DOCSLIB.ORG

P 100 Albums 101 to 14

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Basic Album Inventory A check list of best selling pop albums other than those appearing on the CASH BOX Top 100 Album chart. Feature is designed to call wholesalers' & retailers' attention to key catalog, top steady selling LP's, as well as recent chart hits still going strong in sales. Information is supplied by manufacturers. This is a weekly revolving list presented in alphabetical order. It is advised that this card be kept until the list returns to this alphabetical section. HOB Chet Atkins Play Guitar w/Chet Atkins VI 17506 Ventures Play Guitar w/Ventures VII 17507 Thompson Community Ventures The Horse 8057 Singers of Chicago Rise Up & Walk HOB 277 Ventures Underground Fire 8059 Shirley Caesar My Testimony HOB 278 ($5.98 Sugg. Institutional Choir List) More Golden Greats 8060 Of The Church Of Hawaii Five -O 8061 God In Christ Stretch Out HOB 279 Swamp Rock 8062 The Swan Silvertones Only Believe HOB 282 Shirley Caesar Jordan River HOB 283 IMPULSE Five Blind Boys Brown Chicken Fat AS 9152 Tell Mel Of Alabama Jeses HOB 284 Mel Brown The Wizard AS 9169 The Stars Of Faith We Shall Be Changed HOB 285 I'd Rather Suck My Thumb AS 9186 Albertina Walker & Mel Brown Ray Charles Genius + Soul = Jazz AS 2 The Caravans Jesus Will Fix It HOB 287 Brockington Ensemble Alice Coltrane A Monastric Trio AS 9156 Up Above My Head HOB 289 Alice Coltrane featuring Swan Silvertones Great Camp Meeting HOB 290 Pharoah Sanders Ptah The El Daoud AS 9196 Various Artists Gospels Greats Vol. 2 HOB 291 33rd Intl Youth John Coltrane "Live" At The Village Vanguard AS 10 Congress Church John Coltrane Impressions AS 42 John Coltrane "Live" At Birdland AS 50 Of God In Christ Hold Out HOB 292 Five Blind Boys John Coltrane Crescent AS 66 John Coltrane A Love Supreme AS 77 Of Alabama Too Sweet To Be Saved HOB 295 John Coltrane Ascension AS 95 Dixie Hummingbirds Move On Up A Little Higher HOB 296 John Coltrane Kulu Se Mama AS The Davis Sisters Get Right With God HOB 297 9106 John Coltrane Meditations AS 9110 The Harmonizing Four Where He Leads Me HOB 298 John Coltrane Expression AS Shirley Caesar Stranger On The Road HOB 299 9120 John Coltrane "Live" At The Vanguard Again AS 9124 Rev. Milton Bronson John & The Thompson Coltrane Om AS 9140 John Coltrane Selflessness AS 9161 Community Singers I'll Trade A Lifetime HOB 2101 John Coltrane Shirley Caesar & Transition As 9195 Cliff Coulter Eastside San Jose AS 9197 Rev. Claude Jeter Inspirations HOB 2102 Chico Hamilton The Best of Chico Hamilton AS 9174 Hulah Gene Dunklin Milt Jackson Hurley With The featuring Ray Brown That's The Way It Is AS 9189 Voices Of Tabernacle Jesus Will HOB 2103 Ahmad Jamal Louise McCord With At The Top-Poinciana Revisited AS 9176 Ahmad Jamal The Awakening AS 9194 Faith Temple Church Yusef Lateef Of God -Voices "Live" At Peps AS 69 Yusef Lateef 1984 AS 84 Of Tabernacle Too Close Now HOB 2104 Yusef Lateef The Brockinton The Golden Flute AS 9125 Buddy Montgomery This Rather Than That Ensemble O Happy Day HOB 2105 AS 9192 Pharoah Sanders Tauhid AS 9138 Richard Roquemore The Silver Lining HOB 2106 Pharoah Rev. Joseph Linton Sanders Karma AS 9181 Pharoah Sanders Jewels Of Thought AS 9190 & Progressive Baptist Archie Church -St. Louis, Shepp The Magic of Ju-Ju AS 9154 Mo. Rain Down Fire HOB 2108 Archie Shepp Rev. Billy Robinson For Losers AS 9188 Gabor Szabo Spellbinder AS 9123 & Garden of Prayer Gabor Church Of God Szabo The Best Of Gabor Szabo AS 9173 In Christ The Journey HOB 2109 JAMIE/GUYDEN James Cleveland The Gospel In Song HOB 2110 Albertina Walker Barbara Mason Yes I'm Ready ARCTIC 1000 M+S & The Caravans Think About It HOB 2111 Duane Eddy Duane Eddy's 16 Greatest Hits JAMIE 3026 M+S Duane Eddy $1,000,000.00 Worth Of Twang JAMIE 3016 M+S IMPERIAL Duane Eddy Have Twangy Guitar Will Travel JAMIE 3000 M+S Duane Eddy $1,000,000.00 Dana Worth of Twang Vol. 11 Vic Red Roses For A Blue Lady 8034 JAMIE Ventures Walk, Don't 3021 M+S Run 8003 Brenda & The Dry Your Eyes DIONN 2000 M+S Ventures The Ventures Play Telstar 8019 Tabulations Ventures Let's Go 8024 Kit Kats It's Just A Matter Of Time JAMIE 3029 M+S Ventures Walk, Don't Run lI 8031 Fantastic Johnny C Boogaloo Down Broadway PHIL -LA Ventures Ventures OF SOUL 4000 M+S A Go -Go 8037 Barbara Mason Oh, How It Hurts ARCTIC 1004 M+S Ventures Where The Action Is 8040 Malcolm X Ballots Or Bullets FIRST AMENDMENT LP 100 M Go With Ventures The Ventures 8045 Flash Wilson Flash Wilson Arrives JAMIE M+S Wild Thing! 3030 Ventures 8047 Chrispian St. Peters Pied Piper JAMIE LP 3027S Ventures Guitar Freakout 8050 Cliff Nobles & Co. The Horse PHIL -LA-OF SOUL LP 4001S Ventures Super Psychedelics 8052 Various Artists Old N' Golden JAMIE LP 3031S Ventures Play Guitar w/Ventures I 17501 Ambassadors Soul Summit ARCTIC LP 1005S Ventures Play Guitar w/Ventures II 17502 Kit Kats The Kit Kats Do Their Own Thing JAMIE LP 3032S Ventures Golden Greates By The Ventures 8053 Alexandrow Karazov Casatschok (Life Is A Dance) JAMIE LP 3033S Ventures Million Dollar Weekend 8054 New Hope To Understand Is To Love JAMIE 3034S Ventures Play Guitar w/Ventures II 17503 Brenda & Ventures Play Electric Bass w/Ventures IV 17504 The Tabulations Brenda & The Tabulations TOP & BOTTOM 1008 Jimmy Bryant Play Country Guitar w/J. Bryant IV 17505 Society's Hot Nuts Bulls Session WILD HARE 100S Min//A1\\\ nnus.na IIMN P 100 Albums 101 TO 14 101 LOVE COUNTRY STYLE 110 THROUGH THE EYES OF LOVE 120 SANTANA 129 TOM Ray Charles (ABC -S 707) Frost (Vanguard VSD 6556) (Columbia CS 9781) Tom Jones (Parrot XPAS (8022-707v) 70037) (5022-70m) 111 EASY DOES IT (18 10 0692) (16 10 0962) (M 79837) (M 79637) Al Kooper (Columbia G 30031) 102 JOE SOUTH'S GREATEST HITS 121 AMERICAN WOMAN 130 GRAND FUNK (GA 30031) (GT 30031) (Capitol ST 450) The Guess Who (RCA RS 4266) (Capitol Skao 406) 112 BITCHES BREW (8XT 450) (4XT 450) (P8S 1518) (PK 1518) (8XT 406) (4XT 406) Miles Davis (Columbia GP 261 131 THE JULY 5TH ALBUM 103 CANDLES IN THE RAIN 122 BENEFIT (18 BO 0908) Fifth Dimension (Soul City SCS 33901) Melanie (Buddah BDS 5060) Jethro Tull (Reprise RS 6400) 113 LADIES OF THE CANYON 132 MY BABY LOVE LOVIN' (M 85060) (M 55060) (8RM 6400) (CRX 6400) Joni Mitchell (Reprise RS 6376) White Plains (Deram DES 18045) 104 BOB McGRATH FROM SESAME STREET (8RM 6376) (CRX 6376) 123 ABBEY ROAD 133 EASY RIDER Bob McGrath (Affinity A 10015) 114 HAIR Beatles (Apple SO 383) Original Soundtrack (Dunhill DSK 50063) 105 BEFOUR Original Cast (RCA Vctor LSO 1150) (8XT 383) (4XT 383) (8RM 2026) (CRM 2026) (P&S 1600) (PK 1600) (085-1038) (OK -1038) 124 WE MADE IT HAPPEN 134 CRICKLEWOOD GREEN Ten Years After (Deram DES 18030) Brian Auger & The Trinity (RCA LSP 4372) 115 MAKE IT EASY ON YOURSELF Engelbert Humperdinck (Parrot XPAS 71038) Burt Bachrach (A&M SP 4188) (M 79838) (M 79638) (M 77838) (M 77638) 106 MASHMAKHAN 135 POCO (8T 4188) (CT 4188) 125 MAYBE (Epic E 30235) (Epic BN 26522) 116 ON A CLEAR DAY YOU CAN SEE FOREVER Three Degrees (Roulette SR 42050) (N18 10258) (N16 10258) 107 THE STRAWBERRY STATEMENT Orginal Soundtrack (Columbia S 30086) 136 RAINDROPS KEEP FALLIN' ON MY HEAD Original (SA 30086) (ST 30086) 126 THE ASSOCIATION LIVE Soundtrack (MGM 2 SE 14 ST) B. J. Thomas (Scepter SPS 580) 117 SLIM SLIDER (Warner Bros. 2WS 1868) (814) (514) SLO 137 LED ZEPPELIN II Johnny Rivers (Imperial LD 16001) (8W1 1868) (CWJ 1868) 108 JOE COCKER (Atlantic SD 8236) 118 LAY A 127 EVERYTHING IS BEAUTIFUL (A&M SP 4224) LITTLE LOVIN' ON ME 138 THE DEVIL MADE ME BUY THIS DRESS Robin McNamara Jim Nabors (Columbia C 30129) (BT 4224) (4T 4224) (CS 4224) (Steed STS 37007) Flip Wilson (Little David LD 1000) (ST8-37007) (SIC 37007) (CA 30129) (CT 30129) 139 FIVE BRIDGES 109 REFLECTIONS 119 HEY JUDE 128 COME SATURDAY MORNING The Nice (Mercury SR 61295) The Lettermen (Capitol ST 496) Beatles (Apple SW 385) The Sandpipers (A&M SP 4262) 140 THE BEST OF THE YOUNGBL000S (8XT 496) (4XT 496) (8JT 385) (4XT 385) (8T 4262) (CT 4262) (RCA LPS 4399) www.americanradiohistory.com.
Recommended publications
  • Midnight Special Songlist

    Midnight Special Songlist

    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
  • Illustrations of Accounting for Joint Ventures

    Illustrations of Accounting for Joint Ventures

    University of Mississippi eGrove American Institute of Certified Public Accountants Newsletters (AICPA) Historical Collection 1980 Illustrations of accounting for joint ventures : a survey of the application of various methods of accounting for joint ventures in the financial statements of venturers; Financial report survey, 21 Hortense Goodman Leonard Lorensen Follow this and additional works at: https://egrove.olemiss.edu/aicpa_news Part of the Accounting Commons, and the Taxation Commons Recommended Citation Goodman, Hortense and Lorensen, Leonard, "Illustrations of accounting for joint ventures : a survey of the application of various methods of accounting for joint ventures in the financial statements of venturers; Financial report survey, 21" (1980). Newsletters. 181. https://egrove.olemiss.edu/aicpa_news/181 This Book is brought to you for free and open access by the American Institute of Certified Public Accountants (AICPA) Historical Collection at eGrove. It has been accepted for inclusion in Newsletters by an authorized administrator of eGrove. For more information, please contact [email protected]. FINANCIAL REPORT SURVEY 21 Illustrations of Accounting for Joint Ventures A survey of the application of various methods of accounting for joint ventures in the financial statements of venturers By Hortense Goodman, CPA a n d Leonard Lorensen, CPA FINANCIAL REPORT SURVEYS 1 Illustrations of Accounting Policy Disclosure (1972) A survey of applications of APB Opinion No. 22 2 Illustrations of Reporting Accounting Changes (1974) A survey of reporting under APB Opinion No. 20 3 Illustrations of Reporting the Results of Operations (1974) A survey of applications of APB Opinion No 30 4 Illustrations of Interperiod Tax Allocation (1974) A survey of applications of APB Opinion Nos.
  • Vindicating Karma: Jazz and the Black Arts Movement

    Vindicating Karma: Jazz and the Black Arts Movement

    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
  • Press Images Surf’S Up! Instrumental Rock ‘N’ Roll

    Press Images Surf’S Up! Instrumental Rock ‘N’ Roll

    Press Images Surf’s Up! Instrumental Rock ‘n’ Roll Pantone 871 C Metallic = C-0 M-15 Y-78 K-36 + Black [left to right] [left to right] [left to right] Danelectro Guitarlin 1958 Fender Jazzmaster 1965 Mosrite Ventures Mk.V NAMM Custom 1966 played by Link Wray played by Bob Demmon of The Astronauts played by Don Wilson of The Ventures Danelectro Corporation | Red Bank, New Jersey Fender Electric Instrument Co. | Fullerton, California Mosrite of California | Bakersfield, California Courtesy of Deke Dickerson Courtesy of Chad and Sean Demmon Courtesy of Black Book Guitars L2020.1903.001a L2020.1915.001a,b L2020.1904.001a Howard Custom double-neck guitar 1960 Fender 6G14 Showman Amp 1961 Fender FR–1000 Solid State Reverb 1966 played by Duane Eddy used by Rich Fifield of The Astronauts used by Nokie Edwards of The Ventures Howtronics | Phoenix, Arizona Fender Electric Instrument Co. | Fullerton, California Fender Musical Instruments | Santa Ana, California Courtesy of Deke Dickerson Courtesy of Mel Bergman Courtesy of Black Book Guitars L2020.1903.002a L2020.1906.002a,b L2020.1904.002a [left to right] [clockwise from top left] [left to right] Mike Patterson and The Rhythm Rockers 1962 Come Surf With Me 1963 “DoubleJunk” Fender Jazzmaster/Jaguar 1992 Courtesy of John Blair Aki Aleong and the Nobles | Southern California constructed and played by Mel Bergman of The Phantom L2020.1907.006 Vee Jay Records | Chicago Surfers Courtesy of Johnny Bartlett various makers The Music Man Presents The Impacts 1962 L2020.1908.003 Courtesy of Mel Bergman Courtesy of Scott Beerwolf L2020.1906.006a L2020.1916.001 Surf Rider! 1963 The Lively Ones | Orange County, California Del-Fi Records | Hollywood, California Weather King bass drumhead 1989 Courtesy of Mickey McGowan, Unknown Museum Archives illustrated by Johnny Bartlett of The Phantom Surfers L2020.1905.018 Remo, Inc.
  • The Annals of Iowa

    The Annals of Iowa

    The Annals of Volume 75, Number 4 Iowa Fall 2016 A QUARTERLY JOURNAL OF HISTORY SPECIAL ISSUE: WOMEN AND IOWA JOURNALISM In This Issue STEPHANIE GROSSNICKLE-BATTERTON, a doctoral candidate and graduate instructor in the Department of American Studies at the University of Iowa, shows how the Woman’s Standard, a monthly news- paper produced by the Iowa Woman Suffrage Association from 1886 to 1911, incorporated rural themes in its rhetoric, showed evidence of suf- frage work in rural areas, and to varying degrees became a counterpublic space for rural women where contributors explored issues relevant to Iowa farm women. JENNY BARKER-DEVINE, associate professor of history at Illinois College in Jacksonville, Illinois, explores the motivations of the women who produced the Emerald Goose, a humor magazine published at Iowa State College during World War I. She argues that they were not simply responding to an opening created by the war but were actively contesting for space in the student newsrooms and asserting their right to participate in curricular and extracurricular journalism. TRACY LUCHT, assistant professor in the Greenlee School of Journalism and Communication at Iowa State University, surveys the storied career of Dorothy Ashby Pownall from her days as a “sob sister” at the Des Moines Capital during World War I through her publications in Ladies’ Home Journal and the Saturday Evening Post and until her retirement from the Iowa City Press-Citizen in 1955. Pownall’s wide-ranging work, Lucht argues, reveals her methods of exercising agency within a patriarchal field and illustrates why historians must expand what they consider important journalism if they are to make their narratives more inclusive of women.
  • Pharoah Sanders Tauhid Mp3, Flac, Wma

    Pharoah Sanders Tauhid Mp3, Flac, Wma

    Pharoah Sanders Tauhid mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Tauhid Country: US Style: Free Jazz MP3 version RAR size: 1857 mb FLAC version RAR size: 1425 mb WMA version RAR size: 1420 mb Rating: 4.2 Votes: 437 Other Formats: AHX AC3 WMA MMF RA APE VOC Tracklist Hide Credits Upper Egypt & Lower Egypt A 17:00 Written-By – Pharoah Sanders Japan B1 3:29 Written-By – Pharoah Sanders Aum / Venus / Capricorn Rising B2 14:52 Written-By – Pharoah Sanders Companies, etc. Made By – ABC Records, Inc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Published By – Pamco Music Published By – PAB Music Corp. Credits Bass – Henry Grimes Design [Cover] – Robert Flynn Design [Liner] – Joe Lebow Drums – Roger Blank Engineer – Rudy Van Gelder Guitar – Warren "Sonny" Sharrock* Liner Notes – Nat Hentoff Percussion – Nat Bettis Photography By – Charles Stewart* Piano – Dave Burrell Producer – Bob Thiele Tenor Saxophone, Alto Saxophone, Piccolo Flute, Vocals – Pharoah Sanders Notes rec Englewood Cliffs, NJ, Van Gelder Recording Studio 11/15/66 Most probably a 70ies release. Green/plum ABC/Impulse! label. Barcode and Other Identifiers Matrix / Runout (Runout Side A): AS-9138-A 1 B T Matrix / Runout (Runout Side B): AS-9138-B 2 B T Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Pharoah Tauhid (LP, Album, AS-9138 Impulse! AS-9138 US 1967 Sanders Gat) Pharoah Tauhid (CD, Album, GRD-129 GRP, Impulse! GRD-129 US Unknown Sanders RE, RM) Pharoah Tauhid (CD, Album, GRP 11292 GRP, Impulse!
  • Pharoah Sanders, Straight-Ahead and Avant-Garde

    Pharoah Sanders, Straight-Ahead and Avant-Garde

    Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz.
  • City, University of London Institutional Repository

    City, University of London Institutional Repository

    City Research Online City, University of London Institutional Repository Citation: Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8259/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] IMPROVISING PIANISTS: ASPECTS OF KEYBOARD TECHNIQUE AND MUSICAL STRUCTURE IN FREE JAll - 1955-1980. Submitted by Mark Peter Wyatt Lockett as a thesis for the degree of Doctor of Philosophy The City University Department of Music May 1988 TABLE OF CONTENTS Page No I List of Figures 3 IIListofRecordings............,........ S III Acknowledgements .. ..... .. .. 9 IV Abstract .. .......... 10 V Text. Chapter 1 .........e.e......... 12 Chapter 2 tee.. see..... S S S 55 Chapter 3 107 Chapter 4 ..................... 161 Chapter 5 ••SS•SSSS....SS•...SS 212 Chapter 6 SS• SSSs•• S•• SS SS S S 249 Chapter 7 eS.S....SS....S...e.
  • Etta James 2012

    Etta James 2012

    February 2012 www.torontobluessociety.com Published by the TORON T O BLUES SOCIE T Y since 1985 [email protected] Vol 28, No 2 1938 Etta James 2012 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA winners Event Listings John’s Blues Picks & more Loose Blues News TORON T O BLUES SOCIE T Y Upcoming TBS Events 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2012 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold (Executive), Gord Brown, Lucie Dufault (Secretary), Sharon Evans, Sarah French, Julian Fauth and Paul Reddick will appear Thursday, February 2 at the Gladstone Sharon Kate Grace, Michael Malone (Treasurer), Hotel's Melody Bar as part of the Toronto Blues Society First Thursday series. The Ed Parsons (Executive), Norman Robinson, Toronto Blues Society presents the best in blues talent the first Thursday of each month Paul Sanderson, Mike Smith (Executive), John at the recently renovated Melody Bar in The Gladstone Hotel. Performances are Valenteyn (Executive) free to the public and begin at 9pm. The next show in the series is on March 1, and Musicians Advisory Council: Lance Anderson, features a performance by Rick Taylor and Carlos del Junco. Check back soon Brian Blain, Gary Kendall, Al Lerman, Lily Sazz, to find out about upcoming performances including Layla Zoe (April 5), and Mark Stafford, Suzie Vinnick Morgan Davis (May 3). Membership Committee: Mike Malone, Lucie Default, Gord Brown, Sarah French, Mike Smith, Debbie Brown, Ed February 11, 1pm-4pm at Lula Lounge (1585 Dundas St Parsons, Norm Robinson, Rick Battision, W) - Digital Dollars: The second Digital Dollars seminar.
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Notes &Quotes David Clayton Thomas

    Notes &Quotes David Clayton Thomas

    May 2020 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 36, No 5 PHOTO BY MARIE BYERS BY PHOTO David Clayton-Thomas CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 David Clayton-Thomas John's Blues Picks Shawn Kellerman Top Blues Loose Blues News Blues Online TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2020 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Michele Gare, Lori Murray, Ed Parsons, Jordan Safer, Paul Sanderson, Mike Smith, John Valenteyn (Executive) Musicians Advisory Council: Brian Blain, Gary Kendall, Lily Sazz, Mark Stafford, Jenie Thai, Suzie Vinnick,Ken Whiteley The TBS Board of Directors held their first Zoom meeting (BYO pizza and beer this time!) Volunteer & Membership Committee: Lucie Photo courtesy Lucie Dufault Dufault, Sarah French, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Attention TBS Members! Grants Officer: Barbara Isherwood Marketing & Social Media Coordinator: Due to COVID-19 pandemic, TBS is unable to deliver a physical copy of the MapleBlues Dan McKinnon May issue. While we are working from home like every other organization, we are hoping to catch up with expiring, new & renewing members in June. Hence new & renewing members will be receiving their new membership cards as soon as our operations go Publisher/Editor-in-Chief: Derek Andrews back to our regular work hours .
  • Scroll the 2017 Biamp PDX Jazz Festival Program

    Scroll the 2017 Biamp PDX Jazz Festival Program

    PDX JAZZ FESTIVAL FEBRUARY 16-26 01 PJF17_Cover.indd 1 1/31/17 6:01 PM C M Y CM MY CY CMY K Living Room • Bedroom • Dining Room • Rugs nwrugs.com Jantzen Beach 2100 N. Hayden Island Dr (503) 285-7847 Tanasbourne 16305 #110 NW Cornell Rd (503) 645-7847 Wilsonville 29735 SW Town Center Lp W (503) 682-7847 Sherman Oaks, CA (Los Angeles) (818) 386-7847 - Agoura Hills, CA (Los Angeles) (818) 706-3333 • Las Vegas, NV - (702) 737-7847 Monday - Saturday: 10AM to 7PM - Sunday: 11AM to 6PM NWRugs_1.indd 2 1/31/17 5:59 PM WELCOME elcome to the 14th Annual Biamp PDX Jazz Festival. Some folks have wondered why we dropped “Portland” from our W title last year, but many have also recognized our year-round commitment and expansion for presenting jazz all across the Rose City under our organization name PDX Jazz (and no one will dispute that PDX is the best airport in America—even with the new carpeting). Our tireless pursuit in offering our Citizens of Jazzlandia the finest examples of emerging, established and legacy artists continued unabated this past Fall with eleven shows: Raul Midón, Kamasi Washington, Camila Meza, Bill Frisell, McCoy Tyner, Steve Lehman, and Dave Douglas, among others. We have many great shows planned for the coming season T. S. MONK including Dave Holland, Donny McCaslin, Gerald Clayton, Billy Childs, Anat Cohen, Eliane Elias, Manuel Valera, Marquis Hill and Blacktet, Ambrose Akinmusire, and major surprises to be announced soon. The venues with whom we partner are integral in making sure we can keep bringing this high level of artistry for Portlanders to admire and discover.