DOCSLIB.ORG

Copy of Costume Inventory 2010 (002)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copy of Costume Inventory 2010 (002) DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 1 2 3 4 5 LINE NUMBER 6 7 8 ANIMALS 33 9 INSECTS 407 10 SLEEPERS 434 11 MECHANIC TYPE SLEEPERS 452 12 BIRDS 471 13 FLOWERS 573 14 CHARACTERS 668 15 NATIONALITY 1369 16 DRESSES AND PERIOD 2113 17 SKIRTS 2396 18 ROBES AND TUNICS 2520 19 BLOUSES AND SHIRTS 2610 20 SHORTS AND PANTS 2907 21 VESTS 3094 22 JACKETS AND BOLEROS 3160 23 WOMENS AND MENS SUITS AND TUXEDOS 3303 24 UNIFORMS 3331 25 PROPS AND ACCESSORIES 3524 26 CAPS AND HATS 4059 27 CAPES 4401 28 NIGHTGOWNS AND PAJAMAS 4496 29 UNDERGARMENTS 4533 30 CHOIR SHIRTS AND ROBES 4573 31 32 33 34 Quantity 35 Badger: Grade 3-4 10 36 Gray sleeper type jumpsuit with attached open faced head. Brown 37 stripe trimmed in orange running down head and back to attached DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 38 tail. 39 Bears: Grades 1-6 14 40 BLACK BEAR: 41 Open faced head with eyes and ears. To be used with black 42 sleeper type jumpsuit. 43 BROWN BEAR: 44 44 Open faced head with eyes and ears. To be used with brown 45 sleeper type jumpsuit. 46 PANDA BEAR: Length from back of neck to crotch seam 25"-31" 27 47 Open faced head with black eyes and ears. Sleeper type jumpsuit 48 with black sleeves and legs. Head only: 3 49 POLAR BEAR: 61 50 Open faced head with blue eyes and white ears. To be used with 51 white sleeper type jumpsuit 52 TEDDY BEAR: Length from back of neck to crotch seam 24"-31" 31 53 Open faced head with eyes and ears. Sleeper type jumpsuit 54 brown with orange front 55 Options for bears: Panda bear-black and white checked skirt. Black 56 and white checked bow for Mr. Panda. Skirt for Mrs. Teddy and bow 57 tie for Mr. Teddy. 58 Big Horned Sheep: 11 59 Grade 3-6 60 Length from back of neck to crotch seam 26"-30" 61 Tan jumper type sleeper with attached tail. Detached head with 62 horns attached. Sleeper suit only: 13 63 Black Bug: 7 64 Grades 3-4 65 Long cut-away black tailcoat. With orange inset attached vest. Worn 66 with black pants and black beanie style cap with flourescent antennae 67 and elastic under chin. 68 Antennae cap only: 41 without antennae: 10 69 Bull: 70 Grade 3-6 71 Two person. Rope tail. One size. Colors of Black, Brown, Tan or Orange. 72 Bull shaped head. 73 Two person. Rope tail. One size. Cream with black spots. 74 Bull shaped head. 75 Black /red lamay helmet shaped hat. 1 DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 76 Cats: 77 Grade 1-6 78 BLACK CAT: 18 79 Length from back of neck to crotch seam 25"-32" 80 One piece black jumper type sleeper with helmet style head with orange 81 lined ears attached. Orange lined tie to hold head in place. Attached tail. 82 Head only: 47 83 PINK GINGHAM CAT: 12 84 Length from back of neck to crotch seam 23"-31" 85 One piece pink and white checked jumper type sleeper with helmet type 86 head with ears lined in red attached. Black whiskers. Tail attached. 87 Head only: 4 88 Pink unattached head. Ears lined with black. Black whiskers. To be 70 89 worn with pink jumper type sleeper. Unattached long black tail. 90 Options for pink cat: Black bow tie for boy. Pink tu-tu for girl. 91 TAN CAT: Size 4-6 92 Faux fur attached head and tail. (Donation) 2 93 EARS AND TAILS: 94 Headband with black ears and nose attached 1 95 Head band with ears attached. Black, or Black and whi (faux fur) 14 96 Headband with ears attached and matching tail / 4 brown, 4 white, 4 black 12 97 MISCELLANEOUS CAT ITEMS: 98 Brown faux fur 3'-0" long tail 1 99 Black faux fur suit with matching gloves / can be used for cat, jaguar or dog 1 100 Size: Adult 101 Brown faux fur suit / can be used for cat or dog. Size: Adult 1 102 Navy blue patched flannel sleeper with attached tail, helmet shaped head. 1 103 Size: Adult 104 Chipmunk: 53 105 Grade 1-6 106 Length from back of neck to crotch seam 25"-31" 107 Tan and beige jumper type sleeper with open face head and tail 108 attached. Head only: 3 (can be used for squirrel also) 109 Cow: 110 Grade 1-2 111 Length from back of neck to crotch seam 26" 112 Brown or white jumper type sleeper. Black spots on back. 3 113 Detached open face head and tail. DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 114 Black and white cow print material: Skirt with matching vest 4 115 and tail. 116 Black and white print ear with horns headband and matching tail 10 sets 117 Deer: 118 Grade 1-6 119 Length from back of neck to crotch seam 24"-31" 120 Brown jumper type sleeper. Unattached head with antlers. Spots 52 121 of yellow on back. Pom pom tail. 122 Brown reindeer headband with bells on antlers (1 has christmas light orname 3 123 White reindeer headband with bells on antlers 2 124 Red and Green Reindeer antlers headband 10 125 Antler with twinkling lights headband 3 126 Red baseball cap with antlers attached 3 127 Doe or Fawn: 128 Grade 1-4 129 Length from back of neck to crotch seam 25"-28" 130 Tan jumper type sleeper with attached head. Saddle of darker 18 131 color with lighter spots. Pom pom tail. 132 Dog: 133 Grade 1-6 134 CALICO DOG: Length from back of neck to crotch seam 23"-30" 28 135 Blue check jumper type sleeper. Cap head attached ties under chin. 136 Black cuffs and lower legs. 137 HOUND DOG: 138 Length from back of neck to crotch seam 22"-29" 139 Yellow, brown and green or red, white and gray jumper type sleeper. 10 140 Open face head with floppy brown or gray ears. 141 Options for hound dog: Closed face with long nose. 2 142 POODLE: 143 Length from back of neck to crotch seam 25"-30" 144 Large blue and white checked jumpsuit type sleeper. Attached head 15 145 with white yarn covered floppy ears. A tuft of yarn on top of head. 146 Black cuffs and lower legs. 147 SNOOPY: 8 148 White open face with floppy black ears. To be worn with white 149 jumper type sleeper. 150 MISCELLANEOUS DOG ITEMS: 151 Brown headband with floppy ears 6 DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 152 Brown chihuahua ear headband 7 153 Plush floppy eared dog headband with extended nose 1 154 Scooby Doo Bib 5 155 Plush dog costume. 1 Size child L/XL / 1 size Adult M/L 2 156 Donkey: 157 Grade 1-6 158 Length from back of neck to crotch seam 26"-32" 159 Gray jumper type sleeper with tail attached. Detached open face with 8 160 tuft of black yarn on top. 161 Two person: Grade 4-6 162 Gray or Brown Blanket type covering. Head attached to body. Trimmed 163 with red bridle and blinders. Pants to match body. 164 MISCELLANEOUS DONKEY ITEMS; 165 Gray donkey ear headband (3 with tail and nose piece) 4 166 Brown donkey ear headband 1 167 Dragon: 168 Dark burgundy plush. Size 7-8 1 169 Elephant: 170 Grade 1-6 171 GRAY ELEPHANT: 15 172 Length from back of neck to crotch seam 24"-31" 173 Gray jumpsuit type sleeper with attached tail. Detached open face, 174 ears and trunk lined in pink. Only 3 heads. 175 PINK ELEPHANT: 176 Detached open face. Ears and trunk lined with lavender. 49 177 To be worn with pink jumpsuit type sleeper. 178 Front feet pink round circles to fit over hands with red toenails. 179 Back feet to be worn without shoes. Red toenails. Elastic at ankle. 180 Optional: pink tu-tu: 181 Grade 1-3 182 LAVENEDER ELEPHANT: 13 183 Length from back of neck to crotch seam 24"-26" 184 Lavender jumpsuit type sleeper with attached tail. Detached open 185 face. Ears and trunk lined with pink. 4 suits without head. 186 MISCELLANEOUS ELEPHANT ITEMS: 187 Gray faux fur body suit with attached head. Size 4-6 (Donation) 1 188 Elephant cloth face mask (open mouth only) 1 189 Elephant head with plastic eyes (sits on head) with trunk 6 DENVER PUBLIC SCHOOLS COSTUME DEPARTMENT ABCDEFGHIJ 190 Felt elephant helmet shaped head (2 gray, 2 white, 1 majenta) 5 191 Gray plastic rubber elephant trunk (6") 5 192 Fish: 6 193 Grade 1-4 194 Length from back of neck to crotch seam: 26"-28" 195 Print with various colors. Ruffle representing fin down back. 196 Open face. Attaches at chin. Head only: 9 197 FISH HATS: 35 198 Tail and fins of plain satin. Multi-color body. 199 elastic under chin. 200 Fox, red: 24 201 Grade 1-6 202 Length from back of neck to crotch seam 25"-30" 203 Brown and rust jumpsuit type sleeper. Rows of fringe down back to 204 represent fur. Open face. Head and tail attached. 205 Frog: 16 206 Grade 3-5 207 Length from back of neck to crotch seam 24"-31" 208 Green jumpsuit type sleeper with 3" flourescent stripes down front 209 of legs. Detached head with neck ruffle and big eyes. Heads only: 2 210 Giraffe: 211 Brown and yellow print ear headband with matching tail.
Load more

Recommended publications
  • Patrolling Fall 2008 75 Th Ranger Regiment Association, Inc
    PATROLLING FALL 2008 75 TH RANGER REGIMENT ASSOCIATION, INC. VOLUME 23 ISSUE II Vietnamese Rangers (37 th Biet Dong Quan), and their US advisors inspect a captured NVA recoilless rifle during the battle at Khe Sanh, Tet, 1968. Trench lines were necessary due to sniper fire and constant incoming enemy rounds. Senior Advisor CPT Walter Gunn is in the forefront, Officers’ Messages ................................1-10 kneeling; SFC Willard Langdon, 4 th from right, with BDQ General ..................................11-24 & 72-80 patch. Unit Reports ........................................25-71 CHINA - BURMA - INDIA VIETNAM IRAN GRENADA PANAMA IRAQ SOMALIA AFGHANISTAN PATROLLING – FALL 2008 PATROLLING – FALL 2008 WHO WE ARE: The 75th Ranger Regiment Association, Inc., is a We have funded trips for families to visit their wounded sons and registered 501 (c) corporation, registered in the State of Georgia. We were husbands while they were in the hospital. We have purchased a learning founded in 1986 by a group of veterans of F/58, (LRP) and L/75 (Ranger). program soft ware for the son of one young Ranger who had a brain The first meeting was held on June 7, 1986, at Ft. Campbell, KY. tumor removed. The Army took care of the surgery, but no means existed OUR MISSION: to purchase the learning program. We fund the purchase of several awards 1. To identify and offer membership to all eligible 75th Infantry Rangers, for graduates of RIP and Ranger School. We have contributed to each of and members of the Long Range Reconnaissance Patrol the three Battalion’s Memorial Funds and Ranger Balls, Companies, Long Range Patrol Companies, Ranger and to the Airborne Memorial at Ft.
    [Show full text]
  • J Jumpsuit Course Information & Syllabus 1
    ADMINISTRATIVE OFFICES: CHICAGO, ILL. / LOS ANGELES, CALIF. / WWW.JUMPSU.IT JUMPSUIT J COURSE INFORMATION & SYLLABUS DOCUMENT: RDS . JUMPSUIT How to Make a Personal Uniform for the End of Capitalism COURSE DESCRIPTION Fashion is inherently political. We see this in the way our clothing produces social signals to ways it is bought, sold, worn, and produced. In this six-week class the Rational Dress Society, in collaboration with the Arts Research Collective (ARC), will position fashion in the context of theory and practice. Students will learn to sew a JUMPSUIT of their very own alongside lessons and discussions on topics including, Marxism, feminism, cyborgs, revolutionary dress, the environment, labor and the end of western capitalism. June 17th - July 26th Wednesday/Sunday 8:00 - 9:30 est WHAT IS THIS COURSE ABOUT? This course will be structured in two parts. In the first half, we will learn to sew JUMPSUITS using a free pattern designed by the RDS. In the second half, we will learn to design our own personal uniform, to replace all clothes in perpetuity. Alongside sewing, patternmaking and design demonstrations, RDS cofounders Abigail Glaum-Lathbury and Maura Brewer will lead a series of discussions and workshops to reimagine what a post-consumer society might look like. Together, we will turn theory into practice and form new bonds of solidarity in times of self-isolation. WHAT WILL STUDENTS LEARN? This class is designed for any individual who would like to make a JUMPSUIT regardless of prior sewing experience. Together with online workshops, supplemental instructional videos and resources, students will create a RDS monogarment from start to finish while discussing the historical and theoretical framework of our current political landscape.
    [Show full text]
  • Homewear & Home Sportswear Fall Winter 2021
    HOMEWEAR & HOME SPORTSWEAR FALL WINTER 2021 Winter Wonderland A visit to Chateau Pippadour is an experience not easily forgotten. I remember everything as if it were yesterday: the lavish floral wallpaper in the guest room, the carpet & the paintings. Jack and Pippadour taught me to enjoy – my family, my friends, the here and now. very November, Pippadour prepared the cas- and print on my new jumpsuit are so wonderful that tle for the upcoming winter. There was to be I can wear it in town – and I’m even considering wearing no more gardening until spring. And since she it for Christmas dinner. would be indoors much more in winter, she brought the outdoors in. She hung extra cur- Now that the outdoor season is coming to an end, I’m Etains in front of the bedroom windows. And the down spending a lot more time in the kitchen. I’m making mash duvets were covered in sheets in the colours of the pots and stews. And, in the afternoon, I’m enjoying roast- garden and woods, featuring the same patterns as her ed chestnuts, baked pears with cinnamon and apple pie wallpaper as well as cranes. Pippadour admired cranes with nuts. So my home smells just as festive as it looks. for their strength and grace. And especially their legend: I’ve now also found the perfect recipe for crème brûlée. fold a thousand paper cranes and your heart’s desire will In my brand-new sports outfit, I manage to find the right come true. In a nutshell, cranes were her lucky charms.
    [Show full text]
  • (#) Indicates That This Book Is Available As Ebook Or E
    ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3.
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • A Plantation Family Wardrobe, 1825 - 1835
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868.
    [Show full text]
  • De L'autre Coté Du Periph': Les Lieux De L'identité Dans Le Roman Feminin
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 De l'Autre Coté du Periph': Les Lieux de l'Identité dans le Roman Feminin de Banlieue en France Mame Fatou Niang Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation Niang, Mame Fatou, "De l'Autre Coté du Periph': Les Lieux de l'Identité dans le Roman Feminin de Banlieue en France" (2012). LSU Doctoral Dissertations. 1740. https://digitalcommons.lsu.edu/gradschool_dissertations/1740 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DE L’AUTRE COTÉ DU PERIPH’ : LES LIEUX DE L’IDENTITÉ DANS LE ROMAN FEMININ DE BANLIEUE EN FRANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of French Studies by Mame Fatou Niang Licence, Université Lyon 2 – 2005 Master 2, Université Lyon 2 –2008 August 2012 A Lissa ii REMERCIEMENTS Cette thèse n’aurait pu voir le jour sans le soutien de mon directeur de thèse Dr. Pius Ngandu Nkashama. Vos conseils et votre sourire en toute occasion ont été un véritable moteur. Merci pour toutes ces fois où je suis arrivée dans votre bureau sans rendez-vous, en vous demandant si vous aviez « 2 secondes » avant de m’engager dans des questions sans fin.
    [Show full text]
  • May 14, 2019 Augusta Auction Company Sturbridge, Mass
    MAY 14, 2019 AUGUSTA AUCTION COMPANY STURBRIDGE, MASS LOT# EMBROIDERED FUCHSIA WOMENS ROBE, CHINA Silk satin w/ hand embroidered phoenix & flower blossoms, embroidered turquoise trim 1001 bands, Cuff-Cuff 68”, L 45”, (sun fading, back stains, cuff torn, left slit tear, collar worn, thread pulls) fair; t/w 1 cream silk robe w/ metallic gold & white silk embroidered dragon, exellent. LOT# GOLD BROCADE BUSTLE DRESS, 1870s 2-piece tone on tone brocade w/ cream satin bow & silk fringe trim, B 32”, W 22.5”, Skt L 41'- 1002 66”, (stains to B & skirt train, detached sleeve, lace cuff & front lace hem, tear on cuffs, missing 1 button) very good. LOT# TWO EMBELLISHED BLACK GOWNS, 1940s 1 silk faille w/ black net & colorful floral applique band to skirt B 38”, W 32”, L 60”, (small 1003 holes at CFB, lower skirt, back hem & knee, 2” hole to net); 1 black evening sheath w/ colorful felt bands on sleeves & hem, B 36”, W 28”, H 36”, L 65”, small moth holes to felt stripe, alteration to sleeves & hem, rough edges at CF neck) both fair. LOT# NAVY BLUE SWIM OR GYM SUIT, c. 1900 Navy cotton 2-piece bathing suit w/ detachable skirt & white trim, W 23”, Ins 16”, L 40”, Skt L 1004 27”, (knees worn & faded) very good; t/w 1 red cotton jumpsuit w/ white cotton trim. LOT# THREE BEADED FLAPPER DRESSES 1 turquoise silk w/ silver & white beaded designs, labeled "Franklin Simon, Made in France", B 1005 40", H 35", L 50"; 1 pale yellow w/ crystal & white beads, B 34", H 35", L 38"; 1 black chiffon w/ spiderweb, butterfly & floral beading, B 34", H 38", L 49", (all w/ holes, stains & bead loss) all 3 poor.
    [Show full text]
  • Le Cuir Des Héros" Raconte La Fabuleuse Histoire Des Blousons De Cuir
    © 1987 - PRESSE OFFICE - ÉDITIONS FILIPACCHI 63, avenue des Champs-Elysées 75008 PARIS Toute reproduction, même partielle, de cet ouvrage est interdite sans l'autorisation préalable et écrite de l'éditeur. ISBN 2 85018 464 0. Numéro d'éditeur : 1174. Dépôt légal : 4e trimestre 1987. Imprimé en Italie par G. Canale & C. S.p.A. Turin GILLES LHOTE LE CUIR ©ES HEROS filipacchi 10 82 BLOUSONS BLUES STARS Il était une fois les blousons Le blouson est leur uniforme favori 12 104 ARMY BOOK L'épopée du cuir aviateur Les meilleures images à travers les guerres des photographes d'agence 26 124 00 WEST L'ÉTOFFE DES HÉROS La ruée vers les blousons La grande saga des premiers cow-boys des blousons "sportswear" 36 126 REBEL ROCK HISTORIQUE Tout a démarré avec "L'équipée sauvage" Le "Ike" d'Eisenhower et Marlon Brando 128 48 TEDDY HOLLYWOOD Les "Teddy Boys" Le mythe du blouson-culte rois des années 50 70 134 DAYTONA FUN La concentration de cuir noir Les blousons du surf la plus infernale et du funboard 60 146 LES IIMUST" LES BONS PLANS Les plus grands fabricants Les meilleures adresses du globe "Le cuir des héros" raconte la fabuleuse histoire des blousons de cuir. Inventés en 1930 par les aviateurs U.s., les légendaires "Flying Jackets" et "Bombardiers" vont révolutionner la mode et envahir le monde. En 1935, les premiers blousons de motards et ceux des Hell's Angels stupéfient l'Amérique et c'est "L'équipée sauvage"... Les y Perfecto, Harley Davidson et Bucco-Product vont devenir l'uniforme des "rebelles" des années 50 : Marlon Brando, James Dean, Elvis Presley et tous les rockers.
    [Show full text]
  • Olcc Recreational Marijuana Program Approved Packaging List
    OLCC RECREATIONAL MARIJUANA PROGRAM APPROVED PACKAGING LIST PACKAGES APPROVED FOR USE BUT REQUIRE AN EXIT PACKAGE The packages listed below must be placed in an exit package at the point of sale. Product ID # Business Name Package Title Package Description Sold in Package 2076 3 D BLUEBERRY Private Reserve The package is a 2 5/8" x 3 1/12" Usable FARMS, INC. Cannabis Pre-Roll box with our brand and logo on the Marijuana packaging front in gold foil. The background is flat black with small cannabis leaves and its sealed by a clear sticker on the lid of the box. 1107 3Littlebirds, LLC Bobby's Bodacious Buds Mylar gusset bag Usable Marijuana 1108 3Littlebirds, LLC 3 Little Birds Usable Mj Mylar Gusset Bag Usable Bag Marijuana 8 420 Pharm LLC Transcendental Box containing holder for oil Concentrate Medication cartridge, cart inself & card insert 15 4964 BFH, LLC Starter Kit Pocket-sized sliding box. Usable Marijuana 1262 Ablis LLC 12 oz bottle 12 oz crown cap bottle Edible 213 Advanced Extracts Advanced Extracts BHO Sturdy cardboard slip that holds Extract Black Label/White cannabis extract. Label. 1679 AIRA LABS LLC Diamond Concentrates Cardboard box containing foam Concentrate - Distillate - Dab matte which holds secured glass syringe filled with ODA hemp distillate 1921 AIRA LABS LLC CBD Delta Vape Cardboard box containing secured Concentrate vape cartridge filled with ODA hemp distillate 1922 AIRA LABS LLC CBD Delta Concentrate Cardboard box containing secured Concentrate glass syringe filled with ODA hemp distillate 217 ANM Inc. Hush Bho small mylar bag Extract 218 ANM Inc.
    [Show full text]
  • People, Objects, and Anxiety in Thirties British Fiction Emily O'keefe Loyola University Chicago
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loyola eCommons Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2012 The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction Emily O'Keefe Loyola University Chicago Recommended Citation O'Keefe, Emily, "The Things That Remain: People, Objects, and Anxiety in Thirties British Fiction" (2012). Dissertations. Paper 374. http://ecommons.luc.edu/luc_diss/374 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2012 Emily O'keefe LOYOLA UNIVERSITY CHICAGO THE THINGS THAT REMAIN: PEOPLE, OBJECTS, AND ANXIETY IN THIRTIES BRITISH FICTION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY EMILY O‘KEEFE CHICAGO, ILLINOIS AUGUST 2012 Copyright by Emily O‘Keefe, 2012 All rights reserved. ACKNOWLEDGEMENTS Thank you to Joyce Wexler, who initially inspired me to look beyond symbolism to find new ways of engaging with material things in texts. Her perceptive readings of several versions of these chapters guided and encouraged me. To Pamela Caughie, who urged me to consider new and fascinating questions about theory and periodization along the way, and who was always ready to offer practical guidance. To David Chinitz, whose thorough and detailed comments helped me to find just the right words to frame my argument.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]