995). Havmannen, made by the British sculptor Antony Gormley (1950), is situated in the town of Mo i Rana, Norway. Through the thinking of Rancière, the poems are linked to his understanding of event, equality and the aesthetic – Rancière’s own term on which political emancipation is to be fought for.
    [Show full text]
  • PRESS 1995 Andrew Renton, 'Antony Gormley: Reclaiming the Subject Or
    PRESS 1995 Andrew Renton, 'Antony Gormley: Reclaiming the subject or making a case for the angel', Art & Design, No.41, 1995 1994 Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994 Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994 Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994 Dan Conaghan, 'Artists bend over backwards to keep prize controversial', The Daily Telegraph, London, England, 2 November 1994 Robin Stringer, 'An about-Turner?', Evening Standard, London, England, 1 November 1994 Acta Orthopaedica Scandinavica vol.65 no.5 [cover], Scandinavian University Press, Oslo/Copenhagen/Stockholm, October 1994 D. Vidovic, 'Krik za savjest covjecalistva', Oslobocyeiye, Sarajevo, Bosnia, 27 September 1994 Author Unknown, 'En havmann til glede', Rana Blad, Mo i Rana, Norway, 23 September 1994 Geir Pedersen, 'Havmannen setters pa plass', Rana Blad, Mo i Rana, Norway, 22 September 1994 Jane Rankin-Reid, 'Air and Angels', Art and Text no.49, Melbourne, Australia, Autumn 1994 David Whetstone, 'A little bit of heaven in Gateshead', Northern Review, Autumn 1994 P. Szues Julianna, 'Valodi diszletek a Varban', Nepszabadsag, Budapest, Hungary, 27 August 1994 Horanyi Attila, 'Harmincotezer agyagfigura', Magyar Narancs, Budapest, Hungary, 18 August 1994 Zsofia Horvath, 'Silent figures speak', The Budapest Sun, Budapest, Hungary, 11-17 August 1994 Author Unknown, 'An exhibit for the world', Budapest Week, Budapest,
    [Show full text]
  • Den Fenomenale Kroppen Antony Gormley Er En Av Vår Tids Absolutt Mest Betydningsfulle, Utfordrende Og Suksessfulle Kunstnere
    Den fenomenale kroppen Antony Gormley er en av vår tids absolutt mest betydningsfulle, utfordrende og suksessfulle kunstnere. Siden 1980 er skulpturene i hovedsak laget med utgangspunkt i hans egen kropp. Slik materialiserer han kreative ideer om å fornye det kunstneriske uttrykket, om ytre og indre rom, om kropp og sinn, og møter med andre og seg selv. TEKST Finn Skårderud PUBLISERT 5. juli 2011 ABSTRACT: THE PHENOMENAL BODY Antony Gormley is one of our most challenging and successful contemporary artists. Since 1980 his sculptures have been based mainly on his own body. In his radical art he materializes his creative ideas about renewing artistic expressions, about outer and inner spaces, body and mind, and emotionally meeting oneself and others. Gormley’s art powerfully evokes strong emotions in the viewer, and stimulates relection and self-examination, as well as the examination of self in relation to others, also called mentalization. This essay, which is partly based on a dialogue with Antony Gormley in his studio, presents his intentions to move away from art as representation, storytelling, drama and mimesis, towards an art based on affective exchanges. The essay also uses Gormley’s art and ideas as a stepping-stone to intellectually challenging the classical Cartesian division of mind and body. There is a particular emphasis on the body philosophy of the French phenomenologist Maurice Merleau-Ponty (190761), who replaces Descartes’ famous «Cogito ergo sum» with the notion that identity and existence is based on bodily being in the world. Mind is embodied and body is minded. Keywords: body phenomenology, biography, em bodiment, mentalization, qualitative research, Antony Gormley HVILE: Bodies at Rest I (2000).
    [Show full text]
  • Den Fenomenale Kroppen
    Fagartikkel Vitenskap og psykologi Finn Skårderud <Mesteparten av bileta er sendt med her i full storleik. Dei som er låg- Professor dr. med. Forskningssenter for barns og unges kompetanseutvikling oppløyste og litt i ei mappe for seg sjølv vil bli sende seinare måndag. Høgskolen i Lillehammer Du kan eventuelt skissa med dei vedlagte lågoppløyste. Eg har antyda i filnamnet kor store dei skal vera på trykk, 2sp = to spalter etc. På Kontakt [email protected] slutten av saka finst det bilettekstar til eit dei fleste bileta. Men nokre stadar er det nok å setta inn verktittelen. Vi gjer det i første korrek- tur, så bare sett dei inn der dei passar så lenge, så kjem tekstane ryddig frå oss.NB! Her i manus er det antyda kor henne ein del av verka pas- sar inn.Så det er sikkert lurt å ta ei utsrkift av denne og ha på sida av skjermen. Lukke til! ao> Den fenomenale kroppen Anti-Descartes. Den britiske skulptøren og billedkunstneren Antony Gormleys radikale kroppskunst. Antony Gormley er en av vår tids absolutt mest betydningsfulle, utfordrende og suksessfulle kunstnere. Siden 1980 er skulpturene i hovedsak laget med utgangspunkt i hans egen kropp. Slik materialiserer han kreative ideer om å fornye det kunstneriske uttrykket, om ytre og indre rom, om kropp og sinn, og møter med andre og seg selv. The fact that we can never ever fully know ABSTRACT the contents of another’s mind or share her true feelings. This is what makes life worth THE PHENOMENAL BODY living and art worth making! Antony Gormley is one of our most challen- stepping-stone to intellectually challenging ging and successful contemporary artists.
    [Show full text]