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Handel Society DPMS ORDER.Indd
HOPKINS CENTER presents Handel Society of Dartmouth College Dr. Robert Duff conductor with special guests Anne Harley soprano Erma Gattie Mellinger mezzo-soprano William Hite tenor Mark Andrew Cleveland bass Cleopatra Mathis narrator Peter Saccio narrator and the Hanover Chamber Orchestra This performance is made possible in part by generous support from the Gordon Russell 1955 Fund; the Handel Society Foundation; and the Friends of the Handel Society Fund. Saturday, May 20, 2006 • 8 pm & Sunday, May 21, 2006 • 2 pm Spaulding Auditorium • Dartmouth College PROGRAM The Company of Heaven Benjamin Britten (1913-1976) Narrated by Peter Saccio, Leon D. Black Professor of Shakespearean Studies and Professor of English and Cleopatra Mathis, Frederick Sessions Beebe ’35 Professor in the Art of Writing Part One: Before the Creation I. Chaos II. The morning stars Part Two: Angels in Scripture IIIa. Jacob IIIb. Elisha IIIc. Hail, Mary! IV. Christ, the fair glory V. War in heaven Part Three: Angels in Common Life and at Our Death VI. Heaven is here VII. A thousand thousand gleaming fires VIII. Funeral march for a boy IX. Whosoever dwelleth under the defence of the most High X. Lento maestoso XI. Ye watchers and ye holy ones • INTERMISSION • Mass in C Major, Op. 86 Ludwig van Beethoven (1770-1827) Kyrie Gloria Credo Sanctus Benedictus Agnus Dei PROGRAM NOTES The Company of Heaven developed an early and remarkable professionalism, to Benjamin Britten (1913-1976) such a degree that when he won a scholarship to the Benjamin Britten began writing music about age five, Royal College of Music at 16 he was far beyond the el- almost as soon as he began playing the piano. -
Benjamin Britten: a Catalogue of the Orchestral Music
BENJAMIN BRITTEN: A CATALOGUE OF THE ORCHESTRAL MUSIC 1928: “Quatre Chansons Francaises” for soprano and orchestra: 13 minutes 1930: Two Portraits for string orchestra: 15 minutes 1931: Two Psalms for chorus and orchestra Ballet “Plymouth Town” for small orchestra: 27 minutes 1932: Sinfonietta, op.1: 14 minutes Double Concerto in B minor for Violin, Viola and Orchestra: 21 minutes (unfinished) 1934: “Simple Symphony” for strings, op.4: 14 minutes 1936: “Our Hunting Fathers” for soprano or tenor and orchestra, op. 8: 29 minutes “Soirees musicales” for orchestra, op.9: 11 minutes 1937: Variations on a theme of Frank Bridge for string orchestra, op. 10: 27 minutes “Mont Juic” for orchestra, op.12: 11 minutes (with Sir Lennox Berkeley) “The Company of Heaven” for two speakers, soprano, tenor, chorus, timpani, organ and string orchestra: 49 minutes 1938/45: Piano Concerto in D major, op. 13: 34 minutes 1939: “Ballad of Heroes” for soprano or tenor, chorus and orchestra, op.14: 17 minutes 1939/58: Violin Concerto, op. 15: 34 minutes 1939: “Young Apollo” for Piano and strings, op. 16: 7 minutes (withdrawn) “Les Illuminations” for soprano or tenor and strings, op.18: 22 minutes 1939-40: Overture “Canadian Carnival”, op.19: 14 minutes 1940: “Sinfonia da Requiem”, op.20: 21 minutes 1940/54: Diversions for Piano(Left Hand) and orchestra, op.21: 23 minutes 1941: “Matinees musicales” for orchestra, op. 24: 13 minutes “Scottish Ballad” for Two Pianos and Orchestra, op. 26: 15 minutes “An American Overture”, op. 27: 10 minutes 1943: Prelude and Fugue for eighteen solo strings, op. 29: 8 minutes Serenade for tenor, horn and strings, op. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Mon, Aug 23, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 12:02 Wagner Die Meistersinger: Selections Chicago 05288 BMG 63301 090266330126 (for orchestra) Symphony/Reiner 00:14:3208:54 Handel Concerto in D English 04894 Archiv 453 451 028945345123 Concert/Pinnock 00:24:26 34:44 Chopin Piano Concerto No. 2 in F Weissenberg/Paris 01070 EMI 69036 077776903620 minor, Op. 21 Conservatory Orchestra/Skrowaczew ski 01:00:40 11:01 Vivaldi Lute Concerto in D, RV 93 Isbin/Pacifica Quartet 13728 Cedille 190 735131919029 01:12:4125:17 Brahms Cello Sonata No. 1 in E minor, Mork/Grimaud 07246 DG 0006904 028947757191 Op. 38 01:38:5819:54 Rachmaninoff Caprice bohemien, Op. 12 Vancouver 03341 CBC 5143 059582514320 Symphony/Comissiona 02:00:2209:26 Geminiani Concerto Grosso in C minor, La Petite 01027 DHM 77010 054727701023 Op. 2 No. 5 Bande/Kuijken 02:10:4834:32 Mozart String Quintet In G minor, K. Beyer/Melos Quartet 01130 DG 419 773 028941977328 516 02:46:2012:15 Bach Trio Sonata in C, BWV 1037 Ida & Ani 12237 CMNW n/a n/a Kavafian/McDermott 03:00:0503:37 Ippolitov-Ivanov Procession of the Sardar from Philadelphia 03983 Sony 62647 074646264720 Caucasian Sketches Orchestra/Ormandy Classical 03:04:4256:53 Schubert Octet in F for Strings & Winds, Fine Arts Quartet/NY 04503 Boston 143 n/a D. 803 Woodwind Quintet Skyline 04:03:0535:15 Raff Symphony No. 10 in F minor, Basel Radio 08615 Tudor 786 761991107862 Op. 213 "In Autumn" Symphony/Travis 1 04:39:2009:45 Strauss Jr. -
Tippett a Child of Our Time Saturday 21 March 2015, 7.30Pm Bath Abbey
Bath Choral Society Vaughan Williams Symphony No 5 Tippett A Child of Our Time Saturday 21 March 2015, 7.30pm Bath Abbey Soprano: Alice Privett Mezzo Soprano: Kate Symonds-Joy Tenor: David Butt Philip Bass: Alex Ashworth Conductor: Will Dawes Programme £3 Southern Sinfonia contains full libretto bath-choral-society.org.uk Photos by Richard Hurd and Jo Bryant BATH CHORAL SOCIETY Conductor: Will Dawes Southern Sinfonia Leader: Alexander Hohenthal Ralph Vaughan Williams Symphony No. 5 in D Interval Michael Tippett A Child of our Time Soprano: Alice Privett Mezzo Soprano: Kate Symonds-Joy Tenor: David Butt Philip Bass: Alex Ashworth Ralph Vaughan Williams (1872-1955) Symphony no.5 in D In every one of Vaughan Williams’s nine symphonies, the composer’s evocative style encourages the listener to conjure up mental pictures: the first three even have pictorial titles. ‘A Sea Symphony’ and ‘A London Symphony’ were followed by a ‘Pastoral Symphony’. But the pastoral element in that third work is ultimately ironic. Written while the composer’s personal experiences of the First World War must still have been vivid, it is more a lament for the war’s loss of life and for the loss of a way of life. In many respects the work we will hear tonight is more directly pastoral in its impact. The first performance, conducted by the composer, was held in London in 1943 at the height of the Second World War, but the magical opening immediately transports us far away from chaos and destruction to an Arcadian Forest of Arden. Horn calls emerge mysteriously from this other world, answered by string figurations swirling around in a different key. -
8/11/2020 FOA CONCERT MPA MUSIC LIST - by Composer 1 2020-2021 (Approved 07/23/2020)
8/11/2020 FOA CONCERT MPA MUSIC LIST - By Composer 1 2020-2021 (Approved 07/23/2020) Class Music Code Title Composer Publisher Notes ** Note: This list is to be used for FOA 2020-2021 District & State Festivals. Unless otherwise specified in Performance notes all pieces are "Play All" BF 7066 Symphony in Eb (mvt. 1) Abel OX BS 6346 Ancient Song And Dance (Hebrew Dance, Op. 35, No. 1) Achron / McAllister KM BS 6041 Concertino for String Orchestra Adler SC / OOP BS 6292 Five Early American Tunes Adler BSM AS 8060 Pastoral for Strings Ahrendt LUD CS 4351 Cordoba Albeniz / Lipton FJH BF 7087 Sevilla Albeniz / McAlister LUD CS 4348 Concerto a Cinque, Op. 7, No. 1 Albinoni / Farrar-Royce ALFR BS 6007 Albinoni's Adagio Albinoni / Keiser CF CS 2062 Colonel Bogey March Alford / Christensen KM DF 3038 Swedish Rhapsody No. 1 Alfven / Isaac WYNN CS 2306 Swedish Rhapsody Alfven / Fishburn WJ BS 6347 Birds on a Wire Allen GMM BS 6303 Fire in the Forge Allen, T. GMM BS 6366 The Legend Of Big Ole (Amundson) Amundson KJOS BS 6322 Allegro Anderssen / McCashin FJH CS 2506 Childgrove Anonymous / Atwell LUD BS 6191 Symphonia de Navitate-String Symphony Anonymous / Blahnik API ES 1183 Sword Dance Arbeau / Phillips HE DF 3060 Danse des Ghazies, From the Ballet Suite, Op. 50a: Mvt 9 Arensky / Lopez BEL AS 8101 Suite for String Orchestra No. 5 Ariosti ANY BS 6220 Vespasian Overture Ariosti / Clark LM ES 1023 Campfire Suite Arnold HHP Mvts. 1&3 AF 9125a English Dances Set 1, Op. 27 Arnold CN Mvts. -
Les Illuminations, Britten's Persoonlijkheid in De Cyclus
Universiteit Gent Faculteit Letteren en Wijsbegeerte Vakgroep Kunst-, muziek- en theaterwetenschappen Les Illuminations, Britten’s persoonlijkheid in de cyclus. Imke De Hert 20034451 Masterproef Academische Master in de kunstwetenschappen, optie musicologie Academiejaar: 2007 – 2008 Promotor Prof. Dr. F. Maes Dankwoord Deze scriptie is tot standgekomen via de medewerking en steun van verschillende mensen. Ik zou dan ook willen startten met mijn dank jegens hen te uiten. In de eerste plaats Prof. Dr. F. Maes voor de boeiende opleiding, voor de begeleiding en het promotorschap. Zonder Prof. Maes was mijn aandacht niet op het onderwerp gevestigd. Ik zou ook al de professoren en doctors van de opleiding musicologie willen bedanken voor de gevarieerde opleiding en enkele docenten van het conservatorium voor het verbreden van mijn horizon, respectievelijk F. Rathé en G. Dhondt. Ook gaat mijn dank naar Frank Nuyts die me met zijn expertise als Britten-kenner bijstond. Tevens dank voor de Nuyts-introductie. Mijn mede musicologie studenten draag ik een warm hart toe voor vier jaar steun en raad. Mijn oprechte dank naar mijn zus Lobke en Ingeborg die mij hielp bij de verbetering en het nalezen van deze thesis. En tevens mijn oprechte dank voor mijn ouders die dit alles hebben mogelijk gemaakt en zonder wiens steun ik niet tot het sluitstuk van mijn opleiding was geraakt. Graag zou ik willen afsluiten met een voornemen. Na twee jaar te hebben doorgebracht met Les Illuminations, gaat de cyclus me nauw aan het hart. De dag dat ik afstudeer voor mijn zangopleiding zal ik één lied kiezen, in nagedachte van Benjamin Britten, een opmerkelijk componist. -
Durham E-Theses
Durham E-Theses Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music PAULEY, JOHN-BEDE How to cite: PAULEY, JOHN-BEDE (2013) Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9499/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ABSTRACT Benjamin Britten, Herbert Howells, and Silence as the Ineffable in English Cathedral Music John-Bede Pauley Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much longer history, but by the beginning of the twentieth century, its expressive potential had not been significantly recognized in liturgical choral music. This study examined the relationship between twentieth-century musical silence and the expression of silence as the ineffable in Anglican choral music (referred to as English cathedral music or ECM) of the middle of the twentieth century. -
EDVARD GRIEG Complete Symphonic Works • Vol. 1
EDVARD GRIEG Complete Symphonic Works Vol. 1 • Symphonic Dances, Op. 64 • Peer Gynt Suite No. 1, Op. 46 incidental music to Peer Gynt by Ibsen • Peer Gynt Suite No. 2, Op. 55 incidental music to Peer Gynt by Ibsen • funeral March in Memory of Rikard Nordraak EG 107 WDR SINfONIEORCHESTER KöLN EIVIND AADLAND, conductor recording date: Oktober 2010 Philharmonie, Köln release date: 24 June 2011 »audite« Ludger Böckenhoff • Tel.: +49 (0) 52 31-870 320 • Fax: +49 (0) 52 31-870 321 • [email protected] • www.audite.de EDVARD GRIeg Complete Symphonic Works Vol. II • Two Elegiac Melodies, Op. 34 • Holberg Suite, Op. 40 • Two Melodies, Op. 53 • Two Nordic Melodies, Op. 63 recording date: August / September 2009 relese date: August 2011 audite 92.579 (SACD / digipac) Vol. III • Concerto in A minor, Op. 16 • Old Norwegian Romance with Variations for orchestra, Op. 51 • Lyric Suite for Orchestra, Op. 54 • “Glockengeläute” recording date: September 2011 / February 2012 audite 92.669 (SACD / digipac) Vol. IV • “I host“ (In Autumn), concert overture for orchestra, Op. 11 • Six Orchestral Songs • Two Lyric Pieces • “Der Bergentrückte“ • Three Orchestral Pieces from Sigurd Jorsalfar, Op.56 audite 92.670 (SACD / digipac) Vol. V • Symphony No. 1 • Norwegian Dances • “Vor der Klosterpforte“ • etc. audite 92.671 (SACD / digipac) WDR Sinfonieorchester Köln Eivind Aadland, conductor »audite« Ludger Böckenhoff • Tel.: +49 (0) 52 31-870 320 • Fax: +49 (0) 52 31-870 321 • [email protected] • www.audite.de PLAYS ON ALL CD- AND SACD- PLAYERS! MUSIKPRODUKTION Press Info: EDVARD GRIEG Complete Symphonic Works • Vol. I • Symphonic Dances, Op. -
Information to Users
Benjamin Britten's "The Company of Heaven". Item Type text; Dissertation-Reproduction (electronic) Authors Weber, Michael James. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 04:21:02 Link to Item http://hdl.handle.net/10150/185097 INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thy-,;" tIme thesis and dissertation .copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Central City Chorus
entral city chorus Central Presbyterian Church 593 Park Avenue, New York City Tu e s d ay, Ma rc h 30, 1999, 7 pm Via crucis Franz Liszt 1811–1886 Introduction Station 1 Jesus is condemned to death Station 2 Jesus takes up his cross Station 3 Jesus falls for the first time Station 4 Jesus meets his holy mother Station 5 Simon of Cyrene helps Jesus carry his cross Station 6 Saint Veronica Station 7 Jesus falls for the second time Station 8 The women of Jerusalem Station 9 Jesus falls for the third time Station 10 Jesus is undressed Station 11 Jesus is nailed to the cross Station 12 Jesus dies on the cross Station 13 Jesus is taken down from the cross Station 14 Jesus is laid in the tomb Meditations compiled by The Rev. Dr. Thomas Hughart Interval Stabat Mater Franz Liszt from Christus Joan Eubank Phyllis Jo Kubey soprano mezzo-soprano David Vanderwal Anthony Turner tenor baritone Robert Frisch Jonathan Oblander narrator organist David Friddle, conductor for Him, and the yearning of our souls for His love. That is Notes on the Program enough for me, and I ask nothing more to remain a believer until my dying breath.” ranz Liszt (1811–86) continues to be one of the most Liszt’s job at Weimar kept him busy both composing fascinating personalities of the nineteenth century. He and producing music, especially the new, the innovative in Fwas the ultimate performer, a brilliant, lionized, larger- music, which he championed. He revised his earlier pieces than-life virtuoso, yet he remained a deeply religious man of for piano; he developed a new orchestral form, the his time. -
Edvard Grieg's Ballade in the Form of Variations on a Norwegian Melody
Edvard Grieg’s Ballade in the Form of Variations on a Norwegian Melody, Op.24, for Piano, and Old Norwegian Melody with Variations, Op.51, for Two Pianos: An Analytical Overview and Interpretive Study of the Variation Procedure D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amalia Sagona, B.M., M.M. Graduate Program in Music The Ohio State University 2009 Document Committee: Steven Glaser, Advisor Kenneth Williams Danielle Fosler-Lussier Copyright by Amalia Sagona 2009 Abstract Edvard Grieg (1843-1907), Norway’s greatest composer of the 19th century, is particularly known as a lyrical composer of songs and piano miniatures. The great majority of his piano works are short character pieces influenced by the Romantic tradition (mostly in three-part form), with a large part of them especially characterized by the use of Norwegian folk and folk-like melodies, harmonies, and rhythms. Grieg’s larger works employing the piano (solo or chamber music) and exploring the sonata form include his Piano Sonata in E Minor, Op.7, a number of chamber music compositions (three Sonatas for Violin and Piano and one Sonata for Cello and Piano), and the most familiar Piano Concerto in A Minor, Op.16. Moreover, his larger-scale piano works include two important essays in the variation form: the Ballade in the Form of Variations on a Norwegian Melody, Op.24, for piano, and the Old Norwegian Melody (Romance) with Variations, Op.51, for two pianos. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Mon, Apr 26, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:12 Debussy Dances Sacred and Profane for Kondonassis/Oberlin 07989 Telarc 80694 089408069420 Harp and Orchestra 21/Reischl 00:12:4226:56 Beethoven Piano Sonata No. 32 in C John O’Conor 05591 Telarc 80261 089408026126 minor, Op. 111 00:40:38 18:36 Handel Amaryllis Suite Royal 01219 RPO/MCA 6186 076732618622 Philharmonic/Menuhin 01:00:4412:48 Wagner Siegfried's Rhine Journey from Minnesota 05989 Telarc 82005 089408200526 Gotterdammerung Orchestra/Marriner 01:14:32 30:11 Mendelssohn String Quartet in A minor, Op. Juilliard String Quartet 05275 Sony 60579 074646057926 13 01:45:4313:47 Dvorak Romantic Pieces for Violin & Zukerman/Neikrug 00587 Philips 416 158 028941615824 Piano, Op. 75 02:01:00 13:20 Rimsky-Korsak Sadko, Op. 5 (Symphonic Mexico City 01478 Musical 512145A N/A ov Poem) Philharmonic/Batiz Heritage Society 02:15:2031:10 Schumann Carnaval, Op. 9 Claudio Arrau 01411 Philips 420 871 028942087125 02:47:3011:59 Borodin Polovtsian Dances from Prince Berlin 07743 EMI 00273 509995002732 Igor Philharmonic/Rattle 3 03:00:59 16:34 Strauss Jr. Tales from the Vienna Woods Czecho-Slovak State 02381 Marco Polo 8.223221 489103023221 Philharmonic/Wildner 1 03:18:3300:59 Beach A Humming-Bird Virginia Eskin 01568 Northeaste 9004 n/a rn 03:20:32 38:42 Brahms String Quartet No. 3 in B flat, Cavani Quartet 05624 Azica 71216 787867121627 Op. 67 04:00:4413:55 Smetana The Moldau from Ma Vlast (My London 05047 Mercury 462 953 028946295328 Fatherland) Symphony/Dorati 04:15:39 33:01 Hanson Symphony No.