Republican Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The Chichester Festival Theatre Productions YOUNG CHEKHOV
The Chichester Festival Theatre productions YOUNG CHEKHOV Olivier Theatre Previews from 14 July, press day 3 August, booking until 3 September with further performances to be announced. The YOUNG CHEKHOV trilogy opened to overwhelming acclaim at Chichester Festival Theatre last year. The company now come to the National, offering a unique chance to explore the birth of a revolutionary dramatic voice. The production is directed by Jonathan Kent, with set designs by Tom Pye, costumes by Emma Ryott, lighting by Mark Henderson, music by Jonathan Dove, sound by Paul Groothuis and fight direction by Paul Benzing. Performed by one ensemble of actors, each play can be seen as a single performance over different days or as a thrilling all-day theatrical experience. Cast includes Emma Amos, Pip Carter, Anna Chancellor, Jonathan Coy, Mark Donald, Peter Egan, Col Farrell, Beverley Klein, Adrian Lukis, Des McAleer, James McArdle, Mark Penfold, Nina Sosanya, Geoffrey Streatfeild, Sarah Twomey, David Verrey, Olivia Vinall and Jade Williams. David Hare has written over thirty original plays, including The Power of Yes, Gethsemane, Stuff Happens, The Permanent Way (a co-production with Out of Joint), Amy’s View, Skylight, The Secret Rapture, The Absence of War, Murmuring Judges, Racing Demon, Pravda (written with Howard Brenton) and Plenty for the National Theatre. His other work includes South Downs (Chichester Festival Theatre and West End), The Judas Kiss (Hampstead and West End) and The Moderate Soprano (Hampstead). His adaptations include Behind the Beautiful Forevers and The House of Bernarda Alba at the NT, The Blue Room (Donmar and Broadway) and The Master Builder (The Old Vic). -
Pharoah Sanders Tauhid Mp3, Flac, Wma
Pharoah Sanders Tauhid mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Tauhid Country: US Style: Free Jazz MP3 version RAR size: 1857 mb FLAC version RAR size: 1425 mb WMA version RAR size: 1420 mb Rating: 4.2 Votes: 437 Other Formats: AHX AC3 WMA MMF RA APE VOC Tracklist Hide Credits Upper Egypt & Lower Egypt A 17:00 Written-By – Pharoah Sanders Japan B1 3:29 Written-By – Pharoah Sanders Aum / Venus / Capricorn Rising B2 14:52 Written-By – Pharoah Sanders Companies, etc. Made By – ABC Records, Inc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Published By – Pamco Music Published By – PAB Music Corp. Credits Bass – Henry Grimes Design [Cover] – Robert Flynn Design [Liner] – Joe Lebow Drums – Roger Blank Engineer – Rudy Van Gelder Guitar – Warren "Sonny" Sharrock* Liner Notes – Nat Hentoff Percussion – Nat Bettis Photography By – Charles Stewart* Piano – Dave Burrell Producer – Bob Thiele Tenor Saxophone, Alto Saxophone, Piccolo Flute, Vocals – Pharoah Sanders Notes rec Englewood Cliffs, NJ, Van Gelder Recording Studio 11/15/66 Most probably a 70ies release. Green/plum ABC/Impulse! label. Barcode and Other Identifiers Matrix / Runout (Runout Side A): AS-9138-A 1 B T Matrix / Runout (Runout Side B): AS-9138-B 2 B T Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Pharoah Tauhid (LP, Album, AS-9138 Impulse! AS-9138 US 1967 Sanders Gat) Pharoah Tauhid (CD, Album, GRD-129 GRP, Impulse! GRD-129 US Unknown Sanders RE, RM) Pharoah Tauhid (CD, Album, GRP 11292 GRP, Impulse! -
The National Curriculum in England Framework Document
This official document from Department for Education has been annotated by the Education Team at the South Downs National Park to help Teachers and Learning Providers to use the special qualities of the area to bring learning alive and engage learners in their local environment. This is a working document with live links to useful resources and locations. We are always looking for innovative ideas... Please contact us if you would like to share ideas and showcase them here and on our Learning Zone. The national curriculum in England Framework document September 2013 Annotations updated August 2014 Annotated by the South Downs National Park Education Team to help bring learning to life in the local environment. Version 0-9, August 2014 National Parks National Parks are recognised as landscapes of exceptional beauty, fashioned by nature and the communities which live in them. The National Parks and Access to the Countryside Act 1949 enabled the creation of the National Parks, and ensures that our most beautiful and unique landscapes have been, and will continue to be, protected in the future. South Downs Special Qualities The purposes of National Parks are to: 1. Diverse, inspirational landscapes - conserve and enhance the natural beauty, wildlife and cultural and breath taking views heritage of the area and, 2. A rich variety of wildlife and - promote opportunities for the understanding and enjoyment of the habitats including rare and special qualities of the National Park by the public. internationally important species Working in partnership with other Local Authorities and organisations, 3. Tranquil and unspoilt places National Park Authorities also have a duty to seek to foster the economic and social-well being of communities within the Park in carrying out the purposes. -
Pharoah Sanders, Straight-Ahead and Avant-Garde
Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz. -
Critical Discourse Analysis
RADAR Research Archive and Digital Asset Repository Meaning(s) in “Sustainable Tourism”: A Social Semiotic Approach Nadezda Sorokina (2013) https://radar.brookes.ac.uk/radar/items/3071a82d-9028-429d-ac4e-75e9dd030711/1/ Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, the full bibliographic details must be given as follows: Sorokina, N (2013) Meaning(s) in “Sustainable Tourism”: A Social Semiotic Approach PhD, Oxford Brookes University WWW.BROOKES.AC.UK/GO/RADAR Meaning(s) in “Sustainable Tourism”: A Social Semiotic Approach Nadezda Sorokina A thesis submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy Length: 99781 Faculty of Business Oxford Brookes University May 2013 Abstract It can be argued that ”sustainable tourism” is considered to be a solution for ensuring the industry’s long-term survival. However, the concept of “sustainable tourism” is contested. A key issue is a lack of consensus in how stakeholders define “sustainable tourism”, and this creates communication challenges when different stakeholders discuss the concept. Within the field of sustainable tourism, there is limited literature on the meanings that stakeholder groups attribute to the concept of “sustainable tourism”. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Judas Kiss Directed by Michael Michetti
Contact: Niki Blumberg, Tim Choy 323-954-7510 [email protected], [email protected] Boston Court Pasadena presents David Hare’s The Judas Kiss Directed by Michael Michetti February 15 – March 24 Press Opening: February 23 2019 Theatre Season Sponsored by the S. Mark Taper Foundation PASADENA, CA (January 17, 2019) — Boston Court Pasadena commences the 2019 theatre season with a rare production of David Hare’s The Judas Kiss (February 15 – March 24), which tells the story of Oscar Wilde’s love for Lord Alfred “Bosie” Douglas – and tracking his downfall as he endures a brutal trial and life in exile. Helmed by Artistic Director Michael Michetti, the play examines a literary icon who continues to hold onto his passionate ideals of love and beauty as his life crumbles around him. Sir David Hare, the British playwright behind Plenty, Skylight, and Stuff Happens creates “an emotionally rich drama illuminated by Hare’s customary insight and humanity.” (The Globe and MaiI). The Judas Kiss features Rob Nagle (Oscar Wilde), Colin Bates (Lord Alfred “Bosie” Douglas), Darius De La Cruz (Robert Ross), Will Dixon (Sandy Moffatt), Matthew Campbell Dowling (Arthur Wellesley), Mara Klein (Phoebe Cane) and Kurt Kanazawa (Galileo Masconi). In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas. -
The Lehman Trilogy
Park Avenue Armory, in collaboration with the National Theatre and Neal Street Productions, brings The Lehman Trilogy, by Stefano Massini, adapted by Ben Power, and directed by Sam Mendes to the Wade Thompson Dill Hall, following a sold-out run at the National Theatre Master actors Adam Godley, Ben Miles, and Simon Russell Beale will reprise their critically- acclaimed roles March 22 – April 20, 2019 Simon Russell Beale, Ben Miles and Adam Godley in The Lehman Trilogy at the National Theatre. Photo by Mark Douet. New York, NY – September 12, 2018 – In March 2019, Park Avenue Armory – in collaboration with the National Theatre and Neal Street Productions – will present the North American premiere of The Lehman Trilogy. Told in three parts in a single evening, the production will unfold in the 1 soaring 55,000-square-foot Wade Thompson Drill Hall from March 22 through April 20, 2019 in a strictly limited engagement. Directed by Sam Mendes, The Lehman Trilogy weaves through nearly two centuries of Lehman lineage, following the brothers Henry, Emanuel, and Mayer Lehman from their 1844 arrival in New York City to the 2008 collapse of the financial firm bearing their name. Adam Godley, Ben Miles, and Simon Russell Beale play the Lehman brothers, and a cast of characters including their sons and grandsons. As the inaugural production of the 2019 season, The Lehman Trilogy builds on the Armory’s history of presenting bold and engaging theater productions that explore the unexpected possibilities of the cross-genre cultural institution. The world premiere of Stefano Massini’s The Lehman Trilogy opened at the Piccolo Teatro in Milan in 2015. -
Of Piano Works
My K eys 1 . To n o cra -cro n n cas e a ov e the w d m a n g w i g tl b il i , To n o bower of fair lady or villa in Spain To n o ee en v au s ere the s ore e e s s ne d p , hidd t wh t d w hi , ’ l j l O : the Sou th s ruddy su n light is prison ed in win e ; To no ar en s en c an e ere ni n a es s n g d h t d wh ghti g l i g, A nd the flowers of all dim es breathe pe rpe tual sprin g To non e of all these e v e access m e s Th y gi , y k y , v My magical ebon an d i ory ke ys . II . But to em es su m e e e m u s c is ra er t pl bli , wh r i p y , To the bower of a godde ss su pern ally fair ; To the cr s ere the a es e r m s e es ee pt wh g th i t ri p, y ’y k Where the sorrows an d o s of earth s greatest on e s j y ’ ere the i n e of em o ion a i e s rs m a s Wh w t l f thi t y till, A n d the je wels of thought gleam to light at m y will To m ore than all these v My m agical ebon an d i ory keys. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin Duke of York’S Theatre, London 6 April – 30 June 2018
PRESS RELEASE – Friday 15 December 2017 IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Instagram | @themoderatesoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin Duke of York’s Theatre, London 6 April – 30 June 2018 • Jeremy Herrin’s acclaimed production of David Hare’s The Moderate Soprano to have West End premiere in April 2018, following a sold out run at Hampstead Theatre in 2015. • Roger Allam and Nancy Carroll will reprise roles of Glyndebourne founder John Christie and his wife Audrey Mildmay with further casting to be announced. • Multi award-winning Bob Crowley engaged to design the West End production. • Tickets go on sale to the general public on Tuesday 19 December at 10am. David Hare’s critically acclaimed play The Moderate Soprano will make its West End premiere next spring at the Duke of York’s Theatre, with performances from 6 April to 30 June 2018 and opening night for press on 12 April 2018. Jeremy Herrin, whose celebrated production enjoyed a sold out run at Hampstead Theatre in 2015, will return to direct the play with brand new set and costume designs by the multi award-winning theatre and opera designer, Bob Crowley. Olivier Award winners Roger Allam and Nancy Carroll will reprise the roles of Glyndebourne founder John Christie and soprano Audrey Mildmay. The cast is completed by Paul Jesson as conductor Dr Fritz Busch, Anthony Calf as Professor Carl Ebert, Jacob Fortune-Lloyd as opera impresario Rudolf Bing and Jade Williams as maid Jane Smith. -
P 100 Albums 101 to 14
Basic Album Inventory A check list of best selling pop albums other than those appearing on the CASH BOX Top 100 Album chart. Feature is designed to call wholesalers' & retailers' attention to key catalog, top steady selling LP's, as well as recent chart hits still going strong in sales. Information is supplied by manufacturers. This is a weekly revolving list presented in alphabetical order. It is advised that this card be kept until the list returns to this alphabetical section. HOB Chet Atkins Play Guitar w/Chet Atkins VI 17506 Ventures Play Guitar w/Ventures VII 17507 Thompson Community Ventures The Horse 8057 Singers of Chicago Rise Up & Walk HOB 277 Ventures Underground Fire 8059 Shirley Caesar My Testimony HOB 278 ($5.98 Sugg. Institutional Choir List) More Golden Greats 8060 Of The Church Of Hawaii Five -O 8061 God In Christ Stretch Out HOB 279 Swamp Rock 8062 The Swan Silvertones Only Believe HOB 282 Shirley Caesar Jordan River HOB 283 IMPULSE Five Blind Boys Brown Chicken Fat AS 9152 Tell Mel Of Alabama Jeses HOB 284 Mel Brown The Wizard AS 9169 The Stars Of Faith We Shall Be Changed HOB 285 I'd Rather Suck My Thumb AS 9186 Albertina Walker & Mel Brown Ray Charles Genius + Soul = Jazz AS 2 The Caravans Jesus Will Fix It HOB 287 Brockington Ensemble Alice Coltrane A Monastric Trio AS 9156 Up Above My Head HOB 289 Alice Coltrane featuring Swan Silvertones Great Camp Meeting HOB 290 Pharoah Sanders Ptah The El Daoud AS 9196 Various Artists Gospels Greats Vol.