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Patrolling Fall 2008 75 Th Ranger Regiment Association, Inc
PATROLLING FALL 2008 75 TH RANGER REGIMENT ASSOCIATION, INC. VOLUME 23 ISSUE II Vietnamese Rangers (37 th Biet Dong Quan), and their US advisors inspect a captured NVA recoilless rifle during the battle at Khe Sanh, Tet, 1968. Trench lines were necessary due to sniper fire and constant incoming enemy rounds. Senior Advisor CPT Walter Gunn is in the forefront, Officers’ Messages ................................1-10 kneeling; SFC Willard Langdon, 4 th from right, with BDQ General ..................................11-24 & 72-80 patch. Unit Reports ........................................25-71 CHINA - BURMA - INDIA VIETNAM IRAN GRENADA PANAMA IRAQ SOMALIA AFGHANISTAN PATROLLING – FALL 2008 PATROLLING – FALL 2008 WHO WE ARE: The 75th Ranger Regiment Association, Inc., is a We have funded trips for families to visit their wounded sons and registered 501 (c) corporation, registered in the State of Georgia. We were husbands while they were in the hospital. We have purchased a learning founded in 1986 by a group of veterans of F/58, (LRP) and L/75 (Ranger). program soft ware for the son of one young Ranger who had a brain The first meeting was held on June 7, 1986, at Ft. Campbell, KY. tumor removed. The Army took care of the surgery, but no means existed OUR MISSION: to purchase the learning program. We fund the purchase of several awards 1. To identify and offer membership to all eligible 75th Infantry Rangers, for graduates of RIP and Ranger School. We have contributed to each of and members of the Long Range Reconnaissance Patrol the three Battalion’s Memorial Funds and Ranger Balls, Companies, Long Range Patrol Companies, Ranger and to the Airborne Memorial at Ft. -
J Jumpsuit Course Information & Syllabus 1
ADMINISTRATIVE OFFICES: CHICAGO, ILL. / LOS ANGELES, CALIF. / WWW.JUMPSU.IT JUMPSUIT J COURSE INFORMATION & SYLLABUS DOCUMENT: RDS . JUMPSUIT How to Make a Personal Uniform for the End of Capitalism COURSE DESCRIPTION Fashion is inherently political. We see this in the way our clothing produces social signals to ways it is bought, sold, worn, and produced. In this six-week class the Rational Dress Society, in collaboration with the Arts Research Collective (ARC), will position fashion in the context of theory and practice. Students will learn to sew a JUMPSUIT of their very own alongside lessons and discussions on topics including, Marxism, feminism, cyborgs, revolutionary dress, the environment, labor and the end of western capitalism. June 17th - July 26th Wednesday/Sunday 8:00 - 9:30 est WHAT IS THIS COURSE ABOUT? This course will be structured in two parts. In the first half, we will learn to sew JUMPSUITS using a free pattern designed by the RDS. In the second half, we will learn to design our own personal uniform, to replace all clothes in perpetuity. Alongside sewing, patternmaking and design demonstrations, RDS cofounders Abigail Glaum-Lathbury and Maura Brewer will lead a series of discussions and workshops to reimagine what a post-consumer society might look like. Together, we will turn theory into practice and form new bonds of solidarity in times of self-isolation. WHAT WILL STUDENTS LEARN? This class is designed for any individual who would like to make a JUMPSUIT regardless of prior sewing experience. Together with online workshops, supplemental instructional videos and resources, students will create a RDS monogarment from start to finish while discussing the historical and theoretical framework of our current political landscape. -
Homewear & Home Sportswear Fall Winter 2021
HOMEWEAR & HOME SPORTSWEAR FALL WINTER 2021 Winter Wonderland A visit to Chateau Pippadour is an experience not easily forgotten. I remember everything as if it were yesterday: the lavish floral wallpaper in the guest room, the carpet & the paintings. Jack and Pippadour taught me to enjoy – my family, my friends, the here and now. very November, Pippadour prepared the cas- and print on my new jumpsuit are so wonderful that tle for the upcoming winter. There was to be I can wear it in town – and I’m even considering wearing no more gardening until spring. And since she it for Christmas dinner. would be indoors much more in winter, she brought the outdoors in. She hung extra cur- Now that the outdoor season is coming to an end, I’m Etains in front of the bedroom windows. And the down spending a lot more time in the kitchen. I’m making mash duvets were covered in sheets in the colours of the pots and stews. And, in the afternoon, I’m enjoying roast- garden and woods, featuring the same patterns as her ed chestnuts, baked pears with cinnamon and apple pie wallpaper as well as cranes. Pippadour admired cranes with nuts. So my home smells just as festive as it looks. for their strength and grace. And especially their legend: I’ve now also found the perfect recipe for crème brûlée. fold a thousand paper cranes and your heart’s desire will In my brand-new sports outfit, I manage to find the right come true. In a nutshell, cranes were her lucky charms. -
(#) Indicates That This Book Is Available As Ebook Or E
ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
A Plantation Family Wardrobe, 1825 - 1835
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868. -
De L'autre Coté Du Periph': Les Lieux De L'identité Dans Le Roman Feminin
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 De l'Autre Coté du Periph': Les Lieux de l'Identité dans le Roman Feminin de Banlieue en France Mame Fatou Niang Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation Niang, Mame Fatou, "De l'Autre Coté du Periph': Les Lieux de l'Identité dans le Roman Feminin de Banlieue en France" (2012). LSU Doctoral Dissertations. 1740. https://digitalcommons.lsu.edu/gradschool_dissertations/1740 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DE L’AUTRE COTÉ DU PERIPH’ : LES LIEUX DE L’IDENTITÉ DANS LE ROMAN FEMININ DE BANLIEUE EN FRANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of French Studies by Mame Fatou Niang Licence, Université Lyon 2 – 2005 Master 2, Université Lyon 2 –2008 August 2012 A Lissa ii REMERCIEMENTS Cette thèse n’aurait pu voir le jour sans le soutien de mon directeur de thèse Dr. Pius Ngandu Nkashama. Vos conseils et votre sourire en toute occasion ont été un véritable moteur. Merci pour toutes ces fois où je suis arrivée dans votre bureau sans rendez-vous, en vous demandant si vous aviez « 2 secondes » avant de m’engager dans des questions sans fin. -
May 14, 2019 Augusta Auction Company Sturbridge, Mass
MAY 14, 2019 AUGUSTA AUCTION COMPANY STURBRIDGE, MASS LOT# EMBROIDERED FUCHSIA WOMENS ROBE, CHINA Silk satin w/ hand embroidered phoenix & flower blossoms, embroidered turquoise trim 1001 bands, Cuff-Cuff 68”, L 45”, (sun fading, back stains, cuff torn, left slit tear, collar worn, thread pulls) fair; t/w 1 cream silk robe w/ metallic gold & white silk embroidered dragon, exellent. LOT# GOLD BROCADE BUSTLE DRESS, 1870s 2-piece tone on tone brocade w/ cream satin bow & silk fringe trim, B 32”, W 22.5”, Skt L 41'- 1002 66”, (stains to B & skirt train, detached sleeve, lace cuff & front lace hem, tear on cuffs, missing 1 button) very good. LOT# TWO EMBELLISHED BLACK GOWNS, 1940s 1 silk faille w/ black net & colorful floral applique band to skirt B 38”, W 32”, L 60”, (small 1003 holes at CFB, lower skirt, back hem & knee, 2” hole to net); 1 black evening sheath w/ colorful felt bands on sleeves & hem, B 36”, W 28”, H 36”, L 65”, small moth holes to felt stripe, alteration to sleeves & hem, rough edges at CF neck) both fair. LOT# NAVY BLUE SWIM OR GYM SUIT, c. 1900 Navy cotton 2-piece bathing suit w/ detachable skirt & white trim, W 23”, Ins 16”, L 40”, Skt L 1004 27”, (knees worn & faded) very good; t/w 1 red cotton jumpsuit w/ white cotton trim. LOT# THREE BEADED FLAPPER DRESSES 1 turquoise silk w/ silver & white beaded designs, labeled "Franklin Simon, Made in France", B 1005 40", H 35", L 50"; 1 pale yellow w/ crystal & white beads, B 34", H 35", L 38"; 1 black chiffon w/ spiderweb, butterfly & floral beading, B 34", H 38", L 49", (all w/ holes, stains & bead loss) all 3 poor. -
Le Cuir Des Héros" Raconte La Fabuleuse Histoire Des Blousons De Cuir
© 1987 - PRESSE OFFICE - ÉDITIONS FILIPACCHI 63, avenue des Champs-Elysées 75008 PARIS Toute reproduction, même partielle, de cet ouvrage est interdite sans l'autorisation préalable et écrite de l'éditeur. ISBN 2 85018 464 0. Numéro d'éditeur : 1174. Dépôt légal : 4e trimestre 1987. Imprimé en Italie par G. Canale & C. S.p.A. Turin GILLES LHOTE LE CUIR ©ES HEROS filipacchi 10 82 BLOUSONS BLUES STARS Il était une fois les blousons Le blouson est leur uniforme favori 12 104 ARMY BOOK L'épopée du cuir aviateur Les meilleures images à travers les guerres des photographes d'agence 26 124 00 WEST L'ÉTOFFE DES HÉROS La ruée vers les blousons La grande saga des premiers cow-boys des blousons "sportswear" 36 126 REBEL ROCK HISTORIQUE Tout a démarré avec "L'équipée sauvage" Le "Ike" d'Eisenhower et Marlon Brando 128 48 TEDDY HOLLYWOOD Les "Teddy Boys" Le mythe du blouson-culte rois des années 50 70 134 DAYTONA FUN La concentration de cuir noir Les blousons du surf la plus infernale et du funboard 60 146 LES IIMUST" LES BONS PLANS Les plus grands fabricants Les meilleures adresses du globe "Le cuir des héros" raconte la fabuleuse histoire des blousons de cuir. Inventés en 1930 par les aviateurs U.s., les légendaires "Flying Jackets" et "Bombardiers" vont révolutionner la mode et envahir le monde. En 1935, les premiers blousons de motards et ceux des Hell's Angels stupéfient l'Amérique et c'est "L'équipée sauvage"... Les y Perfecto, Harley Davidson et Bucco-Product vont devenir l'uniforme des "rebelles" des années 50 : Marlon Brando, James Dean, Elvis Presley et tous les rockers. -
Olcc Recreational Marijuana Program Approved Packaging List
OLCC RECREATIONAL MARIJUANA PROGRAM APPROVED PACKAGING LIST PACKAGES APPROVED FOR USE BUT REQUIRE AN EXIT PACKAGE The packages listed below must be placed in an exit package at the point of sale. Product ID # Business Name Package Title Package Description Sold in Package 2076 3 D BLUEBERRY Private Reserve The package is a 2 5/8" x 3 1/12" Usable FARMS, INC. Cannabis Pre-Roll box with our brand and logo on the Marijuana packaging front in gold foil. The background is flat black with small cannabis leaves and its sealed by a clear sticker on the lid of the box. 1107 3Littlebirds, LLC Bobby's Bodacious Buds Mylar gusset bag Usable Marijuana 1108 3Littlebirds, LLC 3 Little Birds Usable Mj Mylar Gusset Bag Usable Bag Marijuana 8 420 Pharm LLC Transcendental Box containing holder for oil Concentrate Medication cartridge, cart inself & card insert 15 4964 BFH, LLC Starter Kit Pocket-sized sliding box. Usable Marijuana 1262 Ablis LLC 12 oz bottle 12 oz crown cap bottle Edible 213 Advanced Extracts Advanced Extracts BHO Sturdy cardboard slip that holds Extract Black Label/White cannabis extract. Label. 1679 AIRA LABS LLC Diamond Concentrates Cardboard box containing foam Concentrate - Distillate - Dab matte which holds secured glass syringe filled with ODA hemp distillate 1921 AIRA LABS LLC CBD Delta Vape Cardboard box containing secured Concentrate vape cartridge filled with ODA hemp distillate 1922 AIRA LABS LLC CBD Delta Concentrate Cardboard box containing secured Concentrate glass syringe filled with ODA hemp distillate 217 ANM Inc. Hush Bho small mylar bag Extract 218 ANM Inc. -
People, Objects, and Anxiety in Thirties British Fiction Emily O'keefe Loyola University Chicago
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loyola eCommons Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction Emily O'Keefe Loyola University Chicago Recommended Citation O'Keefe, Emily, "The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction" (2012). Dissertations. Paper 374. http://ecommons.luc.edu/luc_diss/374 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2012 Emily O'keefe LOYOLA UNIVERSITY CHICAGO THE THINGS THAT REMAIN: PEOPLE, OBJECTS, AND ANXIETY IN THIRTIES BRITISH FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY EMILY O‘KEEFE CHICAGO, ILLINOIS AUGUST 2012 Copyright by Emily O‘Keefe, 2012 All rights reserved. ACKNOWLEDGEMENTS Thank you to Joyce Wexler, who initially inspired me to look beyond symbolism to find new ways of engaging with material things in texts. Her perceptive readings of several versions of these chapters guided and encouraged me. To Pamela Caughie, who urged me to consider new and fascinating questions about theory and periodization along the way, and who was always ready to offer practical guidance. To David Chinitz, whose thorough and detailed comments helped me to find just the right words to frame my argument. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000